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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Pipe Band Jackets
Feather Bonnet Hackle and Cap Badge Guards Doublet Plaid Cross Belt Since 1950 Hardies have provided Pipe Bands around the world with a dedicated bespoke service. With over 50 years experience playing in Waist Belt Pipe Bands at all levels we have the knowledge and expertise to deliver Hand Made Heavy Weight Kilt uniforms to ensure your Pipe Band presents a smart and professional Military Doublet image for competitions, parades and public performances. Kilt Pin Our Piper range of uniform products have been designed specifically Horse Hair Sporran for Pipe Bands providing quality, durability and comfort. We offer two complete uniforms known as No.1 and No.2 dress. Hose Tops and Garter Flashes No.1 dress is a magnificent and grand uniform worn by Pipe Bands Spats featured in Tattoos and Highland Gatherings around the world. It will add a touch of class to any occasion such as Weddings, Corporate Brogues Events and Burns Suppers. Competition Pipe Bands today wear No.2 dress as it is comfortable to No.1 Dress wear and more affordable. This uniform offers many options to meet the needs of the modern day Pipe Band and it can be customised to This style of uniform is based on the include band and sponsors logos. requirements set out by the regiments within the British Army. Doublets can be decorated to show the rank and positions within a Pipe Band were we can advise what is appropriate. We offer two styles of doublets known as Military and Guards pattern, available in 19oz wool barathea in black, navy, bottle green or rifle green with silver or gold braid. -
Liniment a Close Two-Cent Stamp for Repb- Form of Construction Insures the Best Can Have in the House
Effective Costumes home “Two bottles the American Cured My Wm A.RADFORD rngmSKm Rheumatism’’ EDITOR Mr. William A. Radford will answer way on the outside may be considered questions and give advice FREE OF practically fireproof. COST on all subjects pertaining to the There is no combination of subject of building for the readers of mate- this paper. On account of his wide expe- irals more pleasing to the eye than rience as Editor. Author and Manufac- this high grade face brick and the turer, he Is, without doubt, the highest cement plaster In a harmonizing col- authority on all these subjects. Address or. As far as warmth and freedom foundrelief at all Inquiries to William A. Radford. No. person IS4 Fifth Ave.. Chicago, 111., and only en- from dampness are concerned this got two bottles and they cured me. I think it is the best Liniment a close two-cent stamp for repb- form of construction Insures the best can have In the house. Ishall always keep a bottle in my house as long as I possible results, and the expense Is can get it”—Mrs. E. R. Wallace, Morrisons, Va. The well-to-do suburban builder Is getting rather particular about the Another Letter. kind of a house he puts up. It Is not Mrs. James McGraw, of 1216 Mandeville St., New Orleans, La., writes: — enough to simply provide comfortable “ I take pleasure in writing to you that I had a pain in my arm for five years, shelter for his family and have room and I used enough for all; but the general style and appearance of the house has to be given due thought so that it will work In well with Its surroundings and con- form In size and style to what his friends and neighbors consider neces- sary for his home. -
Cloth Without Weaving: Beaten Barkcloth of the Pacific Islands, November 1, 2000-February 18, 2001
Cloth Without Weaving: Beaten Barkcloth of the Pacific Islands, November 1, 2000-February 18, 2001 Unlike most textiles, which are made of interworked yarns, beaten barkcloth is made of strips of the inner bark of trees such as the paper mulberry, breadfruit, or fig, pounded together into a smooth and supple fabric. It is an ancient craft, practiced in southern China and mainland Southeast Asia over 5,000 years ago. From there, the skill spread to eastern Indonesia and the Pacific Islands. While the technique is also known in South America and Africa, it is most closely associated with the islands of Polynesia. In Polynesia, the making of beaten barkcloth, or tapa, as it is commonly known, is primarily women's work. The technique is essentially the same throughout the Pacific Islands, with many local variations. Bark is stripped from the tree, and the inner bark separated from the outer. The inner bark is then pounded with wooden beaters to spread the fibers into a thin sheet. Large pieces of tapa can be made by overlapping and pounding together several smaller sheets. Women decorate the cloth in many ways, and techniques are often combined. Mallets carved or inlaid with metal or shell designs may impart a subtle texture to the surface. Color may be applied with stamps, stencils, freehand painting, or by rubbing dye into the tapa over a patterned board. Glazes may be brushed onto the finished cloth. Each tapa-producing culture has its own vocabulary of recognized decorative motifs. Many pattern names are drawn from the natural world, and the motifs appear as highly stylized images of local flora and fauna or simple geometric shapes. -
Women's Uniforms 1 Sept/Oct 2005 by Marie Robinette € in the Morris
By Marie Robinette € In the Morris and Company, Inc brochure from 1929 they ask, “Does a smile count? Can it cheer the patient and speed recovery? Then so does the costume of the nurse.” The uniforms of the Model A era reflected style and quality in every line. The nurses of the era who wore the newest styles in uniforms would not lose her personality by wearing a uniform that was unattractive. The styles were a mirror of trends in street dresses. Uniforms were available to the professional nurse, the business women and home service too. When we think of women’s uniforms during the Model A Era we tend to think of a nurse’s sterile white uniform. But, some nurse’s uniforms were offered in blue, pink, green and orchid fast color Chambray. Pin stripe prints were also available. Women’s Uniforms 1 Sept/Oct 2005 #2415 – Made of Ryster 5-Star #2412 – Made of fine weave #1889 – A new model at a low two-ply Poplin. Has Peter Pan 2-ply Dundalk Poplin. Has 8 price. Made of Linatex Nurses’ collar, French turnover cuffs inverted shoulder tucks, four Suiting with a high turn-over and two shaped patch pockets. on either side of long flat collar. scalloped collar. New form-fitting The four narrow inverted tucks Central from opening to waist sleeves.Dutch turned cuffs. Trimmed on either side of the yoke give line. Two bellows patch pockets. with detachable ocean pearl buttons a slight fullness over the bust. French cuffs. Detachable belt and sloped welt pockets Detachable ocean pearl buttons, and detachable ocean pearl and detachable belt. -
Exploring Plant Dyes Overview: Nature Presents an Incredible Visual Rainbow
Exploring Plant Dyes Overview: Nature presents an incredible visual rainbow. For centuries, people have captured these natural hues for decorating animal skins, fabrics, crafts, hair, and bodies. Dyeing with plants can provide an intriguing lens for exploring the local environment, learning science concepts, conducting experiments, learning about history and other cultures, and creating compelling crafts. Grade Level/Range: K- 8th Objective: Students will investigate the use of plants to create natural dyes, experimenting with different dyeing methods and a variety of plant materials. Time: 1 hour to 4 days Materials: • Pounded Flower Prints: fresh flowers and leaves, rubber mallet, white or light-colored cotton fabric, safety goggles, wax paper, newspaper • Sun-Brewed Dye Bath: Distilled water or pre-measured tap water that has been allowed to sit uncovered for a day or two to allow chlorine to evaporate; various fibers (wool, cotton, silk, linen; fabric or yarn); glass pint jars with lids; alum* (aluminum potassium sulfate from a pharmacy, craft store, or spices section of grocery store); plastic wrap; paper towels; plastic or wooden spoons • Stovetop Dye Bath: Various plant materials, large enamel pot, hotplate or stovetop, large wooden spoon or spatula, alum*, cream of tartar* (available in spices section of grocery store), fabric or yarn, cheesecloth or nylon stockings *Note: Alum and cream of tartar are used as mordants. These are substances that act as fixatives to chemically attach or “set” the dye to the material being colored. Background Information: Since prehistoric times, humans from across the globe have used plant pigments to enrich their lives. Historians and scientists believe that prehistoric animal skins and cave paintings dating back to 15,000 B.C. -
Historic Furnishings Assessment, Morristown National Historical Park, Morristown, New Jersey
~~e, ~ t..toS2.t.?B (Y\D\L • [)qf- 331 I J3d-~(l.S National Park Service -- ~~· U.S. Department of the Interior Historic Furnishings Assessment Morristown National Historical Park, Morristown, New Jersey Decemb r 2 ATTENTION: Portions of this scanned document are illegible due to the poor quality of the source document. HISTORIC FURNISHINGS ASSESSMENT Ford Mansion and Wic·k House Morristown National Historical Park Morristown, New Jersey by Laurel A. Racine Senior Curator ..J Northeast Museum Services Center National Park Service December 2003 Introduction Morristown National Historical Park has two furnished historic houses: The Ford Mansion, otherwise known as Washington's Headquarters, at the edge of Morristown proper, and the Wick House in Jockey Hollow about six miles south. The following report is a Historic Furnishings Assessment based on a one-week site visit (November 2001) to Morristown National Historical Park (MORR) and a review of the available resources including National Park Service (NPS) reports, manuscript collections, photographs, relevant secondary sources, and other paper-based materials. The goal of the assessment is to identify avenues for making the Ford Mansion and Wick House more accurate and compelling installations in order to increase the public's understanding of the historic events that took place there. The assessment begins with overall issues at the park including staffing, interpretation, and a potential new exhibition on historic preservation at the Museum. The assessment then addresses the houses individually. For each house the researcher briefly outlines the history of the site, discusses previous research and planning efforts, analyzes the history of room use and furnishings, describes current use and conditions, indicates extant research materials, outlines treatment options, lists the sources consulted, and recommends sourc.es for future consultation. -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
Chapman Wrttes His Own Epitaph in Closing Hours
■f- ■- . WBfS PRESS RUN) v 4VBHAGB DAILY CIRCULATIOI*' Ot* PHB EVENING HERALD for tjiie month of March, IWBO, 4,736 VOL. XtIV „ NO. .^r HEAVY COATS WILL BE JOHN T. KING IN ORDER FOR EASTER BANDITS IRON Washington, April 2.—^Heavy coats will be needed along the 10 IN R. I. BANK, ; INUCTED FOR Atlantic seaboard for the annual Easter parade Sunday. Fair but cold was the weather bureau's prediction today for GET ALL CASH W N G INCOME the eastern part of the counbry. It will rain tomorrow but the precipitation probably will stop by night. Raid Trust Co. at Phenix, Huge Profits Disclosed/by Negni, Near Deadi, Assert! <$>------------- Handcuff Clerks, Custom ^ federal Probe Into Deal in New-York, April 2.— ^Eighty He Beard Employer Fire .percent o f, the crime in New TIES BOY TO POST; ers, Drive Off wiA $15, York .. is committed by; persons German-own^ Metals Co. FWiraUURYIN under 22 years of age, acCQrd*>^ Fatal Shot— Appeals to 000 to $20,000. ing tb'the annuarreport'of tl^ Stock. PUNISHED IN COURT Children’s* Aid society. B A T H m (P Z •»- Supreme Court Judges Phenlx, R. I., April 2.— The Fal^-lawyers* Last C a4 New York, April 2.— John T. Mrs. Urbanad on Probadon mdht daring bank robbery In the King, former Republican national history of Rhode Island was staged Play Producer Indicteff After CQjnmltteemani of Connecticut, was here today when four masked ban New Trial Petition, to Ifc indicted today for perjury by the for Harsb Treatment of dits entered the banking rpoms of federal grand jury that has been in the Phenlx Trust company and Jury Probe of Famous ‘ CDIDEin Played Tomorrow. -
From Maroons to Mardi Gras
FROM MAROONS TO MARDI GRAS: THE ROLE OF AFRICAN CULTURAL RETENTION IN THE DEVELOPMENT OF THE BLACK INDIAN CULTURE OF NEW ORLEANS A MASTERS THESIS SUBMITTED TO THE GRADUATE FACULTY OF LIBERTY UNIVERSITY BY ROBIN LIGON-WILLIAMS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY DECEMBER 18, 2016 Copyright: Robin Ligon-Williams, © 2016 CONTENTS ACKNOWLEDGEMENTS iv. ABSTRACT vi. CHAPTER 1. INTRODUCTION 1 History and Background 1 Statement of the Problem 1 Research Question 2 Glossary of Terms 4 Limitations of the Study 6 Assumptions 7 2. LITERATURE REVIEW 9 New Orleans-Port of Entry for African Culture 9 Brotherhood in Congo Square: Africans & Native Americans Unite 11 Cultural Retention: Music, Language, Masking, Procession and Ritual 13 -Musical Influence on Jazz & Rhythm & Blues 15 -Language 15 -Procession 20 -Masking: My Big Chief Wears a Golden Crown 23 -African Inspired Masking 26 -Icons of Resistance: Won’t Bow Down, Don’t Know How 29 -Juan “Saint” Maló: Epic Hero of the Maroons 30 -Black Hawk: Spiritual Warrior & Protector 34 ii. -Spiritualist Church & Ritual 37 -St. Joseph’s Day 40 3. METHODOLOGY 43 THESIS: 43 Descriptions of Research Tools/Data Collection 43 Participants in the Study 43 Academic Research Timeline 44 PROJECT 47 Overview of the Project Design 47 Relationship of the Literature to the Project Design 47 Project Plan to Completion 49 Project Implementation 49 Research Methods and Tools 50 Data Collection 50 4. IN THE FIELD 52 -Egungun Masquerade: OYOTUNJI Village 52 African Cultural Retentions 54 -Ibrahima Seck: Director of Research, Whitney Plantation Museum 54 -Andrew Wiseman: Ghanaian/Ewe, Guardians Institute 59 The Elders Speak 62 -Bishop Oliver Coleman: Spiritualist Church, Greater Light Ministries 62 -Curating the Culture: Ronald Lewis, House of Dance & Feathers 66 -Herreast Harrison: Donald Harrison Sr. -
Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept
DOCUMENT RESUME ED 048 223 SP 007 137 TITLE Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept. of Education, Toronto. PUB LATE 67 NOTE 34p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Clothing Instruction, *Curriculum Guides, Distributive Education, *Grade 11, *Grade 12, *Hcme Economics, Interior Design, *Marketing, Merchandising, Textiles Instruction AESTRACT GRADES OR AGES: Grades 11 and 12. SUBJECT MATTER: Fashicn arts and marketing. ORGANIZATION AND PHkSTCAL APPEARANCE: The guide is divided into two main sections, one for fashion arts and one for marketing, each of which is further subdivided into sections fcr grade 11 and grade 12. Each of these subdivisions contains from three to six subject units. The guide is cffset printed and staple-todnd with a paper cover. Oi:IJECTIVE3 AND ACTIVITIES' Each unit contains a short list of objectives, a suggested time allotment, and a list of topics to he covered. There is only occasional mention of activities which can he used in studying these topics. INSTRUCTIONAL MATERIALS: Each unit contains lists of books which relate either to the unit as a whole or to subtopics within the unit. In addition, appendixes contain a detailed list of equipment for the fashion arts course and a two-page billiography. STUDENT A. ,'SSMENT:No provision. (RT) U $ DEPARTMENT OF hEALTH EOUCATION & WELFARE OFFICE OF THIS DOCUMENTEOUCATION HAS BEEN REPRO DUCED EXACT' VAS RECEIVED THE PERSON OR FROM INAnNO IT POINTSORGANIZATION ()RIG IONS STATED OF VIEW OR DO NUT OPIN REPRESENT OFFICIAL NECESSARILY CATION -
Fibres & Fabrics
BrIefInG fibres & fabrics By philippa watkIns European textiles are a strong force again. Their creativity and inventiveness, which has kept growing despite the years of difficulties and still prevailing uncertainties, is helping them out of crisis. Fabric Fairs such as MFS, Milano Unica and Première Vision were busy, maintaining the increase in visitors noted a year ago – even London’s little Textile Forum was buzzing with visitors. PV and Expofil recorded 53,065 visitors overall with EU visitors now accounting for 70%. Visitors from the US, whose economy has been showing signs of recovery, accounted for 5% and there was a surge in Asian visitors, mostly from Japan, South Korea and China. With buyers showing such interest, exhibitors were cautiously optimistic. Notable also are new techniques, and sheer craftsmanship, which create both a new PV Awards aesthetic as well as greater ‘sustainability’. There’s an air of responsibility, as the with a twist, masculine look. These fabrics industry works towards more sustainable are also printed – often in huge prints, and production. Use of water, for instance, is a double faced reversing print to plain. Italian serious issue, and new ways of water and Ratti, for instance, had a new ‘scuba’ cloth chemical free finishing are making headway – in a crêpe-type quality made with crêpe such as digital printing and laser technology. yarns, also printed, and Menta, always Even more spectacular is the development experimenting with extraordinary printing of new ways of finishing through ‘plasma’ techniques, had printed ribbed spacers. technology – one to really watch. While these fabrics have smooth volume, they are not flat – in fact nothing is quite PV AWArDs 2014 Trend area at Milano Unica flat.