Identification with the Black Other in the Life of Joe Strummer and the Punk Music of the Clash
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
Deborah Schiffrin Editor
Meaning, Form, and Use in Context: Linguistic Applications Deborah Schiffrin editor Meaning, Form, and Use in Context: Linguistic Applications Deborah Schiffrin editor Georgetown University Press, Washington, D.C. 20057 BIBLIOGRAPHIC NOTICE Since this series has been variously and confusingly cited as: George- town University Monographic Series on Languages and Linguistics, Monograph Series on Languages and Linguistics, Reports of the Annual Round Table Meetings on Linguistics and Language Study, etc., beginning with the 1973 volume, the title of the series was changed. The new title of the series includes the year of a Round Table and omits both the monograph number and the meeting number, thus: Georgetown University Round Table on Languages and Linguistics 1984, with the regular abbreviation GURT '84. Full bibliographic references should show the form: Kempson, Ruth M. 1984. Pragmatics, anaphora, and logical form. In: Georgetown University Round Table on Languages and Linguistics 1984. Edited by Deborah Schiffrin. Washington, D.C.: Georgetown University Press. 1-10. Copyright (§) 1984 by Georgetown University Press All rights reserved Printed in the United States of America Library of Congress Catalog Number: 58-31607 ISBN 0-87840-119-9 ISSN 0196-7207 CONTENTS Welcoming Remarks James E. Alatis Dean, School of Languages and Linguistics vii Introduction Deborah Schiffrin Chair, Georgetown University Round Table on Languages and Linguistics 1984 ix Meaning and Use Ruth M. Kempson Pragmatics, anaphora, and logical form 1 Laurence R. Horn Toward a new taxonomy for pragmatic inference: Q-based and R-based implicature 11 William Labov Intensity 43 Michael L. Geis On semantic and pragmatic competence 71 Form and Function Sandra A. -
The Hybrid Photobook
SELF-PUBLISHING IN THE DIGITAL AGE: THE HYBRID PHOTOBOOK Exegesis submitted by DOUGLAS RONALD SPOWART Graduate Diploma Arts (Visual Art), Monash University (2003) Master of Photography, Fellow and Honorary Fellow of the Australian Institute of Professional Photography in October 2011 with creative work in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the School of Creative Arts JAMES COOK UNIVERSITY ACKNOWLEDGEMENTS My deepest gratitude goes to fellow PhD candidate and partner Victoria Cooper for her encouragement, challenge and support throughout the candidature. I would also wish to acknowledge Professor Diana Davis for the opportunity to engage with this research project and to Professor Dr Stephen Naylor for his supervision and mentorship through the process to its conclusion. For their generosity, support and willing participation during the process of the work, I wish to express my thanks to the following: SUPERVISORS • Professor Diana Davis – Principal Supervisor 2004-2006 • Professor Dr Stephen Naylor – Principal Supervisor 2006-2011 • Ronald McBurnie – Associate Supervisor MY MENTORS: FORMAL AND INFORMAL I have some heroes and heroines who historically have fuelled my interest in making photographs and books. These photographers, artists and bookmakers have rewarded my life and research activities through their book works, commentaries about books and occasionally, through personal conversation. Most importantly these mentors have shaped my work in the book as a personal communiqué. Thank you to: Victoria Cooper is my life partner and also a photographer and artists’ bookmaker. Whilst we work as independent practitioners, our fieldwork, conceptual refinement of work, and production work are often linked by the kinds of discussion that can take place over the breakfast table, driving in the car or walking. -
SANDIA REPORT SAND91-0928 • UC-721 Unlimited Release Printed December 1991
SANDIA REPORT SAND91-0928 • UC-721 Unlimited Release Printed December 1991 Background Information Presented to the Expert Panel on Inadvertent Human Intrusion into the Waste Isolation Pilot Plant R. V. Guzowski, M. M. Gruebel, Editors W. D. Weart, S. G. Bertram-Howery, R. V. Guzowski, K. F. Brinster, P. N. Swift, S. B. Pasztor, Authors Prepared by Sandia National Laboratories Albuquerque, New Mexico 87185 and Livermore, California 94550 for the United States Department of Energy under Contract DE·AC04·76DP00789 '·(.·: ; ' Issued by Sandia National Laboratories, operated for the United States Department of Energy by Sandia Corporation. NOTICE: This report was prepared as an account of work sponsored by an agency of the United States Government. Neither the United States Govern ment nor any agency thereof, nor any of their employees, nor any of their contractors, subcontractors, or their employees, makes any warranty, express or implied, or assumes any legal liability or responsibility for the accuracy, completeness, or usefulness of any information, apparatus, product, or process disclosed, or represents that its use would not infringe privately owned rights. Reference herein to any specific commercial product, process, or service by trade name, trademark, manufacturer, or otherwise, does not necessarily constitute or imply its endorsement, recommendation, or favoring by the United States Government, any agency thereof or any of their contractors or subcontractors. The views and opinions expressed herein do not necessarily state or reflect those of the United States Government, any agency thereof or any of their contractors. Printed in the United States of America. This report has been reproduced directly from the best available copy. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
STAR Digio 100 チャンネル:476 REGGAE 放送日:2009/6/8~6/14 「番組案内(6時間サイクル)」 開始時間:4:00~10:00~16:00~22:00~
STAR digio 100 チャンネル:476 REGGAE 放送日:2009/6/8~6/14 「番組案内(6時間サイクル)」 開始時間:4:00~10:00~16:00~22:00~ 楽曲タイトル 演奏者名 REGGAE VIBRATION RASTA SHOULD BE DEEPER JUNIOR KELLY DICK TRACY DEAN FRASER FAMILY AFFAIR SHINEHEAD Zungguzungguguzungguzeng YELLOWMAN CB 200 DILLINGER JAVA AUGUSTUS PABLO REGGAE MAKOSSA Byron Lee & The Dragonaires CUMBOLO CULTURE IT A GO ROUGH Johnny Clarke Got To Be There TOOTS & THE MAYTALS AIN'T THAT LOVING YOU STEELY & CLEVIE featuring BERES HAMMOND (featuring U-ROY) Can I Change My Mind HORACE ANDY Ghetto-Ology SUGAR MINOTT RED RED WINE UB40 BUJU BANTON (1) RASTAFARI BUJU BANTON UNTOLD STORIES BUJU BANTON MAMA AFRICA BUJU BANTON MAYBE WE ARE BUJU BANTON PULL IT UP BERES HAMMOND & BUJU BANTON Hills And Valleys BUJU BANTON 54 / 46 BUJU BANTON featuring TOOTS HIBBERT A LITTLE BIT OF SORRY BUJU BANTON FEELING GROOVY BUJU BANTON Better Must come BUJU BANTON MIRROR BUJU BANTON WHY BUJU LOVE YOU BUJU BANTON We'll Be Alright BUJU BANTON feat. Luciano COVER REGGAE With A Little Help From My Friends Easy Star All-Stars feat. Luciano YOU WON'T SEE ME ERNIE SMITH COME TOGETHER THE ISRAELITES WATCH THIS SOUND THE UNIQUES Holly Holy UB40 BAND OF GOLD SUSAN CADOGAN COUNTRY LIVING (ADAPTED) The mighty diamonds MIDNIGHT TRAIN TO GEORGIA TEDDY BROWN TOUCH ME IN THE MORNING JOHN HOLT Something On My Mind HORACE ANDY ENDLESS LOVE JACKIE EDWARDS & HORTNESE ELLIS CAN'T HURRY LOVE~恋はあせらず~ J.C. LODGE SOMEONE LOVES YOU HONEY STEELY & CLEVIE featuring JC LODGE THERE'S NO ME WITHOUT YOU Fiona ALL THAT SHE WANTS PAM HALL & GENERAL DEGREE JUST THE TWO -
Conserve Water
YEAR ZERO: 1977-2017 THE CLASH @ TCD 21 OCTOBER 2017 EXAMINATIONS HALL, TCD DON LETTS Don Letts is a filmmaker, DJ and musician whose association with The Clash goes back over 40 years. As DJ at the Roxy, he is credited with introducing reggae to punk rock fans. A founding member of Big Audio Dynamite with Clash guitarist Mick Jones, he has released numerous compilation albums and directed a variety of films and documentaries. In 2003 he won a Grammy for his Clash documentary Westway to the World. He released his autobiography Culture Clash: Dread Meets Punk Rockers in 2007. JJuliUen TLemIpEle Nis a feTatuEre Mfilm,P doLcuEmentary and music video director. He started his career with the short documentary Sex Pistols Number 1 and went on to make feature length documentaries on the Sex Pistols, Dr. Feelgood, Dave Davies and Joe Strummer, as well as the movies Absolute Beginners, Earth Girls Are Easy, Bullet with Mickey Rourke and Tupac Shakur, and Pandaemonium. His film The Clash: New Year’s Day ’77 captured the moment when punk emerged into the mainstream consciousness. JOHNNY GREEN Starting out as a roadie for the Sex Pistols, Green became The Clash’s Tour Manager – his first ever show in this capacity was the Trinity College Dublin gig in 1977. He went on to tour the USA with The Clash three times, appears extensively in the Rude Boy film and is the author of A Riot of Our Own: Night and Day with The Clash recounting his experiences.. ROBIN BANKS Robin James Banks was a friend and confidante to The Clash throughout their career. -
The Naked Spur: Classic Western Scores from M-G-M
FSMCD Vol. 11, No. 7 The Naked Spur: Classic Western Scores From M-G-M Supplemental Liner Notes Contents The Naked Spur 1 The Wild North 5 The Last Hunt 9 Devil’s Doorway 14 Escape From Fort Bravo 18 Liner notes ©2008 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com The Naked Spur ©1953 Turner Entertainment Co., A Warner Bros. Entertainment Company. The Wild North ©1952 Turner Entertainment Co., A Warner Bros. Entertainment Company. The Last Hunt ©1956 Turner Entertainment Co., A Warner Bros. Entertainment Company. Devil’s Doorway ©1950 Turner Entertainment Co., A Warner Bros. Entertainment Company. Escape From Fort Bravo ©1953 Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. FSMCD Vol. 11, No. 7 • Classic Western Scores From M-G-M • Supplemental Liner Notes The Naked Spur Anthony Mann (1906–1967) directed films in a screenplay” and The Hollywood Reporter calling it wide variety of genres, from film noir to musical to “finely acted,” although Variety felt that it was “proba- biopic to historical epic, but today he is most often ac- bly too raw and brutal for some theatergoers.” William claimed for the “psychological” westerns he made with Mellor’s Technicolor cinematography of the scenic Col- star James Stewart, including Winchester ’73 (1950), orado locations received particular praise, although Bend of the River (1952), The Far Country (1954) and The several critics commented on the anachronistic appear- Man From Laramie (1955). -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Your Free Copy
YOUR FREE COPY THE ESSENTIAL GUIDE TO LIFE, TRAVEL & ENTERTAINMENT IN ICELAND Issue 01 – January 8 - February 4 – 2010 www.grapevine.is + COMPLETE CITY LISTINGS - INSIDE! The Reykjavík Grapevine Issue 01 — 2010 2 Editorial | Haukur S Magnússon 2009 in Pictures JULIA STAPLES Art Director: Hörður Kristbjörnsson YOUR FREE COPY THE ESSENTIAL GUIDE TO LIFE, TRAVEL & ENTERTAINMENT IN ICELAND www.grapevine.is + Issue 01 – January 8 - February 4 – 2010 COMPLETE CITY LISTINGS - INSIDE! [email protected] Design: Jóhannes Kjartansson [email protected] Photographers: Hörður Sveinsson / hordursveinsson.com Julia Staples / juliastaples.com Sales Director: Aðalsteinn Jörundsson Cover llustration by: [email protected] Hugleikur Dagsson Guðmundur Rúnar Svansson [email protected] Printed by Landsprent ehf. in 25.000 copies. Distribution: [email protected] The Reykjavík Grapevine Proofreader: Hafnarstræti 15, 101 Reykjavík Jim Rice www.grapevine.is [email protected] Press releases: Published by Fröken ehf. [email protected] www.froken.is Submissions inquiries: Member of the Icelandic Travel Industry [email protected] Association - www.saf.is These images are from a series titled "Home". Subscription inquiries: +354 540 3605 / [email protected] They summon up feelings about a distant Editorial: General inquiries: [email protected] idea of home and one that is deteriorating. +354 540 3600 / [email protected] Haukur’s 19th Editorial They are all taken this past summer in Advertising: Founders: “No comment” Rhode Island, USA, one of the places that +354 540 3605 / [email protected] Hilmar Steinn Grétarsson, Publisher: was home to me in my adolescence. Hörður Kristbjörnsson, I have nothing to say for now. There +354 540 3601 / [email protected] Jón Trausti Sigurðarson, is enough editorialising in this issue JS Oddur Óskar Kjartansson, Publisher: Valur Gunnarsson already. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Riotous Assembly: British Punk's Diaspora in the Summer of '81
Riotous assembly: British punk's diaspora in the summer of '81 Book or Report Section Accepted Version Worley, M. (2016) Riotous assembly: British punk's diaspora in the summer of '81. In: Andresen, K. and van der Steen, B. (eds.) A European Youth Revolt: European Perspectives on Youth Protest and Social Movements in the 1980s. Palgrave Macmillan, pp. 217-227. ISBN 9781137565693 Available at http://centaur.reading.ac.uk/52356/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.palgrave.com/gb/book/9781137565693 Publisher: Palgrave Macmillan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Riotous Assembly: British punk’s diaspora in the summer of ‘81 Matthew Worley Britain’s newspaper headlines made for stark reading in July 1981.1 As a series of riots broke out across the country’s inner-cities, The Sun led with reports of ‘Race Fury’ and ‘Mob Rule’, opening up to provide daily updates of ‘Burning Britain’ as the month drew on.2 The Daily Mail, keen as always to pander a prejudice, described the disorder as a ‘Black War on Police’, bemoaning years of ‘sparing the rod’ and quoting those who blamed the riots on a ‘vociferous