Cdt 286 COVER INGLESE Acca 13/10/1614:22Pagina1

Total Page:16

File Type:pdf, Size:1020Kb

Cdt 286 COVER INGLESE Acca 13/10/1614:22Pagina1 CdT_286_COVER_INGLESE_Acca 13/10/16 14:22 Pagina 1 6 1 0 2 R E B O T C O CIVI LT ÀDELL ATAVOLA G 6 8 ACCADEMIA ITALIANA DELLA CUCINA 2 . N IN T ER N ED A I T T IO IO N N A L A L O V A 6 T 1 ACCADEMIA ITALIANA DELLA CUCINA 0 2 A L A CULTURAL INSTITUTION OF THE REPUBLIC OF ITALY R L FOUNDED IN 1953 BY ORIO VERGANI E B E O D T C À O T www.accademia1953.it , L 6 I 8 V 2 I . C N STOAMBMLAER IOO F CONTENTS LIANA TA D I E L A L I A M C E U D C A I C N C A A L’ACCADEMIA ITALIANA DELLA CUCINA FOUNDED IN 1953 BY ORIO VERGANI AND LUIGI BERTETT , DINO BUZZATI TRAVERSO , CESARE CHIODI , GIANNINO CITTERIO , ERNESTO DONÀ DALLE ROSE , MICHELE GUIDO FRANCI , GIANNI MAZZOCCHI BASTONI , ARNOLDO MONDADORI , ATTILIO NAVA , ARTURO ORVIETO , SEVERINO PAGANI , ALDO PASSANTE , GIANLUIGI PONTI , GIÒ PONTI , DINO VILLANI , EDOARDO VISCONTI DI MODRONE , WHIT MASSIMO ALBERINI AND VINCENZO BUONASSISI . FOCUS 7 Orio Vergani’s secrets (Carla Bertinelli Spotti) CIVI LT ÀDELL ATAVOLA 2 Amatriciana: the symbolic dish ACCADEMIA ITALIANA DELLA CUCINA which has nurtured solidarity 9 Spaghetti alla bolognese INTERNATIONAL EDITION (Paolo Petroni) on trial (Piergiulio Giordani OCTOBER 2016 / N. 286 Pavanelli) CULTURE AND RESEARCH EDITOR IN CHIEF PAOLO PETRONI 3 Gricia and amatriciana : COPY EDITOR golden rules of preparation SILVIA DE LORENZO (Francesco Maria Palomba) LAYOUT SIMONA MONGIU 5 Olindo Guerrini TRANSLATOR and his delicious treatise ANTONIA FRASER FUJINAGA (Pino Jubatti) THIS ISSUE INCLUDES ARTICLES BY Carla Bertinelli Spotti, Piergiulio Giordani Pavanelli, Pino Jubatti, Francesco Maria Palomba, Paolo Petroni. OOO PUBLISHER ACCADEMIA ITALIANA DELLA CUCINA VIA NAPO TORRIANI 31 - 20124 M ILANO TEL . 02 66987018 - F AX 02 66987008 [email protected] [email protected] [email protected] www.accademia1953.it OOO MONTHLY MAGAZINE REG . N. 4049 - 29-5-1956 TRIBUNALE DI MILANO On the cover: Detail from the painting “The Outdoor Wedding Dance” (circa 1610) by Pieter Brueghel the Younger, private collection, USA. Rivista associata all’Unione Stampa Periodica Italiana PAGE 1 F CUS Amatriciana: the symbolic dish which has nurtured solidarity The Academy comes to the aid of our traditions. BY PAOLO PETRONI President of the Academy hen a terrible earthquake de - - and immediately - our Academy, with a vastated various areas of cen - programme which, being far from generic, W tral Italy in late August, the is tailored for the provision of direct and September issue of this magazine had al - personal assistance to organisations and ready been printed and was ready for swift individuals in line with our statutory aims. delivery to our readers: consequently we The credit for all this goes to a humble were unable to modify its content. There - but celebrated recipe: spaghetti all’ama - fore we published a special edition of our triciana (Amatrice-style spaghetti). This monthly Newsletter online, to inform the dish is famous throughout the world, and, public about the general situation and together with spaghetti alla carbonara about the Academicians potentially invol - and tagliatelle with ragù, it is one of the ved in the quake. Luckily, none were re - main symbols of our traditional cuisine. ported injured, though unfortunately two Academicians Many are aware that this pasta was apparently created in residing in Accumoli and Arquata del Tronto had their Rome by a cook from Amatrice: here it is often termed homes destroyed. As you presumably know from television ‘matriciana’, it uses bucatini rather than spaghetti, and it and newspapers, both funds and people (including Francesco often features guanciale and a little onion. It is said that at Palomba, our Delegate for Rieti and a Red Cross official; Amatrice, ‘amatriciana’ was instead prepared without his sister Giovanna; Alessandro Caponi, a physician and tomato and termed ‘gricia’. Even Ada Boni refers to gricia Councillor for Ascoli Piceno, who spared no effort notwi - as ‘amatriciana’ in her celebrated book dedicated to Roman thstanding the loss of his home in Arquata; and Giuseppe cooking. But in the face of the recent catastrophe, none of Marrani, former Delegate for the Apuan Alps region and this matters much: what is imperative is to help Amatrice an official of the national Civil Protection force) have been and the other stricken towns, which were largely unknown decisively mobilised. This is by no means the first calamity before these events. And it must be pointed out that if to visit our peninsula, but never before did so many asso - Amatrice had not been among the areas affected, things ciations rush to the aid of the stricken areas: in particular, would have gone differently. A dish, a symbol, has been chefs, restaurants, the Slow Food movement, and likewise more effective than any number of words. On the occasion of its Ecumenical Dinner in October, the Italian Academy of Cuisine will pay homage to our quake-stricken friends with a flavoursome dish of amatriciana pasta, whether red or white, linked to an entirely voluntary donation in favour of restaurants, cooks, hotel management students, artisans, butchers, bakers and others, according to the indications provided by our regional branches. The funds will be delivered rapidly and directly, without middlemen or deductions for expenses. Accademia Italiana della Cucina - raccolta fondi Aree Terremotate IBAN IT14 A033 5901 6001 0000 0145 608 - SWIFT/BIC BCITITMX Causale: donazione a favore del terremoto Centro Italia agosto 2016 PAGE 2 SCOUMLMTAURRIO E & RESEARCH Gricia and amatriciana : golden rules of preparation Recipes which symbolise the Rieti province, and today also represent worldwide solidarity. BY FRANCESCO MARIA PALOMBA Delegate for Rieti ‘Amatriciana’ or ‘matriciana’ pecorino, black pepper bags, dry pasta is a pasta-based dish which and guanciale when they stayed up in L’ takes its name from Amatrice, the mountains for what were often ra - a city in the province of Rieti. Its main ther long stretches of time. Since not ingredients are guanciale (jowl bacon), all the types of pasta now available pecorino cheese and tomato. It is on existed at the time, it is thought that the official list of traditional food pro - spaghetti was the pasta they used. ducts of the Lazio region. With the arrival of tomatoes in Europe The ancestor of amatriciana is ‘gricia’ and the invention of tomato sauce in (or ‘griscia’), also known as ‘white ama - the late 18 th century, amatriciana was triciana’. Its name is said to derive from developed. The first written record of Grisciano, a small town a few kilometres tomato sauce being used as a condi - away from Amatrice, in the environs ment for pasta is in the cooking manual of Accumoli. entitled L’Apicio moderno , written in The recipe has a specific geographical 1790 by the Roman cook Francesco origin and has long been deeply rooted Leonardi. in the region. It is a simple pasta dish, The dish became increasingly popular invented before the arrival of tomato in Rome between the nineteenth and in the region by the shepherds of Ama - early twentieth century: news of it rea - trice who took along rucksacks full of ched the capital along with the she - PAGE 3 SCOUMLMTAURRIO E & RESEARCH pherds who seasonally moved their from Amatrice resident in Rome, who tradition, even if they do not necessarily flocks to the Roman countryside. The created the oft-claimed recipe in the originate in that region. A TSG product dish was originally named ‘matriciana’ capital and called it ‘spaghetti all’ama - must adhere to a precise production rather than ‘amatriciana’, since the in - triciana’ in honour of his native area, protocol. habitants of Amatrice called themselves since it was a variant of gricia . In favour The two recipes below follow the tra - ‘matriciani’ without the initial ‘a’. The - of this theory is the fact that the tomato ditional methods of ingredient selection refore the famous dish also took that used for amatriciana is ‘casalino’, typi - and preparation. The suggestions below name, which morphed over time to cally found around Rome. Another, less are crucial both for gricia and amatri - ‘amatriciana’. plausible hypothesis is that some guests ciana: Several taverners and innkeepers in at a Roman nobleman’s luncheon asked G Use high-quality dry durum wheat Rome came from Amatrice, such that the cook what was the flavoursome spaghetti . the term ‘matriciano’ came to mean dish offered them, and she answered G The guanciale must never be replaced ‘inn serving food’; and amatriciana , “spaghetti alla matriciana”, because by pancetta (which derives from pork though invented elsewhere, soon be - guanciale was termed ‘matrice’ in Ro - belly and changes the flavour). Guan - came a classic of Roman cuisine. man dialect at the time, probably by ciale comes from the jowl and is there - The recipe strictly requires spaghetti association with sow bacon. fore a finer fat with a more subtle and rather than bucatini (hollow spaghetti ), There are now efforts to have amatri - fragrant flavour compared to pancetta ; as witnessed inter alia by the billboards ciana recognised as ‘Traditional Spe - it is the most indispensable ingredient. at the entrance of Amatrice, proclaiming ciality Guaranteed’, a designation better G Use moderately aged pecorino from it “the city of spaghetti all’amatriciana”. known as TSG and introduced by the Amatrice, preferably marzolino , namely Some variants, differing only slightly EU to protect products dependent on the variety produced in spring when among themselves, are found in Ama - traditional recipes or production me - the sheep can browse among the finest trice families: for instance, one or two thods. herbs: it is delicately flavoured, not smashed cloves of garlic may be added; This certification, governed by Council overly salty, and faintly piquant (abso - the ingredients can all be mixed in Regulation (EC) No.
Recommended publications
  • Civiltàdellatavola
    CIVI LT ÀDELL ATAVOLA ACCADEMIA ITALIANA DELLA CUCINA IN T ER E N D AT IT IO IO N N A L ACCADEMIA ITALIANA DELLA CUCINA A CULTURAL INSTITUTION OF THE REPUBLIC OF ITALY 3 FOUNDED IN 1953 BY ORIO VERGANI 1 0 2 Y A M www.accademia1953.it , 9 4 2 . N TABLE OF CONTENTS L’ACCADEMIA ITALIANA DELLA CUCINA FOUNDED IN 1953 BY ORIO VERGANI AND LUIGI BERTETT , D INO BUZZATI TRAVERSO , CESARE CHIODI , G IANNINO CITTERIO , ERNESTO DONÀ DALLE ROSE , M ICHELE GUIDO FRANCI , GIANNI MAZZOCCHI BASTONI , A RNOLDO MONDADORI , ATTILIO NAVA , A RTURO ORVIETO , S EVERINO PAGANI , ALDO PASSANTE , G IAN LUIGI PONTI , G IÒ PONTI , DINO VILLANI , E DOARDO VISCONTI DI MODRONE , WHIT MASSIMO ALBERINI AND VINCENZO BUONASSISI . DEAR ACADEMICIANS… CIVI LT ÀDELL ATAVOLA 6 The Birth of Middle Class ACCADEMIA ITALIANA DELLA CUCINA 3 Italian Restaurants Abroad Cuisine INTERNATIONAL EDITION (Nicola Rivani Farolfi ) MAY 2013 / N. 249 in a Time of Globalizazion EDITOR IN CHIEF (Giovanni Ballarini) GIOVANNI BALLARINI ASSISTANT EDITOR AND ART DIRECTOR 8 Restaurant Acoustics FRANCESCO RICCIARDI FOCUS (Maurizio Campiverdi ) COPY EDITOR SILVIA DE LORENZO 4 The Perennial Topicality EDITORIAL SECRETARY of the Italian Academy TILDE MATTIELLO FRANCO MARENGHI of Cuisine STUDY CENTER LAYOUT (Paolo Petroni) MARIA TERESA PASQUALI TRANSLATORS 9 Is Family Cuisine NICOLA LEA FURLAN DONALD J. C LARK CULTURE AND RESEARCH Still Alive and Well? THIS ISSUE INCLUDES ARTICLES BY (Silvia De Lorenzo ) Giovanni Ballarini, Maurizio Campiverdi, Silvia De Lorenzo, Paolo Petroni, 5 Piadinas and Piadinerias Gianbruno Polllini, Nicola Rivani Farolfi. (Gianbruno Pollini ) OOO PUBLISHER ACCADEMIA ITALIANA DELLA CUCINA VIA NAPO TORRIANI 31 - 20124 M ILANO TEL .
    [Show full text]
  • Shaping Sense Italian Post-War Functionalistic Design
    Kjetil Fallan SHAPING SENSE ITALIAN POST-WAR FUNCTIONALISTIC DESIGN Thesis in fulfilment of the degree of cand. philol. (MA) Department of History / Centre for Technology and Society Norwegian University of Science and Technology (NTNU) Trondheim 2001 To my parents “We have never discussed it, but I think the main reason why we are reluctant to get married is all those dreadful presents you get and can not dispose of just like that. Every christmas, we get a little foretaste of that hell. Cathrine’s parents have gotten wind of our “interest in design”, so that is why the garish wrapping paper nor- mally contains something even more garish; rubbish from Alessi.” -Torgrim Eggen in Pynt Preface This project has been fatiguing in addition to being extremely interesting. I would never have finished it without the help and support from many persons: I wish to thank my supervisor Per Østby for taking on such a unorthodox project. His enthusiasm has been very important to me, and his experience crucial to my work. Øst- by and my co-supervisor Stig Kvaal have guided a sometimes frustrated candidate through the non-determined, multidirectional flux of writing history. Centre for Technology and Society has been my haunt the last two years. I am very thankful for the good working environment the centre has provided me with. I have shared office, problems and laughter with Jon N. Eikrem and Finn Arne Jørgensen. Jørgensen also deserves many thanks for his proofreading and formatting. I also wish to thank the staff at the Biblioteca Nazionale Braidense and the Settore Bib- lioteca, Documentazione, Archivio of the Triennale di Milano for being so helpful and service-minded.
    [Show full text]
  • Editore Publisher Gianni Mazzocchi Direttore Editor Gio Ponti Vice
    Editore Publisher Gianni Mazzocchi Direttore Editor Gio Ponti Vice Direttore Assistant Editor Lisa Licitra Ponti Redazione architettura arredamento arte 494 gennaio 111971 Editoria! Staff Cesare Casati Marianne Lorenz Tecnico Grafico Giovanni Fraschini Domus ha pubblicato opere e scritti di: Carmela Haerdtl, Anna Marchi, Agnoldomenico Piea, Pierre Res­ tany, Joseph Rykwert, Ettore Sott­ sass jr., Charles e Ray Eames, Kho Liang le, Bernard Rudofsky, George Nelson, Fausto Melotti, Tom­ maso Trini, Tapio e Aut Wirkkala Concorsi, congressi, mostre architettura, disegno industriale Informazioni 1 architettura BBPR per Gabicce 7 un centro per le vacanze Il giardino e la casa di Max Bill16a Zurigo La casa vi p di un designer vi p 21 Joe Colombo Notizie di design 25 mostre, concorsi, ecc. Mangiare negli anni ottanta 26 un concorso Pensieri di Heinz Frank 29 una casa e due disegni Mario Bellini 33 per la 0/ivetti Mostre d'arte nel mondo gennaio-febbraio Vitalità del negativo, negativo della vitalità 43 Pierre Restany Noel à Naples 49 Pierre Restany Milano, Ugo La Pietra 51 /a casa e gli oggetti Strutture modulari e un paravento 54 Nino Caruso Per la galleria del Milione a Milano 55 Giancarlo Orte/li, Edoardo Sianesi Genova, Rubens, Labò Agnoldomenico Piea Libri A.D.P. in copertina L'ambiente di Paolo Scheggi alla mostra «Vitalità del negativo nel­ l'arte italiana 1960/70», mostra te­ nutasi a Roma al Palazzo delle Esposizioni dal novembre '70 al febbraio '71 . (foto Ugo Mulas) Domus Europea: questa è l'edizione di Domus per tutti i paesi d'Europa Domus Europea: this is the edition of Domus for ali European countries Redazione Tel.
    [Show full text]
  • Novanta Anni
    NOVANTA ANNI Supplemento a Domus n. 1024 Maggio 2018 GIO PONTI RITRATTO DA MASSIMO CAMPIGLI, 1934 cover mattotti.indd 1 24/04/18 09:10 domus 1024 Maggio May 2018 Novant’anni 1 SOMMARIO/CONTENTS RIVISTA FONDATA DA GIO PONTI NEL 1928 Domus il grande fiume/The big river Domus FOUNDED IN 1928 BY GIO PONTI 2 Alessandro Mendini supplemento/supplement Novanta anni Guardando avanti, da 90 anni/Ninety years of looking ahead 4 Maria Giovanna Mazzocchi Bordone a cura di/guest editor Alessandro Mendini Il sistema Domus verso il futuro/The Domus system: toward the future direttore editoriale/editorial director 5 Walter Mariotti Walter Mariotti art director 1928-1937 Giuseppe Basile 8 a cura di/compiled by Luigi Spinelli, Massimo Valz-Gris responsabile allegati e speciali/editorial Storia/History manager of supplements and special issues 12 La violenza di Le Corbusier su Eileen Gray Donatella Bollani Le Corbusier’s violation of Eileen Gray’s work redazione/copy editor testo/text Antonio Armano Loredana Mascheroni staff grafico/graphics Domus e la pubblicità/Domus and advertising Elisabetta Benaglio, Franco Miragliotta 18 La reciproca seduzione/Reciprocal seduction coordinamento/coordinator 20 Lisa Licitra Ponti Miranda Giardino di Lollo segreteria/administration 1938-1947 Isabella Di Nunno 21 a cura di/compiled by Luigi Spinelli, Massimo Valz-Gris autori/contributors 25 Ettore Sottsass Antonio Armano, Luigi Spinelli, Massimo Valz-Gris traduttore/translations Storia/History Wendy Wheatley 26 Ludwig Wittgenstein filosofo architetto. Un capolavoro a Vienna fotografi/photographers Ludwig Wittgenstein philosopher architect. His masterpiece in Vienna Aurelio Amendola, Aldo Ballo, Richard Barnes, testo/text Antonio Armano Gabriele Basilico, William H.
    [Show full text]
  • Central Books Magazine Catalogue 2018
    This is draft 4 of the 2019 Central Books Magazine catalogue for Publishers to check their entries. Please report any errors you find. email them to [email protected]. Important things to check are price and frequency for 2019. We are getting close to the final draft. Image quality will be better when printed. Once the cover is storted we hope to go to print in Febrauary so get those comments in before February. Sorry at this late stage we can only take small amendments. There is an index at the end of the cataologue. Sorry it is too late to have an image entry this year if you have not yet booked it. Magazine Catalogue 2019 Introduction Welcome to our 2019 (and 80th birthday) magazine catalogue. We hope you find this special 80th anniversary catalogue a little different. We’ve decided to look backwards and forwards. We’ve included an article about our past and some of the magazine we have handled over the years. To the right is a picture of where it all started. Central Books continues to be Europe’s largest distributor of magazines to the book trade, galleries and other specialist outlets. Central Books have been handling magazines since we were established in 1939 and we’re delighted to note that Indie magazines and print are thriving, We – and our colleagues at Antenne Books - hope to continue bringing something different to your shelves for many years to come. We continue to add titles to our own list since the last catalogue. We think you’ll find them as compelling as we did when we took them on.
    [Show full text]
  • Food Heritage and Nationalism in Europe
    Chapter 4 Food and locality Heritagization and commercial use of the past Paolo Capuzzo Geographical roots of food? Identifying a food culture with a locality has always involved a trade-off between searching for roots and recognizing they are not planted in any one spot but entail exchanges and borrowings from remote origins. But even this tension between the local and the supralocal is a simplification: it rests on the assumption that food cultures can be identified by place alone. Actually, highly different food regimes may be at work in one and the same place, and have been so in the past. Class stratification may afford a first prism dividing up food culture domains, but it then interweaves with gender, religious observance, ethnic belonging and so on. Does this mean that any attempt to find a relationship between food and place is a waste of effort? No, indeed: such a relationship can definitely be established. But one does need a critical analysis of the various factors bearing on the link between food and place, since they are cultural and historical constructs rather than causal connections between milieus in nature/history and food cultures. A cuisine rich in victuals of different kinds, prepared from a wide range of ingredients at times exotic in provenance, was typical of the food culture found in the courts of Europe from the late Middle Ages to the early modern era; the diet of the people was more closely locally connected, perforce. For most of the population poverty dictated the choice of diet. A plentiful cosmopolitan cuisine reigned at court (Montanari 2014); it was garnished with rare and exotic ingredients indicating wealth, though also a background of culture deriving from greater familiarity with distant lands.
    [Show full text]
  • Impag Annali 09/05/17 09:06 Pagina 1
    annali_2017_stampa_ultimo.qxp_impag annali 09/05/17 09:06 Pagina 1 ANNALI del CENTRO PANNUNZIO TORINO Anno 2016 – 2017 Ad Armando Testa, signore del segno grafico e coraggioso spirito libero, nel centenario della nascita annali_2017_stampa_ultimo.qxp_impag annali 09/05/17 09:06 Pagina 2 Armando Testa annali_2017_stampa_ultimo.qxp_impag annali 09/05/17 09:06 Pagina 3 ANNALI del CENTRO PANNUNZIO CENTRO PANNUNZIO TORINO 2016 – 2017 annali_2017_stampa_ultimo.qxp_impag annali 09/05/17 09:06 Pagina 4 annali_2017_stampa_ultimo.qxp_impag annali 09/05/17 09:06 Pagina 5 SOMMARIO Editoriale p. 7 Difesa del Risorgimento contro i populismi di Dino Cofrancesco e Pier Franco Quaglieni Primo piano p. 9 Che cos’è eguaglianza? di Gian Domenico Romagnosi p. 27 “Eguaglianza” e “libertà” nel pensiero di Gian Domenico Romagnosi di Girolamo Cotroneo p. 37 Giovanni Gentile: la Grande Guerra come conclusione delle guerre risorgimentali di Hervé A. Cavallera p. 53 Benedetto Croce e la bomba atomica di Giuseppe Giordano p. 59 Benedetto Croce e il paesaggio di Marta Herling p. 61 “Il Mondo” di Pannunzio 1949-1966 e le arti visive di M. Grazia Imarisio Storia, società, costume p. 91 Discorso a’ giovani di Francesco De Sanctis a cura di Beatrice Ronco p. 101 Il “Croce filosofo italiano” di Girolamo Cotroneo di Guglielmo Gallino p. 115 5 giugno 1944 – 9 maggio 1946: due anni difficili – la luogote- nenza del principe Umberto di Savoia di Domenico Giglio p. 133 Enzo Tortora di Dante Mirenghi p. 145 Ricordo di Ernesto Rossi di Mario Barnabè Il giardino delle Muse p. 147 Giordano Bruno nella Londra elisabettiana di Franco Mazzilli p.
    [Show full text]
  • The Traditions and Flavors of Roman Cuisine
    Culinary Hosted Programs THE TRADITIONS AND FLAVORS OF ROMAN CUISINE 7 Days FROM $3,186 City life in Castel Gandolfo CULINARY HOSTED PROGRAM (6) Frascati PROGRAM HIGHLIGHTS •Live like a local with a 6-night stay overlooking Rome in a town called Frascati, a summer stay favorite of the city’s nobility through the centuries •Savor the flavors of Rome with included meals in authentic Italian restaurants including the acclaimed, “Osteria di San Cesario” •Delve into the remains of ancient Tusculum, destroyed by the Roman Empire in 1191 LATIUM Ariccia Monte Porzio Catone •Learn the secrets of Roman cuisine by participating Rome Grottaferrata Frascati 6 in a cooking class lead by a renowned Frascati Nemi Castel Gandolfo culinary pro •Explore the two volcanic lake areas of Nemi and Albano – historic vacation spots of Caligula and Nero and home to the Pope’s summer residence •Visit the oldest historic winery in the region, learn ITALY how the wine is produced, and enjoy a tasting experience •Discover Slow Food Movement techniques visiting local farms that produce honey, herbs, and cheese, and sample these homegrown treats # - No. of overnight stays Arrangements by DAY 1 I ROME I FRASCATI Arrive in Rome and transfer to your hotel in Frascati. Just south of Rome, in the Alban Hills, lies a string of hill towns nestled among vineyards called “Castelli Romani” - “Roman Castles”. Frascati, a summer haunt for the Roman elite through the centuries, offers good food, fresh white wines and captivating views of Rome at a distance. This afternoon, get acquainted with this lovely town during a guided walking tour.
    [Show full text]
  • Rome 2016 Program to SEND
    A TASTE OF ANCIENT ROME 17–24 October 2016 Day-by-Day Program Elizabeth Bartman, archaeologist, and Maureen Fant, food writer, lead a unique, in-depth tour for sophisticated travelers who want to experience Rome through the eyes of two noted specialists with a passion for the city, its monuments, and its cuisine. Together they will introduce you to the fascinating archaeology of ancient foodways and to the fundamentals of modern Roman cuisine. Delicious meals, special tastings, and behind-the-scenes visits in Rome and its environs make this week-long land trip an exceptional experience. You’ll stay in the same hotel all week, in Rome’s historic center, with some out-of-town day trips. October is generally considered the absolutely best time to visit Rome. The sun is warm, the nights not yet cold, and the light worthy of a painting. The markets and restaurants are still offering the last of the summer vegetables—such as Rome’s particular variety of zucchini and fresh borlotti beans—as well as all the flavors of fall and winter in central Italy—chestnuts, artichokes, broccoli, broccoletti, chicory, wild mushrooms, stewed and roasted meats, freshwater fish, and so much more. Note: Logistics, pending permissions, and new discoveries may result in some changes to this itinerary, but rest assured, plan B will be no less interesting or delicious. B = Breakfast included L = Lunch included D = Dinner included S = Snack or tasting included MONDAY: WELCOME AND INTRODUCTION You’ll be met at Leonardo da Vinci Airport (FCO) or one of the Rome railroad stations and transferred to our hotel near the Pantheon, our base for the next seven nights.
    [Show full text]
  • Archivio Riviste
    ARCHIVIO RIVISTE 7 ANNI DI GUERRA FOTOSTORIA DEL SECONDO CONFLITTO MONDIALE VISTO DALLE DUE PARTI IN LOTTA PERIODO DI PUBBLICAZIONE DA MAGGIO 1961 A GENNAIO 1963 DISPONIBILITA' IN EMEROTECA COLLEZIONE COMPLETA 7 GIORNI RIVISTA ILLUSTRATA DI CRONACA, APPROFONDIMENTI, RACCONTI E VARIETA' PERIODO DI PUBBLICAZIONE DAL 1935 DISPONIBILITA' IN EMEROTECA ANNO 1943 N. 23 ABC SETTIMANALE POLITICO E DI ATTUALITA'. HA UNA NETTA LINEA SOCIALISTA, ANTICONFORMISTA E ANTICLERICALE. PUBBLICA FOTO OSE' PER L'EPOCA PERIODO DI PUBBLICAZIONE DAL 1960 AL 1978 DISPONIBILITA' IN EMEROTECA ANNO 1969 N. 25 AIRONE EDITO DA GIORGIO MONDADORI, "AIRONE" SI CARATTERIZZO' COME LA PRIMA PUBBLICAZIONE ITALIANA DI DIVULGAZIONE SCIENTIFICA SUI TEMI DELL'ETOLOGIA, DELL'ECOLOGIA E IN GENERALE DELLO STUDIO DEGLI ANIMALI E DELL'AMBIENTE PERIODO DI PUBBLICAZIONE DA MAGGIO 1981 > PROSEGUE AL PRESENTE DISPONIBILITA' IN EMEROTECA ANNATE COMPLETE DALL'INIZIO A TUTTO L'APRILE 1998 ALBA SETTIMANALE RELIGIOSO DEDICATO AD UN PUBBLICO FEMMINILE PERIODO DI PUBBLICAZIONE DAL 1923 DISPONIBILITA' IN EMEROTECA ANNO 1939 N. 11 ALE' TORO! ORGANO UFFICIALE DEI TIFOSI GRANATA PERIODO DI PUBBLICAZIONE DAL 1964 DISPONIBILITA' IN EMEROTECA ANNO 1965 N. 4 ALI PERIODICO DEGLI AVIATORI ITALIANI PERIODO DI PUBBLICAZIONE DAL 1944 DISPONIBILITA' IN EMEROTECA ANNO 1944 N. 14 ALI DI GUERRA QUINDICINALE ILLUSTRATO DEI COMBATTENTI ALATI E DEI PRODUTTORI DI ALI PERIODO DI PUBBLICAZIONE DAL 1941 DISPONIBILITA' IN EMEROTECA ANNO 1942 N. 27 ALISEI RIVISTA EDITA DAL TOURING CLUB ITALIANO CON ARTICOLI DI GEOGRAFIA, VIAGGI E TURISMO PERIODO DI PUBBLICAZIONE DA OTTOBRE 1992 A FEBBRAIO 1995 DISPONIBILITA' IN EMEROTECA COLLEZIONE COMPLETA AMICA (I SERIE) RIVISTA MENSILE ILLUSTRATA PER LA DONNA E PER LA CASA: RACCONTI, MODA, ECONOMIA DOMESTICA, ATTUALITA', POSTA DEL CUORE PERIODO DI PUBBLICAZIONE DAL 1929 DISPONIBILITA' IN EMEROTECA ANNO 1938 N.
    [Show full text]
  • The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
    The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR ....
    [Show full text]
  • Title: Some Reflections Concerning the Usage of "Liquamen" in the Roman Cookery
    Title: Some reflections concerning the usage of "liquamen" in the Roman cookery Author: Patrycja Matusiak Citation style: Matusiak Patrycja. (2006). Some reflections concerning the usage of "liquamen" in the Roman cookery. "Scripta Classica" (Vol. 3 (2006), s. 57-67). Patrycja Matusiak University of Silesia, Katowice Some reflections concerning the usage of liquamen in the Roman cookery he abundance of tastes and smells was a characteristic feature of the Tancient cuisine, according to our present knowledge, of course. This wealth distinguishes the Roman cookery from modem European, especially Polish. The fish sauce was an indispensable ingredient of almost every dish. This sauce was called garum or liquamen, and was ubiquitous not only in Roman cuisine but also in Greek - its wide usage is reflected in literature. The earliest mentions of it are found in the works of Aeschylus, Sophocles, Cratinus, Pherecrates and Plato Comicus from 5th c. BC. Unfortunately our knowledge of this highly interesting aspect of ancient life is far from satisfactory, since the only complete source, an ancient “cookbook”, is Apicius’ De re coquinaria'. Apicius however was not the author of this treatise, which actually is a fourth-century CE compilation, handed down by his name. We can also find many recipes in the works of Cato and in other Roman authors writing on agriculture2; last, but not least, many a valuable information is scattered in casual descriptions all over the preserved Greco-Roman literature. These however, more often present an impressive picture of lavish feasts and refined dishes rather than give detailed recipes which would allow us to recon­ struct the ancient cuisine.
    [Show full text]