THE Grand Hotel Abaddon Walk-Through
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Evolution of the Nineteenth-Century American Dining Room: from Sitting Room to Separate Room
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1997 The Evolution of the Nineteenth-Century American Dining Room: From Sitting Room to Separate Room Leslie Susan Berman University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Berman, Leslie Susan, "The Evolution of the Nineteenth-Century American Dining Room: From Sitting Room to Separate Room" (1997). Theses (Historic Preservation). 308. https://repository.upenn.edu/hp_theses/308 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Berman, Leslie Susan (1997). The Evolution of the Nineteenth-Century American Dining Room: From Sitting Room to Separate Room. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/308 For more information, please contact [email protected]. The Evolution of the Nineteenth-Century American Dining Room: From Sitting Room to Separate Room Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Berman, Leslie Susan (1997). The Evolution of the Nineteenth-Century American Dining Room: From Sitting Room to Separate Room. (Masters Thesis). University -
English Turf Labyrinths Jeff Saward
English Turf Labyrinths Jeff Saward Turf labyrinths, or ‘turf mazes’ as they are popularly known in Britain, were once found throughout the British Isles (including a few examples in Wales, Scotland and Ireland), the old Germanic Empire (including modern Poland and the Czech Republic), Denmark (if the frequently encountered Trojaborg place-names are a reliable indicator) and southern Sweden. They are formed by cutting away the ground surface to leave turf ridges and shallow trenches, the convoluted pattern of which produces a single pathway, which leads to the centre of the design. Most were between 30 and 60 feet (9-18 metres) in diameter and usually circular, although square and other polygonal examples are known. The designs employed are a curious mixture of ancient classical types, found throughout the region, and the medieval types, found principally in England. Folklore and the scant contemporary records that survive suggest that they were once a popular feature of village fairs and other festivities. Many are found on village greens or commons, often near churches, but sometimes they are sited on hilltops and at other remote locations. By nature of their living medium, they soon become overgrown and lost if regular repair and re-cutting is not carried out, and in many towns and villages this was performed at regular intervals, often in connection with fairs or religious festivals. 50 or so examples are documented, and several hundred sites have been postulated from place-name evidence, but only eleven historic examples survive – eight in England and three in Germany – although recent replicas of former examples, at nearby locations, have been created at Kaufbeuren in Germany (2002) and Comberton in England (2007) for example. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
NB 377 Transcript
Naked Bible Podcast Episode 377: Revelation 9 Naked Bible Podcast Transcript Episode 377 Revelation 9 May 22, 2021 Teacher: Dr. Michael S. Heiser (MH) Host: Trey Stricklin (TS) Episode Summary Revelation 9 reveals John’s vision of the fifth and six trumpet judgments. Several interpretive issues are immediately apparent. What is the nature of the angel with the key to the bottomless pit (Rev 9:1)? Is this angel the same or different than that in Rev 9:11 or Abbadon/Apollyon? Who or what is being released from the bottomless pit (Rev 9:3-11)? These questions take the reader into the wider question of whether Revelation’s apocalyptic descriptions should be read in terms of modern analogies. In this episode we discern how the release of evil supernatural beings from the bottomless pit has clear connections to how Second Temple Jewish texts and 2 Peter describe the imprisoned Watchers, the sons of God of Genesis 6:1-4 infamy, and how the odd descriptions of those beings in insect and animal form have clear, abundant antecedents in the Old Testament. Transcript TS: Welcome to the Naked Bible Podcast, Episode 377: Revelation 9. I’m the layman, Trey Stricklin, and he’s the scholar, Dr. Michael Heiser. Hey, Mike! What's going on? MH: Well, I have a pug update. The pugs have now been introduced to the pool properly. TS: With life jackets? MH: With life jackets, of course. And their attitude toward the pool has moved from hysteria to mild hysteria. [laughter] They didn’t like it. -
The Arts of Early Twentieth Century Dining Rooms: Arts and Crafts
THE ARTS OF EARLY TWENTIETH CENTURY DINING ROOMS: ARTS AND CRAFTS, ART NOUVEAU, AND ART DECO by SUE-ANNA ELIZA DOWDY (Under the Direction of John C. Waters) ABSTRACT Within the preservation community, little is done to preserve the interiors of historic buildings. While many individuals are concerned with preserving our historic resources, they fail to look beyond the obvious—the exteriors of buildings. If efforts are not made to preserve interiors as well as exteriors, then many important resources will be lost. This thesis serves as a catalog of how to recreate and preserve an historic dining room of the early twentieth century in the Arts and Crafts, Art Nouveau, and Art Deco styles. INDEX WORDS: Arts and Crafts, Art Nouveau, Art Deco, Dining Room, Dining Table, Dining Chair, Sideboard, China Cabinet, Cocktail Cabinet, Glass, Ceramics, Pottery, Silver, Metalworking, Textiles, Lighting, Historic Preservation, Interior Design, Interior Decoration, House Museum THE ARTS OF EARLY TWENTIETH CENTURY DINING ROOMS: ARTS AND CRAFTS, ART NOUVEAU, AND ART DECO by SUE-ANNA ELIZA DOWDY B.S.F.C.S, The University of Georgia, 2003 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2005 © 2005 Sue-anna Eliza Dowdy All Rights Reserved THE ARTS OF EARLY TWENTIETH CENTURY DINING ROOMS: ARTS AND CRAFTS, ART NOUVEAU, AND ART DECO by SUE-ANNA ELIZA DOWDY Major Professor: John C. Waters Committee: Wayde Brown Karen Leonas Melanie Couch Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May, 2005 DEDICATION To My Mother. -
Curses by Graham Nelson
Curses by Graham Nelson Meldrew Estate Attic, 1993 Out on the Spire adamantine hand Potting Aunt Old Storage Room (1) (6) Room Jemima's Winery Battlements Bell Tower yellow rubber Lair demijohn, nasty-looking red steel wrench, gloves battery, tourist map wishbone D U End Game: Servant's Priest's Airing Room (7) (10) West Side Parish East Side Missed the Attic Hole (3) Roof Cupboard classical Chapel Church Chapel Point iron gothic-looking key, ancient prayer book, old sooty stick dictionary, scarf D D U D U Old Inside End Game: Stone Missed the Furniture Chimney Cupboard cupboard, medicine bottle, painting, skylight, Cross Point gift-wrapped parcel, bird whistle gas mask Dark East Hollow (2) Room Over the Annexe U Public D sepia photograph, East Wing Footpath cupboard nuts cord, flash Library Disused Dead End Storage Observatory Beside the romantic novel, book of Drive Twenties poetry glass ball canvas rucksack Souvenirs Alison's Writing Room (12) Room (11) projector window, mirror Tiny Balcony Curses by Graham Nelson Mildrew Hall Cellars, 1993 Infinity Symbol Cellars (1) Cellar (5) Wine West (3) Cellars (4) robot mouse, vent Hellish Place Hole in Cellars Wall South Curses by Graham Nelson Meldrew Estate Hole in Wall of Cellars South (Mouse Maze), 1993 small brass key Cellars South Curses by Graham Nelson Meldrew Estate Grounds, 1993 Up the Plane To Maze Tree D U Mosaic (2) (17) (23) (29) Garage (35) (38) (39) (40) (41) Behind Heavenly Family Tree Lawn (42) (43) (48) (54) Clearing Summer Place (8) Ornaments big motorised garden roller, -
Private Dining [email protected]
LARGE GROUP DINING & CATERING Pat Leone, Director of Private Dining [email protected] Rails Steakhouse 10 Whitehall Road Towaco, NJ 07082 973.487.6633 cell / text 973.335.0006 restaurant 2 Updated 8/2/2021 PRIVATE DINI NG P L A N N I N G INFORMATION RAILS STEAKHOUSE IS LOCATED IN MORRIS COUNTY IN THE HEART ROOM ASSIGNMENTS OF MONTVILLE TOWNSHIP AND RANKS AMONG THE TOP ROOMS ARE RESERVED ACCORDING TO THE NUMBER OF PEOPLE STEAKHOUSES IN NEW JERSEY. RAILS IS KNOWN FOR USDA PRIME ANTICIPATED AT THE TIME OF THE BOOKING. ROOM FEES ARE AND CAB CORN-FED BEEF, DRY-AGED 28-30 DAYS ON PREMISE IN APPLICABLE IF GROUP ATTENDANCE DROPS BELOW THE ESTIMATED OUR DRY AGING STEAK ROOM, AND AN AWARD WINNING WINE ATTENDANCE AT THE TIME OF BOOKING. RAILS RESERVES THE LIST RECOGNIZED BY WINE SPECTATOR FIVE CONSECTUTIVE YEARS. RIGHT TO CHANGE ROOMS TO A MORE SUITABLE SIZE, WITH NOTIFICATION, IF ATTENDANCE DECREASES OR INCREASES. DINING AT RAILS THE INTERIOR DESIGN IS BREATHTAKING - SPRAWLING TIMBER, EVENT ARRANGEMENTS NATURAL STONE WALLS, GLASS ACCENTS, FIRE AND WATER TO ENSURE EVERY DETAIL IS HANDLED IN A PROFESSIONAL FEATURES. GUESTS ARE INVITED TO UNWIND IN LEATHER MANNER, RAILS REQUIRES THAT YOUR MENU SELECTIONS AND CAPTAIN'S CHAIRS AND COUCHES THAT ARE ARRANGED TO INSPIRE SPECIFIC NEEDS BE FINALIZED 3 WEEKS PRIOR TO YOUR FUNCTION. CONVERSATION IN ONE OF THREE LOUNGES. AT THAT POINT YOU WILL RECEIVE A COPY OF OUR BANQUET EVENT ORDER ON WHICH YOU MAY MAKE ADDITIONS AND STROLL ALONG THE CATWALK AND EXPLORE RAFTER'S LOUNGE DELETIONS AND RETURN TO US WITH YOUR CONFIRMING AND THE MOSAIC ROOM. -
Mazes and Labyrinths
Mazes and Labyrinths Author: W. H. Matthews The Project Gutenberg EBook of Mazes and Labyrinths, by W. H. Matthews This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Mazes and Labyrinths A General Account of their History and Development Author: W. H. Matthews Release Date: July 9, 2014 [EBook #46238] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK MAZES AND LABYRINTHS *** Produced by Chris Curnow, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net MAZES AND LABYRINTHS [Illustration: [_Photo: G. F. Green_ Fig. 86. Maze at Hatfield House, Herts. (_see page 115_)] MAZES AND LABYRINTHS A GENERAL ACCOUNT OF THEIR HISTORY AND DEVELOPMENTS BY W. H. MATTHEWS, B.Sc. _WITH ILLUSTRATIONS_ LONGMANS, GREEN AND CO. 39 PATERNOSTER ROW, LONDON, E.C. 4 NEW YORK, TORONTO BOMBAY, CALCUTTA AND MADRAS 1922 _All rights reserved_ _Made in Great Britain_ To ZETA whose innocent prattlings on the summer sands of Sussex inspired its conception this book is most affectionately dedicated PREFACE Advantages out of all proportion to the importance of the immediate aim in view are apt to accrue whenever an honest endeavour is made to find an answer to one of those awkward questions which are constantly arising from the natural working of a child's mind. It was an endeavour of this kind which formed the nucleus of the inquiries resulting in the following little essay. -
Rev Class 23 Feb 2019
Are You Ready for Rapture? Elder Jehu and Christine Chan Saturday 16 Feb 2019 3 pm to 5pm City Missions Church Conference Room City Missions Church - Market Place Ministry ICEJ Singapore www.jehuchan.com Thyatira Laodiceans Philadelphia Smyrna Ephesus Sardis Pergamos Time Seven Letters • 3 separate groupings • Before Christ • After Christ • Millennium Rule and Reign • Before Christ • Ephesus – loveless church • Smyrna – persecuted church • Pergamos – compromising church • After Christ • Thyatira – corrupt church • Sardis – dead church • Philadelphia – faithful church • Millennium Rule and Reign • Laodiceans - lukewarm church 3 Seven Seals • First Seal • Fifth Seal • Birth of Islam • Cries of the Martyrs • Second Seal • Six Seal & Seventh Seal • Psalm 83 War • Harvest of the Bride • Third Seal • Return of Yeshua • Famine and Inflation • Fourth Seal • Ezekiel 38/39 War 4 AD BC Sardis Thyatira Smyrna Ephesus Pergamos Laodiceans Philadelphia 7th & 6th Seals 4th to 1st Seals 5th Seal 6,000 years 7000 years – 7 Letters 5 The Woes • The four earlier trumpets, God used nature to reflect His anger and bring punishment on the disobedient. • The remaining three woes, God released Satan and his hordes and allowed satan to play his own end game. • Satan then began to create his own race of people and corrupting and deceiving the rest of mankind, just as he did in Genesis. • They will be causing additional pain and suffering. • The fifth trumpet (first woe) we were introduced to Abaddon who released thousands of Teraphim out from the Abyss. • The Teraphim will make a covenant with Abaddon to attack God’s chosen people. 6 The Fifth Trumpet (First Woe) • Rev 9:1-12 Identification of the angel of the abyss as Abaddon (Apollyon) • Abaddon given the key to the abyss • Where does this key (Rev 9:1) come from? • When Jesus died on the cross, HE went down with the key to Gehenna (Hell) to set captives free. -
Types of Kitchen
2 Types of kitchen First considerations How will the kitchen be used and by whom? What are the clients’ particular requirements, if any? While considering these requirements, remember that the basic layout of the kitchen may last considerably longer than the present occupiers of the house and, therefore, should not be so idiosyncratic as to devalue the property. For instance, although it is common knowledge that kitchens are frequently ripped out and revamped, the general disposition of the entrance door, main window, position of sink and cooker if needing a flue, will largely condition future layouts unless substantial re-building is undertaken. Questions to be asked • How many people will the kitchen serve? • Will all meals be served and eaten within, or adjoining the kitchen • Or should there be a ‘breakfast bar’ in the kitchen with a more extensive dining area nearby? • Is the person, who does most of the kitchen, tidy and able to work in a relatively compact area, or would they prefer a more generous layout? • Do the clients have a once-a-month massive shop, and there- fore require a large area of food storage, or even a separate larder? • Or do they live conveniently near shops and buy food fre- quently, and can therefore manage with a relatively small area of food storage? H6132-Ch02.qxd 6/21/05 2:45 PM Page 24 24 Architect’s Pocket Book of Kitchen Design Cost Determine whether quite basic cabinets and appliances are required, or whether no expense should be spared. If funds are limited, advise clients not to economise on the initial pro- vision of plumbing and electrical installations so that some appliances may be added later when more money is available. -
Artistic Dining Room Tables
Artistic Dining Room Tables Is Porter always moire and ocherous when caring some australes very cankeredly and conclusively? Abdul often cheeks designingly when traversable Orrin particularizes excessively and slack her coverings. Largest Ravil relumes some waxing after proposed Esme sailplanes fragilely. Roche bobois is paired with a crucial piece everyone always at where you choose to a member of marble is designed for a retro style genre as analyzing website. Out with kitchen living and with brush very active and artistic little girls the table gets a. No minimum purchase required to create a room with four legs, artistic touch of their products in rooms. Items included in the discussed set the luxury items of furniture more simple and creative shapes. Tables Side Tables Center Table Dining Tables Dressing Table Bar Tables Casegoods Sideboards Cabinets Consoles Chest of Drawers Nightstand. Today our artistic approach to use of room consists of a versatile material for a large trees. We bring to enter valid email we respect your home today our links to bring a gray lavish and, dining room with dual benches offer natural design. Reload page though try again. Although color provides the pop, the palette is usually tempered by plenty of natural wood and white. The artistic limited edition furniture funky home today our store either way blend between your items for! Industrial tables into elegance of room set is also include a warm and zen feel on a member of creative and airy aesthetic. Because synthetic dining. Apache server at all natural finish with sleek, artistic style as well rounded corners, warm wood strike a gold finished base. -
Targeting the 5 Senses in Your Dining Program by Rocky Dunnam, CEC, CDM, CFPP
CULINARY CONNECTION Targeting the 5 Senses in Your Dining Program by Rocky Dunnam, CEC, CDM, CFPP n America, it’s estimated that consumers dine out booth. Within seconds, your server arrives at the table Inearly 4.5 times each week. So it’s reasonable to postulate with your drink-of-choice in hand. Knowing that you that the average American has a solid understanding of enjoy steak, she begins to describe tonight’s feature: Steak what to expect when dining. The same is also true for our Diane. You agree to the server’s suggestion and order non-commercial clientele. There’s an expectation that the featured fare. After a few minutes of conversation, must be met during each and every meal service to ensure your meal arrives steaming hot. You cut into your steak satisfaction. to find it’s precisely the medium-rare that you ordered, Picture this: and you begin to savor each bite. Your server stops by a few moments later to ensure that everything is exactly Scenario #1: the way you like. Her inquiry is genuine, and her desire to You walk into your favorite restaurant where you’re correct any issues you may have is evident. You finish your immediately greeted by name and walked to your favorite meal, pay, and leave. Overall, you wouldn’t change a thing 10 Nutrition & Foodservice Edge | March 2016 When the server finally arrives he asks what you want to drink, but you have to ask him to repeat himself because the music is too loud to hear what he is saying.