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Art Curriculum Vitae Tanya Ury January 2007

Tanya Ury Grosse Brinkgasse 16 D-50672 Cologne Germany

Tel/Fax (00)49 (0)221 5503795 E-Mail: [email protected] Web site: www.tanyaury.com

Since 1988 Ury has produced video, performance and lectures for exhibitions, festivals, and universities. She has made photographic and holographic art, created objects, audio texts and installation. She is also active as curator and author. Tanya Ury has shown her work extensively in: England, Ireland, Scotland, the Netherlands, Germany, Switzerland, Austria, Slovenia, Poland, Hungary, Canada, Taiwan and Israel.

1951* London (GB) 1993 English/German (dual) nationality & moved to Cologne (D) 1971 Foundation in Fine Art, Central School of Art and Design, London (GB) 1988 BA HONS in Fine Art, First Class, Exeter College of Art and Design (GB) 1989 1 semester, Institute for Theatre, Film and Television Studies, Cologne University with Erasmus grant (D) 1990 Masters in Fine Art, Distinction, Reading University (GB)

Awards - Residencies 1990 Residency at The Media Centre, South Hill Park, Berkshire (GB) 1991-92 Colin Walker Fellowship in Fine Art (& guest lecturer), Sheffield Hallam University (GB)

Solo Exhibitions 1992 False Premises, Play in Camera, Fellowship exhibition, Sheffield Hallam University (GB) 1993 Seduction 2, False Premises, Department of Holography, Royal College of Art, London (GB) 1996 Play it by Ear, Artillerie, Cologne (D) 1996 Triptych for a Jewish Princess Second Generation, Foyer Feminale Women's Film Festival, Cologne (D) 1997 Golden Showers live video/performance, Schauraum Cologne (D) 1997 Golden Showers Installation, City Library, Munster (D) 1997 Hotels, solo exhibition with Doris Frohnapfel, Hotel Chelsea - Köln, SCHULZ Cologne (D) 1998 Solo exhibition (with Doris Frohnapfel, Not Black and White, Hotel Chelsea - Köln, Triptych for a Jewish Princess Second Generation, Play it By Ear, Fotogalerie Brotfabrik, Berlin (D) 1999 Golden Showers Installation, The Lux Cinema Foyer, London (GB) 2001 Hermes Insensed, Ô d'Oriane, Sonata in Sea, Hotel Seehof, Zurich (CH) 2002 Hotel Chelsea - Köln photo series Köln Kultur 30 (D) 2002 Hermes Insensed with reading, Galerie 68Elf Cologne (D) 2002 Jacob's Ladder with performance Red Hot Pokers finissage 9th Nov. 2002, Cologne's Long Museum's Night, Hochbunker Cologne-Ehrenfeld (D) 2005 (22.12) Hotel Chelsea – Köln, video and photographs, 10 year anniversary in the Suite, Chelsea Hotel, Cologne (D) 2006 (26.7.-9.8.) Screenings: Kölnisch Wassser (split screen version), Hotel Chelsea Köln, Golden Showers, Röslein Sprach… Seminars: Who’s Boss, 4 pm 26.-7 in the exhibition, and computer-based screening Theme Park with talk: Theme Park Reconstructed in the exhibition space 4pm. 27.7., Tüzraktér Independent Cultural Centre, Budapest (HU) 2006 (14.8) Promises: Promised Land & Theme Park DVD projections, Seminar: Theme Park Reconstructed 3pm, Fortnight of Solo Shows, Ben Uri Gallery, The London Jewish Museum (GB) 2006 (3.11.-24.11.) 9-12 hours, workshop with pupils from the Anne-Frank-Realschule (secondary modern). Opening 20 Uhr 3.11. Who’s Boss, Bochumer Kulturrat, (D) 2

Group Exhibitions 1992-93 False Premises, Moving Message, British Telecom New Contemporaries on tour: Orion in Newlyn, Cornerhouse in Manchester, Angel Row in Nottingham, Orpheus in Belfast (IRL) ICA in London (GB) 1993 Kölnisch Wasser live video/performance, Break the Silence - A Video Diary, 120 Tage Einsamkeit (120 Days of Solitude), Galerie 68Elf Cologne (D) 1993 Seduction 2, False Premises & lecture, Women in Art Practice conference, Exeter (GB) 1995 Hotel Chelsea - Köln, Coincidence, Ignis European Cultural Centre, Cologne (D) 1996 Play it By Ear, Castle of Imagination, Bytow (PL) 1996 Hotel Chelsea - Köln, Whitechapel Gallery, London (GB) 1996 Hotel Chelsea - Köln, Triptych for a Jewish Princess Second Generation, Mensch 2000, Hochbunker Cologne-Ehrenfeld (D) 1998 Blue Danaé I, outfit authentizität und maskerade (outfit authenticity and masquerade), International Photoszene, Kunsthaus, Rhenania, Cologne (D) 1998 Blue Danaé I & 2, Triptych for a Jewish Princess Second Generation, Davka, Jüdisches Leben in Berlin – Traditionen und Visionen, (Jewish Life in Berlin - Traditions and Visions), Centrum Judaicum (D) 1999 Hotel Chelsea - Köln, Crosslinks (Videothek), Berliner Marstall (D) 1999 Golden Showers, Die Gehängten/Hung Up, Menschen Wie Du Und Ich - 4 artists in response to the exhibition: Vernichtungskrieg Verbrechen der Wehrmacht 1941 bis 1944 (Crimes of the German Army 1941-44), Cologne City Museum (D) 1999 Die Gehängten/Hung Up, Davka, Kulturbrauerei Prenslauerberg, Berlin (D) 1999 Die Gehängten/Hung Up, The Jewish Central-Labyrinth, Berlin (D) 2000 Ô d'Oriane, Women Look (with Anna Halm-Schudel), In Focus Galerie, Cologne (D) 2000 Dual(national)ity, Die Gehängten/Hung up, Hotel Chelsea - Köln, Heimat Kunst (Homeland Art), House of World Cultures, Berlin (D) 2000 Hotel Chelsea - Köln and 2 video stills (photos) Gegen den Strich, Museum Ludwig, Cologne (D) 2000 Jack the Ladder, Dual(national)ity, Stechmücke (work in progress as reading), Aesthetik 1,2,3, 68Elf Galerie Photoscene Cologne (D) 2001 wrestlewithyourangel & neonazi, Termini Technici, Trinitatis Church Cologne (D) 2001 Between the Lines or the Three Rs, Rolf Steiner's 'The Wide World' (edition 30): Rupert Walser, Art Cologne (D) 2001 Between the Lines or the Three Rs, Rolf Steiner's 'The Wide World' (edition 30): (with reading 4 pm on December 7th) House of Literature Cologne (D) 2001 Between the Lines or the Three Rs, Rolf Steiner's 'The Wide World' (edition 30): Claus Bittner Bookshop Cologne (D) 2002 Between the Lines or the Three Rs, Rolf Steiner's 'The Wide World' (edition 30): Studio Dumont, Cologne (D) 2002 Hermes Insensed, Ambivalence, Women's Museum Bonn (D) 2002 Hermes Insensed, Ambivalence, Galerie Münsterland Emsdetten (D) 2002 Hotel Chelsea - Köln photo series, Kultur Köln 30 Cologne Ehrenfeld (D) 2002 Dual(national)ity, Transcending the Ladder (reading 16th Oct), Europe Beyond Borders, City of Women, Mednarodni Graficini Likovni Center, Ljubljana (SL) 2002-03 Hotel Chelsea - Köln video still, Annual Exhibition, Köln Kultur 30 (D) 2003 beachcomber, Images against War, Galerie Lichtblick Cologne (D) 2003-04 lesser is me more or less, Jack the Ladder, The Right of the Image, Jewish Perspectives in Modern Art, Museum Bochum (D) 2004 Ô d'Oriane, Kölnisch Wasser (split screen projection), Lies, Lust, Art & Fashion - Signale der Kleidung (Clothing Signals), Podewil, Berlin (D) 2004 Between the Lines or the Three Rs, Rolf Steiner's "Die weite Welt" (The Wide World), Museum Ludwig Cologne (D) 2004 beachcomber Images Against War, Art School, Hasselt (B) 2004 Who’s Boss: Hair Shirt, Dresscodes, Kunstverein Neuhausen (D) 2005 Who’s Boss: Fashion Victim, Hair Shirt, Art Prize, Röslein Sprach…, Your Rules, Boss Rune (& Boss Rune T-shirts), "Stets gern für Sie beschäftigt…" (”Always glad to be of service…”), ifa Galerie, Berlin (D) 2005 (28.1.-end April) Boss Rune T-shirts, Schöne Grüße (Best Wishes), Propeller, Friedrichshain, Berlin (D) 2005 (26.3.-23.4 Opening 24th March 7 pm) Poker Poems & Röslein sprach…, slide reading 20th April 150m3 Largus, Ausstellungs- und Projektraum (exhibition and project room) Mozartstrasse 9, Cologne (D) 3

2005 (28.5-3.7.) Who’s Boss, Prora Documentation Centre, Rügen (D) 2005 (18.9.-2.10.) Dual(national)ity dibond photos, Contact - Context, Künstlerforum Bonn (D) 2005 (9.11.-6.1.2006) Who’s Boss, "Stets gern für Sie beschäftigt…" (”Always glad to be of service…”), Kunstverein Rosenheim (Art Centre), (D) 2005 (2-18.12) DVD Version, Traum und Trauma - Zur Idee des Staates Israel in Film und Video, Haus der Kulturen der Welt, Berlin ((Dream and Trauma - On the Idea of the State of Israel in Film and Video, House of World cultures, Berlin)(D) 2006 (6.5.-18.6.) Promised Land, Jahresausstellung (Yearly exhibition), Kunstverein Rosenheim (D) 2006 (29.8.-31.8) Promised Land DVD projection with discussion, Jerusalem Cinematheque evening of 29.8, Promised Land DVD projection & Theme Park computer-based projection in exhibition, Who’s Boss and Theme Park Reconstructed as seminar presentations, c.sides festival, International Convention Center, Jerusalem. (IL) 2006 (2.9.-end September) Group exhibition, Who’s Boss: Soul Brother Shaheen, Connection, Propeller, Berlin (D) 2006 (9.9-13.10) Pictures and statements from Fading into the Foreground, group exhibition: Emergency Room, curator Thierry Geoffroy Colonel, Galerie Olaf Stüber, Berlin (D) 2006 (6.10.-27.10) Promised Land: 3 photographs: Beelzebularin and 2 digitally handwritten texts in English and German, Virtual Residency, Galeria Biala, Centrum Kultury, Lublin (PL)

Festivals & Events 1988 Lilith, Song of Songs, Passion Play, Exeter Art Centre (GB) 1988 Lilith, BP EXPO, London (GB) 1988 Passion Play, AVE Festival, Arnhem (NL) 1989 Incommunicado, Institute of Theatre, Film and Television Studies, University of Cologne (solo) (D) 1989 Incommunicado, AVE, Arnem (NL) 1989 Incommunicado, Reading University Gallery (GB) 1990 Passion Play, AVE, Arnem (NL) 1990 Break the Silence - a Video Diary, Vital States - Subtle Histories, Reading Festival (GB) 1990 Lilith, London Film Festival (London Film Makers Co-op) (GB) 1990 Lilith, VIP FILM 8 Berlin (D) 1990 Incommunicado, Feminale Women's Film Festival, Cologne (D) 1990 Song of Songs, Women in Profile, Glasgow (GB) 1990 Incommunicado, Jewish Students’ Art’s Festival (GB) 1991 Break the Silence - a Video Diary, AVE, Arnem (NL) 1991 Break the Silence - a Video Diary, AVE Nijmegen (NL) 1991 Break the Silence - a Video Diary, Festival de Films et Vidéos de Femmes Montréal (Festival of Women's Films and Video Montreal) (CAN) 1991 The Riddle, Nexus, Hull Events Week (GB) 1991 Secret Spaces, South Hill Park Dance Festival Berkshire (GB) 1991 Control, Art Centre Reading, Reading Dance Festival (GB) 1991 The Riddle, Sheffield Media Show (GB) 1991-92 Play in Camera, False Premises, Break the Silence - a Video Diary, Incommunicado, Song of Songs, Passion Play, Lilith, screenings during fellowship residency, Sheffield Hallam University (GB) 1992 False Premises, Break the Silence - A Video Diary, Fine Art Department, Cardiff Institute of Education, (solo) (GB) 1992 False Premises, Feminale Women's Film Festival, Cologne (D) 1992 Introduction to Ulrike Ottinger & New German Cinema, (in the series) German Voices, Chapter Art Gallery, Cardiff (GB) 1993 Kölnisch Wasser (live video/performance), Sheffield Media Show (GB) 1993 Kölnisch Wasser (live video/performance), Don't Call Me Erotic, London Film Makers Co-op (GB) 1993 Kölnisch Wasser (live video/performance), National Review of Live Art Selection, Green Room Manchester (GB) 1993 Jewish & Body Politics (slide reading), Fine Art Department, Cardiff Institute (GB) 1994 Kölnisch Wasser (live video/performance), Don’t call me Erotic, Feminale Women’s Film Festival opening programme, & programmed debate (D) 4

1994 False Premises, Grey Suit Magazine, (spring) no.5 (GB) 1994 Kölnisch Wasser (live video/performance), Fine Art Department, Cardiff Institute of Education, (solo) (GB) 1994 Kölnisch Wasser (live video/performance), Don't Call Me Erotic, Blacks of Soho, London (GB) 1995 Solo slide reading Jewish & Body Politics, Kölnisch Wasser (documentation), Institute of Theatre, Film and Television Studies, University of Cologne (D) 1995 Hotel Chelsea - Köln, Krakow Meetings (PL) 1995 Solo slide reading Jewish & Body Politics, Kölnisch Wasser (documentation), False Premises, Fine Art Department, Simon Fraser University, Vancouver (CAN) 1996 False Premises, Super 8 Site Elevator Web Dundee (GB) 1996 Hotel Chelsea - Köln, Edinburgh Fringe Film & Video Festival (GB) 1996 Hotel Chelsea - Köln, VIVA 8 Festival (awarded 'Best Confrontational Video'), London (GB) 1996 Solo slide reading, Jewish & Body Politics, Hotel Chelsea - Köln, Fine Art Department, Reading University (GB) 1996 Solo lecture Jewish & Body Politics, Kölnisch Wasser documentation, Fine Art department, Staffordshire University (GB) 1997 Hotel Chelsea – Köln with workshop, Grenzenlos und Unverschämt (Without Limits and Outrageous), Alte Feuerwache, Cologne (D) 1997 Clash of Symbols (lecture), Wi(e)der-sprache - Marginale Brüche, Migrantinnen, Schwarze Frauen, Jüdische Frauen im Kulturellen Diskurs Deutschland (Talking Back - Marginal Cracks, Migrant Women, Black and Jewish Women in Cultural Discourse) conference, Cologne (D) Alte Feuerwache (Old Fire Station), Cologne (D) 1997 Reading Jacob’s Ladder a Cybersexual Parable, Qualikation, Dichter an den Start Underground, Cologne (D) 1997 Hotel Chelsea - Köln, Hito Steyerl's class, Vienna Art Academy (A) 1997 Play it By Ear (reading), The Cunst, Ifficial Art, Cologne (D) 1997 Hotel Chelsea - Köln, Queer Discord, Lux Cinema, London (GB) 1997 Solo slide reading Clash of Symbols, Hotel Chelsea - Köln, Der durchtriebene Blick (The Sly Look), Institute of Theatre, Film and Television Studies, University of Cologne (D) 1997 Kölnisch Wasser (live video/performance), Hotel Chelsea - Köln, False Premises, A weekend of video, performance & workshops, Cuba Cultur, Münster (D) 1998 Die Gehängten & Zwischen Imagination und Realität - Ulrike Ottinger Film Regisseurin (Between Imagination and Reality - Ulrike Ottinger Film Director) (slide readings), (solo) Schnürschuh Theatre Bremen (D) 1998 Slide reading, Zwischen Imagination und Realität - Ulrike Ottinger Film Regisseurin (Between Imagination and Reality - Ulrike Ottinger Film director), Jewish Women in Germany, University of Cologne (D) 2000 Hung Up, Dual(national)ity (solo slide reading) & workshop, Centre for German- Jewish Studies, Sussex University (GB) 2000 Hung Up, Dual(national)ity (solo slide readings) & workshop, Hildesheim University (D) 2000 Hotel Chelsea - Köln, The Body - Between Condition and Construction, International Women's University Hannover (D) 2000 Taking on the Mantle (slide reading) & workshop, International Women's University Hannover (D) 2001 Hotel Chelsea - Köln, Stuttgart Film Winter, Film House, Stuttgart (D) 2002 Hotel Chelsea - Köln, Galerie Januar (videoweek) Bochum (D) 2002 Hermes Insensed (slide reading), Postcolonial Critique NGBK (New Society of Fine Arts) Berlin (D) 2002 Hermes Insensed & Dual(national)ity (slide reading) & workshop, Migration, Arbeit und Geschlecht (Migration, Work and Gender), congress Berlin (D) 2002 Die Gehängten (slide reading), Jüdischer Widerstand gegen den Nationalsozialismus (Jewish Resistance against National Socialism), Konrad-Adenauer-Foundation, Cologne (D) 2003 Hermes Insensed (slide reading & workshop), Schatten der Vergangenheit: Erinnerung an den Holocaust als Lähmung oder Chance? (Shadows of the Past: Memories of the Holocaust: Inhibition or Opportunity?), House of History, Bonn (D) 2003 Dual(national)ity, Transcending the Ladder (slide reading), Power and Responsibility, Bet Debora conference Berlin (D) 2003 Transcending the Ladder (slide reading) & Red Hot Pokers (live performance with Marina Grzinic), Vienna Art Academy (A) 5

2003 Trailers Red Hot Pokers & Kölnisch Wasser (split screen), guest speaker, 6th Biennial of Media and Architecture, Art House Graz (A) 2004 Dual(national)ity Sarah-Hagar: Religion, Politics, Gender. Inter-religious/cultural Project Berlin (D) 2004 Kölnisch Wasser, Re-inscribing the Wound (lecture - work in progress) & workshop, Wounds Scars Tattoos, Art Academy Braunschweig (D) 2004 (16.12.) Presentation of Who’s Boss project, Heil Dich doch selbst! Die “Flick Collection” wird geschlossen; (Heil yourself! The “Flick Collection” closes) Hebbel Theater, Berlin (D) 2005 (31.1) Montagspraxis (Monday practice) slide reading: Stechmücke, Tag und Nacht, Getta Life – Nimm das Leben in die Hand, Kölnisch Wasser (split screen version) b_books, Lübbener Strasse, Berlin (D) 2005 (4.4) Kölnisch Wasser (split screen version) presented in Cathy Gelbin’s PhD. course: Gender and the Shoah, Holocaust Studies, Manchester University (D) 2005 (20.4) Slide Reading with menu, Hitler Gegengift (Hitler Antidote – on his birthday) Poker Poems, Holding the Baby, Getta Life 150m3 Largus, Ausstellungs- und Projektraum (exhibition and project space) Mozartstr. 9 Cologne (D) 2005 (10.5) Kölnisch Wasser (split screen version), Café Storch, Cologne (D) 2005 (23.6) Kölnisch Wasser (split screen version), Take 291, Gallery 291, London (GB) 2005 (7-16.10) Hotel Chelsea – Köln, Women Make Waves Festival, Kaohsiung and Taipei and in from October to December in touring film programme of 20 cities in Taiwan (TW) 2005 (7.12) Seminar & trailers: Kölnisch Wasser (split screen version), Golden Showers, Röslein Sprach…, Promised Land, Conference: Jüdische Frauen in Geschichte und Gegenwart (Jewish Women in the Past and Present), Konrad-Adenauer-Stiftung, Wesseling nr. Bonn (D) 2006 (27.2) Peer Critique, trailers: Kölnisch Wassser, Hotel Chelsea Köln, Golden Showers, Red Hot Pokers, Röslein Sprach…, Promised Land, Ben Uri Gallery, The London Jewish Museum (GB) 2006 (25.3.) Travelcookbook, slide reading of short stories with menu, Stick Insect, Getta Life, Recipe for Love, Mid Summer, Propeller, Friedrichshain, Berlin (D) 2006 (29.3.) slide reading of short stories with menu for the new moon, Holding the Baby, Getta Life, Poker Poems, Night and Day, Zagreus Project, Koch/Kunst/Galerie (Cookery/Art/Gallery), Berlin (D) 2006 (5.4.) Professional Practice Seminar with trailers: Kölnisch Wasser, Hotel Chelsea Köln, Golden Showers, Red Hot Pokers, Röslein Sprach…, Promised Land, Fine Art Department, Sheffield Hallam University (GB) 2006 (6.4) Trailers: Kölnisch Wasser, Hotel Chelsea Köln, Golden Showers, Red Hot Pokers, Röslein Sprach…, Promised Land, presented in Seminar within Cathy Gelbin’s PhD. Conference course: Gender and Visual Arts, Holocaust Studies, Royal Holloway, London (D) 2006 (10.5) Körperbilder (Body Images), seminar with video trailers Kölnisch Wasser, Golden Showers, Hotel Chelsea Köln, Red Hot Pokers, Promised Land, Kunstverein Dortmund (D) 2006 (14-18.6) Who’s Boss as archival material, Performing Rights Library a four-day conference and accompanying programme of live events Performance Studies international (PSi) #12: Performing Rights, Queen Mary, University of London (GB) 2006 (9.-19.9) Hotel Chelsea – Köln, Koerperein/satz (Body Action), Stichting Smokkel, in the Museumcafé Staedtischen Museum Abteiberg, at the c/ountryclub Internationales Videokunst-Festival, Moenchengladbach (D) 2006 (9.-13.9) Kölnisch Wasser - Split Screen Version to be screened during the c/ountryclub festival Moenchengladbach (D)

Publications & Press 1992 False Premises video still in BT New Contemporaries catalogue ISBN 0-9515556-2-6 (GB) 1993 Kölnisch Wasser, article by Robin Arthur in Hybrid Magazine (GB) 1995 YOU ARE WHY logo from Moving Message in New Feminist Criticism, Ed. Katy Deepwell, Manchester University Press ISBN 0-7190-4258-5 (GB) 1996 Ury featured in Artist's Address Book Cologne (D) 1996 Kölsche Juden (Jews of Cologne), interview by Karin Jurschick Stadtrevue Cologne (D) 1996 Play it by Ear, article by Jürgen Kisters Kölner Stadtanzeiger (D) 1996 Play it By Ear feat. In Castle of Imagination catalogue Bytow (PL) 1997 Golden Showers article by Simone Hoffmann, Westfällische Nachrichten (D) 6

1997 Introduction (unpublished) by von Marianne Lindow, for Golden Showers, City Library Munster (D) 1998 Article: Wi(e)der-Sprache (Talking Back) with Ury images, Springerin Art Magazine (A) 1999 Golden Showers, interview Radio Cologne (D) 1999 Golden Showers, TV spot Frau TV WDR (D) 1999 Golden Showers, still in Kölner Rundschau (D) 1999 Golden Showers, Stadtrevue photo & article by Petra Löffler (D) 1999 Triptych for a Jewish Princess Second Generation, feat. in catalogue, Jewish Visions in Berlin (D) 2000 Hotel Chelsea - Köln, 2 video stills in Gegen den Strich (Against the Grain) catalogue, Museum Ludwig, publ. Locher Verlag, Cologne ISBN 3-930054-38-8 (D) 2000 Hotel Chelsea - Köln feat. in catalogue of exhibition Heimat Kunst, House of World Cultures, Berlin (D) 2000 Ô d’Oriane, Kölner Stadtanzeiger, article Sabine Müller (D) 2000 Ô d’Oriane, Kölner Illustrierte, photo & article Jürgen Raap (D) 2000 WDR Radio Interview by Lale Konuk (D) 2002 Introduction (unpublished) by Angela Melitopoulos, for Jacob’s Ladder, Hochbunker Cologne-Ehrenfeld (D) 2002 Plath, Hitchcock und die Metaphorik der Shoah: zur Vermitteltheit von Geschichte und Identität in der Kunst Tanya Urys, Dr Cathy S. Gelbin in Deutsch-jüdische Literatur der neunziger Jahre: Die Generation nach der Shoah (Plath, Hitchcock and Metaphors of the Shoah: the Mediation of History and Identity in the Art of Tanya Ury), by Dr Cathy S. Gelbin, German-Jewish Literature of the nineties: The Generation after the Shoah), publ. Erich Schmidt Verlag ISBN 3-503-06125-8 (D) 2002 Cornelia Gerner Internet page on Ury for the House of World Cultures, Berlin (D) 2002 Title page: Hermes Insensed no. 59, Museumaktuelle Magazine no. 7 July, (D) 2002 Article Gabriele Breun, Kölnische Rundschau (D) 2002 Hermes Insensed article include. on Ury in Schayan 'Deutschland' (D) 2002 Jacob’s Ladder, article by Jürgen Kisters Kölner Stadtanzeiger (D) 2002 Title page: Hermes Insensed # 59, Loretta, Bonner Magazine for Women (D) 2003 Jack the Ladder and article by Christoph Kivelitz on Ury in Das Recht des Bildes, Jüdische Perspektiven in der Modernen Kunst (The Right of the Image, Jewish Perspectives in Modern Art), Hans Günter Golinski, Sepp Hiekisch (Ed.) publ. Edition Braus ISBN 3- 89904-0767 (D) 2003 The House of World Cultures, Cornelia Gerner article on Ury update from 2002 www.culturebase.net (D) 2003 lesser is me more or less and article on Ury in Stadtspiegel Bochum (D) 2003 Metaphern des Genozids Die Repräsentation von Geschichte und Identität in der Kunst Tanya Urys von Dr Cathy S. Gelbin in Gesellschafstheorie und Postcoloniale Kritik (Metaphors of Genocide, The Staging of History and Identity in the Art of Tanya Ury), by Dr Cathy S. Gelbin in Social Theory und Post-Colonial Critique, publ. Unrast Verlag ISBN 3-89771-425-6 (D) 2003 Metaphors of Genocide: The Staging of Jewish History and Identity in the Art of Tanya Ury, by Dr Cathy S. Gelbin in: Performance and Performativity in German Studies, ed. by Caroline Duttlinger et al. Oxford: publ. Peter Lang AG. ISBN 3-03910-150-1 (CH) 2004 Wider die Medien-Vergötzung (Against Media-Idolatry) by Peter V. Brinkemper Telepolis Article-URL feat. Ury: www.telepolis.de (D) 2004 Hermes Insensed catalogue presented by Korridor Verlag at the Leipzig Book fair (D) 2004 Interview for film on body art, Alexandra Gerbaulet & Mirko Winkel (D) 2004 Wolfgang Alber, article on Who’s Boss: Hair Shirt, Dresscodes in Schwäbisches Tagblatt (D) 2004 Ury’s web site and artworks Who’s Boss referred to on the Metzingen homepage (D) www.metzingen-zwangsarbeit.de 2005 Catalogue, "Stets gern für Sie beschäftigt…" (”Always glad to be of service…”), Ifa Galerie Berlin (D) 2005 Article: Herausragend (Outstanding), by kbn. Tip – Berlin Magazin (D) 2005 kriminelle firmen (criminal firms), scheinschlag Nr. 05/05, Berlin (D) 2005 "Stets gern für Sie beschäftigt…" (”Always glad to be of service…”), Sarah Ross, AVIVA-BERLIN.de (D) 2005 "Stets gern für Sie beschäftigt…" (”Always glad to be of service…”), berlin.art49.com (D) 7

2005 "Stets gern für Sie beschäftigt…" (”Always glad to be of service…”), germangalleries.com (D) 2005 (27.1) Article with photo still Röslein sprach…,: Wer das härende Hemd trägt (who wears the hair shirt), Berliner Zeitung newspaper, by (BLZ) (D) 2005 (27.1) Article Wer das härende Hemd trägt (who wears the hair shirt), berlinonline.de, by (BLZ) (D) 2005 (27.1) Article: Verdienen Am Horror – Holocaust: „Stets gern für sie beschäftigt“ (Gains by Horror – Holocaust:”Always glad to be of service…”) (rit.), Ticket – Das Magazin für die Stadt (The Magazine for the City), Berlin (D) 2005 (29.1) Kulturkueche.de (Culture Kitchen), Berlin (D) 2005 (1.2.) Article: Grauen – nicht auf den ersten Blick - ifa-Galerie thematisiert Zusammenhänge zwischen Firmen und Naziverbrechen (Horror – not at first sight – ifa Gallery’s theme is the link between companies and Nazi crimes) by Robert Meyer, Neues Deutschland, Berlin (D) 2005 (10.2) Schoa-Kunst in Berlin, Jüdische Allgemeine Wochenzeitung (ja), (Art of the Shoah in Berlin, Jüdische Allgemeine Weekly) Berlin (D) 2005 (18.2) Article: Hautnaht – ifa-Galerie: auf den Spuren des Holocaust (Skin Deep – ifa Gallery: In Search of Traces of the Holocaust), by Jens Hinrichsen, Tagesspiegel, Berlin (D) 2005 (25.2) Review with photo still Röslein sprach…, ”Hugo’s dunklere Seite” (Hugo’s dark side) article by Martin Conrads, Netzeitung.de, Voice of Germany (D) 2005 (3) Article: Neue Literatur, Palästina Journal Nr. 61 (New Literature, Palestine Journal No. 61), by Thea Geinitz (D) 2005 (3) Article with photo still Röslein sprach…, by Martin Conrads Zitty Magazine, Berlin (D) 2005 (3.3) Mahnen und Erinnern (Memorials and Remembering), Märkische Oderzeitung Frankfurter Stadtbote Newspaper (D) 2005 (7.3) Article (unpublished) Röslein sprach…, Geld stinkt eben doch - Voll waren die Auftragsbücher zu Nazizeiten: Eine Ausstellung in der ifa-Galerie Berlin erinnert an Profiteure des Massenmords (Money stinks after all – the order books were full during the Nazi times: an exhibition in the ifa Gallery remembers those who profited from mass murder) by Matthias Reichelt, Berlin (D) 2005 (16.2) Article: Es fährt ein Bus nach Sachsenhausen – Die dunkle Seite von Hugo Boss (The Dark Side of Hugo Boss - There’s a bus driving to Sachsenhausen), by Brigitte Werneburg, TAZ newspaper (D) 2005 (30.5) Stets gern für sie beschäftigt” …" (”Always glad to be of service…”), Rügener Zeitung (Rügen newspaper), Kunst und Zwangsarbeit (Art and Forced Labour), Andreas Küstermann, Dokumentationszentrum Prora (D) 2005 ((19.05.) Ausstellung zur Vernichtungspolitik (Exhibition about extermination politics), Ostsee Zeitung.de (newspaper) 2005 (28.05.) Kunstausstellung in Prora über Industrie und Holocaust (Art Exhibition on Industry and the Holocaust: Sechs Künstler zeigen Werke über die Verstrickung deutscher Firmen in den Massenmord (six artists show work about the involvement of German firms in mass murder) Evangelischer Pressedienst (Protestand Press Service (D)) 2005 (28.05.) Ausstellung klagt deutsche Firmen der Beteiligung am Holocaust an (Exhibition accuses German firms of involvement in the Holocaust), Märkische Oderzeitung (newspaper (D) 2005 (29.05.) Prora: Ausstellung über die Industrie und den Holocaust (exhibition about Industry and the Holocaust), Berliner Morgenpost (newspaper (D)) 2005 Filmri:ss (Blackout), book reviewed, deutschesfachbuch.de/info/detail.php?isbn=3404615603-42k- 2005 NEUE KUNST AUS DEUTSCHLAND UND POLNISCHE VIDEOKUNST, CONTACT CONTEXT Künstlerforum Bonn und die Produzentengalerie Viktoria b Bonn (New art from Germany and Polish video art), www.polnisches-institut.de/veranstaltung.php?id=135&quelle=tipps.php 26k 2005 (11) Announcement of Taiwan screenings with image fom Hotel Chelsea – Köln in Kunstforum, edtion 178 (D) 2006 (5.2006) Images of Beelzebularin & Who's Boss: Art Prize & Hair Shirt in Jahresausstellung catalogue, Kunstverein Rosenheim (Art Centre), (D) 2006 (3.11.) Who's Boss and childrens' workshop, newspaper article with Photo, Ruhrnachrichten (Ruhr News) (D) 2006 (4.11.) Who's Boss and childrens' workshop, newspaper article with Photo, Stadtspiegel Bochum (D) 8

2006 (4.11.) Who's Boss, newspaper article with Photo, Bochum (D)

Artist’s Writings & Publications 1994 Don't Call me Erotic, catalogue article for Feminale Womens's Film Festival programme Cologne (D) 1996 Surely Everybody Makes Their Own Home Pornos? Article for VIVA 8 Festival catalogue, London Film Makers Co-op (GB) 1996 Surely Everybody Makes Their Own Home Pornos? Article on Super 8 Site Elevator Web Dundee (GB) 1996 Triptych for a Jewish Princess Second Generation A5 altarpiece pamphlet (D) 1997 2 Photos (Video Stills) in Collectors Book, Mensch 2000, HochBunker Cologne-Ehrenfeld (D) 1999 Menschen wie Du und Ich (People Like You and Me), exhibition catalogue, English and German, produced by Ury, Cologne City Museum, publishers Korridor Verlag ISBN 3-9804354- 6-6 (D) 1999 Taking on the Mantle article by Ury, images: Moving Message logo, Golden Showers, Triptych for a Jewish Princess Second Generation, AufBrüche - Kulturelle Produktionen von Migrantinnen, Schwarzen und jüdischen Frauen in Deutschland (Marginal Cracks - Cultural Production of Women Migrants, Black and Jewish Women in Germany), publ. Ulrike Helmer Verlag ISBN 3-89741-042-7 (D) 2000 Ô d’Oriane, exhibition catalogue produced by Ury, publ. Korridor Verlag ISBN 3- 9804354-2-3 (D) 2001 Sonata in Sea, leaflet of photo series produced by Ury, (D) 2001 Hermes Insensed exhibition catalogue produced by Ury, photo series with 15 short stories, publ. Korridor Verlag ISBN 3-9802189-4-5 (D) 2001 Die Gehängten by Ury in Patriarchat der Vernunft - Matriarchat des Gefühls? Geschlechterdifferenzen im Denken und Fühlen (Patriarchy of Rationality - Matriarchy of Feeling? Gender Difference, Thinking and Feeling), publ. Daedalus Verlag ISBN 3-89126- 167-5 (D) 2002 Neon signs: wrestlewithyourangel, neonazi & Building Bridges short story by Ury in Termini Technici catalogue, publ. Salon Verlag, Cologne ISBN 3-89770-150-2 (D) 2002 Hermes Insensed no.57, no.59, Holding the Baby short story by Ury with two portraits of Peter Zadek No. 1 & No. 2 15.07.2000, in Ambivalence catalogue ISBN 3- 928239-66-X (D) 2002 Dual(national)ity on internet home page: www.tanyaury.com 2002 Transcending the Ladder article by Ury in 'From Work to Word', publ. Korridor Verlag ISBN 3-9804354-8-2 (D) 2003 Hotel Chelsea - Köln script by Ury 1995 in Gesellschafstheorie und Postcoloniale Kritik (Social Theory and Post-Colonial Critique), publ. Unrast Verlag ISBN 3-89771-425- 6 (D) 2004 (11) Das Leiden anderer Missachten - Disregarding the Pain of Others, article on web site (D) 2004 (12) Transcending the Ladder 2002, article by Ury with 58 images, web site 2005 Who’s Boss project presented in "Stets gern für Sie beschäftigt…" (”Always glad to be of service…”) catalogue, ifa Galerie, Berlin 2005 (27.1) Interview by Julia Kaiser, Who’s Boss, Deutschland Radio, Berlin (D) 2005 (27.1) "Stets gern für Sie beschäftigt…" (”Always glad to be of service…”), ifa- Ausstellung über “Industrie und ihre NS – Auftraggeber” (ifa exhibition about “Industry and its National Socialist employers”, Kulturradio, rbb-online.de Im Hörfunk, Berlin (D) 2005 (3.2) Interview by Otto Langels Scala, Who’s Boss, WDR Radio, Cologne (D) 2005 (4.2) Interview by Katrin Cüruk, Who’s Boss TDI a, Life Style-Magazin, Kabelfernsehen (cable TV) DT1 Deutsch-Türkisches Fernsehen (German-Turkish TV), Berlin TV (D) 2005 (2) Thorn in the side, interview by Amin Farzanefar, with image Art Prize No. 4, Zeitschrift für Kultur Austausch (Magazine for Cultural Exchange) (D) 2005 (2) Interview by Von Oppen Deutschlandfunk, WDR Berlin (D) 2005 (1.4) Who’s Boss project presented in Anti-Flick-Collection Edition of Texte zur Kunst, in the TAZ newspaper, Berlin (D) 2005 (6) Das Leiden Anderer Missachten - Disregarding the Pain of Others, article in FILMRI:SS - Studien zum UNTERGANG der Erinnerung (Memory Loss – Studies in the downfall of Memory), Unrast Verlag ISBN 3-89771-435-3 (D) 2005 Interview by Doris Frohnapfel in Border Horizons, edited by Doris Frohnapfel, Salon Verlag ISBN 3-89770-241-X (D) 9

2005 (12) Interview Isabella Herskovics, Promised Land, Saarländisches Radio (D) 2005 (4.12) Interview Dominik Rzepka, Promised Land, Radio Dom, Cologne (D) 2006 (26.8) Interview with Aron Hadar and images: Promised Land: Beelzebularin and Who’s Boss: Art Prize No. 4, Ha’aretz (IL) 2006 (12) Stick Insect (Stechmücke), short story (English and German versions), Bet Debora conference 2003 web site: http://www.bet- debora.de/neu/tag_jour3/das/tagungen_jour3_das2.htm

Curation 1988 Screenings of degree finalists’ film & video work, Exeter Art Centre (GB) 1988 Screenings of all Tarkovsky films, Exeter College of Art, Plymouth University (GB) 1990 Screening of Ticket of no Return, Ulrike Ottinger, Reading University campus cinema (GB) 1990 Co-curator with Susan Brind and Jim Harold of one day multi-media event: Vital states - Subtle Histories, Reading Festival, sponsored by Reading Borough Council and Reading University (GB) 1992 Ury initiates student exchange system between Fine art department, Sheffield Hallam University and Media Art Academy Cologne (D) 1992 Screening of 13 German feature films courtesy of the Goethe Institute, Fine Art Department, Sheffield Hallam University (GB) 1994 Don't call me Erotic, Feminale Women's Film Festival opening programme, featuring 5 Anglo/Jewish women artists, Cologne (D) 1996 Magnum Opus II (performance/installation), Anglo/Israeli artists Oreet Ashery & Daniel Rubinstein at 68Elf Galerie Cologne (D) 1999 Menschen Wie Du Und Ich - 4 artists in response to the exhibition: Vernichtungskrieg Verbrechen der Wehrmacht 1941 bis 1944 (Crimes of the German Army 1941-44), Cologne City Museum (D) 2000 Aesthetik 1,2,3, Ralph Bageritz, Katrin Nalop, Tanya Ury, 68 Elf Galerie Cologne, (D)

Collections 1997 2 Photos from Hotel Chelsea - Köln video stills, from the Photoseries Edition 21 C Prints 1995 in collectors portfolio, Mensch 2000, Marianne Lindow, Cologne (D) 2000 Ô d’Oriane, no. 9, in private collection, Jörg Pattberg Cologne (D) 2000 Blue Danaé 1, in private collection Dr. Cathy Gelbin (GB) 2000 Video: Hotel Chelsea - Köln and 2 Photos from Hotel Chelsea - Köln video stills, from the Photoseries Edition 21 C Prints 1995 in the Heinrich Miess Collection, Museum Ludwig, Cologne (D) 2001 Jack the Ladder, small version, in private collection Echo Ho, Cologne (D) 2001 Hermes Insensed, no. 49, no. 51 (variation), two photographs, in private collection Kai Scheuermann, Cologne (D) 2002 2 Portraits of Peter Zadek, small versions, in private collection, Vecoli (I) 2002 Hermes Insensed no.57, small version in private collection Dr. Béatrice Roschanzamir, Bonn (D) 2004 Between the Lines, Edition Rolf Steiner's "Die weite Welt" (The Wide World) in the Graphic Collection, Museum Ludwig, Cologne (D) 2004 Jack the Ladder, small version, in private collection Dr. Christoph Kivelitz, Bochum (D) 2004 lesser is me more or less, small version (H32 x B45cm) in private collection Dr. Sybille Gross, Berlin (D) 2006 Who’s Boss: Soul Brother: Shaheen, (51,63 x 28 cm), private collection Claudia Burbaum, Berlin (D)