St John's College Chapel Services
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The Choir of Saint John's College, Cambridge
PROGRAM William Byrd: Civitas sancti tui Henry Purcell: Remember Not, Lord, Our Offences Rejoice in the Lord Alway J. S. Bach: Trio super Herr Jesu Christ, dich zu uns wend, BWV 655 Glen Dempsey, organ Francis Poulenc: Mass in G Major, FP 89 Kyrie Gloria Sanctus Benedictus Agnus Dei Dieterich Buxtehude: Praeludium in E Major, BuxWV 141 Glen Dempsey, organ Jonathan Harvey: The Annunciation PROGRAM: Jonathan Dove: Gloria (Missa Brevis) THE CHOIR OF INTERMISSION ST. JOHN’S COLLEGE, CAMBRIDGE C. Hubert H. Parry: Hear My Words, Ye People MARCH 29 / 7:30 PM Edward Elgar: Imperial March, op. 32 MEMORIAL CHURCH Joseph Wicks, organ William Harris: Faire Is the Heaven ARTISTS James Burton: O Thoma! Choir of St. John’s College, Cambridge Andrew Nethsingha, director of music Joseph Wicks and Glen Dempsey, organ This program is presented by the Office for Religious Life in partnership with Stanford Live, with additional support from Clint and Mary Gilliland and the Stanford Department of Music. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. 26 STANFORD LIVE MAGAZINE MARCH 2016 PROGRAM: THE CHOIR OF ST. JOHN’S COLLEGE, CAMBRIDGE extraordinary and extensive discography. In 2009 the choir signed with Chandos Records, and its first 11 CDs on the label—with music spanning 500 years—have garnered international critical acclaim: Howells’ St. John’s Magnificat; Hear My Words, popular choral classics; Laudent Deum, a CD of Lassus’ works including many previously unrecorded motets; On Christmas Night; Mozart Coronation Mass; Purcell’s My Beloved Spake; Samuel Sebastian Wesley’s Ascribe unto the Lord; Sheppard’s Gaude, gaude, gaude Maria; Tomkins’ When David Heard; an album of French organ masses, O Sacrum Convivium; and The Call, a second album of popular classics released in September 2015. -
LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
Mass in G Minor
MASS IN G MINOR VAUGHAN WILLIAMS: string of works broadly appropriate to worship MASS IN G MINOR appeared in quick succession (more than half Ralph Vaughan Williams (1872-1958) of the music recorded here emerged during this Vaughan Williams wrote of music as a means of period). Some pieces were commissioned for Mass in G Minor ‘stretching out to the ultimate realities through specific events, or were inspired by particular 1 Kyrie [4.42] the medium of beauty’, enabling an experience performers. But the role of the War in prompting the intensified devotional fervour 2 Gloria in excelsis [4.18] of transcendence both for creator and receiver. Yet – even at its most personal and remote, apparent in many of the works he composed 3 Credo [6.53] as often on this disc – his church music also in its wake should not be overlooked. As a 4 Sanctus – Osanna I – Benedictus – Osanna II [5.21] stands as a public testament to his belief wagon orderly, one of Vaughan Williams’s more 5 Agnus Dei [4.41] in the role of art within the earthly harrowing duties was the recovery of bodies realm of a community’s everyday life. He wounded in battle. Ursula Vaughan Williams, 6 Te Deum in G [7.44] embraced the church as a place in which a his second wife and biographer, wrote that 7 O vos omnes [5.59] broad populace might regularly encounter a such work ‘gave Ralph vivid awareness of 8 Antiphon (from Five Mystical Songs) [3.15] shared cultural heritage, participating actively, how men died’. -
Di Marco Lo Muscio
PRESENTA: Le composizioni per Organo e Pianoforte di Marco Lo Muscio Grande successo internazionale per le nuove composizioni di Marco Lo Muscio, una sorta di nuova musica Progressive in chiave acustica! Alcuni dei più rinomati organisti e musicisti internazionali stanno eseguendo con grande successo le composizioni di Lo Muscio nei loro Recitals; tra questi: John Hackett, Christopher Herrick, Kevin Bowyer, Stephen Farr, Roger Sayer, Alessandro Bianchi, Michael Eckerle, Renata Lesieur, Fredrik Sixten, ecc... I brani di Lo Muscio sono stati eseguiti in alcune delle cattedrali e sale da concerto più prestigiose, come: Westminster Cathedral a Londra, St. Paul Cathedral a Londra, Santuario de La Verna, Svetlanov Hall a Mosca, Filarmonica di S. Pietroburgo, Chiesa della Regina di Danimarca, Aula Magna della Sapienza a Roma, Kings College Chapel a Cambridge, Queen College Chapel a Oxford, Nikolai Kirche a Lipsia, Duomo di Magdeburgo, Cattedrale di Uppsala, Tallinn International Festival, Duomo di Riga, Bergen Festival, Università di Glasgow, ecc... Le musiche di Lo Muscio si ispirano spesso alla letteratura come ad esempio: Il Signore degli Anelli e Lo Hobbit di Tolkien; l' Iliade di Omero, il Paradiso di Dante, il Decamerone di Boccaccio, i racconti di Edgar Allan Poe, ecc... Molte di queste opere sono state registrate per la Musea Records, Camino Records, Drycastle Records, ecc... Per informazioni: www.erreffemusica.com www.marcolomuscio.com Marco Lo Muscio: Opere per Organo – Works for Organ 2007: Ecstatic Meditations (Homage to Messiaen -
Spring 2018/2 by Brian Wilson and Dan Morgan
Second Thoughts and Short Reviews - Spring 2018/2 By Brian Wilson and Dan Morgan Reviews are by Brian Wilson unless signed [DM]. Spring 2018/1 is here. Links there to earlier editions. Index: ADAMS Absolute Jest; Naïve and Sentimental Music_Chandos BACH Keyboard Music: Volume 2_Nimbus - Complete Organ Works Volume 7_Signum BEETHOVEN Triple Concerto_DG (+ BRAHMS) BORENSTEIN Violin Concerto, etc._Chandos BRAHMS Double Concerto_DG (+ BEETHOVEN) BRUCKNER Symphony No. 3_Profil - Symphony No. 4 in E-flat ‘Romantic’_LSO Live BUSONI Orchestral Works_Chandos ELGAR Violin Sonata, etc._Naxos_Chandos GERSHWIN Rhapsody in Blue_Beulah GUILMANT Organ Works_Chandos (+ WIDOR, FRANCK, SAINT-SAËNS) IRELAND Downland Suite, etc._Chandos - Mai Dun, Overlanders Suite, etc._Hallé JANITSCH Rediscoveries from the Sara Levy Collection_Chandos KARAYEV Symphony No.1; Violin Concerto_Naxos - Seven Beauties Suite, etc._Chandos LIDSTRÖM Rigoletto Fantasy_BIS (+ SHOSTAKOVICH Cello Concerto) LISZT A Faust Symphony_Alpha LUDFORD Missa Videte miraculum, etc._Hyperion MAHLER Symphony No.1_CAvi - Symphonies Nos. 4-6_Signum - Symphony No. 6_BIS MONTEVERDI Lettera Amorosa_Ricercar - Clorinda e Tancredi: Love scenes_Glossa - Night - Stories of Lovers and Warriors_Naïve PALUMBO Three Concertos_BIS RACHMANINOV The Bells, Symphonic Dances_BRKlassik ROSSINI Overtures – Gazza Ladra, Guillaume Tell_Beulah SAUER Piano Concerto No.1_Hyperion (+ SCHARWENKA) SCHARWENKA Piano Concerto No.4_Hyperion (+ SAUER) SHOSTAKOVICH Cello Concerto No.1_BIS (+ LIDSTRÖM) TALLIS Lamentations and Medieval Chant_Signum TIPPETT Symphonies Nos. 1 and 2_Hyperion VIVALDI Concertos Op.8/1-12_Chandos - Double Concertos_Chandos WESLEY, Samuel Symphonies_Chandos WESLEY, Samuel Sebastian Ascribe unto the Lord - Sacred choral works_Chandos WIDOR Organ Works_Chandos (see GUILMANT) Electric Django (Reinhardt)_Beulah *** MusicWeb International April 2018 Second Thoughts and Short Reviews - Spring 2018/2 Nicholas LUDFORD (c.1490-1557) Ninefold Kyrie (at Ladymass on Tuesday, Feria iii) [4:45] Alleluia. -
Andrew Nethsingha and the Choir of St John's College
Andrew Nethsingha and The Choir of St John’s College, Cambridge release Magnificat 2 Album features world premiere recording of Julian Anderson’s Evening Canticles and booklet introduction by former Archbishop of Canterbury Dr Rowan Williams Signum Records ¦ 16 April 2021 ¦ SIGCD667 Andrew Nethsingha and The Choir of St John’s College, Cambridge, release Magnificat 2, the second volume in their highly-praised Magnificat and Nunc Dimittis series. The album, due to be released on Signum Records on 16 April, features nine settings of the Evening Canticles. This album continues to explore the breadth of imagination with which composers have approached the Magnificat and Nunc Dimittis texts, having been utilised in Christian worship for over 1,000 years. This repertoire is the lifeblood of the Choir, who sing settings of these texts on a daily basis. The nine settings of Magnificat and Nunc Dimittis featured on Magnificat 2 fall into two groups - four by celebrated Organist-Composers, written between 1932 and 1952, and four by non-church musicians from 1974-1989. The recording culminates with a contemporary setting by Julian Anderson, composed for the 150th anniversary of St John’s Chapel, a neat follow-on from the previous album’s final track of canticles by Michael Tippett, commissioned for the College’s 450th anniversary. The aim of the recording is to compare the varied ways in which composers have created musical form out of these timeless texts, and Andrew Nethsingha has selected these choices due to a variety of links between them. These include notable clergymen-commissioners of the mid-twentieth century; Christ Church, Oxford as the place Walton was chorister, Watson was Organist and for which Swayne composed Magnificat I; and French influences for both the works by Berkeley and Anderson. -
Georg Friedrich Händel
CAPPELLA „ARS MUSICA“ ÜBERREGIONALER CHOR 2004 Messiah HWV 56 Georg Friedrich Händel festschrift Georg Friedrich Händel 1685 – 1759 Messiah Georg Friedrich Händel Ingrid Haselberger, Sopran Florian Meixner, Countertenor Gerd Jaburek, Tenor Marcus Pelz, Bass Nikolaus Newerkla, Cembalo Cappella „Ars Musica“ Camerata „Ars Musica“ Einstudierung: Holger Kristen, Kurt Kren, Maria Magdalena Nödl Dirigentin Maria Magdalena Nödl mitwirkende 3 SONNTAG, 17. OKTOBER, 15.00 UHR PFARRKIRCHE TRAUNSTEIN SONNTAG, 24. OKTOBER, 16.00 UHR PFARRKIRCHE WULLERSDORF DIENSTAG, 26. OKTOBER, 16.00 UHR EGGENBURG - FESTSAAL LINDENHOF SONNTAG, 31. OKTOBER, 16.00 UHR KLOSTER PERNEGG SONNTAG, 14. NOVEMBER, 16.00 UHR STIFT ALTENBURG termine 4 Dr. Erwin Pröll Landeshauptmann von Niederösterreich Die Musik ist die beste Art der Kommunikation und die gemeinsame Sprache der Menschen. Niederösterreich verfügt über ein reiches, viel- fältiges und dynamisches Kulturleben. Der Chor Cappella „Ars Musica“ wird heuer das Wald- und Weinviertel musikalisch zum Klingen bringen. Der „Messias“ von G.F. Händel wird in fünf verschiedenen Orten aufgeführt. Und das ist auch die Philosophie der niederösterreichischen Kulturpolitik. Kunst und Kultur sind bei uns in jeder Gemeinde, in jeder Region erlebbar. Kunst und Kultur schaffen Lebensfreude, Lebensqualität, Zusammengehörig- keit und Identität. Die Musik ist zudem ein wirkungsvoller Botschafter unse- res Heimatlandes. Ich darf also dem Chor viel Erfolg und den Besuchern schöne Stunden mit dem „Messias“ wünschen. vorwort 5 Liebe Bevölkerung Yehudi Menuhin hat einmal gesagt: „Singen und Musik sind die eigent- liche Muttersprache aller Menschen, denn Musik ist die natürlichste Weise, in der wir uns ganz mitteilen können – mit all unseren Erfah- rungen, Empfindungen und Hoffnungen.“ Musik gehört also zur Natur des Menschen und ist eine der ursprünglichsten zwischenmenschlichen Ausdrucksformen. -
Gloucester Cathedral Lay Clerks
GLOUCESTER CATHEDRAL ORGAN SCHOLARSHIP The Dean & Chapter of Gloucester Cathedral annually seek to appoint an organ scholar for each academic year. He/She will play a key role in the Cathedral music department, working closely with Adrian Partington (Director of Music), Jonathan Hope (Assistant Director of Music), Nia Llewelyn Jones (Singing Development Leader) and Helen Sims (Music Department Manager). The organ scholarship is open to recent graduates or to gap-year applicants of exceptional ability. Duties The organ scholar plays for Evensong every Tuesday, and in addition plays the organ or directs the choirs as necessary when the DoM or the ADoM is away. He/She will also play for many of the special services which take place in the Cathedral, for which additional fees are paid (see remuneration details below). The organ scholar is fully involved with the training of choristers and probationers and the teaching of theory and general musicianship. They will also be expected to help with the general administration of the music department, attending a weekly meeting and assisting other members of the department in the music office. Gloucester Cathedral Choir Today’s choir is the successor to the boys and monks of the Benedictine Abbey of St Peter, who sang for daily worship nine centuries ago. The choir of today stems from that established by Henry VIII in 1539, consisting of 18 choristers (who receive generous scholarships to attend the neighbouring King’s School), 12 lay clerks and choral scholars. The choir plays a major part in the internationally renowned Three Choirs Festival, the world’s oldest Music Festival, which dates back to 1715. -
The Book of Alternative Services of the Anglican Church of Canada with the Revised Common Lectionary
Alternative Services The Book of Alternative Services of the Anglican Church of Canada with the Revised Common Lectionary Anglican Book Centre Toronto, Canada Copyright © 1985 by the General Synod of the Anglican Church of Canada ABC Publishing, Anglican Book Centre General Synod of the Anglican Church of Canada 80 Hayden Street, Toronto, Ontario, Canada M4Y 3G2 [email protected] www.abcpublishing.com All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written permission of the publisher. Acknowledgements and copyrights appear on pages 925-928, which constitute a continuation of the copyright page. In the Proper of the Church Year (p. 262ff) the citations from the Revised Common Lectionary (Consultation on Common Texts, 1992) replace those from the Common Lectionary (1983). Fifteenth Printing with Revisions. Manufactured in Canada. Canadian Cataloguing in Publication Data Anglican Church of Canada. The book of alternative services of the Anglican Church of Canada. Authorized by the Thirtieth Session of the General Synod of the Anglican Church of Canada, 1983. Prepared by the Doctrine and Worship Committee of the General Synod of the Anglican Church of Canada. ISBN 978-0-919891-27-2 1. Anglican Church of Canada - Liturgy - Texts. I. Anglican Church of Canada. General Synod. II. Anglican Church of Canada. Doctrine and Worship Committee. III. Title. BX5616. A5 1985 -
Recensione Del CD the Book of Bilbo and Gandalf – Marco Lo Muscio Ho
Recensione del CD The Book of Bilbo and Gandalf – Marco Lo Muscio Ho recentemente acquistato il CD ed è stata una bellissima sorpresa scoprire le raffinate composizioni del Maestro Lo Muscio, che con notevole sensibilità ed eccellente capacità espressiva ci introduce nelle magiche atmosfere della “Terra di mezzo”. Il lavoro si ispira al famoso racconto Tolkieniano, ed attraverso 9 brani ci accompagna per mano nella fantastica narrazione di alcuni capitoli del Signore degli Anelli.. Inoltre il tutto è magicamente impreziosito dalle stupende performance di Steve Hackett, il quale ha dedicato un brano di chitarra classica all’amico Marco, John Hackett e Oksana Sinkova al flauto traverso, e da Par Lindh, che introduce il lavoro con un bellissimo brano degli anni passati, sul quale interviene nel finale il Maestro Lo Muscio con il Piano con una riuscita elaborazione del tema portante, conferendo allo stesso maggior respiro ed un finale più espressivo. Il successivo brano si struttura su un tema estremamente raffinato con atmosfere celtiche, qui si possono assaporare le grandi capacità espressive di Lo Muscio. Il terzo brano è una bellissima suite ispirata al racconto del mago Gandalf nella saga del Signore degli Anelli, esprime forza, energia, estro ed, al momento opportuno, quando non te lo aspetti, il Mago, pardon, il Maestro Lo Muscio, estrae dal suo cilindro compositivo un tema meraviglioso che ravviva le atmosfere di “Ombra e Luce” che riflettono il titolo del brano. Bellissimo! Il quarto brano è una splendida composizione di Steve Hackett dedicata a Lo Muscio, che si inserisce a meraviglia nell’album. Molto intimistico e raffinato, Steve imprime al suono della chitarra classica un alone di magia che si amalgama a perfezione con il sound dell’intero lavoro. -
Cantate Concert Program May-June 2014 "Choir + Brass"
About Cantate Founded in 1997, Cantate is a mixed chamber choir comprised of professional and avocational singers whose goal is to explore mainly a cappella music from all time periods, cultures, and lands. Previous appearances include services and concerts at various Chicago-area houses of worship, the Chicago Botanic Garden’s “Celebrations” series and at Evanston’s First Night. antate Cantate has also appeared at the Chicago History Museum and the Chicago Cultural Center. For more information, visit our website: cantatechicago.org Music for Cantate Choir + Br ass Peter Aarestad Dianne Fox Alan Miller Ed Bee Laura Fox Lillian Murphy Director Benjamin D. Rivera Daniella Binzak Jackie Gredell Tracy O’Dowd Saturday, May 31, 2014 7:00 pm Sunday, June 1, 2014 7:00 pm John Binzak Dr. Anne Heider Leslie Patt Terry Booth Dennis Kalup Candace Peters Saint Luke Lutheran Church First United Methodist Church Sarah Boruta Warren Kammerer Ellen Pullin 1500 W Belmont, Chicago 516 Church Street, Evanston Gregory Braid Volker Kleinschmidt Timothy Quistorff Katie Bush Rose Kory Amanda Holm Rosengren Progr am Kyle Bush Leona Krompart Jack Taipala Joan Daugherty Elena Kurth Dirk Walvoord Canzon septimi toni #2 (1597) ....................Giovanni Gabrieli (1554–1612) Joanna Flagler Elise LaBarge Piet Walvoord Surrexit Christus hodie (1650) .......................... Samuel Scheidt (1587–1654) Canzon per sonare #1 (1608) ..............................................................Gabrieli Thou Hast Loved Righteousness (1964) .........Daniel Pinkham (1923–2006) About Our Director Sonata pian’ e forte (1597) ...................................................................Gabrieli Benjamin Rivera has been artistic director of Cantate since 2000. He has prepared and conducted choruses at all levels, from elementary Psalm 114 [116] (1852) ................................. Anton Bruckner (1824–1896) school through adult in repertoire from gospel, pop, and folk to sacred polyphony, choral/orchestral masterworks, and contemporary pieces. -
October 2013 List Blu-Ray New Releases
tel 0115 982 7500 fax 0115 982 7020 OCTOBER 2013 LIST See inside for valid dates Dear Customer Boxsets feature heavily in our list this month, primarily due to a big promotion that we now have running until Christmas (pp.12-19), but we would also like to point out couple of exciting new boxes that might be of interest. The Decca Sound is a brilliant 50 album overview of analogue recordings that Decca produced in the pre-digital era. The beginnings of high fidelity, their ‘Full Frequency Stereophonic Sound’ became a worldwide hallmark of sonic excellence, bringing in a golden age of classical recorded music. Included in the box are celebrated recordings from the likes of Solti, Haitink, Kertesz and Dorati - recordings and performances that certainly still stand the test of time today. See p.2 for details. The Bach Cantata Pilgrimage is a series that has been closely followed by many collectors over the past few years, especially since the Monteverdi Choir’s move from DG to the wonderful presentation of the SDG label. For those who have eagerly picked up every volume, the complete collection in a single box may be superfluous, but for anyone who has simply dabbled, or maybe not even tried, it is a real treat. Coming in at £149.95, it is also a great saving on the c.£500 value of the individual items (especially bearing in mind that several volumes have now been deleted). See p.3 for details. As we are rapidly running out of space, we will just mention a few other items quickly.