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The Life of George Brooks Artist in Stone by Juanita Brooks 1965
The Life of George Brooks Artist in Stone by Juanita Brooks 1965 Chapter 1 BACKGROUND AND EARLY LIFE For ages the rocky promitory on the north extremity of Wales has jutted out into the sea, to be known by the early inhabitants of the area as “The Point of Ayr.” Surrounded on three sides by water, with a low, gravelly beach at low tide, it became inundated up to several feet at high tide, and a boiling, foaming torrent in storms. It was such a hazard to seafaring men that by 1700 it was marked with a small lighthouse, erected for and supported by the merchants of Chester, far down at the end of the bay, As the city of Liverpool grew in importance, this danger spot became their concern also, for their commerce was constantly threatened by the submerged rocks. During the summer of 1963, the author, her husband, William Brooks, and her daughter, Mrs. Thales A. Derrick, visited the lighthouse here at the point of Ayr and became acquainted with a man who gave them the address of the present owner of the property, Mr. H. F. Lewis. In a letter dated August 27, 1963, he said: “. The Elder Brethren of Trinity House, who did not like privately owned lighthouses, heard of the defaulting of the Port of Chester Authority & petitioned the King in 1815 to have the jurisdiction of the L. H. Placed under their auspices. This was granted by King George III. I have this document as the first of the L. H. Deeds . “Originally the keeper lived ashore at the house still known as the Lighthouse cottage. -
The Winning Entries of the 13 Annual
The United Jewish Community of the Virginia Peninsula, Inc. Presents The Winning Entries of the 13th Annual Holocaust Writing Competition for Students 2014 Beyond Courage Rescuers and Resistors of the Holocaust Special Thanks This competition is made possible through the generosity of The Sarfan/Gary S. and William M. Nachman Philanthropic Fund of the UJC Endowment Fund. In Appreciation.... Special thanks to the Holocaust Writing Competition Committee for their dedication and commitment to this annual project. Our competition final judges have been outstanding and we thank them for their time and commitment to excellence. Committee/Readers Sandy Katz, Co-chair Helaine Shinske, Co-Chair Rhoda Beckman Margo Drucker Milton Katz Elaine Nadig Linda Roesen Ruth Sacks Barbara Seligman Lucy Sukman Jayne Zilber b b b Competition Final Judges Bonnie Fay Tom Fay Dr. Linda Burgess-Getts Joan Goldman Dr. Andrew Falk The Honorable Judie Kline Dr. Paulette Molin Meera Rao Joanne K. Roos b b b Linda Molin, UJC Staff -2- The 13th Annual Holocaust Writing Competition Sponsored by The United Jewish Community of the Virginia Peninsula, Inc. and made possible with a generous grant from the Sarfan/Gary S. and William M. Nachman Philanthropic Fund of the UJC Endowment Fund. ne of the primary goals of this writing competition is to encourage young people to apply the lessons Oof history to the moral decisions they make today. Through studying the Holocaust, students explore the issues of moral courage as well as the dangers of prejudice, peer pressure, unthinking obedience to authority, and indifference. This competition provides students an opportunity to think and express themselves creatively about what they have learned. -
The Cord Weekly
/ Laurier musicians Pierre Berton rock out at Wilf's visits Laurier Page Page THE , 2 CORD WEEKLY * Wednesday November 21, 2001 *Laurier's Official Student Newspaper • Volume 42 • Issue 15 2 News 6 Opinion 10 International 12 Feature 14 Entertainment 17 Sports 20 Student Life 22 Business 23 Classifieds More growing concerns "The reputation of Laurier has has also adversely affected WLU's She went on to say that many Students' Union requests an been tainted," said David public image, most notably in last more people accepted the offers of Wellhauser, Executive Vice week's Maclean's magazine univer- admission than in past years, a immediate freeze on current President of University Affairs. sity rankings. development that WLU was unable "Over-enrollment has had a nega- "WLU sent out too many offers to anticipate. The increase in enrollment levels tive effect on all students. It's irre- of admission," said Wellhauser. "It acceptances was most noticeable sponsible, and has to stop." was an irresponsible mistake that from students for whom Laurier MartinKuebler regarding the unexpected growth The Students' Union pointed should have been caught." was not a first choice. of Laurier's student body in recent to a number of reasons that have However, Undergraduate In order to properly address The issue of responsible growth at years. Of particular concern was contributed to over-crowding. Admissions Manager Gail Forsyth the growth situation, WLUSU pro- Laurier has not been given the what the Union called a "miscalcu- Among them are inadequate said the increased enrollment posed that current enrollment lev- "proper attention or recognition," lation in the admissions formula," provincial funding for universities experienced in 2001 was unfore- els be frozen immediately until stu- and the WLU Students' Union resulting in the surplus of 962 stu- and the deviation from the seeable, and was not as a result of dent concerns are addressed. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Swollen Members the Predator
The Predator Swollen Members When the shit goes down you better be ready (When the shit goes down) I turn He-Man to She-Rra, Battlecat to Cringer West Coast Avenger, Mad Child's a ninja Fist of the North Star, I'm going hard Lions flying out my mouth like a throwing star Tough luck, nunchucks for these dumb fucks Young dukes jump up, they get fucked up I can levitate (why?) I'm a featherweight (nah) I'm a heavyweight, hope to get to Heaven's gate But not yet (watch it) I'm a freakin savage Running all around and I am busy wreaking havoc Funny when I rap it sounds like I'm committing murder But have to ask the question, "How come I ain't getting further? " I'm a fucking lunatic, I can be a moody bitch Great white shark eating rappers like you're tuna fish Kill em I annihilate, villain with an iron blade Fuck when I rock I am hot watch a fire blaze Welcome to the freak fest, Mad Child's a monster First do a concert then do an encore Mad got the game on lock like a door handle War angel, black cape with an orange candle now I've gone commando Running through the streets with the gun of Rambo Knife on my belt that could cut your scalp Quit drugs now I'm back you go fuck yourself Tattooed up top to bottom sleeves Never fall again like autumn leaves Dark like the Legend of Sleepy Hollow I'm the big bad wolf, you are sheep that follow Crawl into bed, take a power nap Eat your kids in a nightie and a shower cap All these little piggies run when the shit goes down Cause I'm here to blow your motherfucking brick house down Nasty North American, -
Debate Overnight Radio Play for Sale to Labels
$6.99 (U.S.), S8.99 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) w Hot.' á 3 -DIGIT 908 z ILI..i6..J..IiIII...L..LoIEIO I IIL.I[I BL240f04 APR06 A04 B0105 ¡aient MONTY GREENLY 3740 ELM AVE # A LONG EEACH CA 93807 -3402 J31i1 Begins On Page 15 www.billboard.com THE INTERN TIONAL AUTHORITY ON MUSIC, VIDE AND DIGITAL ENTERTAINMENT 110TH YEAR JUNE 19, 2004 HOT SPOTS Spin Buys Spark New Debate Overnight Radio Play For Sale To Labels Latin S BY BRIAN GARRITY 11 Bank On Lt ar Anthony 50 Cent protégé Lloyd Banks Offers ans His First Controversy surrounding burns up the charts with "On overnight airplay at radio is Fire, "the lead single from his Spanis Pop Album nothing new for the G- Unit /Interscope solo set. recording industry. But the BY LEILA COB' current flap over tracks played late at night in label -sponsored fí It is tim of c-ìange for Marc "spin programs" presents a new Anthony. twist on past grievances. Just a few years ago, labels were Last year h: changed management complaining bitterly that radio by signing wi Tommy Mottola after programmers were relegating l6 a longstandi g association with new singles to the overnight Bigram Zayas Anthony's brother. hours. Now many labels are Last -nont , he changed his tour shelling out thousands of dollars dates. Origin Hy slated to kick off in per week to have songs played between midnight and 6 a.m. June, the o ing has been resched- 32 Waylon Gains As first tipped on billboard.biz uled for Nov: mbeG Waylon Payne promotes his and in Billboard sister publica- Last week, e reportedly married Jen- tion Airplay Monitor's June 11 upcoming album, "The Drifter," nifer Lopez. -
PDF EPUB} Chasing Reese
Read Ebook {PDF EPUB} chasing Reese. by Imy Santiago Amy Santiago. Sergeant Amy Santiago is a main character of the show. She is a sergeant and a former detective at the 99th precinct of the NYPD. Always eager to impress, Amy is looking for a mentor to help her achieve her dream of being the youngest person to be promoted to Captain. Contents. Personality. Amy is an incredibly ambitious and driven detective who always strives for perfection in nearly everything she does. Like Jake, she is extremely competitive and stubborn, doing whatever it takes to win a bet or competition. Amy is utterly obsessed with anything that has to do with organization or rules, with one of her favourite pastimes even being creating binders for any given situation. She is often made fun of by others for being a “goody-two shoes”, as she has shown to be incapable of even breaking the smallest rule. Because of how much she values rules and authority, Amy upholds an unnaturally high amount of respect and reverence towards superior officers, particularly Captain Holt. This causes her to be desperate for her captain’s wisdom and approval, often to the point of coming off as awkward and off-putting. Due to her need to plan nearly everything in her life, Amy is easily prone to bouts of anxiety and panic when things don’t go as expected. She developed a smoking habit to help deal with her stress, of which she is deeply ashamed of. Amy’s straight-forward and uptight attitude, along with being overall more sensitive than her colleagues, has caused her to end up as the butt of many jokes, particularly from Gina. -
<Pkthouse Condemned
An Associated Collegiate Press Four-Star All-American Newspaper TUESDAY September 16, 1997 Volume 124 • THE • Number 4 Non-Profit Org. U.S . Postage Paid Newark, DE 250 Student Center• University of Delaware • Newark, DE 19716 Pennit No. 26 Police issue 112 charges in weekend crackdown BY KENDRA SINEATH As part of the Multi-Agency "But the next minute everybody was were carding people left and right - violators. Most of the City News Editor Alcohol Enforcement Project, the running, trying to get away from the luckily for us, everyone they carded ·:It's been a while since we've had In a ci tywide crackdown on Newark Police Special Operations cops.'· was over 21 .'' this type of heightened enforcement," underage drinking and excessive noise, Unit, in conjunction with the Delaware The streets hardest hit were, Haines Pink's housemates have a Sept. 25 he said. '·and students were just not arrests were 112 charges were made last weekend A lcoholi c Beverage Control Street, Madison A venue, Wilbur Street court date. where they plan to contest prepared to deal with the aggression of w:th offenses ranging from underage Enforcement Section, used six plain and New London Road. the charges. this force.'' consumption of alcohol to possession clothed officers to target bars. liquor Although junior Stefanic Pink was "It was our first offense and we Even though the multi-agency for breaking of LSD. stores, pru1ies and public areas where not at her Haines Street home at the didn't even get a warning." she said. "I enforcement project put into effect last "The majority of the arrests made underage drinking has been a problem. -
Nouveautés Septembre 2019
Nouveautés septembre 2019 Comédie Bonheur juif (Le) (Evreyskoe schaste) Fiction / Comédie Durée : 88mn Russie / 1925 Scénario : Grigori Gritscher-Tscherikower, Boris Leonidov, Isaak Teneromo De : Alekseï Granovski Origine : d'après la nouvelle de Sholom Avec : Tamara Adelheim, Moisei Goldblat, Aleichem Solomon Mikhoels Auteur adapté : Sholom Aleichem Directeur photo : Eduard Tisse, Vasili Khvatov, Nicolai Strukov Compositeur : Lev Pulver Résumé : Langue : Muet Menakhem Mendel, courtier et commerçant, gagne sa vie péniblement. Tous les samedis, il tente Sous-titres : Aucun d'acheter un morceau de viande qu'il nomme son petit bonheur juif. Un jour, il décide de monter une Écran : 4/3 nouvelle affaire : entremetteur. Mais on ne s'improvise pas marieur, même si une liste de riches Son : Mono jeunes filles à marier vous tombe entre les mains. Menakhem va l'apprendre à ses dépens. Bonus : Entretien avec Richard Delmotte. N&B Support : DVD Page 1/36 Nouveautés septembre 2019 Tel Aviv on fire Fiction / Comédie Durée : 97mn Israël - Belgique - Luxembourg / 2018 Scénario : Sameh Zoabi, Dan Kleinman Producteur : Amir Harel, Miléna Poylo, De : Sameh Zoabi Bernard Michaux Avec : Lubna Azabal, Kais Nashif, Yaniv Biton Directeur photo : Laurent Brunet Compositeur : André Dziezuk Langues originales : Arabe, Hébreu Résumé : Salam, 30 ans, vit à Jérusalem. Il est Palestinien et stagiaire sur le tournage de la série arabe à succès "Tel Aviv on Fire !" Tous les matins, il traverse le même check-point pour aller travailler à Langue : Arabe Ramallah. Un jour, Salam se fait arrêter par un officier israélien, Assi, fan de la série. Pour s'en sortir, Sous-titres : Français il prétend en être le scénariste. -
Slugmag.Com 1
slugmag.com 1 SaltLakeUnderGround • Vol. 25 • Issue #310 • October 2014 • slugmag.com ABOUT THE COVER: There’s something out there, right in our back yard—in Ft. Duchesne, Utah, where Publisher: Eighteen Percent Gray Marketing Coordinator: people often report sightings of lights, noises and Editor: Angela H. Brown Robin Sessions voices possibly associated with UFOs. Revel in illus- Managing Editor: Alexander Ortega Marketing Team: Alex Topolewski, Carl Acheson, trator Robin Banks’ sensationalized presentation of Junior Editor: Christian Schultz Cassie Anderson, Cassie Loveless, Ischa B., Janie this Northeastern Utah point of interest. SLUG Senior Office Coordinator:Gavin Sheehan Greenberg, Jono Martinez, Kendal Gillett, Rachel Staff Writer Cody Kirkland went down to investi- Fact Checker: Henry Glasheen Roller, Raffi Shahinian, Robin Sessions, Zac Freeman gate—read his story on pg. 36. Copy Editing Team: Alex Cragun, Alexander Social Media Coordinator: Catie Weimer Ortega, Allison Shephard, Christian Schultz, Cody Distribution Manager: Eric Granato DISCLAIMER: SLUG Magazine does not necessarily Kirkland, Genevieve Smith, Henry Glasheen, Distro: Adam Okeefe, Eric Granato, John Ford, maintain the same opinions as those found in our John Ford, Jordan Deveraux, Julia Sachs, Maria Jordan Deveraux, Julia Sachs, Michael Sanchez, content. We seek to circulate ideas and dialogue Valenzuela, Mary E. Duncan, Shawn Soward, Traci Nancy Burkhart, Nancy Perkins, Nate Abbott, Ricky through quality coverage of contemporary music, art, Grant Vigil, Ryan Worwood, Tommy Dolph, Tony Bassett, action sports and the subcultures therein … except Content Consultants: Jon Christiansen, Xkot Toxsik rollerblading. Content is property of SLUG Magazine— Matt Hoenes Senior Staff Writers: Alex Springer, Alexander Cover Illustration: Robin Banks Ortega, Ben Trentelman, Brian Kubarycz, Brinley please do not use without written permission.