FOREIGN TRADE DIRECTORY AICHI JAPAN 2020 (Trading Company)
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Analysis on Chinese Traditional Cultural Elements in Modern Logo Design
International Conference on Arts, Design and Contemporary Education (ICADCE 2015) Analysis on Chinese Traditional Cultural Elements in Modern Logo Design Xiaowei Zhang Yantai Nanshan University Longkou, Shandong, China e-mail: [email protected] Abstract—A logo is a symbolic communication mark which designers rely excessively on and overuse the traditional employs simple and concise images for the expression of specific culture, the field of logo design is isolated and sluggish. It is connotation and the dissemination of specific information. Logo the basic criteria of modern logo design to introduce new design is widely used for company’s image advertising. Modern concepts and new methods, to follow the artistic rules of logo logo design is commonly inspired by Chinese traditional cultural design, to appropriately add Chinese traditional cultural elements and it incorporates them perfectly into the design elements, to seek creative tools and techniques of artistic subject to create designs with the charm of Chinese traditional expression of logo design in order to represent the overall culture. Modern logo design is critical both for the application of aesthetic feeling of modern logo design and to obtain the best traditional cultural elements and the dynamic integration of visual effect. traditional and modern design philosophies, so it is one of the important fields of research and investigation for modern logo The systematic research has clearly indicated that designers to have a correct understanding of the relationship enterprise’s core ideology, national cultural deposits and spirit between Chinese traditional cultural elements and modern logo of the time are mostly conveyed through the beauty in form of design so as to promote the extensive and in-depth application well-known logo design, so it has realistic significance for and transmission of Chinese traditional cultural elements in reference to gain inspiration from traditional culture and modern logo design. -
Memoirs Faculty of Engineering
ISSN 0078－6659 MEMOIRS OF THE FACULTY OF ENG THE FACULTY MEMOIRS OF MEMOIRS OF THE FACULTY OF ENGINEERING OSAKA CITY UNIVERSITY INEERING OSAKA CITY UNIVERSITY VOL. 60 DECEMBER 2019 VOL. 60. 2019 PUBLISHED BY THE GRADUATE SCHOOL OF ENGINEERING OSAKA CITY UNIVERSITY 1911-0402大阪市立大学 工学部 工学部英文紀要VOL.60（2019） 1-4 見本 スミ 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 This series of Memoirs is issued annually. Selected original works of the members 㻌 of the Faculty of Engineering are compiled in the first part of the volume. Abstracts of 㻌 㻌 papers presented elsewhere during the current year are compiled in the second part. List 㻌 of conference presentations delivered during the same period is appended in the last part. 㻌 All communications with respect to Memoirs should be addressed to: 㻌 Dean of the Graduate School of Engineering 㻌 Osaka City University 㻌 3-3-138, Sugimoto, Sumiyoshi-ku 㻌 Osaka 558-8585, Japan 㻌 㻌 Editors 㻌 㻌 㻌 Akira TERAI Hayato NAKATANI This is the final print issue of “Memoirs of the Faculty of Engineering, Osaka City Masafumi MURAJI University.” This series of Memoirs has been published for the last decade in print edition as Daisuke MIYAZAKI well as in electronic edition. From the next issue, the Memoirs will be published only Hideki AZUMA electronically. The forthcoming issues will be available at the internet address: Tetsu TOKUONO https://www.eng.osaka-cu.ac.jp/en/about/publication.html. The past and present editors take Toru ENDO this opportunity to express gratitude to the subscribers for all their support and hope them to keep interested in the Memoirs. -
Japan Coal Phase-Out: the Path to Phase-Out by 2030 Summary: Japan Should Completely Phase out Coal by 2030
Japan Coal Phase-Out: The Path to Phase-Out by 2030 Summary: Japan should completely phase out coal by 2030. █ Coal-fired power generation emits more carbon dioxide (CO2) than any other method of generating electricity. In order to achieve net zero emissions of greenhouse gases (GHGs) as called for under the Paris Agreement, it is crucial to quickly decarbonize our energy sources. According to several research reports, that means we need to completely phase Japan Coal Phase-Out: out coal power plants, which obviously means halting new coal plant construction and also strategically retiring existing plants. For coal-fired power generation in Japan, the country must cancel all current planning for new construction, and also retire all existing coal The Path to Phase-Out by 2030 power plants by 2030 █ There were 117 units at existing coal power plants in Japan as of April 2018, based on Japan Coal Phase-Out: The Path to Phase-Out by 2030 Japan Coal Phase-Out: government statistics and publicly available information, and this number includes many older and inefficient plants that have been operating over 40 years. Contents █ The Japan 2030 Coal Phase-Out Plan presents a schedule to gradually retire all 117 units Summary ------------------------------------------------------------------------------p3 at existing coal power plants in Japan by 2030, starting with the oldest operating and least Main Report efficient plants. This plan is entirely achievable without threatening the electrical power 1. Status of Coal Power Generation in Japan ------------------------------p4 supply and without relying on nuclear power, if we take into account for the available (1) Coal power generation rose steadily since 1980 capacity of LNG and other power generation options, as well as the spread of renewable (2) Deluge of coal plant construction plans after TEPCO's energy and improvements in energy efficiency. -
Framework Knitting and the Hosiery Trade
BELPER TOWN CENTRE FRAMEWORK KNITTING AND THE HOSIERY TRADE DERWENT VALLEY VISITOR CENTRE The partnership between Brettle and Ward was dissolved and George Brettles built his own factory Framework Knitting in 1834. These two firms were of considerable size. They made silk stockings for George III, George IV and Queen Victoria. and the Ward’s ceased trading in the 1930’s and Brettles in 1987. Many smaller hosiery firms provided work for local people and these were scattered around the Hosiery trade town. All these factories have closed except for Aristoc which now operates across the road in the West Mill. Circular knitting slowly superseded flatbed knitting, as it was more efficient. Today all hosiery is made this way. For more information visit Strutt’s North Mill, The Derwent Valley Visitor Centre Bridgefoot, Belper, Derbyshire, DE56 1YD Tel: 01773 880474 / 0845 5214347 BELPER NORTH MILL Email: [email protected] www.belpernorthmill.org.uk Local Interest Leaflet The existing part of Brettles factory, now De Bradelei Stores Leaflet design by Mayers Design Ltd · www.mayers-design.co.uk Number 3 Framework knitters earned a poor living, usually their on by hand. After a brief partnership with two Derby frames were hired from the hosier who was supplying hosiers, Jedediah formed a successful partnership with the yarn and selling the stockings. The framework Samuel Need, an older, experienced hosier from knitter would have to pay the rent for the frame Nottingham who was able to finance the venture. This even when there was no work. The machines were made Jedediah Strutt’s first fortune. -
Youth Handicraft - 20
YOUTH HANDICRAFT - 20 Committee: Danielle Brannon, April Davis, Barry Davis, Kailey Hubert Premiums: $3.00, $2.00, $1.00 Premiums Offered: $645.00 4TH THROUGH 8TH GRADES 20-01-01-00 .............................................................................. Paper Craft 20-01-02-00 ..............................................................................Plaster Craft 20-01-03-00 .....................................................................Bread Dough Craft 20-01-04-00 ......................................................................... Sculpture, clay 20-01-05-00 .................................................................Wall Hangings, fabric 20-01-06-00 ..........................................................................Handmade Doll 20-01-07-00 .......................................Candle, molded, poured, hand-formed 20-01-08-00 ...........................................................................Candle Holder 20-01-09-00 .................................................................... Handmade Basket 20-01-10-00 ................................................................................. String Art 20-01-11-00 ............................................................................. Plastic Craft 20-01-12-00 ................................................................................Metal Craft 20-01-13-00 .............................................................................Leather Craft 20-01-14-00 ................................................................................. -
Water Etching... a Well Kept Secret
Water-Etching : A Well-Kept Secret. This was the original draft of a submission to “Pottery Making Illustrated” sometime in 2007, eventually published under the title “Adding by Subtracting”. Some of the included photographs were omitted in the printed version for reasons of space, but they’re still included here to help make the explanations clearer. Roger Graham Pottery at Old Toolijooa School Some time last year, on a visit interstate, I bought a delightful porcelain pot with a delicate raised pattern on the outside. Carved with infinite patience, or so I thought. Not at all, the potter told me. It’s water-etching... and I was given a one-sentence outline of how it’s done. Use wax emulsion to paint a design on the unfired pot, then spray with water. Back home in the workshop, I’ve had time to follow up this idea, and it has opened up a whole new field of possibilities. Nothing found on the internet. Nothing known by various other experienced potters of my acquaintance. How could this wonderful technique have remained a secret for so long? So, what do you do? This photo shows what you can expect, once you know the secret, and it’s so simple really. • Throw a suitable pot, using a smooth fine- grained clay. Let it dry. • Use wax emulsion and a fine brush, to paint a design on the pot. Food dye in the wax makes it easier to see where you’ve been. • Invert the pot and suspend it on some kind of pedestal, then apply a fine spray of water. -
Simple Crocheted Blanket Materials • Hook – Size G • Yarn – Acrylic Baby
Simple Crocheted Blanket Materials Hook – Size G Yarn – Acrylic Baby Yarn (NO MOHAIR) 140 Stitches for 36”‐38”; 3‐ply – 120 stitches (approx.); 4 –ply – 100 stitches (approx.) Instructions ROW 1 – Chain enough stitches to make string 36‐38” ROW 2 – Double crochet in each chain, starting in 3rd stitch; Chain 3 turn ROW 3 to END – Starting in 2nd DC; continue back and forth until blanket is square. FINISH Tie off end; Weave end of thread into blanket. NO FRINGE PLEASE Option– Single crochet around 4 sides (making 3 S.C. in corner stitch) as a border. Marge’s “Very Easy” Crochet Baby Blanket Materials Baby or Sport Yarn (approximately 6 skeins – 3 ply) G Hook Instructions Row 1 – Chain 140 stitches (36”‐38”) or 100 stitches with 4‐ply Row 2 – DC (Double Crochet) in 4th stitch from end, DC across; at end Ch. 3 Row 3 – DC in 1st DC, continue across row, Ch. 3 at end; Repeat Row 3 until blanket is square Last Row = Tie off end. Weave 2‐3” of yarn into blanket to hide end. Option – Can do a crochet edge around just as a finish. Bev's Stretchy Knit Baby Cap copyright 2001, 2010 Beverly A Qualheim This cap can be made for a boy or girl preemie, and fits from 2- 3 lbs- (4-5 lb) (7-8 lb) babies . It is super fast to knit up and will stretch to fit. 1 oz. of sport or baby yarn - not fingering Size 9 knitting needles (size 5 Canadian and English -5.5 mm) Loosely cast on 36 (44) (50) sts. -
By Private Car
By private car Tokai Loo p E xp Minoseki JCT re ssw ay y a w 157 s 418 s 418 e 256 r p x E u ay k w ri s ku es i Ho 21 pr ka Ex o o T Chu 157 21 21 248 Toki JCT Gifu Prefecture 41 Nagoya Airport Parking Area Toki Minami Tajimi I.C. Meish 22 19 in Ex Owari Asahi Parking Area pre Komaki I.C. ssw ay 155 Komaki JCT 419 Nagakute Parking Area Ichinomiya JCT Nagoya Airport Ichinomiya I.C. 248 Kusunoki 257 JCT Kiyosu JCT Seto 155 Area 363 Omori I.C. Nagoya Fujigaoka Parking Area essway I.C. Nagoya Nishi pr Kamiyashiro 6 Yakusa JCT Ex JCT Toyota Fujigaoka I.C. a I.C. y wa oy ss g xpre 302 Takabari JCT E Na an 153 eih 155 i-M 1 Nagakute sh a Area Tomei Miyoshi I.C. ig 420 H Nagakute Minami Parking Area Miyoshi Parking Area Toyota I.C. 23 54 ay Nagoya Minami JCT ressw Exp an ng wa Ise y 301 a w s s e Toyota r p JCT x E o t Aichi Prefecture n 155 a - H a it 473 Mie Prefecture h C Okazaki I.C. ntrair Line 1 Ce Handa Chuo I.C./JCT Tomei Expre 23 248 ssway Central Japan Centrair International Airport Higashi I.C. I.C.= expressway entrance / exit point Recommended Park & Ride areas by departure places EXPO Area Seto PR161, Nagoya Toyoyama Inazawa Route→ Meishin Expressway Nagoya Expressway PR448, Nagoya Airport Chuo Route Nagoya Airport From western Japan Komaki I.C. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
As filed with the Securities and Exchange Commission on June 24, 2016 UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 20-F (Mark One) ‘ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR (g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR È ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended: March 31, 2016 OR ‘ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ‘ SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission file number: 001-14948 TOYOTA JIDOSHA KABUSHIKI KAISHA (Exact Name of Registrant as Specified in its Charter) TOYOTA MOTOR CORPORATION (Translation of Registrant’s Name into English) Japan (Jurisdiction of Incorporation or Organization) 1 Toyota-cho, Toyota City Aichi Prefecture 471-8571 Japan +81 565 28-2121 (Address of Principal Executive Offices) Nobukazu Takano Telephone number: +81 565 28-2121 Facsimile number: +81 565 23-5800 Address: 1 Toyota-cho, Toyota City, Aichi Prefecture 471-8571, Japan (Name, telephone, e-mail and/or facsimile number and address of registrant’s contact person) Securities registered or to be registered pursuant to Section 12(b) of the Act: Title of Each Class: Name of Each Exchange on Which Registered: American Depositary Shares* The New York Stock Exchange Common Stock** * American Depositary Receipts evidence American Depositary Shares, each American Depositary Share representing two shares of the registrant’s Common Stock. ** No par value. Not for trading, but only in connection with the registration of American Depositary Shares, pursuant to the requirements of the U.S. -
Supplementary Chapter: Technical Notes
Supplementary Chapter: Technical Notes Tomoki Nakaya, Keisuke Fukui, and Kazumasa Hanaoka This supplementary provides the details of several advanced principle, tends to be statistically unstable when ei is methods and analytical procedures used for the atlas project. small. Bayesian hierarchical modelling with spatially structured random effects provides flexible inference frameworks to T1 Spatial Smoothing for Small-Area-Based obtain statistically stable and spatially smoothed estimates of Disease Mapping: BYM Model and Its the area-specific relative risk. The most popular model is the Implementation BYM model after the three authors who originally proposed it, Besag, York, and Mollié (Besag et al. 1991). The model T. Nakaya without covariates is shown as: oe|θθ~Poisson Disease mapping using small areas such as municipalities in ii ()ii this atlas often suffers from the problem of small numbers. log()θα=+vu+ In the case of mapping SMRs, small numbers of deaths in a iii spatial unit cause unstable SMRs and make it difficult to where α is a constant representing the overall risk, and vi and read meaningful geographic patterns over the map of SMRs. ui are unstructured and spatially structured random effects, To overcome this problem, spatial smoothing using statisti- respectively. The unstructured random effect is a simple cal modelling is a common practice in spatial white noise representing the geographically independent epidemiology. fluctuation of the relative risk: When we can consider the events of deaths to occur inde- vN~.0,σ 2 pendently with a small probability, it is reasonable to assume iv() the following Poisson process: The spatially structured random effect models the spatial correlation of the area-specific relative risks among neigh- oe|θθ~Poisson ii ()ii bouring areas: where oi and ei are the observed and expected numbers of wu deaths in area i, and is the relative risk of death in area i. -
Aichi Prefecture
Coordinates: 35°10′48.68″N 136°54′48.63″E Aichi Prefecture 愛 知 県 Aichi Prefecture ( Aichi-ken) is a prefecture of Aichi Prefecture Japan located in the Chūbu region.[1] The region of Aichi is 愛知県 also known as the Tōkai region. The capital is Nagoya. It is the focus of the Chūkyō metropolitan area.[2] Prefecture Japanese transcription(s) • Japanese 愛知県 Contents • Rōmaji Aichi-ken History Etymology Geography Cities Towns and villages Flag Symbol Mergers Economy International relations Sister Autonomous Administrative division Demographics Population by age (2001) Transport Rail People movers and tramways Road Airports Ports Education Universities Senior high schools Coordinates: 35°10′48.68″N Sports 136°54′48.63″E Baseball Soccer Country Japan Basketball Region Chūbu (Tōkai) Volleyball Island Honshu Rugby Futsal Capital Nagoya Football Government Tourism • Governor Hideaki Ōmura (since Festival and events February 2011) Notes Area References • Total 5,153.81 km2 External links (1,989.90 sq mi) Area rank 28th Population (May 1, 2016) History • Total 7,498,485 • Rank 4th • Density 1,454.94/km2 Originally, the region was divided into the two provinces of (3,768.3/sq mi) Owari and Mikawa.[3] After the Meiji Restoration, Owari and ISO 3166 JP-23 Mikawa were united into a single entity. In 187 1, after the code abolition of the han system, Owari, with the exception of Districts 7 the Chita Peninsula, was established as Nagoya Prefecture, Municipalities 54 while Mikawa combined with the Chita Peninsula and Flower Kakitsubata formed Nukata Prefecture. Nagoya Prefecture was renamed (Iris laevigata) to Aichi Prefecture in April 187 2, and was united with Tree Hananoki Nukata Prefecture on November 27 of the same year. -
Palo Duro Etching
MEDIA SETTING RECOMMENDATIONS PAPER HANDLING GUIDE Download the Full Handling Guide www.redriverpaper.com/guides ® Palo Duro Etching Using a printer profile? Product Stats Use the instructions that came with the profile for setting recommendations. Recommended Printer Driver Settings Packed Print Side Up Epson - Cold Press Natural or Velvet Fine Art Paper Canon Desktop - Matte Photo Paper Weight: Canon PRO (Prograf) - Heavyweight Fine Art Paper 315gsm Thick Paper Handling Tips Thickness: 21mil Epson Desktop – Activate the thick paper (envelope) setting Epson Pro Models - Paper thickness = 4 and platen gap to wide Media Type: 100% Cotton Rag Canon - Activate “Prevent Paper Abrasion” setting Coating: Print Quality Setting Recommendations Micro-porous Epson Choose Best Photo or 1440dpi quality. Choose Photo if Best Photo is Surface: not available. We recommend avoiding Photo RPM as print quality Matte textured is only marginally better, while slowing your print time significantly. Printable: Canon One-sided Choose the High-Quality setting. On the sliding scale, you will choose 2 or 1 depending on which is the highest available. OBA: No OBAs present HP Print Quality Choose Best in the print quality drop down. Avoid Maximum DPI - Reverse Side: print quality is only marginally better while slowing your print time significantly. Light inkjet coating High Speed Printing We recommend leaving High Speed turned OFF for best possible print quality. Available Sizes: Printer Color Profiles and Color Management See website Red River Paper offers free printer color profiles for our products and many different inkjet printers. Profiles are small data files, used by software like Photoshop, that help you get better and more consistent print quality.