Australian Museum ANNUAL REPORT 2013–14
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The University News, Vol. 5, No. 8, May 31, 1979
VOL5N08 MAY 311979 Newsletter for I( The University of Newcastle New Oval Mater ial isi ng Enrolments Enrolment oJ students as at . April 30 totalled 4364 compared with 4429 in 1978. This rep resents an annual rate of decrease of 1% compared with 4% for 1977-78. The enrolment for higher degrees increased this year from 391 to 403 - a gain of 3%. There has been a 2% fall in the enrolment in other than higher degrees, now 3961 as against 4038 in 1978. Of the total enrolment 55% is full-time and 45% part-time. This compares wit~ 58% and 42% respectively in 1978. In terms of students the full-time enrol ment is 2392 and the part-time 1937. The male student numbers are 2735 or 63% of the total, and the female enrolment 1629. A combination of favourable When construction commenced earl or 37%. In 1978. 64% was male growing conditions and fertiliz ier this year sufficient finance and 36% female. ation has allowed rapid progress was available to complete only half of the project. Now it has The number of students from to be made with work on NO.3 overseas has continued to fall Oval. The Electricity Commission been decided to complete the from 188 in 1977, 160 in 1978 of New South Wales and the entire oval in the very near to 145 in 1979. University are jointly construct future. tng the playing area, which The University will have the use The greater number of our over covers almost the same area as of the oval for an initial period seas students came from: NO.1 Oval. -
AFTRS-Accommodation.Pdf
SSTTUUDDEENNTT ACCACCOOMMMM OODDATATIIOONN Accommodation Renting tips When you are studying, it is important to have a good home TIPS TO HELP YOU FIND A PLACE TO CALL HOME base where you feel safe and comfortable. There are many accommodation options to choose from and it’s important to 1. Get in quick choose the one that’s right for you. It is a good idea to research all your options before making a decision. Don’t leave it until the last minute. Competition for rental accommodation in Sydney is very strong, so make sure that you take the appropriate documents with you (proof of income, identification, the names and phone numbers of three referees) Disclaimer when viewing properties – you may well need to place an application to rent a property on the spot, and provide a deposit. This may not be refundable – check with the landlord or real The information, contacts and links provided on this page are estate person before you commit. intended as a guide that may assist you in your search for external accommodation. In addition to our Website ↗ Terms and Conditions, 2. Decide on a location by accessing the links you acknowledge and agree that the following terms apply to your access to such information, contacts Key points to consider with location include proximity to campus, and links. public transport options and costs are and safety concerns, for example, crime rate or distance to public transport. AFTRS provides the links to external accommodation providers as a convenience to you only. AFTRS is not sponsored by the Suburbs near AFTRS include: accommodation provider to provide the external link. -
Annual Report 2012–13
Australian Museum ANNUAL REPORT 2012–13 Australian Museum ANNUAL REPORT 2012–13 ii Australian Museum Annual Report 2012–13 The Australian Museum Annual Report 2012 –13 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. This report is available at australianmuseum.net.au/Annual-Reports. © Australian Museum Trust 2013 Further information on the research and education ISSN 1039-4141 programs and services of the Australian Museum Editorial can be found at australianmuseum.net.au. Brendan Atkins Cost of production Design and production The production cost of this report is estimated Australian Museum Design Studio at $550. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w australianmuseum.net.au facebook.com/australianmuseum twitter.com/austmus instagram.com/austmus youtube.com/austmus pinterest.com/austmus iii Minister Admission charges The Hon. George Souris, MP and Minister for General Museum entry: the Arts Adult $12 Governance Child (5–15 years) $6 The Museum is governed by a Trust established Concession $8 under the Australian Museum Trust Act 1975. Family (one adult, two children) $18 The Trust has 11 members, one of whom must Family (two adults, two children) $30 have knowledge of, or experience in, science; each additional child $3 one of whom must have knowledge of, or Children under five years, Australian Government experience in, education; and one of whom must DVA Gold Cardholders, Australian Government have knowledge of, or experience in, Australian ‘Blue’ Pensioner Concession Cardholders and Indigenous culture. -
Annual Report
-- 1~ OEC 19 95 ANNUAL REPORT A U S T R A L I A N M l l S E U M s ,. d n c .' A s 11 ISSN 1039- IJl41 - ANNUAL REPORT CONTENTS 4 Introduction and Highlights s Mission 7 Premier's Message 9 President's Message 11 Director's Message 1 3 Public Programs and Marketing 17 Science in the Museum 2 9 Commercial Activities 31 Administration 34 Financial Statements Appendices 47 Trust 48 Management Structure 51 Staff 55 Publications 63 Sponsors 64 Index 3 INTRODUCT ION AND H IGHLI G HTS The Australian Museum finds itse lf in the fortunate position of being located in the city of Sydney, host of HIGHLI GHTS OF THE Y EAR IN CL UDE: the Olympic Games in the ye ar 2000. Our plan s are influenced by the goal of full participation in the Games • 'Rediscovering Pompeii' exhibition received over lead -up program. the Cultural Olympiad. Sydney can 15o,ooo visitors; ga in from the creativity and expertise which Museum staff offer in both exhibition developm ent and • 'Search & Discover' resource centre In its first six environmental management. These are the two distinct, months, received 35,000 visitors an d over 4,000 yet interacting sides : the public face of the Museum and telephone enquiries; the expertise which lies behind the scenes. Over the years. ma ny changes have occurred in the Museum, just • Outreach Programs reached over 550,ooo people in as concepts of science. nature and humanity have regional centres and schools; changed and tech nological adva nce s have been forged. -
Low Resolution
Australian Biochemist The Magazine of the Australian Society for Biochemistry and Molecular Biology Inc. August 2019, Volume 50, Number 2 VOLISSN 50 NO 2 AUGUST 1443-0193 2019 AUSTRALIAN BIOCHEMIST PAGE 1 Be inspired during the 3- da y progra m including a fa nta stic lineup of industry lea ding interna tiona l plena ry spea kers, a nd hea r from our society specia lty lectures, be enga ged with poster presenta tions a nd lea rn a t the E/MCR mini- symposium. For more informa tion on our spea kers, progra m a nd to register, visit our website www.a sbmb2019.com.a u REGISTER NOW! PAGE 2 AUSTRALIAN BIOCHEMIST VOL 50 NO 2 AUGUST 2019 Table of Contents 4 Editorial Committee 5 Editorial 7 Publications with Impact Distinct Mechanisms Govern Recognition of Viral and Host Ligands by an Innate Immune Receptor Buying Time for Contractile Signaling Genetic Stutters, Gut Feelings and Neurodegenerative Disease 11 Off the Beaten Track Why it Sometimes Pays to Work for Money 14 ASBMB Education Feature Glycogen Builder: the Game Making a Drama Out of Biochemistry From the Whiteboard to the Conference: Scaffolding Conference-style Poster Presentations 18 SDS Page The Importance of Blue Sky Research 19 Competition: Unscramble 20 ASBMB 2019 International Plenary Speaker Profiles 22 ASBMB 2019 Symposium Speakers 23 Melbourne Protein Group: an ASBMB Special Interest Group 24 ASBMB Shimadzu Education Award Report 26 Intellectual Property Patenting Inventions in the Microbiome Space 29 Queen’s Birthday Honours for ASBMB Members 31 ASBMB Awards 2020 33 Election of Council 2020 33 Annual General Meeting of ASBMB 34 New ASBMB Members 35 Forthcoming Meetings 36 Our Sustaining Members 41 ASBMB Council 42 Directory Front Cover Bachelor of Biomedicine students from the University of Melbourne participating in an acting skills workshop with Rinske Ginsberg, VCA Theatre, as part of the Performing Sciences program, where students devise short performances embodying biochemical concepts. -
EXPLORE > WONDER > BEWARE > DISCOVER >
© James Horan BEWARE > DISCOVER > EXPLORE > WONDER > SURVIVING Just what is it that makes Australia so INDIGENOUS Indigenous Australians takes you beyond DINOSAURS From carnivorous killers to plant-browsing THE LONG The Long Gallery appeals to the sense of different? Follow the true stories of Australia’s the art and artefacts to explore the diverse giants, Dinosaurs uses life-sized models, giant curiosity in all of us – a wondrous place to LEVEL 2 AUSTRALIA astonishing native animals and see how AUSTRALIANS beliefs and cultures of Australia’s first peoples. skeletons and realistic animations to tell the GALLERY discover mysterious, impressive and inspiring LEVEL 2 they’ve adapted and survived over millions LEVEL G Through authentic Indigenous voices, it shows real story behind the demise of the dinosaurs. LEVEL G objects that help us understand the world of years. the impacts of the past 200 years of European and our place in it. Watch the story of Australia’s ancient past settlement on traditional cultures: their losses, Only in the Surviving Australia exhibition can including a deadly encounter between a small Alongside the collections and specimens, hardships, struggles and – ultimately – their you safely get up close to some of Australia’s herbivorous dinosaur and a hungry carnivore. you’ll find quirky stories about the Museum’s survival. deadliest creatures from the Outback, the earliest curators, through to its latest scientific beach and even the urban backyard with The Garrigarrang: Sea Country exhibition discoveries. realistic specimens of: displays the Museum’s rare and unique GEMSTONES Exquisite colours and unusual formations of ● Australia’s top 10 venomous snakes Indigenous collections and features the voices gemstones, rocks and minerals are on show in ● sharks, crocodiles and blue-ringed of NSW Indigenous communities through & MINERALS these two stunning displays that capture the SKELETONS The strange beauty of animal skeletons make octopuses video and oral history. -
Australian Museum, the Nation’S First the Australian Museum Pays Respect and Acknowledges Museum
Welcome Visitor information Welcome to the Australian Museum, the nation’s first The Australian Museum pays respect and acknowledges museum. Here you will unearth the natural and cultural the Gadigal people of the Eora Nation as the First Peoples wonders from around the world. There is always plenty and Traditional Custodians of the land and waterways on to see and do with special exhibitions, programs, events which the Australian Museum stands. and permanent galleries. Australian Museum Highlights LEVEL G LEVEL 1 LEVEL 2 Museum Westpac Long Gallery Westpac Long Gallery Search & Discover Dinosaurs 200 Treasures of the 200 Treasures of the Search & Discover will See, hear, touch and even Australian Museum Australian Museum be closed from 29 July smell the world of Dinosaurs. Map The magnificently restored Uncover the hidden stories in preparation for A self-guided audio tour Westpac Long Gallery of 100 of Australia’s our upcoming major is available on the showcases 100 museum most-influential people. renovation, Project Discover. Australian Museum App. treasures alongside Treasures Illuminated the stories of 100 Kidspace See the 200 Treasures of Westpac Long Gallery influential Australians. A place for under 5s to the Australian Museum Celebrate Australia’s explore and investigate their Download the Australian exhibition burst to life abundant bird life in this own ‘mini museum’. Museum App and take a with this spectacular exhibition Birds of Australia. self-guided audio tour storytelling projection. Pacific Spirit LEVEL 4 through 200 Teasures. Daily, 11am & 2pm Experience the colour, No. 1 William Kids treasure hunt game culture and artistry of one of Learn more about the the world’s most diverse Enjoy gorgeous views in 100 Treasures of the Westpac regions: the Pacific. -
Melbourne Health Annual Report 2007/08
Melbourne Health Annual Report 2007/08 1BTTJPOGPS $BSJOH"DIJFWJOH UIF&YUSBPSEJOBSZ PROFILE Prof Graham Brown There was none more deserving of the 2007 Melbourne Health Chairman’s Award than Prof Graham Brown. Prof Brown, an acclaimed infectious diseases physician, researcher and teacher, is passionate about public health and is highly regarded by colleagues for his outstanding leadership, intellect and ethical standards. Prof Brown this year took up the role of Foundation Director of the Nossal Institute for Global Health and Foundation Chair in Global Health at the University of Melbourne. Prof Brown’s association with Melbourne Health began as a medical student at RMH, then as a resident, medical registrar, consultant and ultimately, as the James Stewart Professor of Medicine. In 1996, he established the hospital’s renowned Victorian Infectious Diseases Service, taking responsibility for the many services transferred from the former Fairfi eld Infectious Diseases Hospital. “It was almost by chance that I ended up in Medical School, and incredible good fortune to be trained in the environment of RMH that valued academic- based medicine with strong links to Melbourne University. The mentorship, the collegiality, the pursuit of excellence, the challenging students, the superb nursing and allied health staff, and above all, the concern and care for every patient, set very high standards and a benchmark for my career in medicine.” CONTENT 43 Financial Statements 44 Operating Statement 45 Balance Sheet Contents 46 Cash Flow Statement 2 Chairman’s -
Annual Report 2012–13
Australian Museum ANNUAL REPORT 2012–13 Australian Museum ANNUAL REPORT 2012–13 ii Australian Museum Annual Report 2012–13 The Australian Museum Annual Report 2012 –13 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. This report is available at australianmuseum.net.au/Annual-Reports. © Australian Museum Trust 2013 Further information on the research and education ISSN 1039-4141 programs and services of the Australian Museum Editorial can be found at australianmuseum.net.au. Brendan Atkins Cost of production Design and production The production cost of this report is estimated Australian Museum Design Studio at $550. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w australianmuseum.net.au facebook.com/australianmuseum twitter.com/austmus instagram.com/austmus youtube.com/austmus pinterest.com/austmus iii Minister Admission charges The Hon. George Souris, MP and Minister for General Museum entry: the Arts Adult $12 Governance Child (5–15 years) $6 The Museum is governed by a Trust established Concession $8 under the Australian Museum Trust Act 1975. Family (one adult, two children) $18 The Trust has 11 members, one of whom must Family (two adults, two children) $30 have knowledge of, or experience in, science; each additional child $3 one of whom must have knowledge of, or Children under five years, Australian Government experience in, education; and one of whom must DVA Gold Cardholders, Australian Government have knowledge of, or experience in, Australian ‘Blue’ Pensioner Concession Cardholders and Indigenous culture. -
Museums As Sources of Information and Learning
Museums as Sources of Information and Learning: The 1 Decision Making Process Much has been written about the educational and learning role of museums (Falk and Dierking, 1992, 1995, 2000; Hein, 1998; Hooper-Greenhill, 1994) and their roles in community development and access (Gurian, 1995, 2001; Kelly and Gordon, 2002). Yet, in this increasingly rich and complex information age, less emphasis has been given to the roles that museums have as credible sources of information (Booth, 1998; Lake Snell Perry and Associates, 2001). Access to information and knowledge is probably at the greatest point now in our history than it has ever been. Therefore the resulting problems and stresses that this brings, coupled with how to actually use information are core issues that museums need to urgently address. Further to this there is a view that museums need to move from being suppliers of information to facilitators, providing tools for visitors to explore their own ideas and reach their own conclusions. This is because increasing access to technologies, such as the Internet, ‘… have put the power of communication, information gathering, and analysis in the hands of the individuals of the world’ (Freedman, 2000: 299). In this sense, the museum needs to become a mediator of information and knowledge for a range of users to access on their own terms, through their own choice and within their own place and time, a ‘… multifaceted, outward- looking role as hosts who invite visitors inside to wonder, encounter and learn’ (Schauble, et al., 1997: 3). How information is used, and by who, is another key issue for museums: ‘The role of museums in the future … lies in legitimising information and information processes and in being an advocate for knowledge as the province of the people, not the sole property of the great institutions’ (Freedman, 2000: 303). -
Art Gallery of New South Wales 2017: Our Year in Review
Art Wales South Gallery New of ART GALLERY OF NEW SOUTH WALES 201 7 2017 ART GALLERY OF NEW SOUTH WALES 2017 2 Art Gallery of New South Wales 2017 Art Gallery of New South Wales 2017 3 Our year in review 4 Art Gallery of New South Wales 2017 6 OUR VISION 7 FROM THE PRESIDENT David Gonski 8 FROM THE DIRECTOR Michael Brand 10 2017 AT A GLANCE 12 SYDNEY MODERN PROJECT 16 ART 42 IDEAS 50 AUDIENCE 62 PARTNERS 78 PEOPLE 86 BOARD OF TRUSTEES 88 EXECUTIVE 89 CONTACTS 90 2018 PREVIEW The Gadigal people of the Eora nation are the traditional custodians of the land on which the Art Gallery of New South Wales stands. We respectfully acknowledge their Elders past, present and future. Our vision From its base in Sydney, the Art Gallery of New South Wales is dedicated to serving the widest possible audience as a centre of excellence for the collection, preservation, documentation, interpretation and display of Australian and international art, and a forum for scholarship, art education and the exchange of ideas. page 4: A view from the Grand Courts to the entrance court showing Bertram Mackennal’s Diana wounded 1907–08 and Emily Floyd’s Kesh alphabet 2017. 6 Art Gallery of New South Wales 2017 DAVID GONSKI AC PRESIDENT ART GALLERY OF NEW SOUTH WALES TRUST and the Hon Adam Marshall MP, Glenfiddich, Herbert Smith Freehills, Minister for Tourism and Major Events. JCDecaux, J.P. Morgan, Macquarie Group, Macquarie University, The funding collaboration between McWilliam’s Wines & Champagne government and philanthropists for Taittinger, Paspaley Pearls, Sofitel our expansion will be the largest in FROM Sydney Wentworth, the Sydney the history of Australian arts. -
2019-20 Annual Report of the Australian Museum Trust.Pdf
2019-20 Annual report A prefabricated section of the main stairwell is maneuvered into position by the crane. Photograph by James Alcock. 2019–20 Annual report Australian Museum 1 William Street Sydney, NSW, 2010 Australia Australian Museum Annual Report 2019-20 Minister The Australian Museum Annual Report 2019-20 The Hon Don Harwin, MLC is published by the Australian Museum Trust, 1 William Street Sydney NSW 2010. Special Minister of State, and Minister for the © Australian Museum Trust 2020 Public Service and Employee Relations, Aboriginal ISSN 2206-8473 Affairs and the Arts. Acknowledgements Governance The Australian Museum acknowledges and pays respect to The Australian Museum was established under the the Gadigal people of the Eora Nation as the First Peoples Australian Museum Trust Act 1975 and is governed by and Traditional Custodians of the land and waterways on a Board of Trustees. The objectives of the Australian which the Australian Museum stands. Museum are to propagate knowledge about the natural environment of Australia and to increase that Compiled by Jacinta Spurrett and Jacqueline Soars knowledge, particularly in the natural sciences of biology, Design & Production by Mark Joseph anthropology and geology. The Board of Trustees has Editing by Catherine Marshall and Alice Gage 11 members, one of whom must have knowledge of, or All images © Australian Museum experience in, science; one of whom must have knowledge unless otherwise indicated. of, or experience in, education; and one of whom must have knowledge of, or experience in, Australian Contact Indigenous culture. Australian Museum Trustees are appointed by the Governor on the 1 William Street Sydney NSW 2010 recommendation of the Minister for a term of up to Open daily 9.30am – 5pm three years.