Eclipse Over America KQED Perks KQED Member Day at the Bay Area Discovery Museum

Total Page:16

File Type:pdf, Size:1020Kb

Eclipse Over America KQED Perks KQED Member Day at the Bay Area Discovery Museum Member Magazine AUGUST 2017 Eclipse Over America KQED Perks KQED Member Day at the Bay Area Discovery Museum Come experience Daniel Tiger’s Neighborhood: A Grr-ific Exhibit at the Bay Area Discovery Museum in Sausalito! Based on the award-winning PBS KIDS television series that follows the adventures of four-year-old Daniel Tiger and his friends, this exhibit brings the neighborhood to life for children. On Saturday, August 26, show valid ID and your KQED MemberCard or membership info from On Q magazine to receive free admission for yourself and a guest. bayareadiscoverymuseum.org The Moth Mainstage Returns to San Francisco KQED proudly presents the return of the Moth Mainstage to San Francisco, featuring true, personal stories told by people from all walks of life. Each show starts with a theme, and the storytellers explore it, often in unexpected ways. The shows dance between documentary and theater, creating a unique, intimate and often enlightening experience for the audience. Thursday, September 28 Doors open at 7pm, show at 8pm The Herbst Theatre 401 Van Ness Ave., San Francisco Orchestra: $100/KQED members; $110/nonmembers Balcony: $85/KQED members; $95/nonmembers Tickets at cityboxoffice.com or 415.392.4400. Use code KQEDFM for discount. Last Chance to Enter Member Sweepstakes You still have time to enter the 2017 KQED Member Sweepstakes. Don’t miss out on your chance to win $20,000 in cash, a trip to marvelous Mexico or a magical Mediterranean cruise of your own design! All entries must be received by August 31, 2017. Visit kqed.org/sweepstakes to view this year’s prizes and complete rules. Donations are not necessary to enter or win. Void where prohibited. Restrictions may apply. Photos: (page 2, top and middle) courtesy Bay Area Discovery Museum; courtesy Denise Ofelia Mangen; (cover) Jay Pasachoff amd Ron Dantowitz. On Q August 2017 KQED Public Radio KQED Public Television Eclipse Over America NOVA’s special day-of presentation of the historic event. On Monday, August 21, 2017, America’s on the West Coast to South Carolina NOVA “Eclipse Over America” Get magazine online: kqed.org/OnQ eyes will be glued to the skies as the on the East Coast, enabling continuous airs Monday, August 21, at mainland of the United States experiences observation for 90 minutes. 9pm on KQED 9. the first total solar eclipse since 1979 “Eclipse Over America” will be the and the first to cross the country since ultimate companion to this spectacular Don’t miss KQED Science’s 1918. PBS’s award-winning science series celestial event. NOVA will follow teams special coverage of the eclipse NOVA will capture the spectacular event working on the forefront of solar science at kqed.org/eclipse. in a special presentation to air just hours and solar storm detection, incorporating after it takes place. immersive computer-generated imagery This extraordinary cosmic spectacle animation to reveal the sun’s secret will pass through 13 states, and everyone mechanisms, stunning sequences of the in the continental United States will eclipse itself, NASA footage and more. have the opportunity to see at least a NOVA will also collaborate with several partial eclipse, making it the most widely local public television stations along the viewed American eclipse of all time. path of totality, who will provide footage KQED.org Commencing at 10:15am (PT), a lunar shot in their own backyards, illustrating shadow 73 miles wide will take one hour the excitement the eclipse generates and 33 minutes to travel from Oregon across the nation. 3 News KQED Honored for Excellence Awards for radio, TV, online productions, and work in education EMMY AWARDS KQED was honored in July with five Northern California Emmy Awards for excellence in television and online productions. The winners are Meet Brian Goggin, Gatekeeper of Your Impossible Dreams, which profiles the Bay Area artist as he prepares one of his more improbable public art pieces; Spark: Our Creative Nature, a special feature that highlights three art projects that draw attention to efforts to improve the quality of our land, water and air; Instead of Dividing, a Border Wall of Piñatas Brings Community Together, which explores artist Sita Bhaumik’s installation of hundreds of handmade brick-shaped piñatas to mimic the border wall between the United States and Mexico; KQED Newsroom’s “Stand Up San Quentin,” which gives viewers an inside look at a prison program for which inmates write and perform their own stories; and the digital series Deep Look’s “The Snail-Smashing, Fish-Spearing, Eye-Popping Mantis Shrimp,” a one-of-a-kind peek at the underwater predator in action. courtesy Kelly Whalen/KQED; Arts/Entertainment — Public/Current/Community Heather Blosser, studio director; Feature/Segment Affairs — Feature/Segment Scott Stoneback, photographer; Meet Brian Goggin, Gatekeeper of Instead of Dividing, a Border Wall of Aaron Drury, photographer/editor; Your Impossible Dreams Piñatas Brings Community Together Peter J. Borg, Shirley Gutierrez, editors; Cynthia Stone, producer/editor Kelly Whalen, producer/photographer/ Hugh Scott, audio engineer director/editor Arts/Entertainment — Health/Science/Environment— Program/Special Public/Current/Community Feature/Segment Spark: Our Creative Nature Affairs — Program/Special Deep Look “The Snail-Smashing, Fish- A Border Wall of Piñatas Brings Community Together, of Piñatas Brings Community Together, Wall A Border Lori Halloran, senior producer; KQED Newsroom “Stand Up Spearing, Eye-Popping Mantis Shrimp” courtesy Joshua Cassidy/KQED. Sheraz Sadiq, Cynthia Stone, segment San Quentin” Elliott Kennerson, producer; Craig Rosa, producers; Owen Bissell, Blake Holly Kernan, executive producer; series producer; Amy Standen, host/ McHugh, photographers; Aaron Drury, Monica Lam, senior producer; Lori writer; Joshua Cassidy, cinematographer; Photos: (l. to r.) Photos: (l. to r.) Mantis Shrimp, photographer/editor; Shirley Gutierrez, Halloran, segment producer; Sharon Teodros Hailye, animations; Beth Custer, editor; Eric Limcaoco, Hugh Scott, Song, line producer; Nicole Reinert, original score; Gabriela V. Quirós, audio engineers; Peter J. Borg, associate producer; Thuy Vu, host; coordinating producer online editor 4 On Q August 2017 KQED Public Radio KQED Public Television MURROW AWARDS NAMLE AWARD KQED is the proud recipient of six regional Edward R. Murrow Awards from The National Association for Media the Radio Television Digital News Association (RTDNA). The RTDNA awards Literacy Education (NAMLE) has recognize the best electronic journalism produced by radio, television and digital awarded KQED a 2017 Media Literate news organizations around the world. Media (MLM) Award for advancing media literacy. The MLM awards The KQED News and KQED Science Sasha Khokha, host of The California recognize media organizations for teams received a Continuing Coverage Report weekly news magazine, won making outstanding contributions in award for their reporting on the the Investigative Reporting award for covering, encouraging and teaching Get magazine online: kqed.org/OnQ California drought crisis. “There’s a Cancer-Causing Chemical in media literacy. KQED received the My Drinking Water.” Sasha went on award in recognition of KQED Teach, Tourists take a selfie on the lip of Hoover Tourists Host Olivia Allen-Price and her fellow to win a national Murrow Award for our service for educators that provides courtesy Craig Miller/KQED. Bay Curious producers took home an her reporting. free, self-paced online courses to help Excellence in Innovation award for their improve their teaching of digital media courtesy KQED; work on the project, which relaunched Julie Small and Lisa Pickoff-White won literacy skills in a safe, fun, professional as a podcast in late 2016. in the News Series category for “Two learning community. Deaths in One Jail in One Month: How KQED Science reporter Craig Miller Are We Treating Mentally Ill Inmates?” received a pair of nods — an Excellence in Sound award for his reporting on KQED’s John Sepulvado, morning underwater noise pollution and an host of The California Report, was Excellence in Writing award for his work recognized with a Murrow Award for on how heat-seeking drones can help his coverage of the Malheur Wildlife KQED.org Photos: (l. to r.) illustration by Jon Adams; Photos: (l. to r.) Dam, overlooking Lake Mead, in the fall of 2009, prevent fire deaths. Refuge occupation, for Oregon Public Broadcasting in Portland. 5 Arts This summer, KQED’s Women to Watch experience with us. She is co-host of the Magik*Magik is the secret identity of series goes into the studios, hearts and podcast #GoodMuslimBadMuslim and the Minna Choi, the Berkeley-born daughter minds of 20 local artists, creatives and comedian behind the shows All Atheists of Korean immigrants who founded the makers who are pushing boundaries Are Muslim and Hijab and Hammer Pants. Magik*Magik Orchestra about nine in 2017. She was recently named one of Yerba years ago. As conductor of the orchestra, courtesy Manchul Kim. Driven by passion for their own Buena Center for the Arts’ 100 people she has collaborated with artists ranging disciplines, from music to podcasting shaping the future of culture. from Death Cab for Cutie to Weezer. to comedy and multiple mediums in Kelley Coyne combines her talent She recently released her first album in her Minna Choi, between, these women are true vanguards, for recording, mixing and playing music own right, which slides across a spectrum paving the way in their communities. The with her passion for working with women of moods and sounds, from somber and Women to Watch website is bursting with artists and mentoring the next generation slow to cinematic melancholy. photo galleries, videos and interviews of women audio engineers at Women’s courtesy Felix Uribe; with each of the women. Here, meet Audio Mission, the only professional KQED.org/womentowatch three female pioneers taking the creative recording studio in the world built and world by storm: run entirely by women.
Recommended publications
  • SCHOOL BOARD MEETING May 20, 2014 5:00 P.M. School
    Lynchburg City Schools 915 Court Street Lynchburg, Virginia 24504 Lynchburg City School Board SCHOOL BOARD MEETING May 20, 2014 5:00 p.m. Regina T. Dolan-Sewell School Administration Building School Board District 1 Board Room Mary Ann Hoss School Board District 1 A. CLOSED MEETING Michael J. Nilles School Board District 3 1. Notice of Closed Meeting Jennifer R. Poore Scott S. Brabrand. Page 1 School Board District 2 Discussion/Action Katie Snyder School Board District 3 2. Certification of Closed Meetng Scott S. Brabrand. Page 2 Treney L. Tweedy School Board District 3 Discussion/Action J. Marie Waller School Board District 2 B. PUBLIC COMMENTS Thomas H. Webb 1. Public Comments School Board District 2 Scott S. Brabrand. Page 3 Charles B. White Discussion/Action (30 Minutes) School Board District 1 C. SPECIAL PRESENTATION School Administration Scott S. Brabrand 1. Student Recognitions Superintendent Scott S. Brabrand. Page 4 Discussion William A. Coleman, Jr. Assistant Superintendent of Curriculum and Instruction 2. LCS: Why We Stand Out Ben W. Copeland Scott S. Brabrand. Page 5 Assistant Superintendent of Discussion Operations and Administration Anthony E. Beckles, Sr. D. FINANCE REPORT Chief Financial Officer Wendie L. Sullivan 1. Finance Report Clerk Anthony E. Beckles, Sr. .Page 6 Discussion E. CONSENT AGENDA 1. School Board Meeting Minutes: May 6, 2014 (Regular Meeting) F. STUDENT REPRESENTATIVE COMMENTS G. UNFINISHED BUSINESS 1. Carl Perkins Funds: 2014-15 William A. Coleman, Jr. Page 11 Discussion/Action 2. School Board Retreat Scott S. Brabrand. Page 14 Discussion/Action 3. Update Extra-Curricular Supplements and Stipends Ben W.
    [Show full text]
  • Million Dollar Quartet” by Colin Escott & Floyd Mutrux at the Hippodrome Theatre Through December 2
    “Million Dollar Quartet” By Colin Escott & Floyd Mutrux At the Hippodrome Theatre through December 2 By James Cooper MEMORIES ARE MADE OF THIS … PRODUCTION Flashing lights, shimmering jackets and long musical solos radiate through the production of “Million Dollar Quartet,” now at the Hippodrome Theatre. Though the special effects and costumes are beneficial in some instances, the show lacks emphasis in the one area it should stress the most: the music. The whole story focuses on the decisions of four major musicians from the 1950s: Carl Perkins, Johnny Cash, Jerry Lee Lewis and Elvis Presley. Music is the main concept within the script, but it certainly isn’t the main concept within the performance. The show focuses on a single event: the night that all four musicians of the “Million Dollar Quartet” were present in the same space at the same time, the Sun Records Studio in Memphis on December 4, 1956. Elvis (Cody Slaughter) used to be a member of the Sun Records family but then he switched to RCA, a bigger label. Since this change, Elvis has lost contact with his former producer, Sam Phillips (Vince Nappo). As Elvis returns with his girlfriend Dyanne (Kelly Lamont) he makes it clear to Sam that he wishes he had stayed at Sun. Sam too wishes that Elvis had stayed, but his main focus is now on producing Johnny (David Elkins) and the up-and-coming Jerry Lee (Martin Kaye). All the while Carl (Robert Britton Lyons) has to decide whether or not he wants to leave Sun Records or move on to Columbia.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Board of Directors Meeting
    Board of Directors Meeting March 8, 2019 11:30 AM – 3:30 PM 145 Tremont Street, 8th Floor Boston, MA 02111 Board of Directors Retreat Friday, March 8, 2019 NEFA Boston, MA Board Book Table of Contents 1. Board Meeting Agenda 2. Executive Director’s Report 3. Guest Presenter Bios 4. Minutes for Approval – October 26, 2018 5. Finance Report • FY19 Projection • FY19 Investment Summary – December 31, 2018 6. Development & Communications Committee Report • FY19 Development Activity Report 7. Trustees Committee Report • Summary of Survey Outcomes 8. Programs Update • Upcoming NEFA Supported Events 9. June 2019 Retreat Planning 10. Board Membership (June 2018 – June 2019) • Current Roster • Committee Chart • Bios • Contact Information 11. New England Foundation for the Arts • Staff Bios • Org Chart Each section is bookmarked in the PDF to help you navigate through the contents. To skip to a specific section, click on Bookmarks in Adobe Acrobat. Board of Directors Meeting March 8, 2019 11:30 AM – 3:30 PM th NEFA, 8 Floor Lunch will be provided at 11:30 AM Board Meeting Agenda 11:30 AM – 12 noon Lunch 12:00 – 12:25 PM Call to Order & Welcome – Larry Simpson Executive Director’s Report – Cathy Edwards New Staff Introduction: Indira Goodwine, Program Director Dance – Jane Preston 12:25 – 1:15 PM The Arts as a Medium for International Cultural Exchange Discussion with Kinan Azmeh, Musician, Jay Raman, Director, Cultural Programs, ECA & Melissa Richmond, Executive Director, West Claremont Center for Music and the Arts 1:15 – 1:30 PM Highlighting Recent
    [Show full text]
  • Social Media and News Reporting: Staying Engaged and Informed F2805DVD
    Social Media and News Reporting: Staying Engaged and Informed F2805DVD By Grace M. Provenzano Associate Professor Broadcast & Electronic Communication Arts Department San Francisco State University Copyright 2014 FIRST LIGHT VIDEO PUBLISHING Dedication To my husband and daughters. Thank you for your understanding and patience during the production of this video and text. I could not have completed this project without your support. Special Thanks Marty Gonzalez, News Anchor KRON-TV, San Francisco and Professor of Broadcast Journalism, San Francisco State University Burt Herman, Co-founder of Storify Mike Luery, Reporter KCRA-TV, Sacramento Rob Nikolewski, Reporter, NewMexicoWatchdog.org, Santa Fe, New Mexico Scott Patterson, Broadcast & Electronic Communication Arts Department Chair, San Francisco State University Jeff Rosenstock, Camera Equipment Manager, BECA Department, San Francisco State University Scott Shafer, Senior Correspondent KQED-TV, San Francisco Doug Sovern, Reporter KCBS Radio, San Francisco Thuy Vu, Host “Newsroom” KQED-TV, San Francisco Introduction This companion text is largely a transcription of the interviews conducted in the production of these video chapters on social media and news reporting. The purpose of this project is to help students and educators understand the growing role of social media in the gathering and dissemination of news and the many ways to make the most of this technology. Social media tools are being used across all media including traditional news outlets and online-based sources. This program focuses on a variety of ways in which social media is essential to storytelling and news distribution. Each chapter highlights an element of social media used by top journalists who rely on these communication channels to both research stories and broaden their audience.
    [Show full text]
  • 47Th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD NOMINATIONS ANNOUNCED
    1 5/2/18 V1 47th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD NOMINATIONS ANNOUNCED The 47th Annual Northern California Area EMMY® Award Nominations were announced Wednesday, May 2rd on the chapter’s website. The EMMY® award is presented for outstanding achievement in television by The National Academy of Television Arts & Sciences (NATAS). San Francisco/ Northern California is one of the nineteen chapters awarding regional Emmy® statuettes. Northern California is composed of media companies and individuals from Visalia to the Oregon border and includes Hawaii and Reno, Nevada. Entries aired during the 2017 calendar year. This year 784 English entries were received in 62 categories and 218 entries in the Spanish contest in 42 categories. English and Spanish language entries were judged and scored separately. A minimum of seven peer judges from other NATAS chapters scored each entry on a scale from 1 to 10 on Content, Creativity and Execution. (Craft categories were judged on Creativity and Execution only). The total score was divided by the number of judges. The mean score was sorted from highest to lowest in each category. The Chapter Awards Committee looked at blind scores (not knowing the category) and decided on the cut off number for nominations and recipients. In the English contest KNTV NBC Bay Area received 27 nominations. The Spanish contest KUVS Univision 19 received 28. Individual honors went to Luis Godínez, Assistant News Director, KDTV Univision 14, San Francisco received ten nominations. KDTV’s Joseph Perry, Photographer/Editor and KUVS Univisioin 19 Sandra Cervantes, Anchor/Reporter and Eduardo Mancera Mancera each received nine.
    [Show full text]
  • Building a Bright Future for Generations to Come Annual Report 2014–2015 MESSAGE from the CHAIR BOARD of DIRECTORS
    Building a Bright Future for Generations to Come Annual Report 2014–2015 MESSAGE FROM THE CHAIR BOARD OF DIRECTORS Emerald Yeh Tom Cole Chair Managing Partner, Dear Friends and Supporters, Journalist CSC Venture Capital I’m often asked what has kept me Andrew Cuyugan McCullough Andrew Ly engaged as a board member of the Treasurer President & CEO, Asian Pacific Fund for the past 22 years. General Counsel, Syufy Sugar Bowl Bakery Enterprises Besides the great needs in our local Raymond L. Ocampo Jr. Asian community and the opportunity Nelson Ishiyama President & CEO, to have an impact, there is something Secretary Samurai Surfer LLC far more profound that binds me to its President, mission year after year. It is a distinct Ishiyama Corporation Satish Rishi and compelling quality about the Asian Chief Financial Officer, Rambus community that inspires me to this day. That quality is called soul and Huifen Chan it is embodied in our donors, our board members, our community Managing Director, Leo Soong YongHeng Partners Co-Founder, organizations and the people we help. Crystal Geyser Water Company As for the soul of the Asian Pacific Fund, it is beautifully expressed Laura Ching Co-Founder, Tiny Prints Michael A. Yoshikami through our signature program, Growing Up Asian in America, CEO & Founder, which turns 20 this year. Our annual art, video and essay contest Destination Wealth Kathy Chou Management captures the emotions and experiences of our youth as they deepen VP Strategy and Operations their sense of Asian roots while forging their own identities and Americas, VMWare Board Emeritus visions of success.
    [Show full text]
  • 20Questions Interview by David Brent Johnson Photography by Steve Raymer for David Baker
    20questions Interview by David Brent Johnson Photography by Steve Raymer for David Baker If Benny Goodman was the “King of Swing” periodically to continue his studies over the B-Town and Edward Kennedy Ellington was “the Duke,” next decade, leading a renowned IU-based then David Baker could be called “the Dean big band while expanding his artistic and Hero and Jazz of Jazz.” Distinguished Professor of Music at compositional horizons with musical scholars Indiana University and conductor of the Smithso- such as George Russell and Gunther Schuller. nian Jazz Masterworks Orchestra, he is at home In 1966 he settled in the city for good and Legend performing in concert halls, traveling around the began what is now a world-renowned jazz world, or playing in late-night jazz bars. studies program at IU’s Jacobs School of Music. Born in Indianapolis in 1931, he grew up A pioneer of jazz education, a superlative in a thriving mid-20th-century local jazz scene trombonist forced in his early 30s to switch that begat greats such as J.J. Johnson and Wes to cello, a prolific composer, Pulitzer and Montgomery. Baker first came to Bloomington Grammy nominee and Emmy winner whose as a student in the fall of 1949, returning numerous other honors include the Kennedy 56 Bloom | August/September 2007 Toddler David in Indianapolis, circa 1933. Photo courtesy of the Baker family Center for the Performing Arts “Living Jazz Legend Award,” he performs periodically in Bloomington with his wife Lida and is unstintingly generous with the precious commodity of his time.
    [Show full text]
  • Current Trends in Islamist Ideology JANUARY, 2013
    Current Trends in Islamist Ideology JANUARY, 2013 VOLUME 14 ■ WHAT IS A CONSTITUTION ANYWAY? / Samuel Tadros ■ EGYPT’S LOOMING COMPETITIVE THEOCRACY / Eric Trager ■ THE JORDANIAN BROTHERHOOD IN THE ARAB SPRING / Jacob Amis ■ ANSAR AL-SHARIA IN SOUTHERN YEMEN / Robin Simcox AFTER AL-SHABAAB / Ioannis Gatsiounis ■ THE GÜLEN MOVEMENT IN AZERBAIJAN / Fuad Aliyev HUDSON INSTITUTE Center on Islam, Democracy, and the Future of the Muslim World Current Trends in Islamist Ideology VOLUME 14 Edited by Hillel Fradkin, Husain Haqqani, Eric Brown, and Hassan Mneimneh hudson institute Center on Islam, Democracy, and the Future of the Muslim World ©2013 Hudson Institute, Inc. All rights reserved. ISSN: 1940-834X For more information about obtaining additional copies of this or other Hudson Institute publica- tions, please visit Hudson’s website at www.hudson.org/bookstore or call toll free: 1-888-554-1325. ABOUT HUDSON INSTITUTE Hudson Institute is a nonpartisan, independent policy research organization dedicated to innovative research and analysis that promotes global security, prosperity, and freedom. Founded in 1961 by strategist Herman Kahn, Hudson Institute challenges conventional thinking and helps manage strate- gic transitions to the future through interdisciplinary studies in defense, international relations, eco- nomics, health care, technology, culture, and law. With offices in Washington and New York, Hud son seeks to guide public policymakers and global leaders in government and business through a vigor- ous program of publications, conferences, policy briefings, and recommendations. Hudson Institute is a 501(c)(3) organization financed by tax-deductible contributions from private individuals, corpo- rations, foundations, and by government grants. Visit www.hudson.org for more information.
    [Show full text]
  • An Historical Policy Analysis of the Carl D. Perkins Legislation: Examining the History, Creation, Implementation and Reauthorization of the Law
    AN HISTORICAL POLICY ANALYSIS OF THE CARL D. PERKINS LEGISLATION: EXAMINING THE HISTORY, CREATION, IMPLEMENTATION AND REAUTHORIZATION OF THE LAW BY AIMEE MICHELLE LAFOLLETTE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Educational Policy Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Associate Professor Yoon Pak, Chair Professor James D. Anderson Professor Debra Bragg Associate Professor Christopher Span ABSTRACT This dissertation explores the historical development of the Carl D. Perkins Vocational Education Act of 1984, with the incorporation of ―special populations‖ as a provision in the law from 1963. From 1917 through 1963, vocational funding primarily supported teacher training, research, program improvement, and expansion of vocational programs, in 1963 acknowledging the social climate of the time Congress included provisions to support services for disadvantaged students. In 1984, Congress established prescriptive provisions attaching funds to serve and address the needs of underserved students described as special populations. Vocational education‘s focus expanded from 1963 -1984 to included provisions to create programs eliminating sexual bias and stereotyping. This dissertation traces the foundations by which Congress was led to focus on access to vocational education programs and prescribe funding to serve handicapped, single parents, displaced homemakers, economically disadvantaged, academically disadvantaged, students with limited English proficiency, and gender equity. ii To my children James and Jacob iii ACKNOWLEDGEMENTS I believe Malcolm Gladwell, author of Tipping Point, said it best when he stated that, ―…the people we surround ourselves with have a profound effect on who we are.‖ Personal success can never be attributed to a single individual.
    [Show full text]
  • HOUSE of REPRESENTATIVES-Friday, May 6, 1977 the House Met at 11 O'clock A.M
    13884 CONGRESSIONAL RECORD-HOUSE May 6, 1977 It is admirable in both its ambition and its exemplary news and public affairs pro­ careers for themselves within New execution, quietly and effectively going be­ graming geared to the special needs of York's garment industry. yond stereotypes to tap the fascinating re­ women in the tri-State area. Channel 2 Weekday mornings, WCB~TV's pro­ sources of real people ... the closeups prove "Eye On," which this year won a New vocative interview program with Jeanne fascinating. and the subsequent talk is in­ York area Emmy award for "outstand­ Parr sparks lively discussions on topics formative. ing documentary series," each week of particular interest to women. Ms. Kay Gardella of the New York Daily focuses on a critical issue or newsmaking Parr, who was one of this country's first News found Ms. Myerson- personality affecting residents of New women news correspondents, has tackled A splendid on-camera performer, and the York, New Jersey, and Connecticut. such controversial themes as the right of women she chooses as subjects are articulate Whether it be an investigative report on women to enter the priesthood, alco­ and capable of pinpointing their needs, emo­ women ex-offenders caught in the re­ holism among women, menopause, and tions and problems-it is an excellent series. volving door of criminal justice or a pro­ women in sports and journalism. Writing in the New York Post, Bob file of my colleague Congresswoman Liz This kind of enlightened broadcasting Williams praised Ms. Myerson's approach HOLTZMAN, "Eye On" maintains the high philosophy is a reflection of WCBS-TV's to the women on the evening and daily standards of · electronic journalism continuing commitment and responsi­ broadcasts of "A Woman Is .
    [Show full text]
  • OH, PRETTY PARODY: CAMPBELL V. ACUFF-ROSE MUSIC, INC
    Volume 8, Number 1 Fall 1994 OH, PRETTY PARODY: CAMPBELL v. ACUFF-ROSE MUSIC, INC. Lisa M. Babiskin* INTRODUCTION For the second time ever, the Supreme Court addressed the affirmative defense of fair use to copyright infringement in the context of parody in Campbell v. Acuff-Rose Music, Inc. ~ The unanimous opinion found a parody rap version of Roy Orbison's song "Oh, Pretty Woman" by the group 2 Live Crew could be a fair use within the exceptions to the protections of the Copyright Act of 1976. 2 The fair use defense is an inconsistent and confusing area that has been called "the most trouble- some [issue] in the whole law of copyright. "3 The Campbell decision helps preserve the flexible, case-by-case analysis intended by Congress and recognizes the value of parody both as a form of social criticism and catalyst in literature. The decision affords wide latitude to parodists, emphasizing the irrelevance of the judge's personal view of whether the parody is offensive or distasteful. It is unclear whether future courts will interpret this holding to be limited to fair use of parody in the context of song, or whether they will construe it more broadly to confer substantial freedom to parodists of all media. It is also unclear what effect this decision will have on the music industry's practice of digital sampling. This article will review the historical background of fair use in the context of parody and the case law preceding the Supreme Court's decision. A detailed discussion of the lower courts' decisions will be followed by analysis of the Supreme Court's decision and its implications for the future.
    [Show full text]