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John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Slugmag.Com 1
slugmag.com 1 SaltLakeUnderGround • Vol. 25 • Issue #310 • October 2014 • slugmag.com ABOUT THE COVER: There’s something out there, right in our back yard—in Ft. Duchesne, Utah, where Publisher: Eighteen Percent Gray Marketing Coordinator: people often report sightings of lights, noises and Editor: Angela H. Brown Robin Sessions voices possibly associated with UFOs. Revel in illus- Managing Editor: Alexander Ortega Marketing Team: Alex Topolewski, Carl Acheson, trator Robin Banks’ sensationalized presentation of Junior Editor: Christian Schultz Cassie Anderson, Cassie Loveless, Ischa B., Janie this Northeastern Utah point of interest. SLUG Senior Office Coordinator:Gavin Sheehan Greenberg, Jono Martinez, Kendal Gillett, Rachel Staff Writer Cody Kirkland went down to investi- Fact Checker: Henry Glasheen Roller, Raffi Shahinian, Robin Sessions, Zac Freeman gate—read his story on pg. 36. Copy Editing Team: Alex Cragun, Alexander Social Media Coordinator: Catie Weimer Ortega, Allison Shephard, Christian Schultz, Cody Distribution Manager: Eric Granato DISCLAIMER: SLUG Magazine does not necessarily Kirkland, Genevieve Smith, Henry Glasheen, Distro: Adam Okeefe, Eric Granato, John Ford, maintain the same opinions as those found in our John Ford, Jordan Deveraux, Julia Sachs, Maria Jordan Deveraux, Julia Sachs, Michael Sanchez, content. We seek to circulate ideas and dialogue Valenzuela, Mary E. Duncan, Shawn Soward, Traci Nancy Burkhart, Nancy Perkins, Nate Abbott, Ricky through quality coverage of contemporary music, art, Grant Vigil, Ryan Worwood, Tommy Dolph, Tony Bassett, action sports and the subcultures therein … except Content Consultants: Jon Christiansen, Xkot Toxsik rollerblading. Content is property of SLUG Magazine— Matt Hoenes Senior Staff Writers: Alex Springer, Alexander Cover Illustration: Robin Banks Ortega, Ben Trentelman, Brian Kubarycz, Brinley please do not use without written permission. -
To View the Official Program!
20 years of the gathering of the juggalos... On this momentous occasion, we Gather together not just to celebrate the 20th Annual Gathering of the Juggalos, but to uphold the legacy of our Juggalo Family. For two decades strong, we have converged at the height of the summer season for something so much more than the concerts, the lights, the sounds, the revelry, and the circus. There is no mistaking that the Gathering is the Greatest Show on Earth and has rightfully earned the title as the longest running independent rap festival on this or any other known planet. And while all these accolades are well-deserved and a point of pride, in our hearts we know...There is so much more to this. A greater reason and purpose. A magic that calls us together. That knowing. The spirit of the tribe. The call of the Dark Carnival. The magic mists that float by as we gaze through the trees into starry skies. We are together. And THAT is what we celebrate here, after 20 long, fresh, hilarious, incredible, tremendously karma-filled years. We call this the Soopa Gathering because we are here to celebrate the superpowers of the Juggalo Family. All of us here together and united are capable of heroics and strength beyond measure. We are Soopa. We are mighty. For we have found each other by the magic of the Carnival—standing 20 years strong on the Dirtball as we see into the eternity of Shangri-La. Finding Forever together, may the Dark Carnival empower and ignite the Hero in you ALL.. -
Executive Director Terminated from SA
VOLUME XLI, ISSUE 1 SEPTEMBER 24, 2013 Executive director Nemish hits 400 terminated from SA contract with the SA that would cussion about “certain things Lump sum negate any dispute or litigation which different staff members arising over her dismissal. are involved in” but would not The day after Morrison’s specify due to concerns about severance dismissal, the SA’s vice-pres- FRQ¿GHQWLDOLW\³6WXGHQWVKDYH idents, Sean Kell and Stepha- an idea of what was going on, nie Wallace, hosted a meeting they might just not know what package of society leaders where the staff member relates to or, you dismissal was more openly know, who is involved in that,” discussed. Members of the he continued. “I don’t entirely offered board of directors, as well as know what I can say and what the president, were present and I can not... it’s not that I don’t Giorgio Berbatiotis the various SA representatives want to tell students why it was The Chronicle argued over a number of issues done or why it wasn’t done... I surrounding the president, the would love to tell the students, he Student Association’s SA in general, and the dismiss- but you know, there were other executive director was al of Morrison. people involved in the deci- Tdismissed from the SA ³7KHUH¶VEHHQDVLJQL¿FDQW sion.” on Sept. 9. A Student Asso- change and, for lack of a bet- President Peter Chinweuba, ciation press release indicated ter word, loss [to] our organi- whose name is on the internal the executive director was “no zation” said interim VP of col- documents outlining the details longer with the organization.” lege affairs Stephanie Wallace. -
The Politics of Independent Hip-Hop a Dissertation Submitted in Partial
UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. I contend that independent hip-hop remains a complex contemporary subculture. My research design utilizes a mixed methods approach. First, I analyze the lyrics of independent hip-hop albums through a content analysis of twenty-five independent albums from 2000-2013. I uncover the dominant ideologies of independent hip-hop artists regarding race, class, gender, sexual orientation, and calls for social change. -
Masarykova Univerzita Filozofická Fakulta Ústav Jazykovědy a Baltistiky Magisterská Diplomová Práce
Masarykova univerzita Filozofická fakulta Ústav jazykovědy a baltistiky Magisterská diplomová práce 2020 Kristýna Růtová Masarykova univerzita Filozofická fakulta Ústav jazykovědy a baltistiky Obecná jazykověda Kristýna Růtová Anglické lexikální prvky v českém textu: Texty o moderní hudbě Magisterská diplomová práce Vedoucí práce: prof. PhDr. Marie Krčmová, CSc. 2020 Prohlašuji, že jsem magisterskou diplomovou práci vypracovala samostatně s využitím uvedených pramenů a literatury. ……………………………………….. Podpis autora práce Poděkování Na tomto místě bych chtěla poděkovat prof. PhDr. Marie Krčmové, CSc., za odborné vedení mé práce, cenné rady a připomínky. Obsah ÚVOD ........................................................................................................................................ 6 TEORETICKÁ ČÁST ............................................................................................................. 8 1 PŘEJÍMÁNÍ CIZÍCH LEXÉMŮ .................................................................................... 8 2 POSTAVENÍ ANGLIČTINY V SOUČASNÉ DOBĚ ................................................... 9 3 ANGLICISMY ................................................................................................................ 13 3.1 HISTORIE PRONIKÁNÍ ANGLICISMŮ DO ČEŠTINY .......................................................... 13 3.2 PODÍL ANGLICISMŮ NA ČESKÉ SLOVNÍ ZÁSOBĚ ........................................................... 15 3.2.1 Anglicismy v různých oblastech ............................................................................ -
The Values of Independent Hip-Hop in the Post-Golden Era Hip-Hop’S Rebels
The Values of Independent Hip-Hop in the Post-Golden Era Hip-Hop’s Rebels Christopher Vito The Values of Independent Hip-Hop in the Post-Golden Era Christopher Vito The Values of Independent Hip-Hop in the Post-Golden Era Hip-Hop’s Rebels Christopher Vito Southwestern College Chula Vista, CA, USA ISBN 978-3-030-02480-2 ISBN 978-3-030-02481-9 (eBook) https://doi.org/10.1007/978-3-030-02481-9 Library of Congress Control Number: 2018958592 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Just Say No to 360s: The Politics of Independent Hip-Hop Permalink https://escholarship.org/uc/item/02h786r6 Author Vito, Christopher Sangalang Publication Date 2017 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. -
Contents Community
Contents Community . .2A Film . .3A Calendar . .4-5A Community . .6A Literature . .7A Dance . .8A Eco . .B RZ . .C 3 Year Celebration Saint Patty’s Celebration End . .D Jesus Christ Superstar Bridger Brewing Company Shane Center March 4th-26th Bacchus Pub Bi$Z . .4D March 3rd @11am Fri. & Sat.@8pm Sun.@3pm March 17th,18th & 19th Page 2a•The BoZone •March 1,2016 HRDC announces speaker series BEST of Bozeman ‘16 HRDC has announced its on small houses on May 10th; Dr. prior to 8pm. Come early for dinner polls now open! Community Action Speaker Aaron Wernham of MT Healthcare at your Community Café. It’s back! The BoZone is once Best Musical Instrument Store, Best Series. HRDC CEO Jeff Rupp and Foundation, with health and housing HRDC is a 501(c)3 non-profit again asking area residents to par- Thrift Store, Best Shoe Store, Best COO Heather Grenier will kick off the Community Action take in its annual BEST of Clothing Store, Best Place to Buy first of the series on Tuesday, March Agency dedicated to Bozeman 2016. This is the time to Jewelry, Best Bank, Best Restaurant, 1st from 7-8pm at the Community building a better give recognition to your favorite Best Restaurant Service, Best Casual Cafe. It is a great opportunity to community through small businesses, entertainment, Dining, Best New Restaurant, Best hear their reflection on the past 40 innovation and hotspots, and other local destina- Fine Dining, Best Montana years and what is keeping HRDC leadership. They tions. Now in its 15th year of Ambiance, Best busy today. -
VERSUS Battle That Is Released in the Format of Web Series on Youtube
CORE Metadata, citation and similar papers at core.ac.uk Provided by DSpace at Tartu University Library University of Tartu Department of Semiotics Sofya Serpinskaya THE PHENOMENON OF RAP BATTLES IN MODERN RUSSIAN CULTURE Master Thesis Supervisor: Silvi Salupere Tartu 2018 I have written the Master Thesis myself, independently. All of the other authors' texts, main viewpoints and all data from other resources have been referred to. Author: Sofya Serpinskaya ............................................................................... (signature ) ............................................................................... (date ) 1 TABLE OF CONTENTS INTRODUCTION …………………………………………………………………...3 I. THEORETICAL FRAMEWORK ………………………………………………11 1.1. The Main Components of Rapping ………………………….……………….11 1.1.1. Lyrical Content ………………………………………………………….12 1.1.2. Flow ……………………………………………………………………..13 1.1.3. Delivery …………………………………………………………………16 1.2. Discourse Practices of Battling ……………………………………………....17 II. THE ORIGINS AND DEVELOPMENT OF RAP BATTLES ……………….21 2.1. Rap Battles in the Context of Verbal Dueling …………………………….….21 2.2. The History of Rap Battles in Russia ………………………………………...25 III. ANALYSIS. VERSUS BATTLE LEAGUE ……………………………………27 3.1. General Characteristics of VERSUS Battle …………….……………………..27 3.1.1. Volume, Composition and Tonality of Communication …………….……30 3.1.2. Participants …………….………………………………………………..33 3.1.3. Types of Addressees …………….………………………………………..36 3.1.4. Intertextuality …………….……………………………………………...38 3.2. Rhymes -
Univerzita Pardubice Fakulta Filozofická Etnografie Horrorcore Rapu V České Republice Bc. Vojtěch Jírovec 2017
Univerzita Pardubice Fakulta filozofická Etnografie horrorcore rapu v České republice Bc. Vojtěch Jírovec 2017 Prohlašuji: Tuto práci jsem vypracoval samostatně. Veškeré literární prameny a informace, které jsem v práci využil, jsou uvedeny v seznamu použité literatury. Byl jsem seznámen s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně. V Pardubicích dne 27. 6. 2017 Na tomto místě bych rád poděkoval svému vedoucí práce, PhDr. Adamu Horálkovi, Ph.D. za jeho cenné rady a připomínky v průběhu tvorby této diplomové práce. Děkuji také všem svým blízkým, kteří mě podporovali, a v neposlední řadě velmi děkuji respondentům a interpretům samotným, bez jejichž přispění by tato práce nemohla vzniknout. ANOTACE Předmětem mé diplomové práce je popsat horrorcorovou scénu v České republice. Dále analyzuji texty a pokouším se zjistit, jaký pozitivní vliv má tato scéna na její posluchače. Řeším také důvod kritiky od společnosti a následně kritiku právě společnosti. Hudbu zkoumám přes funkce hudby od Alana P. Merriama. Na konci práce jsou uvedeny příklady, jak je možné tuto hudbu různě interpretovat. KLÍČOVÁ SLOVA horrorcore, rap, hudba, černý humor, násilí, nenávist, déro TITLE Ethnography of horrorcore rap in Czech Republic ANNOTATION The aim of my master thesis is to describe horrorcore scene in Czech Republic. -
Download a Volunteer Application Form at PICNIC RECORDS
/13 02 2012 / 09 volume 67 ELEGANTLY WAISTED chelsea neufeld’s fashion frenzy culture page 13 TOP COP ASSESSING keith Mccaskill’s legacy news page 3 DONE WITH THE SICKNESS Madchild returns with dope sick WHAT BIG BUSINESS arts page 9 IS DOING TO NORTH AMERICAN SOCIETY: AN INTERVIEW WITH JOEL BAKAN news page 2 02 The UniTer September 13, 2012 www.UniTer.ca Looking for Listings? Cover image How is construction on cAmPUs & COMMUnItY LISTInGs AnD CHElSEA NEuFELD What it’s like walking through VoLUnteeR oPPoRtUnItIES page 4 spence street impacting photo by dylan Hewlett the West End at night mUsIc page 10 the community? FILm & LIt page 15 local fashion maven Chelsea Neufeld GALLeRIES & mUseUms page 15 is set to launch WAiSTEd, her second .cAmPUs page5 comments page7 tHeAtRe, DAnce & COMEDY page 15 online vintage clothing store AWARDs & FInAncIAL AID page 15 See story on page 13. Big business too big? UNITER STAFF Joel Bakan talks corporations and their unique status in western society ManaGinG eDitor Aaron Epp » [email protected] Harrison sampHir BUSiness ManaGer online editor Geoffrey Brown » [email protected] PrODUcTiOn ManaGer Ayame ulrich [email protected] To Joel Bakan, corporations are the economic » and social trademarks of contemporary North cOPy anD styLe eDitor American society— and they’re occupying a Britt Embry » [email protected] very powerful role. Photo eDitor Ahead of his talk at a Uniter Speaker Series dylan Hewlett » [email protected] event on Wednesday, Sept. 19, the UBC law pro- fessor, author, filmmaker and oft jazz musician newS assiGnMenT eDitor discussed his recent works and what led him to Ethan Cabel » [email protected] the critical examination of big business.