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YOUR FREE COPY THE ESSENTIAL GUIDE TO LIFE, TRAVEL & ENTERTAINMENT IN ICELAND Issue 01 – January 8 - February 4 – 2010 www.grapevine.is + COMPLETE CITY LISTINGS - INSIDE! The Reykjavík Grapevine Issue 01 — 2010 2 Editorial | Haukur S Magnússon 2009 in Pictures JULIA STAPLES Art Director: Hörður Kristbjörnsson YOUR FREE COPY THE ESSENTIAL GUIDE TO LIFE, TRAVEL & ENTERTAINMENT IN ICELAND www.grapevine.is + Issue 01 – January 8 - February 4 – 2010 COMPLETE CITY LISTINGS - INSIDE! [email protected] Design: Jóhannes Kjartansson [email protected] Photographers: Hörður Sveinsson / hordursveinsson.com Julia Staples / juliastaples.com Sales Director: Aðalsteinn Jörundsson Cover llustration by: [email protected] Hugleikur Dagsson Guðmundur Rúnar Svansson [email protected] Printed by Landsprent ehf. in 25.000 copies. Distribution: [email protected] The Reykjavík Grapevine Proofreader: Hafnarstræti 15, 101 Reykjavík Jim Rice www.grapevine.is [email protected] Press releases: Published by Fröken ehf. [email protected] www.froken.is Submissions inquiries: Member of the Icelandic Travel Industry [email protected] Association - www.saf.is These images are from a series titled "Home". Subscription inquiries: +354 540 3605 / [email protected] They summon up feelings about a distant Editorial: General inquiries: [email protected] idea of home and one that is deteriorating. +354 540 3600 / [email protected] Haukur’s 19th Editorial They are all taken this past summer in Advertising: Founders: “No comment” Rhode Island, USA, one of the places that +354 540 3605 / [email protected] Hilmar Steinn Grétarsson, Publisher: was home to me in my adolescence. Hörður Kristbjörnsson, I have nothing to say for now. There +354 540 3601 / [email protected] Jón Trausti Sigurðarson, is enough editorialising in this issue JS Oddur Óskar Kjartansson, Publisher: Valur Gunnarsson already. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
The Da Vinci Delusion Unions—Their Great Failure What's Wrong With
middle class and broke: new polls issue 208 | july 2013 www.prospect-magazine.co.uk july 2013 | £4.50 Britain’s folly in Syria britain’s folly in syria Plus The Da Vinci delusion CliVe James Unions—their great failure DaViD gooDharT What’s wrong with France? ChrisTine oCkrenT We’re all machiavelli now JonaThan poWell poet of postwar Britain JonaThan Coe True cost of eU exit: richard lambert In 1912 Malcolm Campbell christened his car “Blue Bird” and a legend was born. More than 100 years later this iconic marque continues to challenge for world speed records using futuristic electric vehicles. Christopher Ward is proud to be the Official Timing Partner for Bluebird and, to celebrate our partnership we have released this exceptional timepiece in a limited edition of 1,912 pieces. 174_ChristopherWard_Prospect.indd 1 10/06/2013 08:16 174_ChristopherWard_Prospect.indd 2 10/06/2013 08:16 We explore further. Aberdeen Investment Trusts ISA and Share Plan At Aberdeen, we believe there’s no substitute for getting to know your investments face-to-face. That’s why we make it our goal to visit companies – wherever they are – before we ever invest in their shares and again when we hold them. With 17 investment companies investing around the world – that’s an awfully big commitment. But it’s just one of the ways we aim to seek out the best investment opportunities on your behalf. Please remember, the value of shares and the income from them can go down as well as up and you may get back less than the amount invested. -
Au-Delà Du Rock »
ÉRIC DESHAYES Plongeant ses racines dans le contexte psychédélique et contestataire de la fin dessixties , la vague planante, électronique et expérimentale allemande des années soixante-dix a révolutionné les manières de concevoir la pop music. Kraftwerk, Can, Tangerine Dream, Neu!, Cluster, Faust et bien d’autres mènent les musiques populaires AU-DELÀ « au-delà du rock ». Pour les musiciens aventureux d’Allemagne de l’Ouest, affirmer leur identité nécessite de transcender leurs influences, de s’émanciper des modèles dominants anglais et américains. Ils prolongent le rock psychédélique en s’inspirant des DU ROCK LA VAGUE PLANANTE, ÉLECTRONIQUE pratiques d’improvisation du free jazz, des musiques du monde et ET EXPÉRIMENTALE ALLEMANDE en utilisant les synthétiseurs en pionniers. Au-delà du rock relate le DESHAYES ÉRIC DES ANNÉES SOIXANTE-DIX parcours de ces groupes allemands, repérant leurs influences et leur descendance. Il retrace l’itinéraire de quelques personnages clés (producteurs, ingénieurs du son) et présente une vue transversale des principaux labels discographiques qui ont diffusé ces productions hors normes. Né en 1973, Éric Deshayes est passionné par la scène expérimentale et alternative des années soixante-dix. Il est concepteur-rédacteur du webzine Néosphères et a déjà publié les biographies de Kraftwerk et de Can ainsi que L’Underground musical en France aux éditions Le mot et le reste. AU-DELÀ DU ROCK DU AU-DELÀ Prix : 26 euros 9HSMDQB*djhjfb+ M ISBN : 978-2-36139-795-1 — LE MOT ET LE RESTE R couv_audeladurock_2021.indd Toutes les pages 29/04/2021 10:30 ÉRIC DESHAYES AU-DELÀ DU ROCK la vague planante, électronique et expérimentale allemande des années soixante-dix le mot et le reste 2021 À mon oncle AVANT-PROPOS La vague allemande est une phase essentielle dans l’histoire de la musique du XXe siècle. -
Krautrock and the West German Counterculture
“Macht das Ohr auf” Krautrock and the West German Counterculture Ryan Iseppi A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF GERMANIC LANGUAGES & LITERATURES UNIVERSITY OF MICHIGAN April 17, 2012 Advised by Professor Vanessa Agnew 2 Contents I. Introduction 5 Electric Junk: Krautrock’s Identity Crisis II. Chapter 1 23 Future Days: Krautrock Roots and Synthesis III. Chapter 2 33 The Collaborative Ethos and the Spirit of ‘68 IV: Chapter 3 47 Macht kaputt, was euch kaputt macht: Krautrock in Opposition V: Chapter 4 61 Ethnological Forgeries and Agit-Rock VI: Chapter 5 73 The Man-Machines: Krautrock and Electronic Music VII: Conclusion 85 Ultima Thule: Krautrock and the Modern World VIII: Bibliography 95 IX: Discography 103 3 4 I. Introduction Electric Junk: Krautrock’s Identity Crisis If there is any musical subculture to which this modern age of online music consumption has been particularly kind, it is certainly the obscure, groundbreaking, and oft misunderstood German pop music phenomenon known as “krautrock”. That krautrock’s appeal to new generations of musicians and fans both in Germany and abroad continues to grow with each passing year is a testament to the implicitly iconoclastic nature of the style; krautrock still sounds odd, eccentric, and even confrontational approximately twenty-five years after the movement is generally considered to have ended.1 In fact, it is difficult nowadays to even page through a recent issue of major periodicals like Rolling Stone or Spin without chancing upon some kind of passing reference to the genre. -
Free Press Issue 1
ISSUE 1 FREE PRESS Andrea Munari Nose Pick Photo by: Rigablood Cover: Gorilla Biscuits - New Age /Roncade (Tv) - Pic Rigablood Below: Ramon Zugliani - Castelfranco (Tv) - Pic Streetbox WHAT’S HOT 2 ROKK CLOTHING 4 SAINTS AND SINNERS 6 HIGHLIGHTS 9 LIBRARY 10 PLATTERS 15 BACKNBLUE PRODUCTIONS BACKSTAGE 18 CRO-MAGS Editor in Chief / Executive Producer - Andrea Rigano 21 HAVE HEART 24 COALESCE Art Director - Alexandra Romano, [email protected] Managing Director - Luca Burato, [email protected] 26 BRING ME THE HORIZON Editing - Silvia Rapisarda 28 VAINS OF JENNA Photo Editor - Rigablood 30 THE SECRET US TOUR English Version - Laura Manganaro, Davide HC Pettenuzzo 36 INK AND IRON REPORT 40 MATT HENSLEY Photographers - Luca Benedet, Helena Bxl, Marco Capelli, Arianna Carotta, Lance 404, Daniela Locatelli, Marco Marzocchi, Alex Ruffini, 43 DESECRATORS OF SOULS Tiberio Sorvillo, x Streebox Lab 46 TARA MC PHERSON Illustrations - Marcello Crescenzi/Rise Above 50 LA PLAYA SURF 52 KILLED BY PRESS Andrea Munari Nose Pick Photo by: Rigablood Contributors - Milo Bandini, Enrico Belloni, Maurice Bellotti/Poison For Souls, Luca Benedet, Michael Bertoldini, Marco Capelli, GianGiacomo 56 CIVET De Stefano, Fra, Valentina Grugnaletti, Flavio Ignelzi, Martina Lavarda, 58 HENRI FIAT OPEN SORE Teo Lescio, Mat the Cat, Andrea Mazzoli, Marco ‘Milo’ Milardi, Alexandra 60 PAYBACK Oberhofer, Pier/The Guilt Show, Mike Pireddu, Alex ‘Wizo’, Marco ‘X-Man’ Xodo 62 GIACOMO RASOTTO 64 MONTPELLIER Stampa - Tipografia Nuova Jolly viale Industria 28 68 FAMILY ALBUM 35030 Rubano (PD) 74 ILL BILL + SLAINE Salad Days Magazine è una rivista FREE PRESS. 76 IRON MAN 77 DISCO ENSEMBLE Get in touch - www.saladdaysmag.com 78 PINK IS PUNK [email protected] 79 DAY SHINE RISING Tutti i contenuti di questa pubblicazione sono soggetti a copyright, é 80 MILES AWAY vietata la riproduzione anche parziale di testi, documenti e foto senza l’autorizzazione dell’editore. -
VINYL ROCK 2011 08 20.Xls 20/08/2011 1/193
Artist Title Units Media Price € Origin Label Genre Release Eancode A Armada Anam Cara 1 Lp 20 € Eu H.Sir Roc 22/06/2009 0678277156623 A Bullet For Fidel Cold Before Morning 1 Lp 18 € Usa Scat Roc 30/06/1990 9990304097251 A Frames 333 3 Lp 36 € Usa S-S Roc 3/08/2010 9991702074424 A Frames A Frames 1 Lp 22 € Nld Bornb Roc 3/05/2007 5413356130812 A Frames Black Forest 1 Lp 19 € Nld Subpo Roc 29/03/2005 0098787066814 A Hawk and a Hacksaw Cervantine 1 Lp 23 € Usa Lm Roc 24/11/2010 0655035011318 A Hawk and a Hacksaw Cervantine 1 Lp 24 € Nld Lm Roc 10/02/2011 0655035011318 A Joint Effort Final Effort 1 Lp 22 € Nld Void Roc 15/05/2007 9991301081007 A Joint Effort Final Effort 1 Lp 23 € Usa Void Roc 30/06/1990 0725543864413 A Lords A Lords 1 Lp 22 € Nld Rif M Roc 30/06/2011 A Marble Calm Blue Turns To Grey 1 Lp 25 € Nld Cradi Roc 23/01/2007 9991207033476 A Perfect Circle Emotive 2 Lp 30 € Nld Virgi Roc 13/01/2005 0724386668714 A Perfect Circle Mer De Noms 2 Lp 27 € Nld Emi Roc 15/09/2008 0724384925314 A Place To Bury Strangers A Place To Bury Strangers 1 Lp 19 € Nld Impor Roc 25/10/2007 0793447517025 A Place To Bury Strangers Exploding Head 1 Lp 24 € Usa Mute Roc 6/10/2009 0724596942017 A Place To Bury Strangers Exploding Head 1 Lp 24 € Eu Mute Roc 18/08/2010 0724596942017 A Plea For Purging Marriage of Heaven & Hell 1 Lp 23 € Nld Prost Roc 6/09/2010 0803847109314 A Silver Mt. -
Identification with the Black Other in the Life of Joe Strummer and the Punk Music of the Clash
“Who am I? Where are We? Where do we go from here?”: Marxism, Voice, Representation, and Synthesis Abstract Recently Kim (2008) and Chua (1998) have warned critical accounting researchers of the dangers involved in oral history research in accounting involving a privileged researcher(s) and a cultural or racial “other”. The end result of this research often is that the researcher gets a promotion and a pay rise whilst the others remain in the same position that they were in before the research. These warnings are extremely important and should be the source of much personal reflection and even agonizing on the part of those researchers that do this type of research. However, I argue that Kim‟s negative tone, whilst justified in a polemic, should not discourage researchers to the extent that they shy away from compassionate explorations of topics involving the other in favour of “safer” capital markets or other mainstream accounting research. Those researchers writing from a Marxist perspective will continue to see the primary source of exploitation as the capitalist production process and its extraction of surplus-value from the workers without payment. This does not mean that such researchers somehow “ignore race” although some types of racist acts Marxism finds hard to explain satisfactorily. To illustrate these arguments, I present a case study of the legendary 1970s punk musician and philosopher Joe Strummer of the Clash to suggest how a compassionate and authentic individual can meaningfully and boldly address issues of the other and the exploitation that they face within a Marxist framework. The maturation and increased sophistication of Strummer‟s lyrics by 1978 suggest that young artists (and researchers) need to be permitted the opportunity to make mistakes and to grow as part of their own existentialist personal journeys. -
HARALD GROSSKOPF S Y N T H E S I S T Reissue (Originally Released 1980) CD / Vinyl (180G) / Download Release Date: Aug 22, 2014
HARALD GROSSKOPF S Y N T H E S I S T Reissue (originally released 1980) CD / vinyl (180g) / download Release date: Aug 22, 2014 Key info: • „Synthesist” is the first solo album by Ashra drummer Harald Grosskopf. It is one of the classics of German electronic music, comprising eight instrumentals composed in the tradition of the so- Label: Bureau B called Berliner Schule / Berlin School (Klaus Schulze, Tangerine Distributor: Indigo Dream). Cat. no.: BB158 • Originally released 1980 on Sky Records. EAN CD 4047179829021 • Available on CD, vinyl (180 g) and for download LP 4047179829014 Indigo no.: CD 98290-2 LP 98290-1 Harald Grosskopf was in his early twenties when LSD “blew [his] reality away”, as he recalls. Born in Hildesheim in 1949, he had previously drummed in fairly conventional rock bands, most recently Tracklisting: for Wallenstein. Their label boss Rolf-Ulrich Kaiser was fond of 1 So weit, so gut (5:28) 2 B. Aldrian (4:55) facilitating jam sessions for musicians on his Ohr und Pilz label, often supplying his Kosmische Kuriere (Cosmic Couriers) with LSD 3 Emphasis (4:59) 4 Synthesist (7:40) (unbeknown to them, on occasion). In one such session, the drug inspired something of an epiphany in Grosskopf: “There I was 5 1847 – Earth (6:50) 6 Trauma (6:46) playing the drums when, in the midst of my euphoria, I realized that I had been imitating others. A voice spoke to me: stop trying to sound 7 Transcendental Overdrive 8 Tai Ki (4:11) (5:07) like Billy Cobham or Ginger Baker. -
Západočeská Univerzita V Plzni Fakulta Pedagogická Bakalářská
Západočeská univerzita v Plzni Fakulta pedagogická Bakalářská práce 2014 Filip Fendrych ZÁPADOČESKÁ UNIVERZITA V PLZNI FAKULTA PEDAGOGICKÁ KATEDRA HUDEBNÍ KULTURY Hudební styl post-hardcore BAKALÁŘSKÁ PRÁCE Filip Fendrych Specializace v pedagogice, obor Popularizace hudební kultury Vedoucí práce: doc. Mgr. Tomáš Kun, Ph.D. Plzeň, 2014 Prohlašuji, že jsem bakalářskou práci vypracoval(a) samostatně s použitím uvedené literatury a zdrojů informací. Plzeň, 30. 6. 2014 ................................................................ vlastnoruční podpis Poděkování Rád bych poděkoval vedoucímu své bakalářské práce panu doc. Mgr. Tomáši Kuhnovi, Ph.D. za příkladné vedení práce, vstřícnost a cenné rady při vypracovávání mé bakalářské práce. OBSAH ÚVOD ................................................................................................................................................. 1 1 VZNIK HUDEBNÍHO STYLU POST-HARDCORE......................................................... 2 1.1 STRUČNÁ HISTORIE HARDCOROVÉ SCÉNY ........................................................................... 3 1.1.1 Životní styl ................................................................................................................ 5 1.1.2 Hardcore a politika .................................................................................................. 7 1.1.3 Móda ........................................................................................................................ 8 1.1.4 Taneční styl ............................................................................................................. -
The Cosmic Jokers the Cosmic Jokers Mp3, Flac, Wma
The Cosmic Jokers The Cosmic Jokers mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: The Cosmic Jokers Country: France Released: 1994 Style: Krautrock, Space Rock MP3 version RAR size: 1720 mb FLAC version RAR size: 1972 mb WMA version RAR size: 1414 mb Rating: 4.7 Votes: 402 Other Formats: MP4 MMF AUD VOX MOD MMF WMA Tracklist Galactic Joke (22:39) 1 a. 7:10 2 b. 6:44 3 c. 8:45 Cosmic Joy (19:25) 4 a. 9:19 5 b. 10:06 Companies, etc. Marketed By – Spalax Music Distributed By – Socadisc Manufactured By – DADC Austria Phonographic Copyright (p) – Tempel Phonographic Copyright (p) – Spalax Music Copyright (c) – Tempel Copyright (c) – Spalax Music Recorded At – Dierks Studios Mixed At – Dierks Studios Credits Composed By – D. Dierks*, H. Großkopf*, J. Dollase*, K. Schulze*, M. Göttsching* Cover – Peter Geitner, The Cosmic Couriers Engineer – Dieter Dierks Engineer [Assistant] – Heiner Friesz Music By – Dieter Dierks, Harald Großkopf*, Jürgen Dollase, Klaus Schulze, Manuel Göttsching Photography By – I. Blum, Marcel Fugère Producer – Gille Lettmann, Rolf-Ulrich Kaiser Notes Digipak release. Manufactured by DADC Austria with light blue CD. Durations are printed in black on the rear cover. The Cosmic Jokers. Eine Cosmic Courier Produktion von Gille Lettman & Rolf-Ulrich Kaiser, Quadrophonisch aufgenommen und gemischt von Dieter Dierks in den Dierks Studios. Assistent Heiner Friesz. Fotos von Marcel Fugère, Foto Dierks von I. Blum, Cover von Peter Geitner, The Cosmic Couriers. Ohr Musik Produktion. On back cover: Rerelease ℗ & © 1994 Tempel, marketed by Spalax Music, Paris, France. On disc: Réédition ℗ + © 1994 Spalax Music, Paris - France Catalogue label / number variations are: Spalax 14293 on cover art, Ohr CD14293 on disc. -
Gallows the Girth Oldfolks Home Arts Pages 7–9 02 the Uniter November 15, 2012
/15 11 2012 / 11 volume 67 REALLY LUCKY Julie doiron reTurns wiTh s o many days aarTs p Ge 9 PLUS INTERVIEWS WITH Gallows The GirTh oldfolks home arTs paGes 7–9 02 The UniTer November 15, 2012 www.Uniter.ca Looking for Listings? Cover Image CAMPUS & COMMUNITY LISTINGS AND University project “Vortex (safety first)” VOLUNTEER OPPORTUNITIES page 4 revisits gordon Bell Backyard chicken initiative MUSIC page 8 BY ROSEMARY SCANLON field acquisition saga gaining ground FILM & LIT page 10 Watercolour and gold-leaf on paper, 2012 GALLERIES & MUSEUMS page 10 This piece is part of the Whorl of Sleep NEWS page 3 comments page 5 THEATRE, DANCE & COMEDY page 10 exhibit currently showing at Ace Art Inc. For details, visit www.aceart.org. AWARDS & FINANCIAL AID page 10 Science complex receives accessibility award UNITER STAFF Administration and students discuss potential disparity between older campus buildings MAnaginG eDitor Aaron Epp » [email protected] CarSoN HammoNd rather than something to pursue proactively,” BSUSineS MAnager BeaT reporTer said Radi. “Now, it’s just sort of what we do. Geoffrey Brown » [email protected] Universal access is a fundamental part of how PTrODUC iOn MAnAGer The Richardson College for the Environment we plan campus spaces. It’s no longer an after- Ayame Ulrich » [email protected] and Science Complex has received official praise thought.” copT y AnD S yLe eDitor from the city for its universal incorporation of But do older buildings on campus still Britt Embry » [email protected] accessible design. embody the university’s more modern design Photo eDitor Completed in 2011 as part of the university’s philosophy? Dylan Hewlett » [email protected] ongoing downtown expansion, the $66-million Jesse Turner, accessibility advisor for the uni- ne ws ASSiGnMenT eDitor project earned a City of Winnipeg Accessibility versity’s accessibility services department, says Ethan Cabel » [email protected] Award at a ceremony at City Hall Oct.