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DRESS CODE – Revised August 2018
DRESS CODE – Revised August 2018 Philosophy: The dress code reflects the dignity proper to a student attending a Catholic school. Proper school attire and good grooming are conducive to a student’s educational and social development. Whether on regular uniform days or on special dress days, students are expected to dress modestly and appropriately in keeping with our Christian values. The school reserves the right to make the final determination of “modest” and “appropriate” attire. This dress code is required of all students, kindergarten through eighth grade. It is the parents’ responsibility to see that their children adhere to the Dress Code Policy. It is essential for the maintenance of order in school that parents only purchase accepted uniform clothing for their children to wear at school. Please see the following description to ensure that your purchases are in compliance with the dress code. Shirts All shirts must be white or classic navy. The crest is mandatory in grades 3-8 only. All shirts must be kept K-8 tucked into pants or skirts unless they have a waistband. Options: Short sleeve or long sleeve oxford, turtleneck or polo (with or without waistband). Girls K-3 may wear Peter Pan collar with jumper. Slacks/Shorts Navy (K-8) or khaki (K-8) slacks or walking shorts. Shorts may not be worn November 1 – March 31. Shorts K-8 must be a modest length. No cargo pants/shorts or pants/shorts with external pockets. Jumpers K-3 SJS plaid in drop waist or split bib styles. Grades K-3 only. Skirts/Kilts/ SJS plaid or navy blue or khaki skirt, kilt, skort, or culottes of modest length for grades K-8. -
By: Mikayla Wollner Table of Contents African Fashion … 3 Nails a Short Story … 4 Teenage Girl Fashion … 5 Unfortunate Fashion … 6 Letter from the Editor … 7
By: Mikayla Wollner Table of contents African Fashion … 3 Nails a short story … 4 Teenage girl fashion … 5 Unfortunate fashion … 6 Letter from the editor … 7 Strike a pose … 8 Letter to the editor … 9 Fashion from the 1890s … 10 Fashion from the 80s … 11 Yoggies Activewear … 12 African Clothing English French The idea of African clothing inspires images of L'idée de vêtements africains inspire des images rich colors and ceremonial dress but, the fact is, de couleurs riches et robe de cérémonie mais, African clothing is as diverse as the African du fait n'est, vêtements africains est aussi continent. Africa's ancient civilizations diversifiée que sur le continent africain. demonstrate the continent's long history of Anciennes civilisations de l'Afrique montrent creating clothing for utilitarian as well as longue histoire de la création de vêtements à celebratory and symbolic purposes. Despite its des fins utilitaires ainsi que de célébration et many variations, there are several unifying symboliques du continent. Malgré ses features of and facts about African clothing. nombreuses variations, il ya plusieurs caractéristiques unificatrices de faits et sur les vêtements de l'Afrique. The Time I Cut My Nails Lucy collected her fingernails since age 12. day for school and people could not believe Yep I said 12. What makes this a tad bit it. Lucy was told so many times how stranger is that Lucy is 13 years old. And if beautiful her nails were. But this was not you can figure that out she didn’t cut her really what Lucy was envisioning. -
Newsletter Edition 2
Ostomy Care ® Urology & Continence Care Coloplast Wound & Skin Care Care The revolutionary double-layer adhesive ®delivers security you can rely on Spring Issue Edition 2 Unique ® double-layer adhesive. Welcome to the 2nd edition of Coloplast® Care. Spring has be able to wear many of the clothes sprung, and with it the joy of a new season, fragrant f lowers you currently have. However there • Creates a tight seal reducing the risk of leakage and some much welcome sunshine! It is also time to pack may be some styles you want to away the scarves and gloves, and embrace the outdoors. avoid and other styles you find more for security day and night In this edition of our Coloplast® Care newsletter we delve appealing. • Oval shape and flexible material ensures into the do’s and dont’s of exercising after your surgery. We also offer some advice on how to dress and of course now It’s a good idea to know what your consistent adhesion even for uneven abdominal that the cold is banished, on what to consider before you options are. It’s also helpful to talk to areas and active lifestyles get into a swimming pool again. your Stoma therapist or Coloplast® Care specialist, who can discuss the • Protects your peristomal skin throughout the Remember that your Coloplast® Care Specialist is here look and feel of your abdomen. She entire wear time to assist you with any intimate healthcare needs you may or he can then offer one-on-one advice based on your have and is available Monday to Friday from 8am to 4pm. -
Glossary of Sewing Terms
Glossary of Sewing Terms Judith Christensen Professional Patternmaker ClothingPatterns101 Why Do You Need to Know Sewing Terms? There are quite a few sewing terms that you’ll need to know to be able to properly follow pattern instructions. If you’ve been sewing for a long time, you’ll probably know many of these terms – or at least, you know the technique, but might not know what it’s called. You’ll run across terms like “shirring”, “ease”, and “blousing”, and will need to be able to identify center front and the right side of the fabric. This brief glossary of sewing terms is designed to help you navigate your pattern, whether it’s one you purchased at a fabric store or downloaded from an online designer. You’ll find links within the glossary to “how-to” videos or more information at ClothingPatterns101.com Don’t worry – there’s no homework and no test! Just keep this glossary handy for reference when you need it! 2 A – Appliqué – A method of surface decoration made by cutting a decorative shape from fabric and stitching it to the surface of the piece being decorated. The stitching can be by hand (blanket stitch) or machine (zigzag or a decorative stitch). Armhole – The portion of the garment through which the arm extends, or a sleeve is sewn. Armholes come in many shapes and configurations, and can be an interesting part of a design. B - Backtack or backstitch – Stitches used at the beginning and end of a seam to secure the threads. To backstitch, stitch 2 or 3 stitches forward, then 2 or 3 stitches in reverse; then proceed to stitch the seam and repeat the backstitch at the end of the seam. -
Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California. -
'Microcopy Rlsoluiion 1L,S1
11111_,2.5 111112.2 ; ;42 11111_2.0 410 1,6 111111.25 11111 'MICROCOPY RLSOLUIION1L,S1 CHARI NANHNA: ,i-mHt DOCUMENT RESUME ED 133 533 08 CE 009 556 ! . 1 , TITLE Middle School/Junior High Co-Educational Mini Un4s in Home Economics. Units 1-3. INSTITUTION Minnesota Instructional Materials Center, White Bear . 1,ake.; Minnesota Univ., Minneapolis. Dept. of, i Voca ional and Technical Education.; Minnesota Univ., , St. aul. Div..of.HomwEconomics Education. 1. .SPONS AGENCY Minneso State Dept. of Education", St. Paul. Dir. of ,Vocational and TechnicalTducation.; Office of Education ADHEW), Washington, p.c. PUB DATE [76] , NOTE .128p.; For related.documents see CE. 009 556-561' AVAILABLE FROM Minnesota Instructional Materials.Center, 3300 Century Avenue North, White Bear Lake, Minnesota 551,10 (All six volutes, $13.00) . EDRS.PRICE MF-$0.83'HC-$7.35 Plus Postage. - DESCRIPTORS *Clothing Instruction; *Coeducation; *Curriculum; Curriculum Guides; *Home Economics Education; Instructional Materials; Junior High Schools; Middle Schools; *Textiles Instruction; Units of Study (Subject Fields) ABSTRACT These three self-contained home economics minitoits on clothing and textiles are part.of a set of 21 designed to provide middle school/junior high boys and girls opportunities to explore - several areas of stuAy within a 6-; 9-, or 12-week period ofi instruction. Units are designed to be free of sex-role stereotyping and are identified as level I (suggested for grades 6-7) 'or 'level II (suggested for grades 8-9). The suggested time required for' ' completion of a unit vaiies from 3 to 9 weeks, thoge incorsKirating laboratory experience requiring 6 to 9 weeks. -
Fibers and Fabrics; TX335 .A1 U6 NO
KitlQRr Bureau of Standards Reference book' no' to ygjgtv |Oi Admin. Bldg. taken from the library, gmp STATES Ite.WMENT OF COMMERCE PUBLICATION A11ID3 Db3SbD All103063560 Blandford, Josephlne/FIbers and fabrics; TX335 .A1 U6 NO. 1, 1970 C.1 NBS-PUB-R 1 ^TES ‘‘•‘‘'/I'ti'i'.1'1' 1: BBB8 MB A Consumer’s Guide from the Mational Bureau of Standards NBS CIS 1 IIIIShSs Fibers and Fabrics by Josephine M. Blandford and Lois M. Gurel INFORMATION ABOUT NATURAL AND MAN-MADE FIBERS AND FABRICS TO MEET YOUR PARTICULAR NEEDS. NBS CONSUMER INFORMATION SERIES 1 Editor: James E. Payne Issued November 1970 U.S. DEPARTMENT OF COMMERCE Maurice H. Stans, Secretary Rocco C. Siciliano, Under Secretary Myron Tribus, Assistant Secretary for Science and Technology NATIONAL BUREAU OF STANDARDS A Consumer’s Lewis M. Branscomb, Director GUIDE FROM THE) NATIONAL BUREAU OF STANDARDS For sale by the Superintendent of Documents, U.S. Government Printing Office, U.S. DEPARTMENT Washington, D.C. 20402. OF COMMERCE Price 65 cents. NATIONAL BUREAU OF STANDARDS APR 1 0 1971 FOREWORD Technology is changing not only the products you buy, but the marketplace as well. Unfortunately, this is not an unmixed blessing. Products are constantly being improved, but designs are complicated, quality is vari¬ able, and good advice is hard to get. Modern stores and merchandising bring you a wide variety of products; but the large number of choices and the lack of dependable infor¬ mation often make shopping a confusing and frustrating experience. A generation ago the merchant was likely to be a friend of the family. -
Key Details We Look for at Inspection
Key Details We Look for at Inspection Please not that these lists are not all inclusive but highlight areas that most often cause difficulty. Additional details are included on spec sheets for individual costumes. Boys’ Costumes Achterhoek: 1. Overall appearance of costume 2. Do you have the correct hat? This is the high one. Volendam is shorter. 3. The collar extends to the edge of the shirt and can be comfortably buttoned at the neck. 4. Ring on scarf and is visible above vest. If necessary use a gold safety pin to hold the ring in place. 5. Is the scarf on the inside of the vest, front and back? 6. Shirt buttons are in the center of the front band 7. The vest closes left over right. 8. The chain is in the 2nd buttonhole from the bottom 9. Welt pockets are made correctly and in the correct position. 10. Pants clear shoes. 11. Pants have a 6” hem Marken: 1.Overall appearance of costume 2.Red shirt underneath jacket 3.Red stitching on jacket placket 4.Closes as a boy (L. over R.) 5.Pants at mid-calf when pulled straight 6.Pants down 1” from waist Nord Holland Sunday: 1. Overall appearance of costume 2. Correct hat and scarf 3. Neck - can fit 1 finger 4. 2 dickies (one solid and one striped) 5. Jacket - collar flaps lay smooth 6. Buttonholes are horizontal 7. Jacket closes as a boy (left over right) 8. Cord, hook and eye at back of pants 9. Pants clear shoes 10.6 inch hem Noord Holland Work: 1. -
The History of Fashion in France, Or, the Dress of Women from the Gallo
r\ U Ly c r ^ -=4^-^ r J^^^ y^ ^^ ^->^ THE HISTORY OF FASHION IN FRANCE. 3-\MML THE HISTORY OF FASHION IN FRANCE; OR. THE DRESS OF WOMEN FROM THE GALLO-ROMAN PERIOD TO THE PRESENT TIME, FROM THE FRENCH OF M. AUGUSTIN CHALLAMEL. nv Mrs. CASHEL HOEY and Mr. JOHN LILLIE. S C R I R N E R A N IJ \V K L I' O k 1 J. I»»2. LONDON : PRINTED BY GILBERT AND RIVINGTON, LIMITED, ST. John's square. —— CONTENTS. INTRODUCTION. Various definitions of fashion—The grave side of its history—Quotations from the poets —Character of Frenchwomen—The refinement of their tastes and fancies — Paris the temple of fashion —The provinces ^Mdlle. Mars' yellow gown— The causes of fashion —A saying of Mme. de Girardin's —A remark of Mrs. TroUope's — The dress of actresses— Earliest theories of fashion— The Gyna;ceum of Amman First appearance of the "Journal des Dames et des Modes "—Lamesangere Other pubhcations—An anecdote concerning dolls— Plan of the History of Fashion in France CHAPTER I. THE GALLIC AND GALLO-ROMAN PERIOD. Gallic period—Woad, or the pastel—Tunics and boulgetes—"Mavors"and "Palla" — Cleanliness of the GaUic women -The froth of beer or "kourou"—The women of Marseilles; their marriage-portions — Gallo-Roman period — The Roman garment—The " stola "— Refinement of elegance—Extravagant luxury of women Artificial aids—A " vestiaire" or wardrobe-room of the period—Shoes—^Jewels and ornaments—The amber and crj'stal ball—Influence of the barbarians . -13 CHAPTER II. THE MEROVINGIAN PERIOD. Modifications in female dress after the Invasion of the Franks—Customs of the latter The Merovingians —Costumes of skins and felt ; cloaks and camlets—The coif, the veil, the skull-cap, the " guimpe," the cape—Fashionable Merovingian ladies adorn themselves with flowers — Various articles of dress— The "suint" —Young girls dress their hair without omamenis— St. -
Label Placement Guide
Label Placement Guide October 2017 TITLE: Apparel Garment Label Placement Guide HOME: Technical Design/ QA Apparel DOC #: 1 REVISION #: 2 PAGE: 1 of 13 Colony Brands, Inc. Page 1 October 2017 Size, Care & Content Label Attachment Options Option 1: Separate Size and Care/Content Label Size and Care/Content labels are attached to bottom back of main label with 1/8” lockstitch All text must be visable on Size and Care/Content label after being attached to main label Main Label Size Made in _______ Content _______ Fold Line Care Instructions ______________ ______________ ______________ RN # __________ Option 2: Combined Size/Care/Content Label Size /Care/Content label is attached to bottom back of main label with 1/8” lockstitch Size/Care/Content label is centered on bottom back of main label All text must be visable on Size and Care/Content label after being attached to main label Main Label Made in _______ Content _______ Size ___________ Fold Line Care Instructions ______________ ______________ ______________ RN # __________ Page 2 October 2017 Size, Care & Content Label Attachment Options Option 3: Separate Size and Content Labels. Care Label in side seam. Size and Content labels are attached to bottom back of main label with 1/8” lockstitch Care Label is attached in side seam 4“ above hem, or 2” above top of vent/slit All text must be visable on Size and Content and Care labels after being attached Only Used on Tops/Sweaters/Jackets/Dresses Not used on sheer styles Side Seam RN # __________ ______________ ______________ ______________ C Main Label a r e I nstru Size Made in _______ c Content _______ tions Option 4: Combined Size/Content Label. -
Methods of Measuring
METHODS OF MEASURING This manual was developed to provide consistency in the methods of measuring between Orvis and your company. These methods are used in both the Orvis Technical Design and Quality Assurance departments. Each point of measure in this guide includes a photo and description for easy reference GENERAL GUIDELINES • Measurements are taken with all fasteners and vents fully closed unless otherwise stated. • Garments are to be measured flat on a table with all wrinkles smoothed out. • All measurements are for finished garments, after wash or garment dye, if applicable. • Knit top measurements are given as half circumference, or width. • Knit pant, knit skirt, and all woven items measurements are given as full circumference. Any exceptions to this rule will be noted. • Styling features not covered in this manual will be explained in detail on the individual tech pack. • If you have questions regarding the method of measuring for any point, please contact the technical designer listed in the tech pack. • Some common terminology references used in this manual and in the tech packs include: 1. CF—center front 2. CB—center back 3. CBN—center back neck 4. HPS—high point of shoulder. HPS is determined by placing a straight edge across from shoulder/neck seam to shoulder/neck seam, or inside edge to inside edge, as shown below. At Orvis, we most often use the sharp edge of a table as a straight edge. 2 METHOD OF MEASURING TOPS/ DRESSES 1) Chest/Bust a) Measure straight across garment 1” below armhole, edge to edge. b) For shirts with back pleats, measure from back 1” below armhole, edge to edge, with pleats pulled open. -
The History of Fashion in France;
:J**T i-HOl RARE BOOK COLLECTION fM THE LIBRARIES The University of Georgia ~i?<j>tf . - THE HISTORY OF FASHION IN FRANCE. P- „,-.</<'•', I THE HISTORY OF FASHION IN FRANCE; OR, THE DRESS OF WOMEN FROM THE GALLO-ROMAN PERIOD TO THE PRESENT TIME. FROM THE FRENCH OF M. AUGUST] X CH.\LL.\MEI. EY MRS. CASHEL HOEY AND MR. JOHN LILLIE. jgclu |9orh : S C R T J5 V £ K A N LJ V V, L V • ) 1< U 1882. w\&r T2SO CONTENTS. INTRODUCTION. Various definitions of fashion—The grave side of its history—Quotations from the poets—Character of Frenchwomen—The refinement of their tastes and fancies— Paris the temple of fashion—The provinces—Mdlle. Mars' yellow gown—The causes of fashion—A saying of Mme. de Girardin's—A remark of Mrs. Trollope's— The dress of actresses—Earliest theories of fashion—The Gynseceum of Amman— First appearance of the "Journal des Dames et des Modes"—Lamesangere— Other publications—An anecdote concerning dolls—Plan of the History of t"sJ,oriBOK Fashion in France ............ PRINTED BY GILBERT AND RIVINGTON, LIMITED, ST. JOHN©S SQUARE. CHAPTER I. THE GALLIC AND GALLO-ROMAN PERIOD. Gallic period—Woad, or the pastel—Tunics and boulgetes—"Mavors" and "Palla" —Cleanliness of the Gallic women -The froth of beer or "kourou"—The women of Marseilles ; their marriage-portions — Gallo-Roman period — The Roman garment—The'' stola "—Refinement of elegance—Extravagant luxury of women— Artificial aids—A " vestiaire" or wardrobe-room of the period—Shoes—Jewels and ornaments—The amber and crystal ball—Influence of the barbarians CHAPTER II.