Paris Attacks Affect EAP Students Students Express

Total Page:16

File Type:pdf, Size:1020Kb

Paris Attacks Affect EAP Students Students Express DAILY NEXUS THURSDAY, NOVEMBER 19, 2015 www.dailynexus.com UNIVERSITY OF CALIFORNIA, SANTA BARBARA Paris Attacks Affect EAP Students Students Express for anyone who needed a place; there was a [#PorteOuverte] going around which means ‘open door,’ so basically if you needed a place to Solidarity with stay you would tweet or post on social media with that hashtag and anyone who saw it would invite you in,” Miller said. Miller said people in Paris the night of Nov. Mizzou Protests 13 were “there for each other.” “Everyone was scared, no one knew what was happening, but that made us all in it together. French or American — it didn’t matter what your nationality was,” Miller said. Brockert said the gravity of the situation became “real” after she learned there were 100 hostages at the Bataclan theatre. “Me and my roommate stopped in the middle of the metro station and I almost lost it because it felt really real,” Brockert said. “It didn’t just happen, it was happening right now. People are dying right now and we were a mile away and it became very real.” Brockert said she had visited Place de la République, a square near where the shootings took place, which is now filled with flowers “stacked feet high” and “hundreds and hundreds” of candles. Brockert said when she was in the square a man stood blindfolded in the middle of the crowd with a sign in French reading “I’m a ATEKEN ABLA / DAILY NEXUS Muslim, but I’m not a terrorist. We all love.” Zareena Zaidi hostages were killed. On Friday evening, “I watched person after person of every Reporter President Francois Hollande closed France’s background and every age walk up to him and borders and declared a state of emergency. Flights hug him,” Brockert said. “At one point a three- Maddy Brockert was in the Stade de France were cancelled, a curfew mandated and the Eiffel or-four-year old ran up and grabbed his leg … in Paris for the France vs. Germany soccer game Tower closed until Monday, Nov. 16. It was cool seeing someone that young just see on Nov. 13 when a bomber outside the stadium Third-year anthropology and psychology him as another human being — not see him as began the first of several terrorist attacks on the double-major EFFIE SKLAVENITIS / DAILY NEXUS city that evening. and EAP student The meeting was held in light of recent racially Brockert, a third-year sociology major and Danielle Miller Me and my roommate stopped in charged occurrences at the University of Missouri. Education Abroad Program (EAP) student, is one lives in the 12th the middle of the metro station and I of 23 UCSB students currently studying abroad arrondissement “ Nicholas Bogel-Burroughs in Paris. Following the terrorist attack, which left of Paris and was almost lost it because it felt really real. Asst. News Editor approximately 130 dead, UCEAP successfully unable to access confirmed the safety and location of all UCSB her apartment on - Maddy Brockert In a dimly-lit Isla Vista garage, about 45 students, local students in Paris. the night of the residents and UC Santa Barbara staff members convened on The Islamic State of Iraq and Syria (ISIS) attacks due to a claimed responsibility for the mass shootings and police blockade. Miller said she and a group of a Muslim, not see him as a terrorist, not see him Wednesday to support University of Missouri protesters, share suicide bombings at six locations throughout friends were able to spend the night at the house as anything other than a human being and just their difficulties as people of color and discuss the most effec- the city, including the final and deadliest of someone she met that night. showing him love.” tive means of overcoming these trials. attack at the Bataclan concert hall, where 89 “[Parisians] were opening their doors PARIS p.3 MIZZOU p.4 2 Thursday, November 19, 2015 Daily Nexus DAILY NEXUS CALENDAR UNIVERSITY OF CALIFORNIA, SANTA BARBARA Magic Lantern Films Mark Moffett Itzhak Perlman, violin presents The High Frontier: Exploring Emanuel Ax, piano AMERICAN ULTRA theForest Canopy Thu, Jan 21 Friday, November 20 at 7 Sun, NOv 22 3:00 PM 7:00 PM & 10pm The Granada Theatre Monday, November 23 at 7 & 10pm IV Theater, Isla Vista $4 Sun, Nov 8 IV LIVE presents 4:00 PM IMPROVABILTY’s CAL Hahn Hall POLY V. UCSB UCSB’s award-winning improv troupe dukes it out with Cal Poly! One of only a handful of people to earn Friday, November 20 at a Ph.D. under respected ecologist E.O. Undeniably one of the most beloved Wilson, Mark Moffett has worked in the violinists in the world, Itzhak Perlman 8pm crowns of the tallest trees, where most enjoys superstar status rarely afforded of the world’s biodiversity lies, pursuing a classical musician. Recognized for his Embarcadero Hall, Isla orangutans and canopy bears or finding charm and humanity as well as his talent, Vista rare orchids and insects – work that he he is a Kennedy Center Honoree treasured details in his book, The High Frontier: by audiences who respond not only to $3 Exploring the Tropical Rainforest Canopy. his remarkable artistry, but also to his irrepressible joy for making music. Brothers from Other Kid Flix Mix Alex Honnold Mothers Presents Sun, Jan 10 Alone on the Wall BFOM’s FALL 11:00 AM Sun, Nov 22 CONCERT Campbell Hall 7:00 PM BFOM and Chill: BFOM Campbell Hall Awakens Salman Khan Saturday, November 21 Education Reimagined at 5pm Sun, Jan 24 Embarcadero Hall, Isla 3:00 PM The Granada Theatre Vista A nonprofit educational organization with the mission of providing free, high-quality education to “anyone, anywhere” in the world, Khan Academy was founded by Salman Khan, a former hedge fund analyst with degrees from MIT and Harvard. Khan is also the author of The One World School The film festival that is “redefining what kids’ House, which explores the potential impact entertainment can be” (Time Out New York) lex Honnold is a professional rock climber of the web as a teaching tool. With 6,000 returns with an exciting lineup of kid-friendly, instructional videos covering everything from whose audacious free-solo ascents of parent-approved and jury selections. A the world’s biggest walls have made him basic arithmetic to college level science and kaleidoscopic showcase of the best short economics, 100,000 practice problems and one of the sport’s most notable climbers. film and animation from around the world, Known for death-defying feats such as 10,000,000 unique users per month, Khan this entertaining mix of musical and narrative Academy is redefining the way we learn. tackling Mexico’s Sendero Luminoso and shorts offers a delightful experience for all Patagonia’s Fitz Traverse without a rope, In this moderated conversation, Khan will ages. (Approx. 60 min.) discuss how we can rethink education. partner or gear. The Daily Nexus is published by the Corrections Policy: To call an error Press Council and partially funded to the attention of the editor in chief, DAILY NEXUS through the Associated Students of the provide a written statement detailing www.dailynexus.com University of California, Santa Barbara the correct information. The Daily Nexus on weekdays during the school year. publishes all corrections of errors. Editor in Chief |Emile Nelson Science Editor | Priyanka Shindgikar Editorial Matter: Opinions expressed The Daily Nexus follows the University Weather Managing Editor | Cheryl Sun Art Director | Ateken Abla in the editorial pages, News and the of California’s anti-discrimination Layout Editor| Ateken Abla Social Media Manager | Tarush Mohanti Weather Box do not necessarily reflect codes. Inquiries about these poli- News Editor | Megan Mineiro Chief Copy Editor | Simone Dupuy those of the Daily Nexus, UCSB, its cies may be directed to: Ray Huerta, County News Editor |Beth Lebens Asst. Copy Chief | Ava Talehakimi faculty or student body. Affirmative Action Coordinator, phone University News Editor | Supriya Yelimeli Senior Copy Readers | Liana Bevacqua, Advertising Matter: Advertising (805) 893-3105. Despair, sadness, death Asst. News Editors | Juliet Bachtel, Ava Talehakimi, Steenalisa Tilcock printed herein is solely for informa- Single copies are free; additional This haiku is dramatic Nicholas Bogel-Burroughs Copy Readers | Christine Hamlin, tional purposes. Such printing is not copies cost $1. Shots, Opinion Editors | Jackson Kerr, Suzanne Michelle Phan, Kylie George, Sarah to be construed as a written or implied Printed at the Santa Barbara Becker Garret, Zachary Morgan, Melanie sponsorship, endorsement or investiga- News-Press printing facility, in Goleta. shots, Sports Editor | Michael Jorgensen Voskanian tion of such commercial enterprises or Asst. Sports Editor |Sean White Advertising Representatives | Samuel shots, ventures by the Daily Nexus. Additional contact information for Artsweek Editor | Alex Bocknek Jergens, Suzana Vuk, Nathan Abbott, individual sections and editors shots, Asst. Artsweek Editor | Frank Horne Maton Bostick, Kira Erickson, Sierra can be found at www.dailynexus.com shots On The Menu Editor | Marisa Ratchford Kirtz, Pia Delos Reyes, Willie Roman Contact Us Online Editor | Leon Freyermuth Production | Ava Talehakimi, Simone News Office: University of California, Santa Barbara Photo Editor | Lorenzo Basilio Dupuy PO Box 13402 UCEN Tomorrow’s Forecast: The ’human takes all hir Phone: (805) 893-2691 Santa Barbara, CA 93106 Sports Photo Editor | Dustin Harris Email: [email protected] obligations and turns them into haikus Advertising Office: Phone: (805) 893-3828 • Fax: (805) 893-2789 “You can’t win or lose, there is only cats.” Daily Nexus News Thursday, November 19, 2015 3 PARIS I.V. Community Meeting Continued from p.1 Third-year political science major and EAP student students have the option to return home, they will Discusses Possible New Cameron Sousa said he and his friends were shaken stay in France to immerse themselves in the local when they heard about the attacks.
Recommended publications
  • Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
    Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions
    Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis Abstract: The rise of jazz-R&B-hip hop fusions in contemporary Los Angeles offers an opportunity to Downloaded from http://direct.mit.edu/daed/article-pdf/148/2/23/1831401/daed_a_01740.pdf by guest on 02 October 2021 reflect on the ways jazz matters to black audiences today. Drawing on recent Afrofuturist art and theo- ry as well as on Amiri Baraka’s analysis of the “changing same” in black music, this essay traces out the significance of work by artists as diverse as Kamasi Washington, Flying Lotus, Thundercat, and Robert Glasper, positing that their music tells us that jazz matters not only in itself, but also in its continuing ca- pacity to engage in cross-genre dialogues for musicians and audiences who hear it as part of a rich con- tinuum of African American musical expression. We are, it seems, in an age of Afrofuturism. The release of the Black Panther feature film in Febru- ary 2018 was greeted with a spate of think pieces across a range of media, explaining the term Afro- futurism for an unfamiliar audience. “T’Challa, also known as the Black Panther, the title character of the blockbuster movie, wasn’t the first person to land a spaceship (or something like it) in down- town Oakland, Calif.,” starts one such article.1 Such pieces point back to bandleaders Sun Ra and George Clinton (and sometimes to Jamaican dub artist Lee “Scratch” Perry) to provide background for the film’s mix of the old and the new, technolo- gy and the spirit, space-age Africa, and, eventually, a sense of diasporic culture that travels in both di- rections across the Black Atlantic–in ships in the gabriel solis is Professor of sky rather than the sea–suturing the fissures rent Musicology at the University of by the middle passage, by war, and by colonial mo- Illinois at Urbana-Champaign.
    [Show full text]
  • BTS' 'Butter' on a Roll, Spends Second Week at No. 1 on Billboard Hot
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 7, 2021 Page 1 of 41 INSIDE BTS’ ‘Butter’ on a Roll, • Taylor Swift’s Spends Second Week at No. 1 ‘Evermore’ Returns to No. 1 on Billboard 200 Chart on Billboard Hot 100 • Revealed: BY GARY TRUST Billboard’s 2021 Indie Power Players TS’ “Butter” adds a second week at No. 1 on Sales chart, drops 4-10 on Streaming Songs and rises • Bill Ackman’s UMG the Billboard Hot 100 songs chart, a week 39-32 on Radio Songs. Play: A Bad Deal or after it soared in at the summit, becoming First two weeks at No. 1: “Butter” is the 23rd title Just Too Confusing the South Korean superstar group’s fourth to debut at No. 1 on the Hot 100 and post a second for Investors? Bleader on the list. consecutive week on top, among 54 total No. 1 ar- • Apple Music The song again fends off Olivia Rodrigo’s “Good 4 rivals, making for a 43% second-week success rate. Releases Spatial U,” which holds at No. 2 on the Hot 100, two weeks It’s the third among seven such songs this year, after Audio and Lossless after it launched at No. 1. Olivia Rodrigo’s “Drivers License” spent its first eight Streaming The Hot 100 blends all-genre U.S. streaming (of- weeks at No. 1 (encompassing its entire reign) and • How Premier’s ficial audio and official video), radio airplay and sales Polo G’s “Rapstar” ruled in its first two frames (also Josh Deutsch Is data.
    [Show full text]
  • Who Are Brockhampton? Melvin Seals And
    K k AUGUST-SEPTEMBER 2017 K g VOL. 29 #8 H WOWHALL.ORGk though he had a big say on the project, Saturation is very much about BROCKHAMPTON as a whole. Ameer Vann appears on WHO ARE BROCKHAMPTON? the project the most out of every- one, and it’s his face on the front cover smeared in blue paint. Ian dubbed Ameer “the star of the tape,” but this is a project where everyone props each other up. On the production side of things there’s Kiko Merley, Jabari Manwarring, and Romil Hem- nani, although Joba and Bearface contribute production, too. There’s also Robert Ontenient, who works on the website side of things and recently co-authored an app they launched in time for the release of Saturation. Henock Sileshi and Ashlan Grey are mostly responsible for On Friday, September 29, the earning themselves a singles deal ent sounds and styles these rag- are what America actually is,” the group’s visuals, with Henock Community Center for the Per- with Fool’s Gold Records and a tags can squeeze into 38 minutes,” Kevin Abstract declares. “We offering art direction and Ashlan forming Arts and Dead Nation handsome video budget. The reported DJBooth. “If Pharrell, speak for people of color who photography. Each of the videos Presents welcome BROCKHAMP- result of their prize was “Dirt”, Kid Cudi and Frank Ocean have a hard time expressing them- for the singles was directed by TON to the WOW Hall. which shattered preconceived blurred genres, BROCKHAMP- selves publicly.” The L.A.-based Abstract, but Ashlan filmed each BROCKHAMPTON is the notions about what constitutes TON synthesize these very influ- collective includes rappers, pro- one while Henock edited them.
    [Show full text]
  • Interview: Tokimonsta Is Here to Change the Game
    CROSSFADER (//CROSSFADER.FM/) ARCHIVE (HTTP://WWW.DJZ.COM/ARCHIVE/) APPS (HTTP://WWW.DJZ.COM/APPS/) DJZ (http://www.djz.com/) CROSSFADER (//CROSSFADER.FM/) ARCHIVE (HTTP://WWW.DJZ.COM/ARCHIVE/) APPS (HTTP://WWW.DJZ.COM/APPS/) EXCLUSIVE INTERVIEW INTERVIEW: TOKIMONSTA IS HERE TO CHANGE THE GAME Kim Reyes • NOV 13, 2013 Tweet 6 Female DJs continue to be a minority in the electronic music world, but with the rise of artists like Krewella (http://www.djz.com/tag/krewella) and NERVO (http://www.djz.com/tag/nervo), it appears that girl power is on the upswing. Enter Jennifer Lee, a producer who finds comfort in the shrouded beats scene of Los Angeles. More formally known as TOKiMONSTA (http://www.djz.com/tag/tokimonsta), Lee has managed to wedge herself into the upper echelon of experimental electronic music, as evident by her recent Nov 2 performance at the Red Bull Music Academy Discotheque Stage (www.redbullmusicacademy.com/events/hard-day-of-the-dead-2013)​ at Hard Day of the Dead (http://www.harddayofthedead.com/)​. Dubbed the "first lady" of Brainfeeder (http://www.brainfeedersite.com/)​ by the record label's founder Flying Lotus (http://www.djz.com/tag/flying-lotus), Lee is no stranger to hanging tough in what appears to be an all-boys club. "People will say things like I'm not really producing my own music," she says. "They think I'm just the face and someone else is making the beats behind the scenes." What started as hobby has since evolved to become everything for the producer, who began making beats after following a friend's suggestion.
    [Show full text]
  • アーティスト 商品名 フォーマット 発売日 商品ページ 555 Solar Express CD 2013/11/13
    【SOUL/CLUB/RAP】「怒涛のサプライズ ボヘミアの狂詩曲」対象リスト(アーティスト順) アーティスト 商品名 フォーマット 発売日 商品ページ 555 Solar Express CD 2013/11/13 https://tower.jp/item/3319657 1773 サウンド・ソウルステス(DIGI) CD 2010/6/2 https://tower.jp/item/2707224 1773 リターン・オブ・ザ・ニュー CD 2009/3/11 https://tower.jp/item/2525329 1773 Return Of The New (HITS PRICE) CD 2012/6/16 https://tower.jp/item/3102523 1773 RETURN OF THE NEW(LTD) CD 2013/12/25 https://tower.jp/item/3352923 2562 The New Today CD 2014/10/23 https://tower.jp/item/3729257 *Groovy workshop. Emotional Groovin' -Best Hits Mix- mixed by *Groovy workshop. CD 2017/12/13 https://tower.jp/item/4624195 100 Proof (Aged in Soul) エイジド・イン・ソウル CD 1970/11/30 https://tower.jp/item/244446 100X Posse Rare & Unreleased 1992 - 1995 Mixed by Nicky Butters CD 2009/7/18 https://tower.jp/item/2583028 13 & God Live In Japan [Limited] <初回生産限定盤>(LTD/ED) CD 2008/5/14 https://tower.jp/item/2404194 16FLIP P-VINE & Groove-Diggers Presents MIXCHAMBR : Selected & Mixed by 16FLIP <タワーレコード限定> CD 2015/7/4 https://tower.jp/item/3931525 2 Chainz Collegrove(INTL) CD 2016/4/1 https://tower.jp/item/4234390 2000 And One Voltt 02 CD 2010/2/27 https://tower.jp/item/2676223 2000 And One ヘリタージュ CD 2009/2/28 https://tower.jp/item/2535879 24-Carat Black Ghetto : Misfortune's Wealth(US/LP) Analog 2018/3/13 https://tower.jp/item/4579300 2Pac (Tupac Shakur) TUPAC VS DVD 2004/11/12 https://tower.jp/item/1602263 2Pac (Tupac Shakur) 2-PAC 4-EVER DVD 2006/9/2 https://tower.jp/item/2084155 2Pac (Tupac Shakur) Live at the house of blues(BRD) Blu-ray 2017/11/20 https://tower.jp/item/4644444
    [Show full text]
  • Final Nominations List
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 61st Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2017 through September 30, 2018 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. THE MIDDLE Record Of The Year Zedd, Maren Morris & Grey Award to the Artist and to the Producer(s), Recording Engineer(s) Grey, Monsters & Strangerz & Zedd, producers; Grey, Tom and/or Mixer(s) and mastering engineer(s), if other than the artist. Norris, Ryan Shanahan & Zedd, engineers/mixers; Mike Marsh, mastering engineer 1. I LIKE IT Cardi B, Bad Bunny & J Balvin Invincible, JWhiteDidIt, Craig Kallman & Tainy, producers; Leslie Brathwaite & Evan LaRay, engineers/mixers; Colin Leonard, mastering engineer 2. THE JOKE Brandi Carlile Dave Cobb & Shooter Jennings, producers; Tom Elmhirst & Eddie Spear, engineers/mixers; Pete Lyman, mastering engineer 3. THIS IS AMERICA Childish Gambino Donald Glover & Ludwig Göransson, producers; Derek “MixedByAli” Ali & Riley Mackin, engineers/mixers; Mike Bozzi, mastering engineer 4. GOD'S PLAN Drake Boi-1Da, Cardo & Young Exclusive, producers; Noel Cadastre, Noel "Gadget" Campbell & Noah Shebib, engineers/mixers; Chris Athens, mastering engineer 5. SHALLOW Lady Gaga & Bradley Cooper Lady Gaga & Benjamin Rice, producers; Brandon Bost & Tom Elmhirst, engineers/mixers; Randy Merrill, mastering engineer 6. ALL THE STARS Kendrick Lamar & SZA Al Shux & Sounwave, producers; Sam Ricci & Matt Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer 7. ROCKSTAR Post Malone Featuring 21 Savage Louis Bell & Tank God, producers; Louis Bell, Lorenzo Cardona, Manny Marroquin & Ethan Stevens, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2018 - all rights reserved 1 Not for copy or distribution 61st Finals - Press List General Field Category 2 8.
    [Show full text]
  • JUNE 21, 2021 JUNE 21, 2021 Tab Le O F Contents
    MMI PROFILE ALEX TEAR JUNE 21, 2021 JUNE 21, 2021 Tab le o f Contents 3 #1 Songs THIS week 4 powers 5 action / recurrents 7 hotzone / developiong 8 pro-file 9 video streaming 10 Top 40 callout 1 1 future tracks 12 INTELESCOPE 13 intelevision 14 methodology 15 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 6.21.21 ai r p lay DUA LIPA “Levitating” retenTion DUA LIPA “Levitating” callout DUA LIPA “Levitating” audio OLIVIA RODRIGO “good 4 u” VIDEO OLIVIA RODRIGO “good 4 u” SALES BTS “Butter” COMPOSITE DUA LIPA “Levitating” MondayMorningIntel.com CLICK HERE to E-MAIL Monday Morning Intel with your thoughts, suggestions, or ideas. mmi-powers 6.21.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 1 1 1 5 10 4 1 DUA LIPA Levitating Interscope-Warner 7 2 7 8 11 6 2 THE WEEKND Save Your Tears XO/Republic 13 x 17 1 1 3 3 OLIVIA RODRIGO good 4 u Geffen/Interscope 9 5 10 9 9 2 4 MASKED WOLF Astronaut In The Ocean Elektra/EMG 6 3 18 6 12 9 5 DOJA CAT Kiss Me More f/Sza Kemosabe/RCA 5 14 2 10 3 18 6 LIL NAS X MONTERO (Call Me By Your Name) Columbia 2 7 6 12 20 7 7 JUSTIN BIEBER Peaches f/Daniel Caesar/Giveon Def Jam 12 6 5 3 15 17 8 OLIVIA RODRIGO deja vu Geffen/Interscope 4 8 4 18 24 12 9 THE KID LAROI Without You with Miley Cyrus Columbia 8 9 20 13 13 8 10 BRUNO MARS/A .PAAK/SILK SONIC Leave The Door Open Aftermath Ent./Atlantic 14 x 30
    [Show full text]
  • Contents Community
    Contents Community . .2A Film . .3A Calendar . .4-5A Community . .6A Literature . .7A Dance . .8A Eco . .B RZ . .C 3 Year Celebration Saint Patty’s Celebration End . .D Jesus Christ Superstar Bridger Brewing Company Shane Center March 4th-26th Bacchus Pub Bi$Z . .4D March 3rd @11am Fri. & Sat.@8pm Sun.@3pm March 17th,18th & 19th ­Page 2a­•­The BoZone •­March 1,­2016 HRDC announces speaker series BEST of Bozeman ‘16 HRDC has announced its on small houses on May 10th; Dr. prior to 8pm. Come early for dinner polls now open! Community Action Speaker Aaron Wernham of MT Healthcare at your Community Café. It’s back! The BoZone is once Best Musical Instrument Store, Best Series. HRDC CEO Jeff Rupp and Foundation, with health and housing HRDC is a 501(c)3 non-profit again asking area residents to par- Thrift Store, Best Shoe Store, Best COO Heather Grenier will kick off the Community Action take in its annual BEST of Clothing Store, Best Place to Buy first of the series on Tuesday, March Agency dedicated to Bozeman 2016. This is the time to Jewelry, Best Bank, Best Restaurant, 1st from 7-8pm at the Community building a better give recognition to your favorite Best Restaurant Service, Best Casual Cafe. It is a great opportunity to community through small businesses, entertainment, Dining, Best New Restaurant, Best hear their reflection on the past 40 innovation and hotspots, and other local destina- Fine Dining, Best Montana years and what is keeping HRDC leadership. They tions. Now in its 15th year of Ambiance, Best busy today.
    [Show full text]
  • Artists: Tokimonsta Remixers: Dombresky
    Artists: TOKiMONSTA Remixers: Dombresky, Promnite, Halogenix, Damian Lazarus Title: Come and Go Remixed EP Label: Young Art Records Release: July 29th Format: Digital Following her fourth full-length album released earlier this year, Oasis Nocturno, TOKiMONSTA returns with the announcement of her new Come And Go Remixed EP. The first installment of her upcoming remix album Oasis Nocturno Remixed (slated for release this Fall). The EP spans reimagined tracks from both fast-rising and established producers including Dombresky, Promnite, Halogenix, and Damian Lazarus. Accompanying today’s news is the first single from the EP, a rework by Dombresky, where he reimagines the serene and gentle song into an uptempo and dance evoking house track. Speaking on the collaboration, Dombresky shares, "TOKiMONSTA's album is one of my favorites from this year. She is a true artist, trailblazer, visionary, and inspiration to many around the world, and it was my pleasure to remix one of her songs." With TOKiMONSTA adding, "this remix from Dombresky is such a banger. I love the 90s house vibe. It makes me wanna dance until my legs fall off!" Oasis Nocturno was released earlier this year and received recognition from Hypebeast, Stereogum, Pitchfork, Consequence of Sound, NPR, Dancing Astronaut, DJ Mag, and more. With her fourth album, the Grammy-nominated producer and label-head picks up where 2017's critically acclaimed and Grammy-nominated release Lune Rouge left off. The second act to TOKiMONSTA's last album, a beautiful, immersive, and left-turn exploration that resulted in a melodic and cohesive project, spanning 12 atmospheric tracks that infuse intricate and declarative vocals with her psychedelic and smooth production.
    [Show full text]
  • Grammy® Awards 2019
    61st Annual Grammy Awards - 2019 Record Of The Year $13.98 Black Panther : The Album [Explicit Content]. Interscope Records ISC B002797202 UPC: 602567364306 OCLC Number: 1024278130 Contents: Black Panther / Kendrick Lamar -- All the Stars / Kendrick Lamar, Sza -- X / Schoolboy Q, 2 Chainz, Saudi -- The Ways / Khalid, Swae Lee -- Opps / Vince Staples, Yugen Blakrok -- I Am / http://www.tfront.com/p-453117-black-panther-the-album-explicit-content.aspx Cardi B. $27.98 Invasion of Privacy. [LP] Atlantic Records ATL 571106 UPC: 075678656910 OCLC Number: 1078973802 http://www.tfront.com/p-468937-invasion-of-privacy.aspx Brandi Carlile $13.98 By The Way I Forgive You. Elektra Records EA 565226 UPC: 075678659188 OCLC Number: 1017697574 Contents: Everytime I Hear That Song -- The Joke -- Hold Out Your Hand -- The Mother -- Whatever You Do -- Fulton County Jane Doe -- Sugartooth -- Most of All -- Harder to Forgive -- http://www.tfront.com/p-468938- Drake $19.98 Scorpion. Republic Records RPBL B002882802 UPC: 602567863182 OCLC Number: 1046054306 http://www.tfront.com/p-468940-scorpion.aspx Lady Gaga $13.98 A Star Is Born [Original Soundtrack]. Interscope Records ISC B002872502 UPC: 602567775539 OCLC Number: 1066151596 Contents: Intro -- Black Eyes -- Somewhere Over the Rainbow (Dialogue) -- Fabulous French (Dialogue) -- La Vie en Rose -- I'll Wait for You (Dialogue) -- Maybe It's Time -- Parking Lot http://www.tfront.com/p-352128-star-is-born-original-soundtrack.aspx Post Malone $13.98 Beerbongs & Bentleys. Republic Records RPBL B002821802 UPC: 602567491118 OCLC Number: 1037055921 http://www.tfront.com/p-468944- Total for Record Of The Year: $103.88 Theodore Front Musical Literature, Inc.
    [Show full text]