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SESSIONS Pasted Into the Cistercian Prayerbook of Martinus Boschman All Sessions Will Be Held at the Hilton New York Unless Walter S

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SESSIONS Pasted Into the Cistercian Prayerbook of Martinus Boschman All Sessions Will Be Held at the Hilton New York Unless Walter S Wednesday Sese oblectari in dies: The Meditative Function of the Wierix Prints PROGRAM SESSIONS Pasted into the Cistercian Prayerbook of Martinus Boschman All sessions will be held at the Hilton New York unless Walter S. Melion, Emory University otherwise noted. Miraculous Matter of Neapolitan Baroque Art Helen Hills, University of York Wednesday, February 13 Discussant: Alexander Nagel, Institute of Fine Arts, 9:30 AM–12:00 PM New York University the proof Is in the print: Avant-Garde Approaches to the Historical Materials of photography’s Avant-Garde nordic Modernism at Home and Abroad, 1880–1920 Rendezvous Trianon, 3rd Floor Morgan Suite, 2nd Floor Chairs: Mitra Monir Abbaspour, The Museum of Modern Art; Chairs: Kirsten Jensen, Hudson River Museum; Leslie Anne Lee Ann Daffner, The Museum of Modern Art Anderson, The Graduate Center, City University of New York The Platinum and Palladium Initiative: Tools and Strategies for Krøyer’s Beach: Nordic Modernism and the Reemergence of Denmark, Interdisciplinary Collaboration 1880–1910 Constance McCabe, National Gallery of Art Thor J. Mednick, University of Toledo Tzara’s Mark: The Vintage Photographic Print, Unique Nordic “Genius”: German Patronage of Edvard Munch’s Art and Proliferating Hilde Marie Jamessen Rognerud, Nasjonalmuseet for kunst, Adrian Sudhalter, Dedalus Foundation arkitektur og design, Oslo Failure to Launch: Photography and the Modern American Mural Creating a Finnish National Identity at the 1900 Paris Kara Fiedorek, Institute of Fine Arts, New York University Universal Exposition Margaret Herman, The Graduate Center, City University of “You Have Seen Their Pictures”: Towards a Material History of New New York Deal Photography Stephen Pinson and Erin L. Murphy, The New York Public Library The Norwegian Contributions to the 1912–3 Scandinavian Art Exhibition and Their Impact on North American Painting Clarence Burton Sheffield, Rochester Institute of Technology Destruction of Cultural Heritage in European Countries in transition, 1990–2011 Discussant: Patricia G. Berman, Wellesley College Sutton Parlor Center, 2nd Floor Chair: Rozmeri Basic, University of Oklahoma Multiples in Context: the Early Years Impossible to Silence: Enduring Trauma and the Legacy of Vernacular Sutton Parlor North, 2nd Floor Architecture in the Middle Gediz Valley, Western Turkey, 1900–2011 Chairs: Meredith Malone, Mildred Lane Kemper Art Christina Luke, Boston University Museum, Washington University in St. Louis; Bradley Bailey, Saint Louis University Transitional Territories and Berlin’s East German Cultural Heritage Kristine Nielsen, University of Illinois Paradox of the Original and Its Reinterpretation: Marcel Duchamp and Man Ray’s Editioned Replicas The Neglected Murals of Macedonia with Special Emphasis on the Adina Kamien-Kazhdan, The Israel Museum Holy Mother of God Peribleptos Church, Ohrid, Macedonia Rolf Achilles, independent art historian Art à prix modéré: Spectacle and Social Democracy in the GRAV’s Multiples New Memorials for New Countries: Substituting Collective Lily Woodruff, Michigan State University Memory for Spite Rozmeri Basic, University of Oklahoma Samples without Value: Piero Manzoni’s Art of Distribution Gregory Tentler, Rhode Island School of Design Discussant: Ekaterina Kudryavtseva, Stetson University The “Expandable, Renewable” Artwork Liz Kotz, University of California, Riverside transmaterialities: Materials, process, History Beekman Parlor, 2nd Floor Chairs: Richard Checketts, University of Leeds; Marta Ajmar, Seeing/Knowing: Image theory and learning Strategies Victoria and Albert Museum across the University Curriculum Madison Suite, 2nd Floor The Generative Possibilities of Base Materiality in Postwar Chair: Natalie R. Marsh, Graham Gund Gallery, Kenyon College Conceptions of Art and Architecture Alex Potts, University of Michigan Seeing, Knowing, Showing: Experiments in “Visualizing the Liberal Arts” The Material Means of Bauhaus Paper Studies Laurel Bradley, Carleton College Jeffrey Saletnik, Amherst College Seeing, Knowing, and Showing: Curricular Exhibitions in the Library Margaret Pezalla-Granlund, Carleton College 30 college art association February 13 –16, 2013 31 Wednesday From Visual Pedagogies to Learning Theories: Using Academic plato’s Dilemma: Unweaving the threads Binding Art The Digitizing of Maori Cultural Heritage: Blurring the Boundaries of Wednesday, February 13 Museums to Catalyze Campus-Wide Learning and Religion an Object, Its Documentation, and Its Distribution 12:30 PM–2:00 PM Steven S. Volk and Liliana Milkova, Oberlin College West Ballroom, 3rd Floor M. Brinker Ferguson, University of California, Santa Cruz Chair: Donald Preziosi, University of California, Los Angeles Yo Veo: Visual Interventions Performing Culture: The Art Practice of Ani O’Neill Association of Academic Museums and Galleries Robert Colby, University of North Carolina at Chapel Hill Attentiveness, Decreation, Immanence: Benjamin, Weil, Deleuze Caroline Vercoe, The University of Auckland A two Way Street: How Academic Museum and Gallery Jae Emerling, University of North Carolina, Charlotte programming Can Achieve Curricular Impact Platform: The University Museum as Propagator and Disseminator Beekman Parlor, 2nd Floor of Cross-Disciplinary Research An Icon for Nonconformists New Media Caucus Chair: Leonie Bradbury, Montserrat College of Art Galleries Kathryn Bonansinga, University of Cincinnati Andrei Pop, University of Basel Art in the Age of High Security Nassau Suite, 2nd Floor Using Art Museums to Leverage Campus-Wide Learning: A Queer Cross: Art, Religion, and the Thorns of Desire Chairs: Jenny Vogel and David Stout, University of North Texas Two Case Studies from Oberlin College Horace Ballard, Brown University Beyond Good or Bad: practice-Derived Epistemologies Steven S. Volk and Taylor Allen, Oberlin College Images for an Unknown Public of Studio Critique From Ritual Objects to the Avant-Garde: Jews and the Search for Jenny Vogel, University of North Texas Art and Science in Dialogue: Object-Based Workshops at the Regent Parlor, 2nd Floor Religious Meaning in Art Smart Museum Chairs: Adelheid Mers, School of the Art Institute of Chicago; Jeffrey Abt, Wayne State University Noise, Art, and Weaponized Abstraction Anne Leonard and Sidney R. Nagel, University of Chicago Judith Leemann, Massachusetts College of Art and Design David Stout, University of North Texas Against the Day: Chiasmatic Disconcordances and Semblances Academic Galleries as Learning Laboratories: Bridging Theory and Getting Closer: Critique as an Integral Source in Learning amongst the Ungoverned Building a More Perfect Drone Practice at Columbia College Chicago through Making Scott Contreras-Koterbay, East Tennessee State University Nadav Assor, Connecticut College Sara Black, Antioch College Neysa Lillian Page-Lieberman and Robert John Blandford, How Does a Patriot Act? Columbia College Chicago Demystifying Critique: Exploring Language and Interaction ARTspace Clark Shaffer Stoeckley, Bloomfield College with Non-Native Speakers of English On the practice of Artist Arbiter Allison Yasukawa, Maryland Institute College of Art Discussant: David Schwarz, University of North Texas Society for Photographic Education Murray Hill Suite, 2nd Floor traversing the void: Synchronized Community projects Working Space: Online Models for Studio Art Critiques Chairs: Shannon Rae Stratton, threewalls and School of Gramercy B, 2nd Floor Cultivating nature as Art: Dialogues on the Rustic Garden in David MacWilliam, Emily Carr University of Art and Design the Art Institute of Chicago; Duncan Mackenzie, Columbia Chair: Shannon Lee Castleman, Nanyang Technological University College Chicago the long Eighteenth Century and the Contemporary practice Sometimes the Work Has to Risk Not Being Art: Studio Critique, of Organic Art in the landscape post-1960 Truthtelling, and Generosity Gibson Room, 2nd Floor CAA International Committee Randy Lee Cutler, Emily Carr Institute of Art and Design Studio Art Open Session Chairs: Susan Wilson, independent scholar; Yuen Lai Winnie Chan, International Collaborative Arts: Conversations on practice, the Empathetic Body: performance and the Blurring of Expanding the Critique: Contemporary Art as Practice University of Oxford Research, and Education private Self in Contemporary Art Sutton Parlor Center, 2nd Floor Joey Orr, Emory University Picturesque before the Picturesque: Elements of Rustic Nature Sutton Parlor South, 2nd Floor Chairs: Diane Derr and Radha Dalal, Virginia Commonwealth in Polish Gardens before the Middle of the Eighteenth Century Crit-Space as a Research Place Chair: Tricia Van Eck, 6018NORTH University in Qatar Graeme Sullivan, Pennsylvania State University Anna M. Oleńska, Polish Academy of Science and Encountering the Empathetic Audience in Contemporary Art Humanities, Warsaw Planetary Collegium and the I-Node: The Right to Knowledge Tricia Van Eck, 6018NORTH Katerina Karoussos, I-Node, Planetary Collegium to What End? Eschatology in Art Historiography The Rustic Taste in Holland’s Early Nineteenth-Century Xavier Le Roy, independent artist Petit Trianon, 3rd Floor Landscape Garden Leading through Collaboration: A Chairperson/Faculty Perspective Chair: Jeanne-Marie Musto, Fordham University Vesna Krstich, Upper Canada College Vanessa Bezemer Sellers, New York Botanical Garden Muneera Spence, Virginia Commonwealth University in Qatar Projecting the Future in German Art Historiography of the Nineteenth Potluck: Bring/Do/Be What You Can “Humble and Simple”:
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