Les Samedis Du Cinéma Iranien
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Iranian Cancer Researcher Detained Despite Valid Visa
Art & Culture July 13, 2017 3 This Day in History Iranian Cancer Researcher (July 13) Today is Thursday; 22nd of the Iranian month of Tir 1396 solar hijri; corresponding to 18th of the Islamic month of Shawwal 1438 lunar hijri; and July 13, 2017, of the Christian Gregorian Calendar. Detained Despite Valid Visa 1069 lunar years ago, on this day in 368 AH, the pleasure-seeking Ezz od- Dowla Daylami, son of Moiz od-Dowla the Buwaihid conqueror of Baghdad, to return to Iran around 9 p.m., was killed in battle with his cousin, Adhud od-Dowla, the son of Rukn od- Dowla, near the River Tigris after rebelling against the central authority of the despite having a valid work visa then Shiraz-based Buwaihid confederacy. Adhud od-Dowla, a few years later to join the Boston Children’s after the passing away of his father, became the senior-most Buwaihid Amir of Iraq and Fars, at a time when Baghdad was wracked by violence and instability. Hospital, according to the Boston He restored peace and patronized scholars such as the celebrated Shaikh Mufid, Globe. besides renovating the holy shrines in Najaf and Karbala. An observatory was It’s not clear as why Dehnavi built by him in Isfahan, and the dam known till this day as “Band-e Amir” was built on his orders between Shiraz and Istakhr. He dug the Haffar Canal joining and his family are being detained the Karun River to the Arvand Roud at the confluence of the Rivers Tigris and — but they’ll likely be deported Euphrates. -
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Karlovy Vary 2012 By Gönül Dönmez-Colin Fall 2012 Issue of KINEMA 47th KARLOVY VARY FILM FESTIVAL Over 200 films, including 34 shorts and 56 documentaries, with 23 world premieres and more than120,000 tickets sold. Karlovy Vary International Film Festival celebrated its 47th year with triumph this summer despite budget cuts that have also been menacing many other film festivals. The Grand Jury, headed by Richard Peña, programme director of New York Film Festival, and including Montreal’s well-known actor François Papineau, judged a dozen films over eight days (June 29 - July 7, 2012). In the Official Competition, Pele akher (The Last Step) by Ali Mosaffa from Iran, focused on a somewhat confused young wife-widow played by Leila Hatami, well-known for her role as an irritable housewife in Asghar Farhadi’s Oscar winner, A Separation. The Last Step however lacked the well-written script of A Separation and also suffered from Hatami’s being cast in a similar role as in her earlier film, Thefeature, a loose adaptation inspired by Tolstoy’s novella The Death of Ivan Ilyich (1886) and James Joyce’s story The Dead (1914) was more like a pastiche of several Iranian films that preceded it. French Canadian Rafaël Ouellet’s Camion about a truck-driver whose life changes drastically following a traffic accident that leaves an unknown woman dead captivated the audience with its remarkable cinematography and sound narrative that succeeded in avoiding melodrama despite its subject matter. Deine Schönheit ist nichts wert (Your Beauty is Worth Nothing) by Hüseyin Tabak, an Austrian entry whose ’filmic’ identity became controversial in Turkey after having won several awards, including the best Turkish film at Antalya Golden Orange Film Festival’s national competition, focused on a twelve-year oldboyfrom Turkey and his alienation as an immigrant in Vienna. -
Theatre Khsousi En.Indd
IN THE NAME OF GOD Internaonal Seminar Potenal of Independent Sector in Theatre 5 - 7 March 2017 Dramac Arts Center, Iran’s Ministry of Culture and Islamic Guidance Editor-in-Chief: Mehrdad Rayani Makhsous Editor: Saeed Hashemipour Art Director and Graphic Designer: Masoud Nowrouzi Translators: Mehdi Arab and Sahar Ebrahimimehr Editorial Board: Parisa Behpouri, Sahar Ebrahimimehr (with thanks to: Mehnaz Abdbehzad, Saghi Ataei) Photo: Zia Safavian Special Thanks to: Mehdi Hajian, Molouk Kamvar, Ali Ashrafnia, Mousa Ramazani Content Messages 3 Seminar Academic Board 6 Essays 9 Discussions 41 Seminar Timetable 50 Seminar HQ 52 Ali Moradkhani Director of Art Affairs, Iran’s Ministry of Culture and Islamic Guidance Now with the private sector building playhouses here and there, not all roads lead to City Theatre of Tehran any longer. A few years ago, a considerable number of theatre enthusiasts decided to tap into the potenal of non-governmental theatre. Stascs show an increasing number of non-governmental theatres as well as weekly performances in such places over the past few years, which has gradually resulted in a new wave in theatrical producon; today, these theatres host not only student performances but also professional works as well The number of non-governmental theatres, like other non-governmental instuons acve in the theatrical arena, is rising day by day. This means a big revoluon in theatre is just on the way. Today, non-governmental theatres are being established not only in Tehran but also all across the country. Without a doubt, this increasing number will increase the responsibilies of the government and its instuons that have more to do with theatre. -
Zarif Holds Talks with Aoun Some Countries in Regard to Humanitarian Issues
‘Iranian refugees in Total inks major gas Infantino offers German experts restore 21516Australia not in 5 deal in Iran condolences after artworks at Tehran suitable condition’ Pourheydari passing museum WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y VelayatiVe ururgesg EuEurope to wowork for pepeace in MMideasti 2 16 Pages Price 10,000 Rials 38th year No.12693 Wednesday NOVEMBER 9, 2016 Aban 19, 1395 Safar 9, 1438 Citizenship Rights Charter awaiting thumbs-up: ZZarifarif holdsholds ttalksalks wwithith AAounoun presidential advisor EXCLUSIVE INTERVIEW POLITICS TEHRAN — Iranian The visit came days after Aoun desk By Maryam Qarehgozlou&Ali Kushki Foreign Minister was elected president. The post had Mohammad Javad Zarif who made a remained vacant for 29 months due Iran says it has finished a draft of the long-waited-for high-profile visit to Beirut starting on to rivalry between powerbrokers in Citizenship Rights Charter after it underwent a thorough Monday held talks with the newly-elected Lebanon. revision, now awaiting for an approval by the Majlis (Iran’s Lebanese President Michel Aoun as well Immediately after his arrival in Beirut, parliament), government, or cabinet. as the prime minister, parliament Speaker, Foreign Minister Zarif held talks with “An initial draft of the Citizenship Rights Charter was and Hezbollah chief. President Aoun. 2 drawn up just months after President Rouhani took office and made available to the public in November 2013,” Elham Aminzadeh, the presidential advisor on citizenship rights, told the Tehran Times on Monday. Aminzadeh said it took until now to come up with the first and second versions of the charter after having listened to public and expert opinions of a pool of resources. -
An Analysis of Iranian War Film Genres )1980 2013( with Niklas Luhmann’S Social Systems Theory
Genre Shift and Identity Maintenance – An Analysis of Iranian War Film Genres (1980_2013) with Niklas Luhmann’s Social Systems Theory Golnaz Sarkar Farshi* Received: 2018/01/15 Accepted: 2018/08/11 Abstract A close observation of Iran-Iraq war films in the Iranian society reveals that their genres have shifted in the course of the society’s evolution. This questions the category-based principles of genre we have known so far in literature concerning film theory and necessitates a new conceptualization of genre, which can be realized with the aid of Niklas Luhmann’s social systems theory. This theory abandons categorization in favor of functional differentiation and helps us observe Iranian war movies in their societal context. By taking a close look at the function of film in the society as one of the mass media, and through locating the concepts of memory, reality, identity and genre in Luhmann’s theory, I shall find a pattern in the mentioned genre shift which is in turn punctuated by the Iranian society’s different stages of evolution. To do so, I shall rely on a qualitative, analytical and critical method. Keywords: film genre, identity, Iran-Iraq war, Niklas Luhmann, social systems theory, war film *. PhD student of Media Philosophy, Bauhaus-University Weimar. Email: [email protected]. .................................................................................Genre Shift and Identity Maintenance – An Analysis of Introduction within scientific jargon. The outcome of these The 8-year war between Iran and Iraq endeavors was to attribute a film’s genre was, like any war in any society, post factum to its formal qualities (western), its themes widely reflected on in the Iranian mass media: and motifs (war film, apocalyptic film), its from the TV documentary series Ravāyat-e main characters (doctor films, detective Fath1 to epics which illustrated the prowess of films) among other qualities. -
"Désintérêt" Politique À Une Fascination Culturelle Mutuelle DISSERTATION
France-Iran: dans le sillage du "désintérêt" politique à une fascination culturelle mutuelle DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jaleh Sharif, MA Graduate Program in French and Italian The Ohio State University 2015 Dissertation Committee: Professor Jennifer Willging, Adviser Professor Danielle Marx-Scouras Professor Richard Davis 1 Copyright by Jaleh Sharif 2015 2 Abstract This dissertation studies the history of Francophonie in Iran since the first fructuous official interactions between France and Persia in 17th century. Francophonie, i.e., the use of the French language and culture outside of France, has followed a winding path throughout several centuries in Persia (Iran). It grew from the interest of the Persian elite in a French society that neither engaged Persia militarily, nor attempted to compete with other European powers doing so. France's apparent lack of political interest in Persia became an official French diplomatic policy of "désintéressement," or "disinterest." This "hands off" policy nourished a Persian/Iranian fascination with French culture during the 19th and 20th centuries, as France was seen as a potential ally against the growing menace of Russia and Great Britain. As a result, and despite the growing political influence of other Western powers in Persia/Iran, the French language enjoyed the privileged status of first foreign Western language in Persia/Iran for almost a century, before being replaced by the English language due to the entry of the United States onto the international stage after the Second World War. -
Dossier De Presse
www.topoly.fr 1 Sommaire p. 4 Communiqué de preSSe p. 5 organiSateurS p. 6 programme p. 8 partenaireS p. 10 filmS À l’affiChe p. 11 Calendrier p. 36 informationS pratiqueS Festival Cinema(s) d’Iran #1 du 26 juin-2 juillet 2013 Cinéma Le Nouvel Odéon / 6 rue de l’École de Médecine 75006 Paris Contact : [email protected] / [email protected] www.cinemasdiran.fr 2 3 Communiqué de preSSe organiSateurS Le bilan des huit années de présidence de mahmoud ahmadinejad en matière de création programmation cinématographique est contrasté. En effet, rarement le cinéma iranien n’aura rencontré un tel accueil à l’étranger comme l’a Bamchade pourvali montré le succès d’une Séparation d’Asghar Farhadi, Ours d’or à Berlin en 2011, César et Doctorant en cinéma, spécialiste de l’essai filmé et du cinéma iranien, intervient Oscar du meilleur film étranger en 2012, mais dans le même temps, rarement les cinéastes régulièrement dans les festivals, avant-premières et tables rondes, lorsque la thé- iraniens n’auront eu à subir une telle censure à l’intérieur du pays, les conduisant à tourner matique de l’Iran est évoquée. Il est notamment l’auteur de Chris marker (Cahiers à l’étranger comme abbas Kiarostami et asghar farhadi, à s’exiler comme mohsen du cinéma-CNDP, 2003), godard neuf zéro, les films des années 90 de Jean- makhmalbaf et Bahman ghobadi, ou encore à passer outre l’interdiction qui leur ait luc godard (Séguier-Archimbaud, 2006), Wong Kar-wai, la modernité d’un faite de réaliser des films comme Jafar panahi. -
467884 364.Pdf
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March 2017.P65
HYDERABAD FILM CLUB NEWS LETTER MARCH 2017 Editor : Bh.S.S. Prakash Reddy Vol.XXXI Issue : 1 Rs. 2 THE SALESMAN UNDER THE OLIVE TREES HUSH! GIRLS DON’T SCREAM BELOVED SKY Kiragoorina Gayyaligalu (Kannada) THE HIDDEN HALF RNI No. 44862/86 Registered as a News Paper With best wishes Office : Flat No. 102, Padmavathi Towers, H.No. : 12-13-263, St. No. 19, Tarnaka, Secunderabad - 500 017. Telangana PROGRAMME At Sri Sarathi Studios A.C. Preview Theatre, Ameerpet 08-03-2017 6.30 p.m. : On the occasion of International Women’s Day screening Kannada film ”KIRAGOORINA GAYYALIGALU” (Rowdy Women of Kiragoor) directed by Ms. Suman Kittur A SESSION OF IRANIAN FILMS 24-03-2017 6.30 p.m. : THE SALESMAN Friday (Iran/2016/Color/125 mins.) 25-03-2017 5.30 p.m. : UNDER THE OLIVE TREES Saturday (Iran/1995/Color/90 mins.) 7.15 p.m. : HUSH! GIRLS DON’T SCREAM (Iran/2013/Color/104 mins.) 26-03-2017 5.30 p.m. : BELOVED SKY Sunday (Iran/2011/Color/85 mins.) 7.15 p.m. THE HIDDEN HALF (Iran/2001/Color/104 mins.) For latest information visit our website www.hyderabadfilmclub.org Synopses THE SALESMAN (Iran/2016/Color/125 mins.) Directed by : Asghar Farhadi Story by : Asghar Farhadi Camera by : Hossein Jafarian Music by : Sattar Oraki Cast : Shahab Hosseini, Taraneh Alidoosti The Salesman is a 2016 Iranian drama film directed and written by Asghar Farhadi Forced to leave their collapsing house, Ranaa and Emad, an Iranian couple who happen to be performers rehearsing for Arthur Miller’s “Death of a Salesman” rent a new apartment The film premiered in competition in the 2016 from one of their fellow performers. -
Stablished in 2007 As an Important Part of the Iranian Cinema Industry
Stablished in 2007 as an important part of the Iranian Cinema industry. The purpose of the company is to provide a strong platform for the Iranian productions to have access to the international market. A main part of company’s focus is sales and distribution of film productions include features and TV/Web series. The company is also heavily involved in productions and international co-productions of various projects. Over nearly a decade we have collaborated closely with the International distributors from around the world and we have actively participated in most prominent International Film Festivals and Markets such as Cannes (Marche Du Film), MIPCOM, MIP JUNIOR, Berlinale and Venice. HONAR AVAL is currently producing and providing contents for the market of Entertainment, releasing titles in multiple media such as Theatre, Home Video, Digital Market, VOD/OTT platforms and TV Channels. We are proud that over the years we have been able to provide more than 2,000 titles for the general public, including special contents for children and young adults. Achieving the position of the country's top Home Video Company in 2015 and the country's top National Broadcasting Company in 2016, 2017, 2018, 2019 & 2020 which has been a testimony to the trust and love of our audience. Here are some of the titles from our 2020-2021 catalog. Web Series I Want To Stay Alive Mikhaham Zende- Bemanam (Original Title) Drama | Series | 2021 | IRAN | 20 Episode *45 Min Director: Sharam Shah Hosseini Producer: Mohammad Shayesteh Writer: Pouya Saeedi | Pourya Kakavand CAST Sahar Dolatshahi| Hamed Behdad| Pedram Sharifi| Babak Karimi | Ali Shadman | Bahareh Kian Afshar | Ezzatollah Mehravaran | Azadeh Samadi | Nahid Moslemi| Afsaneh Chehreh Azad | Mehran Ahmadi| Anahita Dargahi| Amir Noruzi | Maedeh Tahmasebi SYNOPSIS I WANT TO STAY ALIVE is a drama series which shows Iranian society’s condition right after the Iran & Iraq war, the time in which the Committee (a former law enforcement organization in Iran acting under the Ministry of Interior affairs) has the power beyond the law. -
Filmen Der Iranischen Diaspora Zu Sehen, Zugleich Grenzen Sie Sich Gegen Diese Aber Durch Individuelle Und Innova- Tive Ästhetische Verfahren Ab
Neue Perspektiven der Medienästhetik Alena Strohmaier Medienraum Diaspora Verortungen zeitgenössischer iranischer Diasporafilme Neue Perspektiven der Medienästhetik Reihe herausgegeben von I. Ritzer, Bayreuth, Deutschland Die Reihe „Neue Perspektiven der Medienästhetik“ versteht sich als Brücken- schlag zwischen Ansätzen von Medientheorie und ästhetischer Theorie. Damit sollen ästhetische Qualitäten weder als determinierende Eigenschaften einer tech- nologisch-apparativen Medialität noch als Effekt dieses medialen Apriori begriffen sein. Stattdessen werden sowohl die Relevanz des Technologisch-Apparativen als auch die im Rahmen der apriorischen Konstellation sich entfaltende Potentialität an ästhetischen Verfahren ernst genommen. Die Frage nach medienästhetischen Qualitäten bedeutet demnach, die einem Medium zur Verfügung stehenden ästhe- tischen Optionen zu spezifzieren, um ihrer Rolle bei der Konstitution des jeweili- gen medialen Ausdrucks nachzuspüren. Dabei projektiert die Reihe insbesondere, entweder bislang vernachlässigte Medienphänomene oder bekannte Phänomene aus einer bislang vernachlässigten Perspektive zu betrachten. Weitere Bände in der Reihe http://www.springer.com/series/13443 Alena Strohmaier Medienraum Diaspora Verortungen zeitgenössischer iranischer Diasporafilme Mit einem Geleitwort von Prof. Dr. Ivo Ritzer Alena Strohmaier Marburg, Deutschland Zgl. Dissertation an der Philipps-Universität Marburg, 2018 ISSN 2524-3209 ISSN 2524-3217 (electronic) Neue Perspektiven der Medienästhetik ISBN 978-3-658-24605-1 ISBN 978-3-658-24606-8 -
Saudis Betting on the Wrong Horse FIFA President Infantino Mourns POLITICAL TEHRAN – in the Early Gulf,” the Newspaper Continued
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 8 Pages Price 50,000 Rials 1.00 EURO 4.00 AED 42nd year No.13871 Saturday JANUARY 30, 2021 Bahman 11, 1399 Jumada Al thani 16, 1442 ‘Do not rush for FIFA President Infantino Iran registers 3rd Iran issues permit annihilation,” Iranian mourns loss of Mehrdad highest production to use Russian general warns Israel Page 2 Minavand Page 3 growth in world Page 4 COVID-19 vaccine Page 7 Iran’s Vaezi: We have not quit Saudis betting on the nuclear deal to rejoin it TEHRAN - Mahmoud Vaezi, the Iranian Secretary of State Antony Blinken has President’s Chief of Staff, said on Friday said Iran should first return to the deal. See page 3 that Iran has never withdrawn from the “For us there is no difference between nuclear deal so that it would be the first to the Trump and Biden administrations; return to its obligations, IRNA reported therefore, Iran’s stance will not change,” wrong horse on Friday. he noted. “We held negotiations once and the He stressed, “As President Rouhani issue of the JCPOA has been closed. Our has repeatedly said, only when the U.S. stance on the JCPOA was clear and we returns to its obligations, Iran will fulfill have maintained our past approach,” its commitments.” Vaezi said when asked that the new U.S. Continued on page 2 39th Fajr Theater Festival to kick off today TEHRAN -- The 39th Fajr Theater Festi- would be a great interruption causing the- val, with no international section because atrical figures to lose their connections of coronavirus restrictions, will be inau- with theater,” Minister of Culture and gurated with a selection of 107 plays in Islamic Guidance, Seyyed Abbas Salehi Tehran today.