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The Application of Image Processing Technique to Separate the Rock Salt with Impurity
Indian Journal Of Natural Sciences www.tnsroindia.org. © IJONS Vol.5 / Issue 28/ February 2015 International Bimonthly ISSN: 0976 – 0997 RESEARCH ARTICLE The Application of Image Processing Technique to Separate the Rock Salt with Impurity Mohsen Naseri Tanha1*, Ali Mohammadi Sani2 and Maryam Tavakoli Fadiheh3 1,2Department of Food Science and Technology, Quchan Branch, Islamic Azad University, Quchan, Iran. 3Young Researchers and Elite Club, Quchan Branch, Islamic Azad University, Quchan, Iran. Received: 22 Dec 2014 Revised: 11 Jan 2015 Accepted: 18 Jan 2015 *Address for correspondence Mohsen Naseri Tanha Department of Food Science and Technology, Quchan Branch, Islamic Azad University, Quchan, Iran. E-mail: [email protected] This is an Open Access Journal / article distributed under the terms of the Creative Commons Attribution License (CC BY-NC-ND 3.0) which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. All rights reserved. ABSTRACT With the increasing awareness of consumers and complexity of the application, the application of modern methods of quality control is inevitable. Long traditional methods of identification and separation of impurities have been used in the production of food products. However, after increasing the production, these methods appearing to be cheap are not responsive to the needs of industries. In contrast to traditional methods, the computer inspection of food products is affordable, sustainable and more effective. With respect to the consumer demand, in order to have access to safe and high quality food products and also due to dramatic advances in image processing in recent decades from both theoretical and practical aspects, in this paper, a machine vision system based on image processing is proposed to separate the gross rock salt based on calibration. -
In the Fall They Come Back Robert Bausch
JANUARY 2018 In the Fall They Come Back Robert Bausch A brilliantly observed prep school novel about fraught teacher-student relationships -- and about coming into adulthood. Description A brilliantly observed prep school novel about fraught teacher-student relationships -- and about coming into adulthood. Ben Jameson begins his teaching career in a small private school in Northern Virginia. He is idealistic, happy to have his first job after graduate school, and hoping some day to figure out what he really wants out of life. And in his two years teaching English at Glenn Acres Preparatory School, he comes to believe this really is his life's work, his calling. He wants to change lives. But his desire to ""save"" his students leads him into complicated territory, as he becomes more and more deeply involved with three students in particular: an abused boy, a mute and damaged girl, and a dangerous eighteen-year-old who has come back to school for one more chance to graduate. In the Fall They Come Back is a book about human relationships, as played out in that most fraught of settings, a school. But it is not only a book about teaching. It is about the limits and complexities of even our most benevolent urges -- what we can give to others and how we lose ourselves. About the Author Robert Bausch is the author of many works of fiction, most recently the novels Far as the Eye Can See and The Legend of Jesse Smoke. He was born in Georgia and raised around Washington, D.C., and received a B.A., M.A., and M.F.A. -
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Karlovy Vary 2012 By Gönül Dönmez-Colin Fall 2012 Issue of KINEMA 47th KARLOVY VARY FILM FESTIVAL Over 200 films, including 34 shorts and 56 documentaries, with 23 world premieres and more than120,000 tickets sold. Karlovy Vary International Film Festival celebrated its 47th year with triumph this summer despite budget cuts that have also been menacing many other film festivals. The Grand Jury, headed by Richard Peña, programme director of New York Film Festival, and including Montreal’s well-known actor François Papineau, judged a dozen films over eight days (June 29 - July 7, 2012). In the Official Competition, Pele akher (The Last Step) by Ali Mosaffa from Iran, focused on a somewhat confused young wife-widow played by Leila Hatami, well-known for her role as an irritable housewife in Asghar Farhadi’s Oscar winner, A Separation. The Last Step however lacked the well-written script of A Separation and also suffered from Hatami’s being cast in a similar role as in her earlier film, Thefeature, a loose adaptation inspired by Tolstoy’s novella The Death of Ivan Ilyich (1886) and James Joyce’s story The Dead (1914) was more like a pastiche of several Iranian films that preceded it. French Canadian Rafaël Ouellet’s Camion about a truck-driver whose life changes drastically following a traffic accident that leaves an unknown woman dead captivated the audience with its remarkable cinematography and sound narrative that succeeded in avoiding melodrama despite its subject matter. Deine Schönheit ist nichts wert (Your Beauty is Worth Nothing) by Hüseyin Tabak, an Austrian entry whose ’filmic’ identity became controversial in Turkey after having won several awards, including the best Turkish film at Antalya Golden Orange Film Festival’s national competition, focused on a twelve-year oldboyfrom Turkey and his alienation as an immigrant in Vienna. -
Surrealistic Duality and Inner-Voice in the Blind Owl by Sadegh Hedayat
Science Arena Publications Specialty Journal of Language Studies and Literature Available online at www.sciarena.com 2018, Vol, 2 (3): 1-5 Surrealistic Duality and Inner-Voice in The Blind Owl by Sadegh Hedayat Saman Hashemipour* Assistant Professor at the Department of English Language and Literature, Girne American University, Cyprus. *Corresponding Author Abstract: Stylistics and discourse analysis have common features in theory and application which intersect in some points; but within the critical theory, analysis proceeds from the level of description of the past to the level of psychological interpretation and sociological explanation. “The Blind Owl” is one of the most critical superficial, surrealistic, and psychological Persian novels. The third-person omniscient narrator of the novel, the Blind Owl, is describing his story and inner pain for his shadow. The shadow plays the most crucial role and acts as the twin of the Blind Owl that interacts with the narrator from the beginning up to the end of the story. All characters play the same role in the story, and eventually, the Blind Owl feels he already becomes a mixture of them. The dual binary conception is wide-range throughout the story, and the whole novel is based on pair duality. The most basic duality is the contrast between life and death, and also goodness and evilness. Keywords: Sadegh Hedayat, Inner-voice, Surrealism, Duality INTRODUCTION The Blind Owl describes the adventures and odd events that occurred to the narrator during his lifetime, including his marriage to the girl, as well as those who have had a relationship with him; such as the painter and the brother of the girl, as well as those who have a relationship with the girl, such as the butcher and the old man. -
Far Middle East: an Annotated Bibliography of Materials at Elementary School Level for Afghanistan,' Iran, Pakistan
DOCUMENT RESUME ED 104 732 SO 008 034 AUTHOR James, Eloise Lucille TITLE Far Middle East: An Annotated Bibliography of Materials at Elementary School Level for Afghanistan,' Iran, Pakistan. PUB DATE Aug 74 NOTE 126p. EDRS PRICE NF -$0.76 HC-$6.97 PLUS POSTAGE DESCRIPTORS *Annotated Bibliographies; Bibliographies; Cross Cultural Studies; *Cultural Awareness; Elementary Education; *Instructional Materials; Instructional Media; Interdisciplinary Approach; International Education; *Middle Eastern Studies; *Social Sciences; Social Studies IDENTIFIERS Afghanistan; Iran; Pakistan ABSTRACT This annotated bibliography presents sources of data on the culture of the plateau-region of Western Asia - -an introduction to its culture, way of life, values, customs, laws, religious beliefs, technology, social institutions, language, and creative products. Section 1 contains bibliographic listings for adult instructional team members. A bibliography of bound print items comprises section 2, including general references, trade books, and textbooks. Section 3 is a bibliography of audiovisual items including kits, films, records, slides, maps, and realia. The fourth section lists serial items such as stamps, magazines, newspapers, and National Geographic Educational Services. A bibliography of less tangible sources, such as international reference sources, handouts, and human resources is included in section 5. A section on the future concludes the document, giving a summary of attitudes and gaps to be filled in Far Middle Xastern materials. (Author/JR) U.S -
Sacramento Valley 25Th 25Th
January–February 2011 FOR THE ANIMALS . FOR YOUR HEALTH . FOR OUR PLANET . Vol. 25, No. 1 Sacramento th Valley Anniversary25 Issue! VegetarianPublished bimonthly by the SACRAMENTO VEGETARIAN SOCIETY EARTH SAV E ’S GROUNDBR E AKING PILOT PROJ E CT COMING TO TH E SACRAM E NTO FOOD BANK IN APRIL eals For Health is a groundbreaking 30-day wellness program to help families in underserved communities dramatically MARCH DAT E TBA improve their health. Participants in this program and study sponsored by the EarthSave Foundation will receive a month- long course of nutritional education proven to help people Rip Esselstyn Mlose weight, reverse heart disease and diabetes, get off medications, and author of Engine 2 Diet get their health back. at a Based on the Santa Rosa–based McDougall Health Center’s renowned program (which normally costs $4,100 per person), the Sacramento trial Meals for Health run is being offered at no cost to participants who qualify, thanks to “Pre-event” donations from the Food Bank, EarthSave members, and others. “We are entering into unchartered territory,” says EarthSave Interna- Special invitation to SVS members tional’s Executive Director Julieanna Hever. “We will be providing the See page 2 for details. participants with everything they need to succeed. This is the first time (that we know of) that a group has attempted to use plant-based nutrition 25th Anniversary Greeting via education, support, and donations to reverse disease in such a way. PILOT PROJECT , continued on p. 7 “Still truckin’ ” SVS was born around a Midtown coffee EarthSave and SVS Partnership: Then and Again table in 1986. -
"Désintérêt" Politique À Une Fascination Culturelle Mutuelle DISSERTATION
France-Iran: dans le sillage du "désintérêt" politique à une fascination culturelle mutuelle DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jaleh Sharif, MA Graduate Program in French and Italian The Ohio State University 2015 Dissertation Committee: Professor Jennifer Willging, Adviser Professor Danielle Marx-Scouras Professor Richard Davis 1 Copyright by Jaleh Sharif 2015 2 Abstract This dissertation studies the history of Francophonie in Iran since the first fructuous official interactions between France and Persia in 17th century. Francophonie, i.e., the use of the French language and culture outside of France, has followed a winding path throughout several centuries in Persia (Iran). It grew from the interest of the Persian elite in a French society that neither engaged Persia militarily, nor attempted to compete with other European powers doing so. France's apparent lack of political interest in Persia became an official French diplomatic policy of "désintéressement," or "disinterest." This "hands off" policy nourished a Persian/Iranian fascination with French culture during the 19th and 20th centuries, as France was seen as a potential ally against the growing menace of Russia and Great Britain. As a result, and despite the growing political influence of other Western powers in Persia/Iran, the French language enjoyed the privileged status of first foreign Western language in Persia/Iran for almost a century, before being replaced by the English language due to the entry of the United States onto the international stage after the Second World War. -
Dossier De Presse
www.topoly.fr 1 Sommaire p. 4 Communiqué de preSSe p. 5 organiSateurS p. 6 programme p. 8 partenaireS p. 10 filmS À l’affiChe p. 11 Calendrier p. 36 informationS pratiqueS Festival Cinema(s) d’Iran #1 du 26 juin-2 juillet 2013 Cinéma Le Nouvel Odéon / 6 rue de l’École de Médecine 75006 Paris Contact : [email protected] / [email protected] www.cinemasdiran.fr 2 3 Communiqué de preSSe organiSateurS Le bilan des huit années de présidence de mahmoud ahmadinejad en matière de création programmation cinématographique est contrasté. En effet, rarement le cinéma iranien n’aura rencontré un tel accueil à l’étranger comme l’a Bamchade pourvali montré le succès d’une Séparation d’Asghar Farhadi, Ours d’or à Berlin en 2011, César et Doctorant en cinéma, spécialiste de l’essai filmé et du cinéma iranien, intervient Oscar du meilleur film étranger en 2012, mais dans le même temps, rarement les cinéastes régulièrement dans les festivals, avant-premières et tables rondes, lorsque la thé- iraniens n’auront eu à subir une telle censure à l’intérieur du pays, les conduisant à tourner matique de l’Iran est évoquée. Il est notamment l’auteur de Chris marker (Cahiers à l’étranger comme abbas Kiarostami et asghar farhadi, à s’exiler comme mohsen du cinéma-CNDP, 2003), godard neuf zéro, les films des années 90 de Jean- makhmalbaf et Bahman ghobadi, ou encore à passer outre l’interdiction qui leur ait luc godard (Séguier-Archimbaud, 2006), Wong Kar-wai, la modernité d’un faite de réaliser des films comme Jafar panahi. -
Conclusion: Canonization and Literary Dissemination
Conclusion: Canonization and Literary Dissemination The study of world literature is significant to Persian literature and con- temporary Iranian culture for a variety of reasons. Different forms of nativism, on the one hand, and Eurocentric ideas, on the other, domi- nate critical studies, and engaging world literature is an attempt to over- come constricting ideologies, to acknowledge and rediscover the world, and to widen the scope of cultural discourses. Given the significance of translation in modern culture, world literature has been part of literary history; however, the anxiety of recognition, i.e., being recognized as a creative and competent literary tradition in the world, has also been part of modern literary concerns. This study engaged Sadegh Hedayat’s works to display how he developed a poetics of modernity and responded to his peripheral condition in world literature through diverse literary creations. Hedayat’s work has an important place in the canon of modern Per- sian literature primarily because he has been an immensely influential author. Despite the diversity of his writing, however, knowledge of his work to international—and even national—readers is scant and limited to The Blind Owl. To redress this partial understanding, his short and long fiction, textual strategies, including use of humor as a critical dis- course, and views on translation, adaptation, and folklore were reviewed in separate chapters to highlight the underestimated thematic aspects of his works and the complexity of his formal designs, reflecting on how © The Editor(s) (if applicable) and The Author(s), under exclusive 185 license to Springer Nature Singapore Pte Ltd. -
Remembering Sri Sarada Devi's Disciple
Copyright 2010 by Esther Warkov All rights reserved First printed in 2010 Cover Design by Gregory Fields No portion of this book or accompanying DVD may be reproduced anywhere (including the internet) or used in any form, or by any means (written, electronic, mechanical, or other means now known or hereafter invented including photocopying, duplicating, and recording) without prior written permission from the author/publisher. Exceptions are made for brief excerpts used in published reviews. Photographs on the accompanying disc may be printed for home use only. The song appearing on the accompanying disc may be duplicated and used for non-commercial purposes only. ISBN 978-0-578-04660-0 To order copies of this publication please visit Compendium Publications www.compendiumpublications.com or contact the author at [email protected] (Seattle, WA, USA) Table of Contents Introduction and Acknowledgements v About the Contributors ix Remembrances from Monastic Devotees Swami Yogeshananda 3 Swami Damodarananda “Swami Aseshanandaji: Humble and Inspiring‖ 8 Swami Manishananda “Reminiscences of Swami Aseshananda‖ 11 Pravrajika Gayatriprana 15 Pravrajika Brahmaprana “Reminiscences of Swami Aseshananda‖ 25 Swami Harananda 33 Pravrajika Sevaprana 41 Swami Tathagatananda ―Reminiscences of Revered Swami Aseshanandaji‖ 43 Swami Brahmarupananda “Swami Aseshananda As I Saw Him‖ 48 Anonymous Pravrajika 50 Vimukta Chaitanya 51 Six Portraits of Swami Aseshananda Michael Morrow (Vijnana) 55 Eric Foster 60 Anonymous ―Initiation Accounts‖ 69 Alex S. Johnson ―The Influence and Example of a Great Soul‖ 72 Ralph Stuart 74 Jon Monday (Dharmadas) ―A Visit with a Swami in America‖ 88 The Early Years: 1955-1969 Vera Edwards 95 Marina Sanderson 104 Robert Collins, Ed. -
467884 364.Pdf
فيلم��ي ك��ه نش��ان مي دهيد اگ��ر فيلم س��ازنده اي باش��د، در سراس��ر كش��ور س��ازندگي دارد و اگ��ر ي��ك فيلم خداي نخواس��ته انحرافي باشد در سراسر كشور تاثيرگذار است. حضرت امام خميني)ره( بنيانگذار جمهوري اسﻻمي ايران امروز كليد پيش��رفت اين كشور، به ميزان زيادي دست شماست؛ شما مي توانيد اين نس��ل را يك نس��ل پيش رونده، اميدوار، پرش��وق، معتق��د ب��ه خ��ود و معتقد به ارزش هاي اسﻻمي و ملي خود بار بياوريد. حضرت آيت اهلل خامنه اي رهبر معظم انقﻻب اسﻻمي ايران کتاب سی و سومین جشنواره بینالمللی فیلم فجر مدیر مسئول: علیرضا رضاداد سردبیر: مسعود نجفی مدیر اجرایی: مهدی متناصری تحریریه: مهرناز رازقی، نفیسه تبریزی، مهران رازقی، سعید اسماعیل افجه و سهیل صﻻحی زاده مترجم: سمیه قاضی زاده ویراستار: احمد تبریزی حروف نگار: زهرا متناصری مدیر هنری: طاها ذاکر )استودیو تهران( عکاس: حسن هندی و امیر خلوصی با همکاری امید معینی، یاسمن ظهورطلب، علی قلندریان و سهیل صﻻحی زاده طراحان گرافیک: فریده براتی، محمدی، شقایق شیرزاد، زهرا روشن قیاس پردازش تصاویر: مهرناز انصاری چاپ: پیمان نو اندیش با سپاس از همراهی استاد عزت اله انتظامی، محمود کﻻری، جمال امید، سیداحد میکاییل زاده، ناصر باکیده، محسن شمس، احد صادقی، شیرین رحیمی، الهه گلچهره رحیمی، احسان ظلی پور، ایمان رحیم پور، درنا مدنی، حمید عدیلی پور، کوروش پیرو، محسن بابایی، منصور جهانی، میﻻد بهشتی، علیرضا بهرامی، شیما غفاری، ندا آل طیب، طاها افخمی، پیمان اسکندری، محمد نیکبخت، مازیار تهرانی، پانته آ غیاثی، ژیﻻ شریف، علی شیرازی، زهرا مصفا، علی حیدری، محمد تهرانی ۱۷ فیلم افتتاحیه ۲۱ سودای سیمرغ )مسابقه سینمای ایران( ۸۷ نگاه نو )مسابقه فیلم های اول( ۱۱9 هنر و تجربه ۱۴۷ سینمای حقیقت )مسابقه آثار بلند مستند( ۱۷۷ مسابقه تبلیغات و اطﻻع -
March 2017.P65
HYDERABAD FILM CLUB NEWS LETTER MARCH 2017 Editor : Bh.S.S. Prakash Reddy Vol.XXXI Issue : 1 Rs. 2 THE SALESMAN UNDER THE OLIVE TREES HUSH! GIRLS DON’T SCREAM BELOVED SKY Kiragoorina Gayyaligalu (Kannada) THE HIDDEN HALF RNI No. 44862/86 Registered as a News Paper With best wishes Office : Flat No. 102, Padmavathi Towers, H.No. : 12-13-263, St. No. 19, Tarnaka, Secunderabad - 500 017. Telangana PROGRAMME At Sri Sarathi Studios A.C. Preview Theatre, Ameerpet 08-03-2017 6.30 p.m. : On the occasion of International Women’s Day screening Kannada film ”KIRAGOORINA GAYYALIGALU” (Rowdy Women of Kiragoor) directed by Ms. Suman Kittur A SESSION OF IRANIAN FILMS 24-03-2017 6.30 p.m. : THE SALESMAN Friday (Iran/2016/Color/125 mins.) 25-03-2017 5.30 p.m. : UNDER THE OLIVE TREES Saturday (Iran/1995/Color/90 mins.) 7.15 p.m. : HUSH! GIRLS DON’T SCREAM (Iran/2013/Color/104 mins.) 26-03-2017 5.30 p.m. : BELOVED SKY Sunday (Iran/2011/Color/85 mins.) 7.15 p.m. THE HIDDEN HALF (Iran/2001/Color/104 mins.) For latest information visit our website www.hyderabadfilmclub.org Synopses THE SALESMAN (Iran/2016/Color/125 mins.) Directed by : Asghar Farhadi Story by : Asghar Farhadi Camera by : Hossein Jafarian Music by : Sattar Oraki Cast : Shahab Hosseini, Taraneh Alidoosti The Salesman is a 2016 Iranian drama film directed and written by Asghar Farhadi Forced to leave their collapsing house, Ranaa and Emad, an Iranian couple who happen to be performers rehearsing for Arthur Miller’s “Death of a Salesman” rent a new apartment The film premiered in competition in the 2016 from one of their fellow performers.