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Reform Judaism: in 1000 Words the Messianic Age and Redemption
Reform Judaism: In 1000 Words The Messianic Age and Redemption Context What does it mean to speak about redemption, the Messiah or a Messianic Age in the context of Reform Judaism? The early Reformers removed many of the mentions of a personal Messiah and the desire to rebuild the Temple and it’s sacrificial practices, feeling these were not modes we wished to return to in a modern age. In that context, what resonance do these ideas hold for us in our lives? How do we interact with our formative texts when they present visions of a redeemed world to come? In these two articles, Rabbi Sybil Sheridan and Rabbi Daniel Lichman explore these questions in two very different ways. Content – The Messianic Age - Rabbi Sybil Sheridan But in the last days it shall come to pass, that the mountain of the house of the Eternal shall be established in the top of the mountains, and it shall be exalted above the hills; and people shall flow to it. Many nations shall come, and say, Come, and let us go up to the mountain of the Eternal, and to the house of the God of Jacob; and God will teach us the ways, and we will walk in God’s paths; for Torah shall go forth from Zion, and the word of the Eternal from Jerusalem. God shall judge between many peoples, and shall decide concerning far away strong nations; and they shall beat their swords into ploughshares, and their spears into pruning hooks; nation shall not lift up sword against nation, nor shall they learn war any more. -
Jewish Survivors and Descendants of Survivors of Nazi Genocide Unequivocally Condemn the Massacre of Palestinians in Gaza
Jewish survivors and descendants of survivors of Nazi genocide unequivocally condemn the massacre of Palestinians in Gaza As Jewish survivors and descendents of survivors of the Nazi genocide we unequivocally condemn the massacre of Palestinians in Gaza and the ongoing occupation and colonization of historic Palestine. We further condemn the United States for providing Israel with the funding to carry out the attack, and Western states more generally for using their diplomatic muscle to protect Israel from condemnation. Genocide begins with the silence of the world. We are alarmed by the extreme, racist dehumanization of Palestinians in Israeli society, which has reached a fever-pitch. In Israel, politicians and pundits in The Times of Israel and The Jerusalem Post have called openly for genocide of Palestinians and right-wing Israelis are adopting Neo-Nazi insignia. Furthermore, we are disgusted and outraged by Elie Wiesel’s abuse of our history in other media to promote blatant falsehoods used to justify the unjustifiable: Israel’s wholesale effort to destroy Gaza and the murder of nearly 2,000 Palestinians, including many hundreds of children. Nothing can justify bombing UN shelters, homes, hospitals and universities. Nothing can justify depriving people of electricity and water. We must raise our collective voices and use our collective power to bring about an end to all forms of racism, including the ongoing genocide of Palestinian people. We call for an immediate end to the siege against and blockade of Gaza. We call for the full economic, cultural and academic boycott of Israel. “Never again” must mean NEVER AGAIN FOR ANYONE! Signed, Survivors Sonia Herzbrun, survivor of Nazi genocide, Tom Mayer, son of survivor and grandson of David Rohrlich, son of refugees from Vienna, H. -
Happy Birthday Harry
January/February 2016 VOL. XLIII No. 1 Liberal Judaism is a constituent of the World Union for Progressive Judaism www.liberaljudaism.org ljtoday Happy birthday Harry Mitzvah Day NE OF Liberal Judaism’s most The Liberal Jewish Synagogue (LJS) Award for NPLS beloved, and senior, rabbis service was taken by two of Harry’s Ocelebrated his 90th birthday with children, Rabbis Dr Margaret and Richard special services and kiddushim held at Jacobi, along with LJS senior rabbi, communities all over the UK. Rabbi Alexandra Wright. Harry gave the Rabbi Harry Jacobi was joined by sermon. Others in attendance included friends, family and Liberal Judaism Simon Benscher and Rabbi Danny Rich, members at events at The Liberal Jewish the chair and senior rabbi of Liberal Synagogue, Woodford Liberal Synagogue, Judaism, Rabbi Rachel Benjamin and Birmingham Progressive Synagogue, Rabbi Dr David Goldberg. Southgate Progressive Synagogue, At the end of the service, Harry was Northwood & Pinner Liberal Synagogue visibly moved as his young granddaughter and South Bucks Jewish Community. Tali presented him with a Festschrift Harry, who was born as Heinz Martin written in his honour. The book, reviewed Hirschberg in October 1925, and grew on page 10 of this issue of lj today, was up in Auerbach, Germany, twice fled the edited by Rabbi Danny Rich and features Nazis to become one of Britain’s most contributions from leading Progressive NORTHWOOD & PINNER LIBERAL respected and inspiring religious leaders. Jewish rabbis and thinkers. Another SYNAGOGUE (NPLS) won this year’s granddaughter, Abigail, Mitzvah Day Award for Interfaith wrote the biography Partnership of the Year. -
Over 300 Survivors and Descendants of Survivors and Victims of the Nazi Genocide Condemn Israel’S Assault on Gaza
Over 300 Survivors and Descendants of Survivors and Victims of the Nazi Genocide Condemn Israel’s Assault on Gaza Jewish survivors and descendants of survivors and victims of Nazi genocide unequivocally condemn the massacre of Palestinians in Gaza As Jewish survivors and descendants of survivors and victims of the Nazi genocide we unequivocally condemn the massacre of Palestinians in Gaza and the ongoing occupation and colonization of historic Palestine. We further condemn the United States for providing Israel with the funding to carry out the attack, and Western states more generally for using their diplomatic muscle to protect Israel from condemnation. Genocide begins with the silence of the world. We are alarmed by the extreme, racist dehumanization of Palestinians in Israeli society, which has reached a fever-pitch. In Israel, politicians and pundits in The Times of Israel and The Jerusalem Post have called openly for genocide of Palestinians and right-wing Israelis are adopting Neo-Nazi insignia. Furthermore, we are disgusted and outraged by Elie Wiesel’s abuse of our history in these pages to justify the unjustifiable: Israel’s wholesale effort to destroy Gaza and the murder of more than 2,000 Palestinians, including many hundreds of children. Nothing can justify bombing UN shelters, homes, hospitals and universities. Nothing can justify depriving people of electricity and water. We must raise our collective voices and use our collective power to bring about an end to all forms of racism, including the ongoing genocide of Palestinian people. We call for an immediate end to the siege against and blockade of Gaza. -
Book of Abstracts
BOOK OF ABSTRACTS BOOK OF ABSTRACTS BOOK OF ABSTRACTS KISMIF Convenors International Conference Keep it Simple, Make it Fast! Andy Bennett and Paula Guerra Underground Music Scenes and DIY Cultures 8-11 July 2014 KISMIF Organizing Committee Faculty of Arts of the University of Porto and Andy Bennett, Augusto Santos Silva, Carles Feixa, Casa da Música – Porto, Portugal José Machado Pais, Luís Fernandes, Manuel Loff, Paula Abreu, Paula Guerra, Pedro Costa and Publisher Rui Telmo Gomes. Faculdade de Letras da Universidade do Porto (Faculty of Arts of the University of Porto) – Porto, Portugal KISMIF Executive Commission Ana Oliveira, João Queirós, Paula Abreu, Paula Guerra, ISBN Pedro Quintela, Rui Telmo Gomes, Tânia Moreira, Teresa 978-989-8648-26-6 Velásquez and Vítor Massa. Editors KISMIF Volunteers Paula Guerra, Andy Bennett (Supervising Editors) Alexandra Ferreira Carvalho, Ana Luísa Aguiar, Ana Rita Tânia Moreira Ribeiro, Ana Silva, Andreia Marques, Andreia Pinheiro, Ângela Pinto, Bárbara Pereira, Beatriz Duarte, Bernardo Edition Guerra, Bruna Gonçalves, Catarina Barbosa, Catarina KISMIF Conference and Faculty of Arts of the University Pinho, Catarina Ribeiro Figueiredo, Cláudia Alves, Daniela of Porto Oliveira, Diana Ferreira, Diana Silva, Diogo Cardoso, Diogo Guedes Vidal, Diogo Ribeiro, Eduardo da Silva, Eliana Design Frazão, Fátima Soares, Francisco Reis, Gil Fesch, Inês Rita Araújo and Marta Borges Guimarães, Inês Pereira, Inês Pinto, Inês Ramos Marques, Isabel Magalhães, Jennifer Moody, Jéssica Cardoso, Photos Joana Carvalho, -
Sybil Sheridan History of Women in the Rabbinate
Sybil Sheridan History of Women in the Rabbinate: a Case of Communal Amnesia* It seems strange to be offering as history something that has in the main occurred in my own lifetime. Part of this makes me feel very old, as when my son asked me: “Mummy, was it the first world war or the second world war when you were a little girl?” But the history actually goes back quite some way: not just to 1976, when Rabbi Jacqueline Tabick was first ordained in England, nor to the ordination of Rabbi Sally Priesand in the USA in 1972, but at least a century. Why have we not heard of it? Because up to this moment, the history of women in the Rabbinate can be summed up quite neatly as a history of forgetting – a case of communal amnesia. To explain, I must apologise for beginning with a very personal moment in my own life, the day in October 1993 when Dr Hermann Simon, director of the Zentrum Judaicum Foundation in Berlin, came to the Leo Baeck College in London and presented a gift: a photograph and the ordination certificate of Rabbi Regina Jonas, ordained in Germany in 1935. The story of Rabbi Jonas may be well known to some; to others it will be new. Regina Jonas was born on 3 August 1902 in Berlin1 and at the age of 21 began working as a teacher of religion in the Orthodox Jewish School where her brother, Abraham also taught. Not content just to be a teacher, she * This article is based on a lecture given at Bet Deborah, Berlin to the European Conference of Women Rabbis, Cantors and Scholars, 13-16 May 1999 / 27 Iyar – 1 Sivan 5759; a shorter version has been published in German in the report of the conference: Sybil Sheridan, “Der Geschichte nicht trauen,” in: Bet Debora Berlin, Journal Nr. -
Naomi Sassoon Danny Allen, Maya, Ellen, Gregg Naomi Sassoon
Time Slot Session 1 Session 2 Session 3 Lunch Session 4 Session 5 Session 6 Later Room 10:00 - 11:00 11:10 - 12:10 12:20 - 13:20 13:20 - 14:20 14:20 - 15:20 15:30 - 16:30 16:40 - 17:40 17:40-18:20 Christian and Jews: The untold story of England's Evidence, Faith, Religion and the Scientific Room 1 Fascination with Judaism Israel‟s Negev – The rebirth of Zionism Darwin, Hawking, Dawkins - A Jewish Reponse Method What loving Israel means History/Religion Israel Religion vs. Science Faith/Cont.issues Discussion David Ariel Raymond Dwek Eli Lejeune Adam Squires Hannah Weisfeld An Oxford Mystery-the City‟s Hidden Jewish The Israel Defence Forces: Military Cultural Room 2 An old linen bag of letters History A short history of Israeli rock music Narratives In the middle of nowhere? History History/Community Israel/Music Israel/Cont. issues Text/Religion/Faith Jonathan Wittenberg Evie Kemp Nick Gendler Ofer Fridman Clive Lawton CHAVRUTA: Tweet Me Some Torah: Madame Rosa – another Tall Story by Romain The Arab-Israeli Conflict. Are we getting both Malaria in Palestine 100 years ago and its current The Jewish Settlement in Palestine During the Room 3 A river runs through it Gary sides of the story? overlooked or forgotten lesson to the world First World War Text/Religion/Faith Literature Israel/Cont. issues Israel/history Israel/History Zvi Solomons, Hadassa Davis Judi Lyons Nomi Ben Ari Anton Alexander Glenda Abramson Vienna and the Jews – The making of the In conversation with the Serpent – Analysing the A Hitch-hiker‟s guide to the Jewish Year: -
Arbeiten Am Archiv. Die Künstlerin Tanya
DEUTSCHLANDFUNK – Köln Redaktion Hintergrund Kultur Redakteurin Ulrike Bajohr Feature Arbeiten am Archiv – Die Künstlerin Tanya Ury Von Astrid Nettling Regie: Burkhard Reinartz Urheberrechtlicher Hinweis Dieses Manuskript ist urheberrechtlich geschützt und darf vom Empfänger ausschließlich zu rein privaten Zwecken genutzt werden. Die Vervielfältigung, Verbreitung oder sonstige Nutzung, die über den in §§ 44a bis 63a Urheberrechtsgesetz geregelten Umfang hinausgeht, ist unzulässig. © - unkorrigiertes Exemplar - Sendung: Freitag, 23. Januar 2015, 20.10 - 21.00 Uhr 1 Musik A) CD, Tanya Ury: Das Fundament hat nur darauf gewartet zusammenzubrechen. 01 O-Ton (1) (Tanya Ury): Man geht davon aus, wenn man Sachen an ein Archiv leiht, dass da nichts geschehen wird. Diese Vorstellung, dass das weg ist, ist ein furchtbarer Verlust für mich. Wenn es um meine Familiengeschichte geht, dann geht es um eine jüdische Familie, man hat versucht, sie zu vernichten und war jetzt nicht vorsichtig genug, und eine andere Art Vernichtung ist wieder geschehen. Sprecherin (1): Am 03. März 2009 stürzt das Historische Archiv der Stadt Köln in sich zusammen. Fast der gesamte Bestand aus über 1200 Jahren Stadt-, Regional- und Kirchengeschichte rutscht in den riesigen Krater, der durch Bauarbeiten für die neue U-Bahn unmittelbar neben dem Archivgebäude entstanden war. 02 O-Ton (2) (Tanya Ury): Das Stichwort 'Archiv' und 'Archivieren' wurde mir erst absolut klar bewusst, als ich und meine Familie die Familienpapiere und andere persönliche Sachen der Stadt Köln geliehen habe, also, Historisches Archiv der Stadt Köln, und als das eingestürzt ist. Ansage: Arbeiten am Archiv – Die Künstlerin Tanya Ury. Feature von Astrid Nettling Sprecherin (2) (Tanya Ury, Die Gehängten, 1): Ein großer Teil meiner Familie stammt aus Köln. -
Call for Proposals for the Hans and Lea Grundig Prize 2017
Call for Proposals for the Hans and Lea Grundig Prize 2017 A diasporist lives and paints in two or more societies at once. Diasporic art is contradictory at its heart, being both internationalist and particularist. It can be inconsistent, which is a major blasphemy against the logic of much art education, because life in Diaspora is often inconsistent and tense; schismatic cont- radiction animates each day. (R.B. Kitaj’s “Diasporist Manifesto”, 1988) A prize named in commemoration of the artists Hans Grundig (1901–1958) and Lea Grundig (1906–1977), under the patronage of the Rosa Luxemburg Foundation will be awarded for artistic and art historical achievement, as well as for achievement in the communication of art. The category Artistic Projects welcomes completed and already exhibited contemporary contributions that reflect on R.B. Kitaj’s diasporist philosophy: contradiction, resistance, migration, flight, and exile — ever more people live in different societies concurrently and venture art that in its radicalness is political. The category Art Historical Works welcomes research that focuses on the analysis and exploration of the diasporic in the work of artists who have personally experienced persecution and enforced exile. Especi- ally welcome are contributions on the themes “Proletarian Revolutionary Art”, “Verism in the 20th cen- tury”, “Exile Art in Palestine/Israel”, as well as “Jewish Artists in Divided Postwar Germany”. The category Communication of Art welcomes submissions addressing curatorial projects that have pro- moted, and continue to promote the communication of research and works concerned with socio-critical art practices of the 20th and 21st century. This prize has been granted biannually since 2015. -
The Liberal Jewish Synagogue
The Liberal Jewish Synagogue The Learning Circle Classes in Jewish Studies and Hebrew SPRING 2021 / 5781 And do not say, when I have leisure, I will study. Perhaps you will never have leisure (Avot 2:4) Welcome to The Liberal Jewish Synagogue’s Learning Circle The Learning Circle is the Liberal Jewish Synagogue’s adult education programme. The synagogue offers a range of courses, from Hebrew for beginners to the study of biblical and prayer book texts, aimed at strengthening reading skills and comprehension of the language. Exploring Judaism is open to Members, Friends and visitors who wish to learn about Judaism, the Jewish people and Jewish observance, and is recommended for all those who are converting to Judaism. In addition, there is a range of other cultural and intellectual events, opportunities for interfaith dialogue and discussion. Since March 2020, all our classes and events have been online, and we anticipate that we will continue our virtual learning throughout this Spring term until at least April 2021. This means that you can join us from wherever you are in the world! We hope that there will be something that will attract you to enrol on one of the courses. Please spread the word! If you would like advice, including which level of Hebrew is suitable for you, please contact Debi Penhey at [email protected]. You are welcome to try out a class and change if necessary. Rabbi Alexandra Wright, Rabbi Igor Zinkov and Rabbi Dr Michael Hilton CONTENTS A GUIDE TO THE YEAR 1 WELCOME TO THE ISRAEL ABRAHAMS LIBRARY 2 REGULAR DAYTIME COURSES 3 EXPLORING JUDAISM 4 CLASSICAL HEBREW CLASSES ON TUESDAY EVENINGS 6 SHORT COURSES TUESDAY EVENINGS - Rabbi Dr Michael Hilton 9 SHORT COURSES THURSDAY EVENINGS - CPD for teachers 10 SHABBAT MORNING CLASSES 11 EXTERNAL ORGANISATIONS: Leo Baeck College 13 APPLICATION FORM 14 Cover illustration: Fano (acrylic on board), Powis, Paul All images by Paul Powis, courtesy of Bridgeman Images Nocturne (oil on board), Powis, Paul A GUIDE TO THE YEAR Please note that all courses listed below will be ONLINE until at least April 2021. -
Narratology, Hermeneutics, and Midrash
Poetik, Exegese und Narrative Studien zur jüdischen Literatur und Kunst Poetics, Exegesis and Narrative Studies in Jewish Literature and Art Band 2 / Volume 2 Herausgegeben von / edited by Gerhard Langer, Carol Bakhos, Klaus Davidowicz, Constanza Cordoni Constanza Cordoni / Gerhard Langer (eds.) Narratology, Hermeneutics, and Midrash Jewish, Christian, and Muslim Narratives from the Late Antique Period through to Modern Times With one figure V&R unipress Vienna University Press Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. ISBN 978-3-8471-0308-0 ISBN 978-3-8470-0308-3 (E-Book) Veröffentlichungen der Vienna University Press erscheineN im Verlag V&R unipress GmbH. Gedruckt mit freundlicher Unterstützung des Rektorats der Universität Wien. © 2014, V&R unipress in Göttingen / www.vr-unipress.de Alle Rechte vorbehalten. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Printed in Germany. Titelbild: „splatch yellow“ © Hazel Karr, Tochter der Malerin Lola Fuchs-Carr und des Journalisten und Schriftstellers Maurice Carr (Pseudonym von Maurice Kreitman); Enkelin der bekannten jiddischen Schriftstellerin Hinde-Esther Singer-Kreitman (Schwester von Israel Joshua Singer und Nobelpreisträger Isaac Bashevis Singer) und Abraham Mosche Fuchs. Druck und Bindung: CPI Buch Bücher.de GmbH, Birkach Gedruckt auf alterungsbeständigem Papier. Contents Constanza Cordoni / Gerhard Langer Introduction .................................. 7 Irmtraud Fischer Reception of Biblical texts within the Bible: A starting point of midrash? . 15 Ilse Muellner Celebration and Narration. Metaleptic features in Ex 12:1 – 13,16 . -
Turks, Jews, and Other Germans in Contemporary Art an Introduction
peter chametzky Turks, Jews, and Other Germans in Contemporary Art An Introduction The urge to migrate is no less “natural” than the urge to settle. Kwame Anthony Appiah One might argue, in fact, that it is simply irresponsible for European states to continue to allow significant segments of their populations to be driven by nostalgia for homogeneity. There is no longer room to pretend that European countries will return to some imagined, idealized state of ethnic and cultural sameness. Rita Chin ich werde deutsch ch werde deutsch (I become German) provides the provocative Ititle for a series begun in 2008 of large-scale, staged photographs by German photographer Maziar Moradi. Born in Tehran in 1975, Moradi’s series 1979 told the story of his own family’s experience in and emigra- tion from Islamic revolutionary Iran and won the German Photographic Society’s biennial Otto Steinert Prize in 2007. In Ich werde deutsch each image presents a transitional moment, now experienced in Germany, within extended geopolitical narratives of migration not limited to the artist’s family or to Iran. Moradi has described the series: I become German tells the stories of young migrants who have left their homelands and begun a new life in Germany, but through their families have grown up with a different cultural background. I’ve collected stories from these young people with a migration background (Menschen mit Migrationshintergrund) from childhood to adulthood . They relate problems . but also positive experiences and transformations . This project is a continuation of my work about my family, 1979 . but this time it’s about the next genera- tion, their children.1 655 THE MASSACHUSETTS REVIEW Peter Chametzky Many of the photographs in Ich werde deutsch depict single, contem- plative figu es in evocative settings.