DOCSLIB.ORG

Fajr Film Festival Poster Featuring Proprietor: Mahan Air Co

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fajr Film Festival Poster Featuring Proprietor: Mahan Air Co مجله داخل پروازی هواپیمایی ماهان | صفحه 50 هنری- ورزشی فجر Mahan Inflight Magazine Fajr Proprietor: Mahan Air Co. Fajr Film Festival Poster Featuring Editor-in-Chief: Seyed Mojtaba Binazir Central Office: 4th Floor, Mahan Air Tower, Azadegan St., Karaj High- way, Tehran,Iran Ali Hatami P.O.Box: 14515411 Tel: 021-48381752 The poster of the 35th Fajr Film Festival 'Kamal-ol-Molk' (1983), 'Jafar Khan Returns Advertisement: featuring the late Iranian director Ali Hatami from Abroad' (1987), 'Mother' (1989), 'The Agency: Eama Naghshineh was unveiled in a ceremony on January 22 Devoted' (1991), and 'Takhti, the World Tel: (+9821) 24843 which was attended by the late director's Champion' (1994-1996) which he did not Fax: (+9821) 22024022 family and a number of prominent artists. Cellphone: 09121129144 complete. Email: [email protected] This year is the second year the poster of Hatami also directed the memorable series Iran's leading film event is featuring the 'Hezar Dastan' (1979-1987). image of a prominent cineaste. His daughter Leila is an eminent Iranian As an innovative approach, the poster for actress who married a famous Iranian actor the 34th edition of festival bore an image of Ali Mosaffa. celebrated Iranian stage and screen actor Hatami passed away after a long period of Khosro Shakibai (1944-2008). illness while he was directing 'Takhti, the Leila Hatami (Ali Hatami's daughter), Zahra World Champion'. Hatami (Ali Hatami's wife), Ali Mosaffa, Mohammad Ali Keshavaz, Pouran Fajr Festivals are held annually in Derakhshandeh and Mohammadreza coincidence with the anniversary of 1979 Sharifinia were among the guests. Islamic Revolution from February 1-11. Ali Hatami was born in 1944 in Tehran and Established in 1982, Fajr Film Festival his love of playwriting took him to the celebrates cultural exchange, displays theaters on Lalehzar Street where he creative achievements of highly acclaimed developed an interest in directing plays cineastes and pays tribute to local and with folkloric and Iranian themes. international films. His first play 'Deev' (Demon) went on stage Since its establishment, Fajr Film Festival in 1965. has played a vital role in the development He has made a number of movies, including of the Iranian cinema. | صفحه 51 هنری- ورزشی | صفحه 50 هنری- ورزشی Fajr Film Festival Poster Featuring Ali Hatami The poster of the 35th Fajr Film Festival 'Kamal-ol-Molk' (1983), 'Jafar Khan Returns featuring the late Iranian director Ali Hatami from Abroad' (1987), 'Mother' (1989), 'The was unveiled in a ceremony on January 22 Devoted' (1991), and 'Takhti, the World which was attended by the late director's Champion' (1994-1996) which he did not family and a number of prominent artists. complete. This year is the second year the poster of Hatami also directed the memorable series Iran's leading film event is featuring the 'Hezar Dastan' (1979-1987). image of a prominent cineaste. His daughter Leila is an eminent Iranian As an innovative approach, the poster for actress who married a famous Iranian actor the 34th edition of festival bore an image of Ali Mosaffa. celebrated Iranian stage and screen actor Hatami passed away after a long period of Khosro Shakibai (1944-2008). illness while he was directing 'Takhti, the Leila Hatami (Ali Hatami's daughter), Zahra World Champion'. Hatami (Ali Hatami's wife), Ali Mosaffa, Mohammad Ali Keshavaz, Pouran Fajr Festivals are held annually in Derakhshandeh and Mohammadreza coincidence with the anniversary of 1979 Sharifinia were among the guests. Islamic Revolution from February 1-11. Ali Hatami was born in 1944 in Tehran and Established in 1982, Fajr Film Festival his love of playwriting took him to the celebrates cultural exchange, displays theaters on Lalehzar Street where he creative achievements of highly acclaimed developed an interest in directing plays cineastes and pays tribute to local and with folkloric and Iranian themes. international films. His first play 'Deev' (Demon) went on stage Since its establishment, Fajr Film Festival in 1965. has played a vital role in the development He has made a number of movies, including of the Iranian cinema. 35th Fajr Film Festival to honor Mohammad Kasebi The 35th Fajr Film Festival is set to 1) until the victory day of the Islamic 11 docs to compete in commemorate prominent Iranian actor Revolution (February 11) in 1979. Mohammad Kasebi. Established in 1982, Fajr Film Festival is an Screenwriter Farhad Tohidi and event that celebrates cultural exchange, Fajr festival cinematographer Toraj Mansouri will be also displays creative achievements of highly A lineup of 11 films for the documentary section was honored during the prestigious cinematic acclaimed cineastes and pays tribute to announced by 35th Fajr Festival. event. domestic and foreign films. “Zero to Platform” by Sahar Mosayyebi Born in 1951 in the Iranian capital city of Since its establishment, Fajr International “Light Blue” by Arash Lahuti Tehran, Mohammad Kasebi graduated in Film Festival has played a vital role in the “Avantage” by Mohammad Kart Cinema Acting and Directing from the development of the Iranian Cinema. “The Prime Minister” by Seyyed Mohammadreza Faculty of Dramatic Arts at Tehran University. Supervised by Iran’s Ministry of Culture, the Hashemian He began his career with stage acting at the festival hosts veteran directors and new “Fight Feast” by Seyyed Vahid Hosseini age of 13 years old. filmmakers from Iran and across the world “Vanished” by Farahnaz Sharifi In 1991, he was nominated for the Fajr every year. “Super Marathon” by Saeid Keshavarz International Film Festival’s Crystal Simorgh “Entail” by Mohammad-Ali Shabani Best Male Actor award for his role in 'Badook' “The Perpetrator of the Station 20” by Hesam Eslami (1991). “Slowness” by Yasser Khayyer Four years later, he received a Crystal “Kuwayres, the Little Syria” by Saeid Sadeqi Simorgh and Malaysia’s East Asia Film and Television Festival Best Actor Award for his role in 'Father' (1995). Kasebi is the founder of the Play Department of National Radio, the founder of the Ministry of Culture and Islamic Guidance’s Center for Performance Arts, and the authority in charge of managing the Play Division and Township Affairs of the Artistic Center. He has some directing experience in 1987 and 1989 as well. Fajr Festival is annually held in Iran during the Fajr Decade (literally meaning ten days of dawn) which marks the anniversary of the ten days from the return of Imam Khomeini, founder of the Islamic Republic, to Iran (February 35th Fajr Film Festival to honor Mohammad Kasebi The 35th Fajr Film Festival is set to 1) until the victory day of the Islamic 11 docs to compete in commemorate prominent Iranian actor Revolution (February 11) in 1979. Mohammad Kasebi. Established in 1982, Fajr Film Festival is an Screenwriter Farhad Tohidi and event that celebrates cultural exchange, Fajr festival cinematographer Toraj Mansouri will be also displays creative achievements of highly A lineup of 11 films for the documentary section was honored during the prestigious cinematic acclaimed cineastes and pays tribute to announced by 35th Fajr Festival. event. domestic and foreign films. “Zero to Platform” by Sahar Mosayyebi Born in 1951 in the Iranian capital city of Since its establishment, Fajr International “Light Blue” by Arash Lahuti Tehran, Mohammad Kasebi graduated in Film Festival has played a vital role in the “Avantage” by Mohammad Kart Cinema Acting and Directing from the development of the Iranian Cinema. “The Prime Minister” by Seyyed Mohammadreza Faculty of Dramatic Arts at Tehran University. Supervised by Iran’s Ministry of Culture, the Hashemian He began his career with stage acting at the festival hosts veteran directors and new “Fight Feast” by Seyyed Vahid Hosseini age of 13 years old. filmmakers from Iran and across the world “Vanished” by Farahnaz Sharifi In 1991, he was nominated for the Fajr every year. “Super Marathon” by Saeid Keshavarz International Film Festival’s Crystal Simorgh “Entail” by Mohammad-Ali Shabani Best Male Actor award for his role in 'Badook' “The Perpetrator of the Station 20” by Hesam Eslami (1991). “Slowness” by Yasser Khayyer Four years later, he received a Crystal “Kuwayres, the Little Syria” by Saeid Sadeqi Simorgh and Malaysia’s East Asia Film and Television Festival Best Actor Award for his role in 'Father' (1995). Kasebi is the founder of the Play Department of National Radio, the founder of the Ministry of Culture and Islamic Guidance’s Center for Performance Arts, and the authority in charge of managing the Play Division and Township Affairs of the Artistic Center. He has some directing experience in 1987 and 1989 as well. Fajr Festival is annually held in Iran during the Fajr Decade (literally meaning ten days of dawn) which marks the anniversary of the ten days from the return of Imam Khomeini, founder of the Islamic Republic, to Iran (February most prolific actress at 35th Fajr Festival Shaqayeq Farahani and Parinaz Izadyar have been named “the most prolific Iranian actresses” at the competitive section of 2017 Fajr Film Festival in Iran. Out of 33 films selected in the main section of Fajr Film Festival, Farahani and Izadyar from two different generations of actresses in Iran Cinema have appeared in three movies each on the list. This is while more than 8 Iranian actresses such as Hedieh Tehrani and Pegah Ahangarani have appeared in two movies from the list of chosen movies for Sodaye Simorgh section of the event. The 33 cinematic works on the list were curated for the competitive 'Sodaye Simorgh' section. The Crystal Simorgh or Crystal Phoenix is an award by Fajr Film Festival. Fajr Film Festival is Iran's major film event, held annually in February. most prolific actress at 35th Fajr Festival Shaqayeq Farahani and Parinaz Izadyar have been named “the most prolific Iranian actresses” at the competitive section of 2017 Fajr Film Festival in Iran.
Load more

Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
    WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P.
    [Show full text]
  • La Discapacidad Visual En El Cine Iraní
    UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN TESIS DOCTORAL La discapacidad visual en el cine iraní MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Zahra Razi Directora Isabel Martín Sánchez . Madrid Ed. electrónica 2019 © Zahra Razi, 2019 UNIVERSIDAD COMPLUTENSE DE MADRID Facultad de Ciencias de la Información Departamento de Periodismo y Comunicación global TESIS DOCTORAL La discapacidad visual en el cine iraní MEMORIA PARA OPTAR AL GRADO DE DOCTOR Autora: Zahra Razi Directora: Dra. Isabel Martín Sánchez Madrid, 2018 I Agradecimientos En primer lugar quiero agradecer de manera destacada a mi directora, Dra. Isabel Martín Sánchez, la confianza que ha mostrado en esta investigación desde el principio, el apoyo constante durante el desarrollo de la tesis y el intenso trabajo en los últimos meses para concluir este trabajo de investigación. Le agradezco la confianza, apoyo y dedicación de tiempo a mis profesores: Dra. María Antonia Paz, Dr. Francisco García García, Dr. Bernardino Herrera León, Dr. Joaquín Aguirre Romero, Dr. Vicente Baca Lagos y Dr. Emilio Carlos García por haber compartido conmigo sus conocimientos y sobre todo su amistad. Además, quiero agradecer a la Universidad Complutense de Madrid, la posibilidad que me ofreció de realizar, entre 2012 y 2014, el Máster en Comunicación Social, cuyo trabajo final es el embrión de esta tesis doctoral en 2018, que me abrió la puerta a una realidad social, hasta entonces conocida pero no explorada, como es el mundo de la discapacidad visual en el cine iraní. A Ana Crespo, por ser parte de mi vida académica, gracias por su apoyo, comprensión y sobre todo amistad y dedicación de tiempo.
    [Show full text]
  • A Representação Da Violência Contra O Idoso No Cinema.Docx.Docx
    167 A violência contra os idosos nos filmes The violence against the elderly in films Lucy Gomes Vianna Hugo Henrique Alves Ferreira Josiane Aparecida Duarte Bruna Miclos de Oliveira Cristina S. Cunha Norma D’Albuquerque Augusto Armando José China Bezerra RESUMO: Com o envelhecimento populacional, há necessidade do debate sobre a violência contra a pessoa idosa, com o intuito de esclarecer e conscientizar a população sobre o tema. A utilização de filmes é recurso pedagógico eficaz, contribuindo para a reflexão e o entendimento dessa situação. Objetiva este estudo coletar e analisar imagens em produções cinematográficas que expressem as diferentes formas de violência contra o indivíduo idoso. Como material e método, foi feita análise da filmografia nacional e internacional, identificando cenas em filmes comerciais que retratem a violência contra o idoso. Foram pesquisados alguns sites mais representativos e elencados os filmes que apresentam cenas mostrando diferentes formas de violência contra a pessoa idosa. Como resultados, listaram-se 58 filmes com cenas retratando violência contra os idosos, em suas diferentes formas, sendo: 24 (41%) violência física; 18 (31%) violência psicológica; 14 (24%) violência social; 10 (17%) autonegligência; 10 (17%) abuso econômico; 6 (10%) abandono; 3 (5%) violência sexual; e 3 (5%) negligência. Como conclusão, pode-se afirmar que, utilizando-se da imagética cinematográfica, é possível difundir a problemática e ampliar as instâncias para denúncias de maus-tratos contra os idosos, buscando-se enfocar a cidadania das pessoas idosas, tanto na garantia de seus direitos, como na participação e ressignificação do contexto e das imagens do envelhecimento. Palavras-chave: Idoso; Violência; Filmes. Vianna, L.G., Ferreira, H.H.A., Duarte, J.A., Oliveira, B.M.de, Cunha, C.S., Augusto, N.D’A., & Bezerra, A.J.C.
    [Show full text]
  • Center for Engaged Learning & Teaching Ethics & International Film
    Center for Engaged Learning & Teaching Faculty Development/Cross-Divisional Teaching Materials Ethics & International Film across the Curriculum Julie Levinson, Virginia Newhall Rademacher - Arts & Humanities Film Title: A Separation Country: Iran Director: Asghar Farhadi Year: 2011 Principal Characters: Simin (Leila Hatami), Nader (Peyman Moaadi), Termeh (Sarina Farhadi), Hojjat (Shahab Hosseini), Razieh (Sareh Bayat), Nader’s father (Ali Asghar Shahbazi) Summary: A married couple is faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease. As they interact with other Iranians and with state institutions, their personal situation becomes increasingly complicated and their marriage becomes strained to the breaking point. Beyond being compelling story about individual lives, A Separation is a rich and resonant contemplation of personal ethics and social power. Discussion Questions How do personal problems intersect with social institutions? How do civil law, religious law, and individual conscience collide in the film? How is social class presented in the film? What tensions are revealed between those of different classes and education levels? How is power vested in individuals and institutions? To what extent do these characters have power to decide their own fate? In what ways is their power to determine their lives limited by state power? How is the philosophical distinction between individual free will and social determinism conveyed? The film is full of delicate negotiations between individuals. Life seems to be a serial transaction. Cite some of the points of negotiation. How are these worked out (or not)? Is it possible to be fair to everyone in these negotiations? With whom do our dramatic sympathies lie? Does this shift during the film? This teaching note was prepared by Professor Julie Levinson and Assistant Professor Virginia Newhall Rademacher, both in the Arts and Humanities division at Babson College.
    [Show full text]
  • Progfest2011.Pdf
    O Americano, de Mathieu Demy Inquietos, TEM O PRAZER DE APRESENTAR de Gus Van Sant O Porto, de Aki Kaurismäki Contágio, GRANDE GALA DE ABERTURA de Steven Soderbergh A PELE QUE HABITO Suspiria, DE PEDRO ALMODOVAR de Dario Argento 6 DE OUTUBRO Terraferma, de Emanuele Crialese Paz, amor e muito mais, de Bruce Beresford GRANDE GALA DE ENCERRAMENTO RAUL - O INÍCIO, O FIM E O MEIO Sacríficio, DE WALTER CARVALHO de Chen Kaige Les Bien-Aimes, 17 DE OUTUBRO de Christophe Honoré 6 a 18 de outubro www.festivaldorio.com.br O Rio de Janeiro é a cidade brasileira mais conhecida E o circuito do Festival do Rio aumenta a cada ano, le- internacionalmente. vando a festa do cinema para outras regiões da cidade. “ O Mundo no Complexo do Alemão” vai levar – pela Não à toa, é também o destino eleito como paradisíaco primeira vez – ao Cine Carioca, dentro da UPP do Ale- por personagens em dezenas de filmes. Entre 2010 e mão, a festa de filmes do Festival do Rio, com filmes de 2011, a cidade foi o cenário de quase 100 produções vários países. Da mesma forma, o Cine Tela, projeto de estrangeiras, além de muitas outras nacionais, que não tenda de cinema, será montada em Realengo, aberta ao só valorizam nossas belezas naturais como também público que verá produções internacionais e nacionais. nossa cultura. Estes novos projetos se juntam ao já tradicional Cinema O Festival do Rio continua a honrar a cada edição o perfil Livre, que ocupa praças e locais em diversas comunida- de cidade cinematográfica, trazendo anualmente o que des com projeções públicas gratuitas.
    [Show full text]
  • Download Download
    Karlovy Vary 2012 By Gönül Dönmez-Colin Fall 2012 Issue of KINEMA 47th KARLOVY VARY FILM FESTIVAL Over 200 films, including 34 shorts and 56 documentaries, with 23 world premieres and more than120,000 tickets sold. Karlovy Vary International Film Festival celebrated its 47th year with triumph this summer despite budget cuts that have also been menacing many other film festivals. The Grand Jury, headed by Richard Peña, programme director of New York Film Festival, and including Montreal’s well-known actor François Papineau, judged a dozen films over eight days (June 29 - July 7, 2012). In the Official Competition, Pele akher (The Last Step) by Ali Mosaffa from Iran, focused on a somewhat confused young wife-widow played by Leila Hatami, well-known for her role as an irritable housewife in Asghar Farhadi’s Oscar winner, A Separation. The Last Step however lacked the well-written script of A Separation and also suffered from Hatami’s being cast in a similar role as in her earlier film, Thefeature, a loose adaptation inspired by Tolstoy’s novella The Death of Ivan Ilyich (1886) and James Joyce’s story The Dead (1914) was more like a pastiche of several Iranian films that preceded it. French Canadian Rafaël Ouellet’s Camion about a truck-driver whose life changes drastically following a traffic accident that leaves an unknown woman dead captivated the audience with its remarkable cinematography and sound narrative that succeeded in avoiding melodrama despite its subject matter. Deine Schönheit ist nichts wert (Your Beauty is Worth Nothing) by Hüseyin Tabak, an Austrian entry whose ’filmic’ identity became controversial in Turkey after having won several awards, including the best Turkish film at Antalya Golden Orange Film Festival’s national competition, focused on a twelve-year oldboyfrom Turkey and his alienation as an immigrant in Vienna.
    [Show full text]
  • Women Musicians and Dancers in Post-Revolution Iran
    Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran.
    [Show full text]
  • Estate Al Cinema - L’Arena Dei Festival
    Comune di Venezia Assessorato alle Attività Culturali Circuito Cinema Comunale Estate al cinema - L’arena dei festival Venezia dal 25 luglio al 29 agosto 2012 Arena di Campo San Polo Giorgione Movie d’essai Multisala Astra Calendario delle proiezioni Data Giorgione A Giorgione B Astra 1 Astra 2 San Polo data 25/7 Ore 21.30 Serata inaugurale 25 Io sono Li di Andrea Segre con Zhao Tao, Rade Sherbedgia, 96’ David di Donatello a Zhao Tao 26 RIPOSO RIPOSO Ore 19.50/22 Ore 19.30/21.45 Ore 21.30 26 Dark Shadows Benvenuti al Nord Quasi amici di Tim Burton di Luca Miniero di Olivier Nakache, Éric Toledano con Johnny Depp, Michelle con Claudio Bisio, Alessandro con François Cluzet, Omar Sy, 112’ Pfeiffer, 113’ Siani, 112’ David di Donatello 2012 – Miglior film dell’Unione Europea 27 Ore 19.45/21.45 Ore 19.30/21.30 Ore 19.50/22 Ore 19.30/21.45 Ore 21.30 (english language/ italian subtitles) 27 Cesare deve morire Cosa piove dal cielo? Dark Shadows Benvenuti al Nord Midnight in Paris di Paolo e Vittorio Taviani con di Sebastián Borensztein di Tim Burton di Luca Miniero di Woody Allen Cosimo Rega, Salvatore Striano, con Ricardo Darín, Ignacio con Johnny Depp, Michelle con Claudio Bisio, Alessandro con Owen Wilson, Rachel McAdams, 98’, v.o. 76’ Huang, 93’ Pfeiffer, 113’ Siani, 112’ sott. it. Oscar 2012 - Miglior sceneggiatura originale 28 Ore 17.45/19.45/21.45 Ore 17.30/19.30/21.30 Ore 17.40/19.50/22 Ore 17/19.20/21.40 Ore 21.30 Cesare deve morire Cosa piove dal cielo? Quasi amici Hugo Cabret Dark Shadows di Paolo e Vittorio Taviani di Sebastián Borensztein
    [Show full text]
  • "Désintérêt" Politique À Une Fascination Culturelle Mutuelle DISSERTATION
    France-Iran: dans le sillage du "désintérêt" politique à une fascination culturelle mutuelle DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jaleh Sharif, MA Graduate Program in French and Italian The Ohio State University 2015 Dissertation Committee: Professor Jennifer Willging, Adviser Professor Danielle Marx-Scouras Professor Richard Davis 1 Copyright by Jaleh Sharif 2015 2 Abstract This dissertation studies the history of Francophonie in Iran since the first fructuous official interactions between France and Persia in 17th century. Francophonie, i.e., the use of the French language and culture outside of France, has followed a winding path throughout several centuries in Persia (Iran). It grew from the interest of the Persian elite in a French society that neither engaged Persia militarily, nor attempted to compete with other European powers doing so. France's apparent lack of political interest in Persia became an official French diplomatic policy of "désintéressement," or "disinterest." This "hands off" policy nourished a Persian/Iranian fascination with French culture during the 19th and 20th centuries, as France was seen as a potential ally against the growing menace of Russia and Great Britain. As a result, and despite the growing political influence of other Western powers in Persia/Iran, the French language enjoyed the privileged status of first foreign Western language in Persia/Iran for almost a century, before being replaced by the English language due to the entry of the United States onto the international stage after the Second World War.
    [Show full text]
  • International Section of Fajr Filmfest Set for April, May 2015 the International Section of the Fajr Film Festival Be Screened on the Sidelines of the Festival
    صفحه 42 | فجر International section of Fajr Filmfest set for April, May 2015 The international section of the Fajr Film Festival be screened on the sidelines of the festival. has been set for April and May 2015 following the The deadline for submissions is February 20. organizers’ decision in September to hold the event This was first time the international competition separately from the national section. section will be held independently from the national Hence, the 33rd Fajr International Film Festival, section and at a different time. Iran’s most important event on the motion picture The organizers decided in September to split the industry, will be held in Tehran from April 25 to May international section from the Fajr Film Festival. 2, 2015. “Despite all the efforts to organize the The international section includes two categories international section, the attractions of the national of the Islamic and Asian Countries’ Cinema (Eastern section and its various subjects overshadowed the Panorama), and World Cinema (Salvation). potential of the international section,” the secretary A number of short films and documentaries will of the festival, Alireza Rezadad, said at that time. Veteran Iranian actor Mohammad-Ali Keshavarz and the cinematographer Hossein Jafarian were honored during the 33rd Fajr Film Festival. The festival honored two veteran artists for their achievements in Iranian cinema industry. Jafarian worked as the director of photography for the acclaimed films “About Elly” by Asghar Farhadi, “Gold and Copper” by Homayun Asadian, and “Che” by Ebrahim Hatamikia. Mohammad-Ali Keshavarz, 84, has played several memorable roles in Iranian cinema. Among his credits are “Mother” and “Love- Stricken” by Ali Hatami.
    [Show full text]
  • Dossier De Presse
    www.topoly.fr 1 Sommaire p. 4 Communiqué de preSSe p. 5 organiSateurS p. 6 programme p. 8 partenaireS p. 10 filmS À l’affiChe p. 11 Calendrier p. 36 informationS pratiqueS Festival Cinema(s) d’Iran #1 du 26 juin-2 juillet 2013 Cinéma Le Nouvel Odéon / 6 rue de l’École de Médecine 75006 Paris Contact : [email protected] / [email protected] www.cinemasdiran.fr 2 3 Communiqué de preSSe organiSateurS Le bilan des huit années de présidence de mahmoud ahmadinejad en matière de création programmation cinématographique est contrasté. En effet, rarement le cinéma iranien n’aura rencontré un tel accueil à l’étranger comme l’a Bamchade pourvali montré le succès d’une Séparation d’Asghar Farhadi, Ours d’or à Berlin en 2011, César et Doctorant en cinéma, spécialiste de l’essai filmé et du cinéma iranien, intervient Oscar du meilleur film étranger en 2012, mais dans le même temps, rarement les cinéastes régulièrement dans les festivals, avant-premières et tables rondes, lorsque la thé- iraniens n’auront eu à subir une telle censure à l’intérieur du pays, les conduisant à tourner matique de l’Iran est évoquée. Il est notamment l’auteur de Chris marker (Cahiers à l’étranger comme abbas Kiarostami et asghar farhadi, à s’exiler comme mohsen du cinéma-CNDP, 2003), godard neuf zéro, les films des années 90 de Jean- makhmalbaf et Bahman ghobadi, ou encore à passer outre l’interdiction qui leur ait luc godard (Séguier-Archimbaud, 2006), Wong Kar-wai, la modernité d’un faite de réaliser des films comme Jafar panahi.
    [Show full text]