Kommende Film På Det Store Lærred!

Total Page:16

File Type:pdf, Size:1020Kb

Kommende Film På Det Store Lærred! Nr. 100 - Pr. 1. januar 2014 – 34 sider – Udarbejdet af Brancheforeningen Danske Biografer I DETTE NUMMER: Omtale af SAMTLIGE film det næste halve år samt HIGHLIGHTS 2014-2018 Fuldstændig premiereliste på side 26 KOMMENDE FILM PÅ DET STORE LÆRRED! Foto: ”The Wolf on Wall Street” 1 Omtaler af kommende film det næste halve år: 2014: PARANORMAL ACTIVITY: THE MARKED ONES (1:24) (UIP/Paramount) DK-premiere: 2/1-2014 (Gyser) 15 år Hjemmeside: http://www.imdb.com/title/tt2473510/ Trailer: - Med Molly Ephraim, Crystal Santos og Richard Cabral. Instr.: Christopher Landon. Denne gang handler det om en ung mand, der udsættes for en række fysiske ændringer og overnaturlige hændelser. Spin-off af Paranormal Activity-franchisen. 5’erne bliver udsendt 23/10-2014. De 4 foregående i franchisen har hhv. samlet 64.729, 73.508, 65.704 og 52.423 tilskuere foran biografernes store lærred. FRUITVALE STATION (1:30) (Miracle) DK-premiere: 2/1-2014. (Drama) 15 år Hjemmeside: https://www.facebook.com/FruitvaleMovie Trailer: Se hjemmeside. Med Chad Michael Murray, Kevin Durand, Michael B. Jordan og Octavia Spencer. Instr.: Ryan Coogler. Dette er den sande historie om Oscar, en 22-årig fyr, der vågner op om morgenen den 31. december 2008 og føler der er noget specielt i luften. Da han ikke er sikker på hvad det er, tager han det som et tegn på at igangsætte hans nytårsfortsætter: at være en bedre søn overfor sin mor, hvis fødselsdag falder netop nytårsaften, blive en bedre kæreste overfor sin pige, som han ikke har været helt ærlig overfor på det sidste, og at være en bedre far for T, deres smukke 4-årige datter. Han starter godt ud, men som dagen går, indser han det er lettere sagt end gjort. Han krydser veje med venner, familie og fremmede, og hvert møde viser os der er krummer i Oscar. Men det bliver politibetjente på Fruitvale station, der kommer til at ryste hans omgivelser i deres grundvold og medfører at hele USA kommer til at høre om Oscar Grant. Høstede priser på måde Sundance Filmfestivalen og i Cannes 2013. (Indspilning i USA: $16,1 mio.) Rotten Tomatoes: 90% THE DELIVERY MAN (1:55) (Nordisk) DK-premiere: 2/1-2014. (Komedie) 7 år Hjemmeside: http://www.imdb.com/title/tt2387559/ Trailer: http://dk.filmtrailer.com/cinema/coming-30,30/12869/Delivery+Man.html Med Vince Vaughn, Cobie Smulders og Chris Pratt. Instr.: Ken Scott. Filmen handler om en midaldrende mand, hvis liv ændres, da han finder ud af, at han er far til 533 børn gennem sæddonation, og at et par hundrede af disse børn har udtrykt ønske om at møde deres biologiske far. Genindspilning af instruktørens egen fransk-canadiske ”Starbuck” fra 2011. (Indspilning i USA: $29,6 mio. – de første 6 uger) Rotten Tomatoes: 37% TILBAGE I RINGEN (“Grudge Match”) (1:53) (Filmcompagniet/WB) DK-premiere: 9/1-2014. (Komedie) 11 år Hjemmeside: http://www.imdb.com/title/tt1661382/ Trailer: - Med Robert De Niro, Sylvester Stallone, Kim Basinger, Alan Arkin og Jon Bernthal. Instr.: Peter Segal. (“Høj pistolføring 33 1/3” (174.511), “Nutty Professor II: Familien Klump” (75.365), ”Anger Management” (63.576), ”50 First dates” (58.974), ”The Longest Yard” (32.457) og ”Get Smart” (21.673)). Filmen fokuserer på de to pensionerede boksere, Billy "The Kid" McGuigan og Henry "Razor" Sharp, som er livslange bitre rivaler, men bliver lokket i ringen til det endelige opgør - 50 år efter deres sidste titelkamp. Rocky Balboa vs. Jake LaMotta. Gad vide, hvordan forsikringsselskaberne har reageret på, at de to aldrende skuespillere påtog sig disse roller. (Indspilning i USA: $13,4 mio. – de første 3 dage) Rotten Tomatoes: 21% 2 THE WOLF OF WALL STREET (2:45) (UIP/Paramount) DK-premiere: 9/1-2014. (Krimi/drama) Hjemmeside: http://www.imdb.com/title/tt0993846/ Trailer: http://dk.filmtrailer.com/cinema/coming- 30,60/12986/the+wolf+of+wall+street.html Med Leonardo DiCaprio, Matthew McConaughey, Cristin Milioti, Jonah Hill, Jean Dujardin og Jon Favreau. Instr.: Martin Scorsese. (“Alice bor her ikke længere”, “Togrøverne fra Arkansas” (8.100), “Gaden uden nåde” (23.767), “Taxi Driver” (171.811), ”New York, New York” (32.244), ”The Last Waltz” (60.756), ”Raging Bull” (30.318), “King of Comedy” (4.595), ”Efter fyraften” (19.147), ”Det handler om penge” (109.568), “The Last Temptation of Christ” (26.567), “New York Stories” (17.168), “Goodfellas” (49.166), “Cape Fear” (191.559), “Uskyldens år” (50.765), “Casino” (61.425), “Gangs of New York” (110.899), “The Aviator” (77.680), “The Departed” (142.217), “Shutter Island (134.265) og ”Hugo” (33.973)). Filmens omdrejningspunkt er en lille børsmægler fra Long Island, der blev idømt 20 måneders fængselsstraf, da han nægtede at samarbejde med myndighederne i en massiv svindelsag i 90’erne, der involverede både Wall Street, bankverdenen og mafiaen. Femte gang Leonardo DiCarprio medvirker i en Martin Scorsese-film. Stadig et stykke op til De Niros otte. (Indspilning i USA: $34.3 mio. – de første 3 dage) Rotten Tomatoes: 77% TAD STONES – DEN FORTABTE EVENTYRER (”Las aventuras de Tadeo Jones”) (1:32) (Angel) DK-premiere: 9/1-2014. (Computeranimation) Hjemmeside: http://www.tadeojones.com/ Trailer: Se hjemmeside. Danske stemmer: tba. Instr.: Enrique Gato. Den klodsede bygningsarbejder, Tad, drømmer om at være en berømt arkæolog. Tad får chancen for at udleve sine drømme, da han ved et tilfælde bliver forvekslet med en berømt arkæolog og eventyrer, i forsøget på at aflevere en gammel stentavle. Tavlen fører Tad ud på et hæsblæsende eventyr, og hans heltemod bliver testet til det yderste. Angel Films præsenterer prisbelønnet spansk computeranimation. (Udsendes også i 3D) FREE FALL (“Freier fall”) (1:40) (Reel Pictures) DK-premiere: 9/1-2014. (Drama) Hjemmeside: http://www.freierfall-film.de/ Trailer: Se hjemmeside. Med Hanno Koffler, Max Riemelt og Attila Borlan. Instr.: Stephan Lacant. En lovende karriere ved politiet og en baby på vej - Marcs liv synes at være på rette spor. Han møder politimanden Kay og under deres regelmæssige løbeture oplever Marc pludselig en følelse af lethed og frihed – som måske betyder, at han er ved at forelske sig i en anden mand. Splittet mellem sin familie og sine nye følelser for Kay, er Marcs liv pludselig i frit fald og Marc må prøve om det ikke er muligt at gøre alle glade – ikke mindst sig selv. Filmen vandt 3 priser ved Philadelphia International Gay & Lesbian Film Festival. JACK RYAN: SHADOW RECRUIT (1:45) (UIP/Paramount) DK-premiere: 16/1-2014. (Action/thriller) Hjemmeside: http://www.imdb.com/title/tt1205537/ Trailer: - Med Chris Pine, Keira Knightley og Kevin Costner. Instr.: Kenneth Branagh. (“Henrik V” (22.530), “Dead Again” (40.645), “Peter’s Friends” (26.020), “Stor ståhej over ingenting” (83.800), “Mary Shelley’s Frankenstein” (47.014), “Hamlet” (58.600), “Tryllefløjten” (4.179), ”Dobbeltspil” (2.213) og ”Thor” (81.291). Jack Ryan, som ung CIA-analytiker, afdækker et russisk plot som vil få hele den amerikanske økonomi til at kollapse under et terrorangreb. Reboot af Jack Ryan-franchisen. Alec Baldwin, Harrison Ford og Ben Affleck har tidligere spillet rollen i hhv. ”Jagten på røde oktober” (128.361), ”Dødens karteller” (147.616), ”Patrioternes spil” (172.309) og ”The Sum of All Fears” (71.655) 3 ONE CHANCE (1:43) (Filmcompagniet) DK-premiere: 16/1-2014. (Komedie) 11 år Hjemmeside: http://www.imdb.com/title/tt1196956/ Trailer: http://dk.filmtrailer.com/cinema/coming-30,30/13654/One+Chance.html Med James Corden, Valeria Bilello, Mackenzie Crook, Julie Walters og Colm Meaney. Instr.: David Frankel. (”The Devil Wears Prada” (152.983), ”Marley & Me” (36.059) og “Hope Springs” (169.182)). Filmen om Paul Potts, som solgte mobiltelefoner, indtil han vandt “Britain’s Got Talent” i 2007. Nu venter vi bare på filmen om Susan Boyle. (Fjerde film i sæsonens Biografklub Danmark-program) JEG HEDDER ERNESTO (”Infancia clandestina”) (1:52) (Filmbazar) DK-premiere: 16/1-2014. (Historisk drama) Hjemmeside: http://www.antartida.tv/archivos/es/produccionsDetall.php?id=106 Trailer: Se hjemmeside. Med Natalia Oreiro, Ernesto Alterio og César Troncoso. Instr.: Benjamin Ávila. Filmen foregår i Argentina i 1979. Efter flere års eksil vender Juan og hans familie tilbage til Argentina under falske identiteter. Juans forældre og hans onkel Beto er medlemmer af Montoneros organisationen, der kæmper mod militærjuntaen, der regerer landet. På grund af deres politiske aktiviteter, bliver gruppen overvåget ubønhørligt, og truslen om at at blive pågrebet er konstant. Men Juans daglige liv er også fuld af varme og humor, og han integreres hurtigt og nemt i sine nye omgivelser. Hans venner i skolen og den pige, han er forelsket i, Maria, kender ham som Ernesto, et navn han må ikke glemme, da hans families overlevelse er på spil. Juan accepterer dette og følger alle sine forældres regler, indtil han en dag får at vide, at de har brug for at flytte igen med det samme, og han må forlade sine venner og Maria uden en forklaring Vinder af fem priser på internationale filmfestivaler. AMERICAN HUSTLE (2:09) (UIP/Sony) DK-premiere: 23/1-2014. (Drama/thriller) 11 år Hjemmeside: http://www.imdb.com/title/tt1800241/ Trailer: - Med Jennifer Lawrence, Bradley Cooper, Christian Bale, Robert De Niro, Amy Adams, Jeremy Renner og Michael Peña. Instr.: David O. Russell. (“Flirting with Disaster (1.941), “Three Kings” (89.270), “I Heart Huckabees” (2.004), “The Fighter” (24.598) og “Silver Linings Playbook” (159.982 pr. 7/7-2013)). Baseret på den sande historie om en berygtet finansiel svindler og hans medsammensvorne, der blev tvunget til at samarbejde med FBI, for at få stillet andre svindlere, gangstere og korrupte politikere for en dommer. Russell har virkelig fået samlet et formidabelt ensemble til denne film. (Indspilning i USA: $60,0 mio.
Recommended publications
  • Download Download
    Karlovy Vary 2012 By Gönül Dönmez-Colin Fall 2012 Issue of KINEMA 47th KARLOVY VARY FILM FESTIVAL Over 200 films, including 34 shorts and 56 documentaries, with 23 world premieres and more than120,000 tickets sold. Karlovy Vary International Film Festival celebrated its 47th year with triumph this summer despite budget cuts that have also been menacing many other film festivals. The Grand Jury, headed by Richard Peña, programme director of New York Film Festival, and including Montreal’s well-known actor François Papineau, judged a dozen films over eight days (June 29 - July 7, 2012). In the Official Competition, Pele akher (The Last Step) by Ali Mosaffa from Iran, focused on a somewhat confused young wife-widow played by Leila Hatami, well-known for her role as an irritable housewife in Asghar Farhadi’s Oscar winner, A Separation. The Last Step however lacked the well-written script of A Separation and also suffered from Hatami’s being cast in a similar role as in her earlier film, Thefeature, a loose adaptation inspired by Tolstoy’s novella The Death of Ivan Ilyich (1886) and James Joyce’s story The Dead (1914) was more like a pastiche of several Iranian films that preceded it. French Canadian Rafaël Ouellet’s Camion about a truck-driver whose life changes drastically following a traffic accident that leaves an unknown woman dead captivated the audience with its remarkable cinematography and sound narrative that succeeded in avoiding melodrama despite its subject matter. Deine Schönheit ist nichts wert (Your Beauty is Worth Nothing) by Hüseyin Tabak, an Austrian entry whose ’filmic’ identity became controversial in Turkey after having won several awards, including the best Turkish film at Antalya Golden Orange Film Festival’s national competition, focused on a twelve-year oldboyfrom Turkey and his alienation as an immigrant in Vienna.
    [Show full text]
  • "Désintérêt" Politique À Une Fascination Culturelle Mutuelle DISSERTATION
    France-Iran: dans le sillage du "désintérêt" politique à une fascination culturelle mutuelle DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jaleh Sharif, MA Graduate Program in French and Italian The Ohio State University 2015 Dissertation Committee: Professor Jennifer Willging, Adviser Professor Danielle Marx-Scouras Professor Richard Davis 1 Copyright by Jaleh Sharif 2015 2 Abstract This dissertation studies the history of Francophonie in Iran since the first fructuous official interactions between France and Persia in 17th century. Francophonie, i.e., the use of the French language and culture outside of France, has followed a winding path throughout several centuries in Persia (Iran). It grew from the interest of the Persian elite in a French society that neither engaged Persia militarily, nor attempted to compete with other European powers doing so. France's apparent lack of political interest in Persia became an official French diplomatic policy of "désintéressement," or "disinterest." This "hands off" policy nourished a Persian/Iranian fascination with French culture during the 19th and 20th centuries, as France was seen as a potential ally against the growing menace of Russia and Great Britain. As a result, and despite the growing political influence of other Western powers in Persia/Iran, the French language enjoyed the privileged status of first foreign Western language in Persia/Iran for almost a century, before being replaced by the English language due to the entry of the United States onto the international stage after the Second World War.
    [Show full text]
  • Dossier De Presse
    www.topoly.fr 1 Sommaire p. 4 Communiqué de preSSe p. 5 organiSateurS p. 6 programme p. 8 partenaireS p. 10 filmS À l’affiChe p. 11 Calendrier p. 36 informationS pratiqueS Festival Cinema(s) d’Iran #1 du 26 juin-2 juillet 2013 Cinéma Le Nouvel Odéon / 6 rue de l’École de Médecine 75006 Paris Contact : [email protected] / [email protected] www.cinemasdiran.fr 2 3 Communiqué de preSSe organiSateurS Le bilan des huit années de présidence de mahmoud ahmadinejad en matière de création programmation cinématographique est contrasté. En effet, rarement le cinéma iranien n’aura rencontré un tel accueil à l’étranger comme l’a Bamchade pourvali montré le succès d’une Séparation d’Asghar Farhadi, Ours d’or à Berlin en 2011, César et Doctorant en cinéma, spécialiste de l’essai filmé et du cinéma iranien, intervient Oscar du meilleur film étranger en 2012, mais dans le même temps, rarement les cinéastes régulièrement dans les festivals, avant-premières et tables rondes, lorsque la thé- iraniens n’auront eu à subir une telle censure à l’intérieur du pays, les conduisant à tourner matique de l’Iran est évoquée. Il est notamment l’auteur de Chris marker (Cahiers à l’étranger comme abbas Kiarostami et asghar farhadi, à s’exiler comme mohsen du cinéma-CNDP, 2003), godard neuf zéro, les films des années 90 de Jean- makhmalbaf et Bahman ghobadi, ou encore à passer outre l’interdiction qui leur ait luc godard (Séguier-Archimbaud, 2006), Wong Kar-wai, la modernité d’un faite de réaliser des films comme Jafar panahi.
    [Show full text]
  • 467884 364.Pdf
    فيلم��ي ك��ه نش��ان مي دهيد اگ��ر فيلم س��ازنده اي باش��د، در سراس��ر كش��ور س��ازندگي دارد و اگ��ر ي��ك فيلم خداي نخواس��ته انحرافي باشد در سراسر كشور تاثيرگذار است. حضرت امام خميني)ره( بنيانگذار جمهوري اسﻻمي ايران امروز كليد پيش��رفت اين كشور، به ميزان زيادي دست شماست؛ شما مي توانيد اين نس��ل را يك نس��ل پيش رونده، اميدوار، پرش��وق، معتق��د ب��ه خ��ود و معتقد به ارزش هاي اسﻻمي و ملي خود بار بياوريد. حضرت آيت اهلل خامنه اي رهبر معظم انقﻻب اسﻻمي ايران کتاب سی و سومین جشنواره بینالمللی فیلم فجر مدیر مسئول: علیرضا رضاداد سردبیر: مسعود نجفی مدیر اجرایی: مهدی متناصری تحریریه: مهرناز رازقی، نفیسه تبریزی، مهران رازقی، سعید اسماعیل افجه و سهیل صﻻحی زاده مترجم: سمیه قاضی زاده ویراستار: احمد تبریزی حروف نگار: زهرا متناصری مدیر هنری: طاها ذاکر )استودیو تهران( عکاس: حسن هندی و امیر خلوصی با همکاری امید معینی، یاسمن ظهورطلب، علی قلندریان و سهیل صﻻحی زاده طراحان گرافیک: فریده براتی، محمدی، شقایق شیرزاد، زهرا روشن قیاس پردازش تصاویر: مهرناز انصاری چاپ: پیمان نو اندیش با سپاس از همراهی استاد عزت اله انتظامی، محمود کﻻری، جمال امید، سیداحد میکاییل زاده، ناصر باکیده، محسن شمس، احد صادقی، شیرین رحیمی، الهه گلچهره رحیمی، احسان ظلی پور، ایمان رحیم پور، درنا مدنی، حمید عدیلی پور، کوروش پیرو، محسن بابایی، منصور جهانی، میﻻد بهشتی، علیرضا بهرامی، شیما غفاری، ندا آل طیب، طاها افخمی، پیمان اسکندری، محمد نیکبخت، مازیار تهرانی، پانته آ غیاثی، ژیﻻ شریف، علی شیرازی، زهرا مصفا، علی حیدری، محمد تهرانی ۱۷ فیلم افتتاحیه ۲۱ سودای سیمرغ )مسابقه سینمای ایران( ۸۷ نگاه نو )مسابقه فیلم های اول( ۱۱9 هنر و تجربه ۱۴۷ سینمای حقیقت )مسابقه آثار بلند مستند( ۱۷۷ مسابقه تبلیغات و اطﻻع
    [Show full text]
  • March 2017.P65
    HYDERABAD FILM CLUB NEWS LETTER MARCH 2017 Editor : Bh.S.S. Prakash Reddy Vol.XXXI Issue : 1 Rs. 2 THE SALESMAN UNDER THE OLIVE TREES HUSH! GIRLS DON’T SCREAM BELOVED SKY Kiragoorina Gayyaligalu (Kannada) THE HIDDEN HALF RNI No. 44862/86 Registered as a News Paper With best wishes Office : Flat No. 102, Padmavathi Towers, H.No. : 12-13-263, St. No. 19, Tarnaka, Secunderabad - 500 017. Telangana PROGRAMME At Sri Sarathi Studios A.C. Preview Theatre, Ameerpet 08-03-2017 6.30 p.m. : On the occasion of International Women’s Day screening Kannada film ”KIRAGOORINA GAYYALIGALU” (Rowdy Women of Kiragoor) directed by Ms. Suman Kittur A SESSION OF IRANIAN FILMS 24-03-2017 6.30 p.m. : THE SALESMAN Friday (Iran/2016/Color/125 mins.) 25-03-2017 5.30 p.m. : UNDER THE OLIVE TREES Saturday (Iran/1995/Color/90 mins.) 7.15 p.m. : HUSH! GIRLS DON’T SCREAM (Iran/2013/Color/104 mins.) 26-03-2017 5.30 p.m. : BELOVED SKY Sunday (Iran/2011/Color/85 mins.) 7.15 p.m. THE HIDDEN HALF (Iran/2001/Color/104 mins.) For latest information visit our website www.hyderabadfilmclub.org Synopses THE SALESMAN (Iran/2016/Color/125 mins.) Directed by : Asghar Farhadi Story by : Asghar Farhadi Camera by : Hossein Jafarian Music by : Sattar Oraki Cast : Shahab Hosseini, Taraneh Alidoosti The Salesman is a 2016 Iranian drama film directed and written by Asghar Farhadi Forced to leave their collapsing house, Ranaa and Emad, an Iranian couple who happen to be performers rehearsing for Arthur Miller’s “Death of a Salesman” rent a new apartment The film premiered in competition in the 2016 from one of their fellow performers.
    [Show full text]
  • Stablished in 2007 As an Important Part of the Iranian Cinema Industry
    Stablished in 2007 as an important part of the Iranian Cinema industry. The purpose of the company is to provide a strong platform for the Iranian productions to have access to the international market. A main part of company’s focus is sales and distribution of film productions include features and TV/Web series. The company is also heavily involved in productions and international co-productions of various projects. Over nearly a decade we have collaborated closely with the International distributors from around the world and we have actively participated in most prominent International Film Festivals and Markets such as Cannes (Marche Du Film), MIPCOM, MIP JUNIOR, Berlinale and Venice. HONAR AVAL is currently producing and providing contents for the market of Entertainment, releasing titles in multiple media such as Theatre, Home Video, Digital Market, VOD/OTT platforms and TV Channels. We are proud that over the years we have been able to provide more than 2,000 titles for the general public, including special contents for children and young adults. Achieving the position of the country's top Home Video Company in 2015 and the country's top National Broadcasting Company in 2016, 2017, 2018, 2019 & 2020 which has been a testimony to the trust and love of our audience. Here are some of the titles from our 2020-2021 catalog. Web Series I Want To Stay Alive Mikhaham Zende- Bemanam (Original Title) Drama | Series | 2021 | IRAN | 20 Episode *45 Min Director: Sharam Shah Hosseini Producer: Mohammad Shayesteh Writer: Pouya Saeedi | Pourya Kakavand CAST Sahar Dolatshahi| Hamed Behdad| Pedram Sharifi| Babak Karimi | Ali Shadman | Bahareh Kian Afshar | Ezzatollah Mehravaran | Azadeh Samadi | Nahid Moslemi| Afsaneh Chehreh Azad | Mehran Ahmadi| Anahita Dargahi| Amir Noruzi | Maedeh Tahmasebi SYNOPSIS I WANT TO STAY ALIVE is a drama series which shows Iranian society’s condition right after the Iran & Iraq war, the time in which the Committee (a former law enforcement organization in Iran acting under the Ministry of Interior affairs) has the power beyond the law.
    [Show full text]
  • English Section
    179 January - February 2019 Vol. XXVII No. 179 HAPPY NEW YEAR 2019 • I Told You So … • Iranian Novels in Translation Book Review • Limits of Whiteness: • Refuge • Nutrition for Young Adults • Toenail fungus • The Reemergence of Afghan Cinema Saeed Jalali San Diego, CA 92121 CA Diego, San 6790 Top Gun St. #7 St. Gun Top 6790 Persian Cultural Center Cultural Persian No. 179 January-February 2019 1 179 By: Shahri Estakhry Since 1991 Persian Cultural Center’s Bilingual Magazine Is a bi - monthly publication organized for literary, cultural and information purposes Financial support is provided by the City of San Diego Commission for Arts and Culture. I Told You So … Persian Cultural Center 6790 Top Gun St. #7, San Diego, CA 92121 Not long ago in Peyk #175, after the student organized demonstrations throughout the nation, I Tel (858) 552-9355 wrote in my editorial, “Awakening of Our Moral Conscience,” that I was feeling such despair Fax & Message: (619) 374-7335 Email: [email protected] that I was truly preparing myself to move to a secluded place for a while to regain my human www.pccsd.org consciousness. January - February 2019 Then came the surge with millions and millions of participants throughout the country—men Vol. XXVII and women, young and old from every walk of life, serious and determined to get their messages Circulation: 6000 across and anxiously waiting for November 2018. The message was crystal clear: Change is Persian Cultural Center Coming! The young adults, with their well-organized participation, served as both an awakening A non - profit national corporation Established in 1989.
    [Show full text]
  • MAKHMALBAF FILM HOUSE: a Dimensão Política Na Linguagem Do Cinema De Mohsen E Samira Makhmalbaf
    MAKHMALBAF FILM HOUSE: a dimensão política na linguagem do cinema de Mohsen e Samira Makhmalbaf PEDRO MODESTO LIMA Universidade Federal do Rio de Janeiro Programa de Pós-Graduação em Comunicação Mestrado Orientadora: Profa. Dra. CONSUELO LINS Rio de Janeiro 2005 Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. 2 MAKHMALBAF FILM HOUSE: a dimensão política na linguagem do cinema de Mohsen e Samira Makhmalbaf PEDRO MODESTO LIMA Dissertação submetida ao corpo docente da Escola de Comunicação da Universidade Federal do Rio de Janeiro – UFRJ, como parte dos requisitos necessários à obtenção do grau de Mestre. Aprovada por: _______________________________ Profa. Consuelo Lins – Orientadora Doutora _______________________________ Profa. Andréa França Doutora _______________________________ Profa. Andrea Molfetta Doutora Rio de Janeiro 2005 3 Lima, Pedro Modesto. Makhmalbaf film House – a dimensão política na linguagem do cinema de Mohsen e Samira Makhmalbaf / Pedro Modesto Lima. Rio de Janeiro: UFRJ/ECO, 2005, 115 p. Dissertação – Universidade Federal do Rio de Janeiro, ECO. 1. Cinema. 2. Política. 3. Produção de Sentido. 4. Teoria. 5. Dissertação (Mestr. – UFRJ/ECO). I . Universidade Federal do Rio de Janeiro. Programa de Pós-graduação em Comunicação e Cultura. II. Título. 4 Dedico este trabalho a todos os meus amigos que me apoiaram nos momentos difíceis dos últimos dois anos. Com carinho especial para João Cícero, Ana Priscila, Bárbara, Feijó, Maíra, Taíssa, Marina, Pedro Roberto, meu irmão André, minhas avós e meus pais que estiveram presentes sempre que possível. 5 RESUMO LIMA, Pedro Modesto. Makhmalbaf Film House: a colocação da política na linguagem do cinema de Mohsen e Samira Makhmalbaf.
    [Show full text]
  • Analysis of Iranian Film Music (With Focus on Some Contemporary Composers)
    Université de Montréal Analyse de la Musique de Film Iranien (Avec un accent sur certains compositeurs contemporains) Analysis of Iranian Film Music (With focus on some contemporary composers) Présenté par Sharareh Sheikhkhan Unité académique : Faculté de Musique Mémoire présenté en vue de l'obtention du grade de Maîtrise - Musique en Composition pour l'écran August 30th, 2020 © Sharareh Sheikhkhan, 2020 Université de Montréal Unité académique : Faculté de Musique Ce mémoire intitule Analyse de la Musique de Film Iranien (Avec un accent sur certains compositeurs contemporains) Analysis of Iranian Film Music (With focus on some contemporary composers) Présenté par Sharareh Sheikhkhan Ce mémoire a été évalué par un jury composé des personnes suivantes : Isabelle Panneton Président-rapporteur François-Xavier Dupas Directeur de recherche Pierre Adenot Membre du jury Research paper 2nd cycle (Master) University year 2019-2020 Analysis of Iranian film music (with focus on some contemporary composers) SHARAREH SHEIKHKHAN Principal discipline: InMICS Principal discipline teacher: François-Xavier Dupas, Dominique Pauwels Name of referent teacher: Stoffel Debuysere Name of methodology assistant : Martin Barnier Date of the presentation: October, 2020 Acknowledgements First, I would like to express my special thanks to my Principal discipline teacher Dr. Stoffel Debuysere for his patience, and immense knowledge. His guidance helped me in all the time for research and writing this thesis. Second, I pay my deep sense of gratitude to my composition professor Dr. François- Xavier Dupas for all he did for me during this master’s degree. Without his continuous encouragement, support and enthusiasm, this study would hardly have been completed. I consider myself fortunate indeed to have had the opportunity to be his student.
    [Show full text]
  • Asghar Farhadi's the Past from a Postmofernist Perspective
    IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN(E): 2321-8878; ISSN(P): 2347-4564 Vol. 3, Issue 1, Jan 2015, 27-32 © Impact Journals ASGHAR FARHADI’S THE PAST FROM A POSTMODERNIST PERSPECTIVE SINA TAVASSOLI Research Scholar, Department of English, Jamia Millia Islamia, New Delhi, India ABSTRACT The Iranian filmmaker, Asghar Farhadi, has contributed to national cinema of Iran which is indicative of people with a rich cultural and socio-political history. The iconography of Iranian cinema represents a thought provoking portrait of socio-ethical backdrop. Farhadi’s fame is indebted to his universal film A Separation which won the best academy award 2012. One year later, he directed The Past which nominated for 2013 the best foreign film in Cannes film festival. The Past, is an intricate drama which portraits the nostalgia for the lost wholeness of the past. This film tries to indicate that how man tries to justify his past that is stemmed from disappointment and failure by incorrect choices in life. By borrowing insights from Lyotard’s question of postmodernism, this paper attempts to study the working of postmodernism’s characteristics in Asghar Farhadi’s The Past . This paper concludes that all those features and characteristics of postmodern features together have been the real key to the sense of relativism in terms of recognition, truth, narrations, and culture on the cornerstone which postmodernism is built upon. KEYWORDS: Iran’s Cinema, Asghar Farhadi, The Past, Postmodernism, Relativism INTRODUCTION Iranian cinema sometimes seems to draw more from documentaries and poetry than conventional narrative sources.
    [Show full text]
  • BY the DIRECTOR of a Separation
    ME M E N T O F I L M S P R E SENT S BY THE DIRECTOR OF A S E P A R A TION TAHAR RA hi M B ÉRÉNICE B E J O ALI Mos A ffA UEL th LE BE O PHOTOS : CAR A FILM BY UEL ASGHAR FA rh A di th LE BE O © PHOTOS : CAR ME M E N T O F I L M S PRODUCTION PRESENTS BÉRÉNICE B E J O TAHAR RA hi M ALI Mos A ffA A FILM BY ASGHAR FA rh A di FRANCE, ITALY / COLOR / 130 MIN / 2013 / FRENCH PRESS IN CANNES PRESS IN CANNES FRANCE / US / UK / SWITZERLAND / BELGIUM REST OF THE WORLD VANESSA JERROM RENDEZ-VOUS / VIVIANA ANDRIANI 11 RUE DU MARCHÉ ST-HONORÉ 2 RUE TURGOT 75009 PARIS 75001 PARIS M : (+33)6 80 16 81 39 M : (+33)6 14 83 88 82 [email protected] [email protected] WWW.RV-PRESS.COM WORLD SALES AND FESTIVALS PRODUCER MEMENTO FILMS INTERNATIONAL MEMENTO FILMS PRODUCTION 9 CITÉ PARADIS - 75010 PARIS 9 CITÉ PARADIS - 75010 PARIS TEL : +33 1 53 34 90 33 TEL : +33 1 53 34 90 39 [email protected] [email protected] [email protected] DOWNLOAD PRESSKIT AND STILLS : WWW.MEMENTO-FILMS.COM S YNOPSIS Following a four year separation, Ahmad returns to Paris from Tehran, upon his French wife Marie’s request, in order to finalize their divorce procedure. During his brief stay, Ahmad discovers the conflicting nature of Marie’s relationship with her daughter Lucie.
    [Show full text]
  • Les Samedis Du Cinéma Iranien
    Les samedis du cinéma iranien, c’est un rendez-vous mensuel consacré au cinéma iranien auquel l’association « Cinéma(s) d’Iran » vous convie avec grand plaisir chaque année dès le mois d’octobre. LES SAMEDIS Une programmation éclectique autour du cinéma classique et contemporain, animée par des spécialistes du cinéma iranien au Nouvel Odéon. Les séances ont lieu un samedi par mois à 11h (voir le détail des dates DU CINÉMA IRANIEN dans la programmation ci-dessous) et sont suivies d’un débat. Pour bien se réveiller et mieux se connaître, les plus courageux pourront venir dès 10h30 se réchauffer et discuter autour d’une tasse de thé. SAISON 2018-2019 Les intervenants : Agnès Devictor, maître de conférences à l’Université Paris 1 UN FILM PAR MOIS À 11H Panthéon-Sorbonne, spécialiste du cinéma iranien Jean-Michel Frodon, Critique de cinéma, Professeur associé à Sciences-Po Paris Assal Bagheri, docteure en Sémiologie, Sorbonne-Paris Descartes Nader T. Homayoun, réalisateur CINÉMA LE NOUVEL ODÉON 6, rue de l’École de Médecine 75006 PARIS Métro : Odéon ou Cluny La Sorbonne. Bus : 21, 27, 38, 58, 63, 70, 86, 87, 96 Tarif normal : 7 € Adhérent : 5 € ADHÉREZ À L’ASSOCIATION CINÉMA(S) D’IRAN ET BÉNÉFICIEZ DE TARIFS RÉDUITS. Tarif d’ahésion pour la saison 2018-2019 : 15 € Paiement en ligne via www.cinemasdiran.fr/adhesion ou par chèque adressé à : Association Cinéma(s) d’Iran 44 rue Montcalm 75018 Paris Des Rêves sans é toiles sans é Des Rêves www.cinemasdiran.fr cinemasdiran @CinemasdIran : Photo Yousefi : Azadeh Conception graphique 20 octobre 2018 16 février 2019 HICH UN VENT DE LIBERTÉ [Varounegi] Abdolreza Kahani, Iran, 2010, vostfr, 87 min.
    [Show full text]