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University LGBT Centers and the Professional Roles Attached to Such Spaces Are Roughly
INTRODUCTION University LGBT Centers and the professional roles attached to such spaces are roughly 45-years old. Cultural and political evolution has been tremendous in that time and yet researchers have yielded a relatively small field of literature focusing on university LGBT centers. As a scholar-activist practitioner struggling daily to engage in a critically conscious life and professional role, I launched an interrogation of the foundational theorizing of university LGBT centers. In this article, I critically examine the discursive framing, theorization, and practice of LGBT campus centers as represented in the only three texts specifically written about center development and practice. These three texts are considered by center directors/coordinators, per my conversations with colleagues and search of the literature, to be the canon in terms of how centers have been conceptualized and implemented. The purpose of this work was three-fold. Through a queer feminist lens focused through interlocking systems of oppression and the use of critical discourse analysis (CDA) 1, I first examined the methodological frameworks through which the canonical literature on centers has been produced. The second purpose was to identify if and/or how identity and multicultural frameworks reaffirmed whiteness as a norm for LGBT center directors. Finally, I critically discussed and raised questions as to how to interrupt and resist heteronormativity and homonormativity in the theoretical framing of center purpose and practice. Hired to develop and direct the University of Washington’s first lesbian, gay, bisexual, and transgender (LGBT2) campus center in 2004, I had the rare opportunity to set and implement with the collaboration of queerly minded students, faculty, and staff, a critically theorized and reflexive space. -
Challenging the Apartheid of the Closet: Establishing Conditions for Lesbian and Gay Intimacy, Nomos, and Citizenship, 1961-1981 William N
Hofstra Law Review Volume 25 | Issue 3 Article 7 1997 Challenging the Apartheid of the Closet: Establishing Conditions for Lesbian and Gay Intimacy, Nomos, and Citizenship, 1961-1981 William N. Eskridge Jr. Follow this and additional works at: http://scholarlycommons.law.hofstra.edu/hlr Part of the Law Commons Recommended Citation Eskridge, William N. Jr. (1997) "Challenging the Apartheid of the Closet: Establishing Conditions for Lesbian and Gay Intimacy, Nomos, and Citizenship, 1961-1981," Hofstra Law Review: Vol. 25: Iss. 3, Article 7. Available at: http://scholarlycommons.law.hofstra.edu/hlr/vol25/iss3/7 This document is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Review by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. Eskridge: Challenging the Apartheid of the Closet: Establishing Conditions CHALLENGING THE APARTHEID OF THE CLOSET: ESTABLISHING CONDITIONS FOR LESBIAN AND GAY INTIMACY, NOMOS, AND CITIZENSHIP, 1961-1981 William N. Eskridge, Jr.* CONTENTS INTRODUCTION ............................... 819 I. PROTECTING PRIVATE GAY SPACES: DuE PROCESS AND FOURTH AMENDMENT RIGHTS ....................... 828 A. Due Process Incorporationof the Bill of Rights (CriminalProcedure) ....................... 830 1. The Warren Court's Nationalization of the Rights of Criminal Defendants .............. 830 2. Criminal Procedural Rights as Protections for Homosexual Defendants ....... 832 3. Criminal Procedural Rights and Gay Power ..... 836 B. Substantive Due Process and Repeal or Nullification of Sodomy Laws (The Right to Privacy) .......... 842 C. Vagueness and Statutory Obsolescence ........... 852 1. Sodomy Laws ......................... 855 2. Lewdness and Sexual Solicitation Laws ....... 857 3. -
Alcaraz and Morrison Seek County Posts Photo by Theresa Volpe
PAGE 6 PAGE 8 VOL 33, NO. 22 FEB. 14, 2018 Gaylon Alcaraz. Kevin B. Morrison. Photo by Vern Hester Photo by AJ Kane www.WindyCityMediaGroup.com COOK COUNTY SUE THE T-REX DREAMING Field Museum dinosaur identifies as nonbinary. 1016 Alcaraz and Morrison seek county posts Photo by Theresa Volpe PLAY BALL The play The Wolves looks at a high school girls’ soccer team. Photo of Aurora Real de Asua by Cody Nieset) IN THE ‘HOUSE’ EYE OF THE STORM Author Salman Rushdie talks LGBT Production looks at life of civil-rights issue, book The Golden House. activist Bayard Rustin. PR photo 18 Photo courtesy of Kemati J. Porter 11 14 @windycitytimes1 /windycitymediagroup @windycitytimes www.windycitymediagroup.com 2 Feb. 14,! 2018 WINDY CITY TIMES Tuesday, March 13, 2018 The Clarence Darrow Commemorative Committee invites you to participate in its annual wreath-tossing & symposium commemorating Darrow on the 80th anniversary10 a.m.-noon! of his death! 10 am: Please join us just EAST of the Clarence! Darrow Bridge in Jackson Park (the bridge is under construction) for the traditional tossing of flowers and brief speeches SPECIAL GUEST SPEAKER at the DARROW BRIDGE: Marisa Novara, Metropolitan Planning Council. 10:45 am: Symposium begins in the Museum! of Science and Industry: Rosenwald Room Featured Symposium Topics: 80 Years Since Darrow’s! Death and ! Celebrating! 50 Years of the Fair Housing Law Nabeela! Rasheed is a Pakistani, British, American, Muslim, Queer, Lawyer, Biochemist, activist. She moved to the U.S.! and worked for a law degree. Dr. Rasheed retrained as a lawyer in Chicago. -
Gwendolyn Whiteside …………………………………………………………...…..Page 4
BACKSTAGE A publication of COMMUNITY SERVICE at AMERICAN BLUES THEATER THE COLUMNIST BACKSTAGE GUIDE 1 BACKSTAGE THE COLUMNIST By David Auburn Directed by Keira Fromm FEATURING Philip Earl Johnson Kymberly Mellen Coburn Goss Ian Paul Custer* Tyler Meredith Christopher Sheard From the Pulitzer and Tony Award-winning author of Proof, The Columnist is a drama about power, the press, sex, and betrayal. At the height of the Cold War, Joe Alsop is the nation’s most influential journalist—beloved, feared, and courted by the Washington world. But as the 1960s dawn and America undergoes dizzying change, the intense political dramas Joe is embroiled in become deeply personal as well. “Gripping and moving” – Variety * Ensemble member of American Blues Theater 2 AMERICAN BLUES THEATER TABLE OF CONTENTS Note from Producing Artistic Director Gwendolyn Whiteside …………………………………………………………...…..Page 4 About Playwright David Auburn..................................................................................................................Page 5 Interview with Playwright David Auburn........................………………….……………………………………………..........Page 6 The Backstory with Actor Ian Paul Custer....……....…………………………....…………………....................................Page 7 About David Halberstam.................................................…………………………………………….………………...……....Page 7 Interview with Actors Philip Earl Johnson and Kymberly Mellen…………………………………………................Pages 8-9 Interview with Costume Designer Christopher J. Neville......…...….....................................................Pages -
Sylvia Rivera 7/2/1951 – 2/19/2002
SYLVIA RIVERA 7/2/1951 – 2/19/2002 Gay civil rights pioneer Sylvia Rivera was one of the instigators of the Sylvia Rivera, then a 17-year-old drag queen, was among the crowd that gathered outside the Stonewall Inn the night of June 27, 1969, when the New York police raided Stonewall uprising, an the popular Greenwich Village gay bar. Rivera reportedly shouted, “I’m not missing a event that helped launch minute of this, it’s the revolution!” As the police escorted patrons from the bar, Rivera the modern gay rights was one of the first bystanders to throw a bottle. movement. After Stonewall, Rivera joined the Gay Activists Alliance (GAA) and worked energetically on its campaign to pass the New York City Gay Rights Bill. She was famously arrested for climbing the walls of City Hall in a dress and high heels to crash a closed-door meeting on the bill. In time, the GAA eliminated drag and transvestite concerns from their agenda as they sought to broaden their political base. Years later, Rivera told an interviewer, “When things started getting more mainstream, it was like, ‘We don’t need you no more.’ ” She added, “Hell hath no fury like a drag queen scorned.” Born Ray Rivera Mendosa, Sylvia Rivera was a persistent and vocal advocate for transgender rights. Her activist zeal was fueled by her own struggles to find food, shelter and safety in the urban streets from the time she left home at age 10. In 1970, Rivera and Marsha P. Johnson co-founded STAR (Street Transvestite Action Revolutionaries) to help homeless youth. -
Triptych Eyes of One on Another
Saturday, September 28, 2019, 8pm Zellerbach Hall Triptych Eyes of One on Another A Cal Performances Co-commission Produced by ArKtype/omas O. Kriegsmann in cooperation with e Robert Mapplethorpe Foundation Composed by Bryce Dessner Libretto by korde arrington tuttle Featuring words by Essex Hemphill and Patti Smith Directed by Kaneza Schaal Featuring Roomful of Teeth with Alicia Hall Moran and Isaiah Robinson Jennifer H. Newman, associate director/touring Lilleth Glimcher, associate director/development Brad Wells, music director and conductor Martell Ruffin, contributing choreographer and performer Carlos Soto, set and costume design Yuki Nakase, lighting design Simon Harding, video Dylan Goodhue/nomadsound.net, sound design William Knapp, production management Talvin Wilks and Christopher Myers, dramaturgy ArKtype/J.J. El-Far, managing producer William Brittelle, associate music director Kathrine R. Mitchell, lighting supervisor Moe Shahrooz, associate video designer Megan Schwarz Dickert, production stage manager Aren Carpenter, technical director Iyvon Edebiri, company manager Dominic Mekky, session copyist and score manager Gill Graham, consulting producer Carla Parisi/Kid Logic Media, public relations Cal Performances’ 2019 –20 season is sponsored by Wells Fargo. ROOMFUL OF TEETH Estelí Gomez, Martha Cluver, Augusta Caso, Virginia Kelsey, omas McCargar, ann Scoggin, Cameron Beauchamp, Eric Dudley SAN FRANCISCO CONTEMPORARY MUSIC PLAYERS Lisa Oman, executive director ; Eric Dudley, artistic director Susan Freier, violin ; Christina Simpson, viola ; Stephen Harrison, cello ; Alicia Telford, French horn ; Jeff Anderle, clarinet/bass clarinet ; Kate Campbell, piano/harmonium ; Michael Downing and Divesh Karamchandani, percussion ; David Tanenbaum, guitar Music by Bryce Dessner is used with permission of Chester Music Ltd. “e Perfect Moment, For Robert Mapplethorpe” by Essex Hemphill, 1988. -
Queer History, This: an American Synthesis
Culture, Society, and Praxis Volume 3 Number 1 Article 6 January 2004 Queer History, This: An American Synthesis Julie Prince California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/csp Recommended Citation Prince, Julie (2004) "Queer History, This: An American Synthesis," Culture, Society, and Praxis: Vol. 3 : No. 1 , Article 6. Available at: https://digitalcommons.csumb.edu/csp/vol3/iss1/6 This Main Theme / Tema Central is brought to you for free and open access by the Student Journals at Digital Commons @ CSUMB. It has been accepted for inclusion in Culture, Society, and Praxis by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Prince: Queer History, This: An American Synthesis Queer History, This: An American Synthesis By Julie Prince Exploring the roots of Queer history in America, this essay delves into the complexities of historical representations (or lack thereof) of this marginal- ized subculture. With every passing month, new devel- form the duties of females, while women opments, for good or ill, reflect the po- turn men and mate with their own sex!” litical climate surrounding Lesbian, Gay, (Roscoe, 2000, p.2). Denig was com- Bisexual, and Transgender (LGBT) menting on the social structure of the rights and presence in America. It is an Crow Indians who, like many other Na- election year, and ‘gay marriage’ is cur- tive American tribes, had third/fourth rently the hot issue on the tip of every- gender representations in their social one’s tongue. Turn on your television groups. Long before Denig’s observa- set, and you are likely to see gay and tion, early explorers had witnessed what lesbian comic ‘representations’ on came to be known as the berdache, or nightly sitcoms and programs. -
San Francisco Was a Wide-Open Town
INTRODUCTION San Francisco Was a Wide-Open Town I think it’s important to realize that San Francisco did not happen after New York or after Stonewall. This was something that developed in San Francisco and evolved because there were a large number of Gay people who just did the traditional American thing of organizing— organizing around people’s interests. Larry Littlejohn, interview, 1990 San Francisco is a seductive city. Perched on the edge of a continent, its beautiful vistas, eccentric characters, and liberal politics reflect both the unruly nature of its frontier-town beginnings and the sophisticated de- sires of an urban metropolis. Sociologists Howard Becker and Irving Horowitz call San Francisco a culture of civility, noting that “devi- ance, like difference, is a civic resource, enjoyed by tourist and resident alike.” 1 But while the strength of the city’s queer communities is world renowned, there are few texts devoted to San Francisco’s gay and les- bian history.2 What follows, as a result, charts new ground. It asks the question “Why San Francisco?” Why do so many people associate San Francisco with homosexuals and homosexuality? In my research—and casual conversations—many answers have emerged. There are the same- sex dances of the Gold Rush era, the city’s location as an international seaport, the homosocial entertainments of the city’s Barbary Coast, the artistic revivals of the turn of the twentieth century, the tradition of vigi- lante law and order, the persistence of civic graft, the strength and di- versity of the city’s immigrant communities, the staunch resistance to anti-sex and anti-alcohol ordinances, the military presence of two world wars, and the bohemian, Beat, and hippie cultures that flourished in the postwar generations.3 But, by and large, when asked “Why San Fran- 1 2 INTRODUCTION cisco?” most people refer to San Francisco’s history of sexual permis- siveness and its function as a wide-open town—a town where anything goes. -
Tapestry! PFLAG's Diversity Outreach Program Celebrating Black History Month and Remembering Bayard Rustin February 19, 2010
P O Box 12732 Olympia, WA 98508-2732 email: [email protected] website: http://www.pflag-olympia.org Tapestry! PFLAG's Diversity Outreach Program Celebrating Black History Month and remembering Bayard Rustin February 19, 2010 In July 2009 PFLAG-Olympia was chosen to participate in PFLAG National’s new diversity outreach pilot program. In September 2009 we had an excellent full-day training here in Olympia "PFLAG Tapestry" which asked: How do we interweave our stories and collaborate to move equality forward? It included sections on self-awareness, cultural competence, outreach and coalition-building, developing an inclusive, collaborative chapter structure and more. It was lead by PFLAG’s Western Field & Policy Manager Cesar Hernandez, with PFLAG’s Executive Director Jody Huckaby also in attendance. Because we recognize that we need to do a better job of welcoming and celebrating communities of color here, PFLAG-Olympia is creating the main part of this project to focus on outreach to and education about African- American LGBTQ people and their families. We screened the inspirational powerful film "Brother Outsider: The Life of Bayard Rustin" at our February PFLAG meeting. Then three screenings of the film will be held in February in local venues: The Evergreen State College, River Ridge High School, and South Puget Sound Community College. The film follows the life of this gay civil rights activist who was called an American Gandhi. Rustin was a member of the Religious Society of Friends (Quakers) and was a staff member of the Fellowship of Reconciliation (FOR). Historian John D’Emilio calls Rustin the “lost prophet” of the civil rights movement. -
Los Angeles by Dan Luckenbill
Los Angeles by Dan Luckenbill Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com The modern gay civil rights movement may be said to have been born in Los Angeles with the formation of the Mattachine Society and ONE, Inc. in the early 1950s. The glbtq history of the city, now the U.S.'s second largest metropolis, is replete with other cultural, social, and political firsts, with the largest, the best-funded, the Two photographs by longest-lived, and at times the most visible and influential of publications, protests, Angela Brinskele: legal accomplishments, cultural influences, and social and religious organizations. Top: Mayor Antonio Villaraigosa marching in Los Angeles, along with San Francisco and New York, has been at the very center of the 2006 Los Angeles the American glbtq movement for equality. Currently, groups are attempting to Gay Pride Parade. Above: The McDonald/ increase the involvement of racial and ethnic minorities within the city's glbtq Wright Building of the communities. Gay and Lesbian Center in Los Angeles. Maturing of a City Images copyright © 2006 Angela Brinskele, courtesy Angela Until the late twentieth century Los Angeles was often satirized as a place of indolent Brinskele. sunshine, home to a second-rate art form and cult religions. It received scant serious attention when cultural histories were written about U.S. cities. All of this changed when motion pictures became perhaps the most influential art form internationally, when alternative religions came to the forefront, and when it no longer seemed merely hedonistic and mind numbing to enjoy living and working in the beneficent southern California climate. -
Queer Censorship in US LGBTQ+ Movements Since World War II
History in the Making Volume 13 Article 6 January 2020 A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II James Martin CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons Recommended Citation Martin, James (2020) "A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II," History in the Making: Vol. 13 , Article 6. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol13/iss1/6 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II By James Martin Abstract: Since World War II, there has been an increased visibility of LGBTQ+ communities in the United States; however, this visibility has noticeably focused on “types” of queer people – mainly white, middle class, cisgender gays and lesbians. History remembers the 1969 Stonewall Inn riots as the catalyst that launched the movement for gay rights and brought forth a new fight for civil and social justice. This paper analyzes the restrictions, within LGBTQ+ communities, that have been placed on transpersons and gender nonconforming people before and after Stonewall. While the riots at the Stonewall Inn were demonstrative of a fight ready to be fought, there were many factors that contributed to the push for gay rights. -
Transgender and Intersex People in New York's State Prisons
“It’s war in here”: A Report on the Treatment of Transgender and Intersex People in New York State Men’s Prisons First published in 2007 by The Sylvia Rivera Law Project 322 8th Avenue, 3rd Floor New York, NY 10001 www.srlp.org The Sylvia Rivera Law Project (SRLP) works to guarantee that all people are free to self- determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence. SRLP is a 501c-3 nonprofit organization. © Copyright 2007 SRLP. Some Rights Reserved. SRLP encourages and grants permission to non-commerically reproduce and distribute this report in whole or in part, and to further grants permission to use this work in whole or in part in the creation of derivative works, provided credit is given author and publisher, and such works are licensed under the same terms. (For more information, see the Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. <http://creativecommons.org/licenses/by-nc-sa/3.0/> or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.) Contents i Introduction 3 ii Scope & Methodology 5 iii Background: Discrimination, Poverty, & Imprisonment 7 iv Daily Realities: Conditions of Confinement for Transgender & Intersex People 15 v Recommendations 32 Appendix A Frequently Asked Questions: Gender Identity & Expression 36 Appendix B Organizations 40 Appendix C Selected Bibliography 41 Appendix D Flow Charts 41 Notes 44 Acknowledgements 49 I INTRODUCTION Since opening in 2002, the Sylvia Rivera Law Project (SRLP) has provided free legal services to over 700 intersex, transgender, and gender non-conforming people.* Our clients are low-income people and people of color who face discrimination in the areas of employment, housing, education, healthcare, and social services.