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October 2019 New Releases
October 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 82 Vinyl Audio 3 CD Audio 17 FEATURED RELEASES Music Video DVD & Blu-ray 52 SPYRO GYRA - WOODSTOCK: DINOSAUR JR. - VINYL TAP 3 DAYS THAT CHANGED WHERE YOU BEEN: Non-Music Video EVERYTHING 2CD DELUXE EXPANDED DVD & Blu-ray 57 EDITION Order Form 90 Deletions and Price Changes 93 800.888.0486 RINGU COLLECTION MY SAMURAI JIRGA 203 Windsor Rd., Pottstown, PA 19464 (COLLECTOR’S EDITION) FRED SCHNEIDER & THE SPYRO GYRA - WEDDING PRESENT - www.MVDb2b.com SUPERIONS - VINYL TAP TOMMY 30 BAT BABY MVD: RAISING HELL THIS FALL! We celebrate October with a gallery of great horror films, lifting the lid off HELLRAISER and HELLBOUND: HELLRAISER II with newly restored Blurays. The original and equally terrifying sequel are restored to their crimson glory by Arrow Video! HELLRAISER and its successor overflow with new film transfers and myriad extras that will excite any Pinhead! The Ugly American comes alive in the horror dark comedy AN AMERICAN WEREWOLF IN LONDON. Another fine reboot from Arrow Video, this deluxe pack will have you howling! Arrow also hits the RINGU with a release of this iconic Japanese-Horror film that spawned The Ring film franchise. Creepy and disturbing, RINGU concerns a cursed videotape, that once watched, will kill you in seven days! Watching this Bluray will have no such effect, but please, don’t answer the phone! TWO EVIL EYES from Blue Underground is a “double dose of terror” from two renowned directors, George A. Romero and Dario Argento. -
University of Florida Thesis Or Dissertation Formatting
HIP-HOP LIFE AND LIVELIHOOD IN NAIROBI, KENYA By JOHN ERIK TIMMONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2018 © 2018 John Erik Timmons To my parents, John and Kathleen Timmons, my brothers, James and Chris Timmons, and my wife, Sheila Onzere ACKNOWLEDGMENTS The completion of a PhD requires the support of many people and institutions. The intellectual community at the University of Florida offered incredible support throughout my graduate education. In particular, I wish to thank my committee members, beginning with my Chair Richard Kernaghan, whose steadfast support and incisive comments on my work is most responsible for the completion of this PhD. Luise White and Brenda Chalfin have been continuous supporters of my work since my first semester at the University of Florida. Abdoulaye Kane and Larry Crook have given me valuable insights in their seminars and as readers of my dissertation. The Department of Anthropology gave me several semesters of financial support and helped fund pre-dissertation research. The Center for African Studies similarly helped fund this research through a pre-dissertation fellowship and awarding me two years’ support the Foreign Language and Area Studies Fellowship. Another generous Summer FLAS Fellowship was awarded through Yale’s MacMillan Center Council on African Studies. My language training in Kiswahili was carried out in the classrooms of several great instructors, Rose Lugano, Ann Biersteker, and Kiarie wa Njogu. The United States Department of Education generously supported this fieldwork through a Fulbright-Hays Doctoral Dissertation Research Award. -
Writing the Goddess
Writing the Goddess S. K. Kelen Thesis submitted for the degree of Doctor of Philosophy Discipline of English Faculty of Humanities and Social Sciences University of Adelaide 2005 Abstract: Writing the Goddess by S. K. Kelen This thesis comprises a creative work, the manuscript of a book of poems, Goddess of Mercy, and an exegesis, A Further Existence, which explores the creative, aesthetic, philosophical and other ideas and inputs that went into writing the poems. Goddess is a collection of idylls of the electronic age, narratives, dramas, fictions and meditations. The poems are various in style and subject matter. The exegesis begins with the author’s earliest remembered experiences of poetry, considers a wide range of poetries and goes some way to proposing an open poetic that allows a writer versatility in approach to subject matter and writing style. Poems can transcend their time and place to create a ‘further existence’ where temporality is irrelevant. A diverse range of poems are examined — from ancient Babylonian to contemporary Australian — to determine the aspects of a poem that take it beyond daily speech. The usefulness and limitations of theory are considered. The art’s mystical dimensions are not easy to analyse but are still worth thinking about: the mysterious spark or talent for poetry, how and where a poem occurs, epiphanies, ‘being in the zone’ and when all the words come rushing at once. The persistence of poetry is noted: poetry still manifests itself in public life through newspapers, sport, pop music, radio commentary, television, and politics, as well as in everyday living. -
Vol. 17, No. 1 April 2011
Journal April 2011 Vol.17, No. 1 The Society President Julian Lloyd Webber FRCM Vice-Presidents Ian Parrott Sir David Willcocks, CBE, MC Diana McVeagh Michael Kennedy, CBE Michael Pope Sir Colin Davis, CH, CBE Dame Janet Baker, CH, DBE Leonard Slatkin Sir Andrew Davis, CBE Donald Hunt, OBE Christopher Robinson, CVO, CBE Andrew Neill Chairman Steven Halls Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary Helen Petchey The Elgar Society Journal 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2011 Vol. 17, No. 1 Editorial 3 Tales from the Complete Edition - 5: 4 Pageant of Empire John Norris Tales from the Complete Edition - 6: 15 Music for Strings Julian Rushton A Letter and a Poem Unmasked: Two Documents from John Bridcut’s film 18 Elgar: The Man behind the Mask18 Kevin Allen A very good idea at the time: 22 Sir Edward Elgar - Principal Conductor, London Symphony Orchestra Martin Bird Did Elgar achieve a century? 37 Stephen Lloyd Book reviews 41 J.P.E. Harper-Scott, Martin Bird, Jane Bird, Andrew Neill Music reviews 47 J.P.E. Harper-Scott, Julian Rushton DVD reviews 54 Martin Bird, Frank Beck CD reviews 57 Kevin Mitchell, Andrew Neill, Martin Bird, Barry Collett, Paul Adrian Rooke Letters 68 Norman Rosenberg 100 Years Ago 69 Geoffrey Hodgkins The Editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Elgar and Vera Hockmann at a Union of Graduates in Music dinner, March 1933 Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. -
STATIUS and EARLY MODERNITY Dustin Larry Mengelkoch A
CORE Metadata, citation and similar papers at core.ac.uk Provided by Carolina Digital Repository PAPINIAN MUTABILITY: STATIUS AND EARLY MODERNITY Dustin Larry Mengelkoch A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirement for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2010 Approved by: Jessica Wolfe Marsha Collins Reid Barbour Diskin Clay Charles Fantazzi © 2010 Dustin Larry Mengelkoch ALL RIGHTS RESERVED ii ABSTRACT DUSTIN LARRY MENGELKOCH: Papinian Mutability: Statius and Early Modernity (Under the direction of Jessica Wolfe) This dissertation examines the reception of the epic and lyric works of the Roman poet Statius in the early modern period. Although the study of Statius is now relegated to only the most dedicated of classics departments, early modern readers from Dante and Petrarch to Shakespeare and Milton enthusiastically read Statius alongside other classical Latin poets such as Virgil and Ovid. While Statius’s reputation during the period is well established, what is not as well known is how Renaissance readers interpreted Statius – how they made sense of his relationship to other ancient poets, how they understood his political sympathies, and above all how they labored to understand poems notorious for their opacity and difficulty. Whereas other classical poets were perceived clearly to state their poetic (and even political) ends, and thus to guide the reader, Statius offered no such guidance. The compressed nature of his poetry, in form and content alike, forced readers to fill in, rebuild, and expand wherever necessary. -
Du Guangting's Record of Marvels Franciscus Verellen
Shu as a hallowed land: Du Guangting’s Record of Marvels Franciscus Verellen To cite this version: Franciscus Verellen. Shu as a hallowed land: Du Guangting’s Record of Marvels. Cahiers d’Extrême- Asie, Ecole française d’Extrême-Orient, 1998, 10 (1), pp.213-254. 10.3406/asie.1998.1134. halshs- 02428835 HAL Id: halshs-02428835 https://halshs.archives-ouvertes.fr/halshs-02428835 Submitted on 6 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Cahiers d'Extrême-Asie Shu as a hallowed land: Du Guangting's Record of Marvels Franciscus Verellen Résumé L'effondrement des Tangen 907 AC. entraîna la fragmentation de l'empire chinois. Division territoriale et instabilité politique dominèrent jusqu'à la consolidation de l'empire Song dans les années 960. Pendant cette période des « Cinq dynasties et Seize royaumes », chaque régime indépendant revendiquait le droit divin de gouverner sa région, quand ce n'était pas l'héritage du mandat du ciel sur l'empire chinois. La legitimation du pouvoir local s'appuya sur l'éventail de présages et de preuves transcendantes élaboré depuis l'antiquité; en même temps, la culture régionale et la mémoire historique des communautés devinrent des atouts pour réclamer l'indépendance. -
Medieval Worlds Comparative & Interdisciplinary Studies
medieval worlds comparative & interdisciplinary studies No. 1/2015 medieval worlds comparative & interdisciplinary studies medieval worlds comparative & interdisciplinary studies Volume 2015.1 Approaches to Comparison in Medieval Studies medieval worlds comparative & interdisciplinary studies The journal is funded by the Austrian Science Fund (FWF) project OAJ-52. All rights reserved ISSN [applied] Media Owner: Institute for Medieval Research Copyright © 2015 by Austrian Academy of Sciences, Vienna Cover design, layout: Anneke Gerloff Austrian Academy of Sciences Press A-1011 Wien, Postfach 471, Postgasse 7/4 Tel. +43-1-515 81/DW 3402-3406, +43-1-512 9050 Fax +43-1-515 81/DW 3400 http://hw.oeaw.ac.at, http://verlag.oeaw.ac.at Editors Walter Pohl, Austrian Academy of Sciences/University of Vienna Andre Gingrich, Austrian Academy of Sciences/University of Vienna Editorial Board Maximilian Diesenberger, Austrian Academy of Sciences Bert Fragner, Austrian Academy of Sciences Christian Gastgeber, Austrian Academy of Sciences Johann Heiß, Austrian Academy of Sciences Claudia Rapp, Austrian Academy of Sciences/University of Vienna Irene van Renswoude, Huygens Institute for the History of the Netherlands/ Royal Netherlands Academy of Arts and Sciences Pavlína Rychterová, Austrian Academy of Sciences Veronika Wieser, Austrian Academy of Sciences International Advisory Board Glenn Bowman , University of Kent Sabrina Corbellini, University of Groningen Mayke de Jong, Utrecht University Nicola di Cosmo, Institute for Advanced Study, Princeton Stefan -
The Catholic University of America
THE CATHOLIC UNIVERSITY OF AMERICA St George’s Day: A Cultural History A DISSERTATION Submitted to the Faculty of the Department of History School of Arts and Science Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Hanael P. Bianchi Washington, D.C. 2011 St George’s Day: A Cultural History Hanael P. Bianchi, Ph.D. Director: Laura E. Nym Mayhall, Ph.D. The modern celebration of St. George’s Day, frequently associated with intense English nationalism, grew out of a religious feast that commemorated a Middle-Eastern individual who died protesting an intolerant empire. Historians and journalists have looked to the medieval period to explain how this foreigner inspired the national holiday of England, neglecting the five hundred years from the Reformation to the present. This project is the first examination of the modern holiday, and it argues that St. George’s Day was first celebrated as a nationalistic holiday in eighteenth-century North America and was only introduced into England at the end of the nineteenth century. Situated in the crossroads of cultural history and holiday studies, this study examines the changing meaning of rituals on St. George’s Day: religious liturgies, ridings of St. George, feasts of the Order of the Garter, and annual dinners of St. George’s societies. The investigation maintains that the holiday rose in prominence as a religious feast day during the medieval period with different segments of society celebrating St. George under a variety of identities: clergy honored a martyr, knights a warrior, and commoners a dragon- slayer. -
Scanned Image
INSIDE Singleschart,6-7;Album chart,17; New Singles,18; New Albums, 19; Airplay guide, 14-15; Retailing, 8-9; Independent Labels, 12. April 19, 1982 VOLUME FIVE Number Four 65p Trade complains about delivery delays receiving supplies on time but the out Iron Maiden cassettes ahead of the We're overlookedfeeling of being 'constantly last in line' isThe distributors albums, leading dealers to worry that growing among smaller outlets. the albums had got lost or those without say small shops A.S. Records, of Cannock, Westanswer... cassette orders tofall behind. This SATISFACTION ABOUT the buoyantMidlands, waited five weeks for the newOF THEcompanies under fire only`cassette first' pattern appears to be state of the market is being tempered byMichael Schenker album, finding itPolyGram admitted adefectinitsgrowing. a growing frustration among small,listed on invoices as 'extended - newsystem which could work against small The company's answer to criticisms independent dealers facing long delaysrelease' despite the fact thatit haddealers. of late delivery of Iron Maiden is that it over hot new product. entered the album chart. On advance orders the computerdoes not discriminate. "The principle Trouble -doggedPolyGram come "They finally arrived a week ago, butholds anything below £30 from itsexists at EMI that orders of any size will under heaviest fire but even the normal-we haven't sold one. Now I learn thatautomatic ship -out on releasedate.be fulfiled, only if it goes out of stock ly highly praised CBS operation is notHMV Wolverhampton had the newThose under -£30 orders have to wait forwill the computer differentiate between exempt from criticism, over late deliver-Rainbow album - another extended newthe next general stock order. -
(Resort) of England. Melancholy, Delusion and Disillusion in the Mid-Eighties Silvia Albertazzi Alma Mater Studiorum Università Di Bologna [email protected]
de genere Rivista di studi letterari, postcoloniali e di genere Journal of Literary, Postcolonial and Gender Studies http://www.degenere-journal.it/ @ Edizioni Labrys -- all rights reserved ISSN 2465-2415 The Last (Resort) of England. Melancholy, Delusion and Disillusion in the Mid-Eighties Silvia Albertazzi Alma Mater Studiorum Università di Bologna [email protected] In 1986, the photographer Martin Parr published The Last Resort, a controversial collection of shots taken at the popular beach of New Brighton. At the time, the book caused a great upheaval: Parr’s view of the working-class holidaymakers was considered too grotesque, sarcastic, and patronising. Only much later did critics realize that those photos were the expression of Parr’s anger about Thatcher’s social politics and her neglect of the proletarians’ needs. Starting from Parr’s images, I will analyse some British cultural products of the same period that reflect a similar sense of melancholy, desolation, and disillusion, often under an ostensible use of irony, parody and/or black humour. First, I will retrace this mid-Eighties Zeitgeist in works that appeared the year before Parr’s collection (the films My Beautiful Laundrette and Brazil, respectively by Stephen Frears and Terry Gilliam, and the album This Is the Sea, by the Waterboys). Then, I will refer to the Smiths’ album significantly called The Queen Is Dead, which appeared the same year as Parr’s photos. Silvia Albertazzi is Full Professor of English Postcolonial Literature and History of the English Culture at the University of Bologna. She is the author of the first Italian book on Postcolonial Theory, Lo sguardo dell’Altro (2000), updated and reissued in 2013 under the title La letteratura postcoloniale. -
Pedigree Nick
Barn 6 Hip No. Consigned by 4M Ranch, Agent II 1 Dark Bay or Brown Filly Friesan Fire . A.P. Indy Army Mule . {Bollinger (AUS) {Crafty Toast . Crafty Prospector Dark Bay/Br. Filly . {Give a Toast March 1, 2020 Out of Place . Cox’s Ridge {Bema’s Gold . {Arabian Dancer (2004) {Bema . Pulpit {Dhaka By ARMY MULE (2014), black type winner of 3 races in 3 starts, $311,400, Carter H. [G1]. Son of Friesan Fire, $679,356, La. Derby [G2], etc., sire of black type winners Call Paul ($573,720, Saratoga Special S. [G2], Swale S. [G3], etc.), Fire Key ($743,785), Forest Fire (to 6, 2021, $351,708), Awesome Faith, etc. His first foals are yearlings of 2021. 1st dam BEMA’S GOLD, by Out of Place. Unraced. Dam of 8 foals of racing age, 7 to race, including a 3-year-old of 2021, three winners, including-- Bobby On Fleek (c. by Frost Giant). 6 wins, 2 to 5, $173,292, 2nd Funny Cide S.-R (SAR, $40,000). Heathers Prayer (f. by Closing Argument). 3 wins at 3 and 4, $43,355. 2nd dam BEMA, by Pulpit. 3 wins, $146,612, Busher S. [L] (AQU, $48,525), 3rd Tropi- cal Park Oaks [L] (CRC, $11,000). Dam of 6 winners, including-- DUE DILIGENCE (c. by War Front). Winner in 2 starts at 2, $58,000 in N.A./U.S.; 2 wins in 4 starts at 3, 59,600 euro in Ireland, hwt. at 3 on Irish Free Hand., 5 - 7 fur., Lacken S. [L], 3rd Patton S. -
A U D I O G L O B E Export Newsletter
NEW TITLES IN RAGE IN EDEN DISTRO – NEWSLETTER 06.10.2008 LEGER DES HEILS – Memoria digiCD eis&licht out 14-11-2008 (eis058/EAN 4039053601625) On their third album “Memoria”, LEGER DES HEILS once more present German poetry exquisitely set to music, and that is what sets them apart from so many other neo-classically inspired projects. The lyrics of tracks such as “Sängerfahrt” (Ibsen), “Sehnsucht” (Eichendorff), or “Wie am ersten Tag” (Goethe) are infused with a deep, credible spirituality, further highlighted by the passion of the music and the record’s appropriate artwork. You may be surprised how pop-like, charming and catchy the music sounds. You may even think you’ve heard some of the songs before, you’ll draw comparisons to ORPLID or DERNIÈRE VOLONTÉ, but then you’ll realise that the music of LEGER DES HEILS is eminently German in nature. Yes, they’ve never been this touching, this stirring, this honest and this romantic before. They make you want to go out into the great outdoors, to forests and mountains, toward the sun and toward the gods. So let us summarize: LEGER DES HEILS are a wholly original Gesamtkunstwerk made up of heroic pop, classical poetry, and spiritual romanticism. They are totally unique in this approach for sure! Tracks: 01 Einklang 02 Wie am ersten Tag 03 Götterheimat 04 Sängerfahrt 05 Vergangen ist die Zeit 06 Sehnsucht 07 Feuerbrand 08 Liebessaat 09 Der Gipfel Heere SKROLL – Misty Woods digiCD occultum out 30-09-2008 (oc004/EAN--) Skoll is the solo project by OPERA IX’s singer of the mighty Opera IX singer and after having been announced and expected for long, he now finally finished the recording of this new full length masterpiece.