Washington's Perkins V Plan
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SCHOOL BOARD MEETING May 20, 2014 5:00 P.M. School
Lynchburg City Schools 915 Court Street Lynchburg, Virginia 24504 Lynchburg City School Board SCHOOL BOARD MEETING May 20, 2014 5:00 p.m. Regina T. Dolan-Sewell School Administration Building School Board District 1 Board Room Mary Ann Hoss School Board District 1 A. CLOSED MEETING Michael J. Nilles School Board District 3 1. Notice of Closed Meeting Jennifer R. Poore Scott S. Brabrand. Page 1 School Board District 2 Discussion/Action Katie Snyder School Board District 3 2. Certification of Closed Meetng Scott S. Brabrand. Page 2 Treney L. Tweedy School Board District 3 Discussion/Action J. Marie Waller School Board District 2 B. PUBLIC COMMENTS Thomas H. Webb 1. Public Comments School Board District 2 Scott S. Brabrand. Page 3 Charles B. White Discussion/Action (30 Minutes) School Board District 1 C. SPECIAL PRESENTATION School Administration Scott S. Brabrand 1. Student Recognitions Superintendent Scott S. Brabrand. Page 4 Discussion William A. Coleman, Jr. Assistant Superintendent of Curriculum and Instruction 2. LCS: Why We Stand Out Ben W. Copeland Scott S. Brabrand. Page 5 Assistant Superintendent of Discussion Operations and Administration Anthony E. Beckles, Sr. D. FINANCE REPORT Chief Financial Officer Wendie L. Sullivan 1. Finance Report Clerk Anthony E. Beckles, Sr. .Page 6 Discussion E. CONSENT AGENDA 1. School Board Meeting Minutes: May 6, 2014 (Regular Meeting) F. STUDENT REPRESENTATIVE COMMENTS G. UNFINISHED BUSINESS 1. Carl Perkins Funds: 2014-15 William A. Coleman, Jr. Page 11 Discussion/Action 2. School Board Retreat Scott S. Brabrand. Page 14 Discussion/Action 3. Update Extra-Curricular Supplements and Stipends Ben W. -
Million Dollar Quartet” by Colin Escott & Floyd Mutrux at the Hippodrome Theatre Through December 2
“Million Dollar Quartet” By Colin Escott & Floyd Mutrux At the Hippodrome Theatre through December 2 By James Cooper MEMORIES ARE MADE OF THIS … PRODUCTION Flashing lights, shimmering jackets and long musical solos radiate through the production of “Million Dollar Quartet,” now at the Hippodrome Theatre. Though the special effects and costumes are beneficial in some instances, the show lacks emphasis in the one area it should stress the most: the music. The whole story focuses on the decisions of four major musicians from the 1950s: Carl Perkins, Johnny Cash, Jerry Lee Lewis and Elvis Presley. Music is the main concept within the script, but it certainly isn’t the main concept within the performance. The show focuses on a single event: the night that all four musicians of the “Million Dollar Quartet” were present in the same space at the same time, the Sun Records Studio in Memphis on December 4, 1956. Elvis (Cody Slaughter) used to be a member of the Sun Records family but then he switched to RCA, a bigger label. Since this change, Elvis has lost contact with his former producer, Sam Phillips (Vince Nappo). As Elvis returns with his girlfriend Dyanne (Kelly Lamont) he makes it clear to Sam that he wishes he had stayed at Sun. Sam too wishes that Elvis had stayed, but his main focus is now on producing Johnny (David Elkins) and the up-and-coming Jerry Lee (Martin Kaye). All the while Carl (Robert Britton Lyons) has to decide whether or not he wants to leave Sun Records or move on to Columbia. -
20Questions Interview by David Brent Johnson Photography by Steve Raymer for David Baker
20questions Interview by David Brent Johnson Photography by Steve Raymer for David Baker If Benny Goodman was the “King of Swing” periodically to continue his studies over the B-Town and Edward Kennedy Ellington was “the Duke,” next decade, leading a renowned IU-based then David Baker could be called “the Dean big band while expanding his artistic and Hero and Jazz of Jazz.” Distinguished Professor of Music at compositional horizons with musical scholars Indiana University and conductor of the Smithso- such as George Russell and Gunther Schuller. nian Jazz Masterworks Orchestra, he is at home In 1966 he settled in the city for good and Legend performing in concert halls, traveling around the began what is now a world-renowned jazz world, or playing in late-night jazz bars. studies program at IU’s Jacobs School of Music. Born in Indianapolis in 1931, he grew up A pioneer of jazz education, a superlative in a thriving mid-20th-century local jazz scene trombonist forced in his early 30s to switch that begat greats such as J.J. Johnson and Wes to cello, a prolific composer, Pulitzer and Montgomery. Baker first came to Bloomington Grammy nominee and Emmy winner whose as a student in the fall of 1949, returning numerous other honors include the Kennedy 56 Bloom | August/September 2007 Toddler David in Indianapolis, circa 1933. Photo courtesy of the Baker family Center for the Performing Arts “Living Jazz Legend Award,” he performs periodically in Bloomington with his wife Lida and is unstintingly generous with the precious commodity of his time. -
An Historical Policy Analysis of the Carl D. Perkins Legislation: Examining the History, Creation, Implementation and Reauthorization of the Law
AN HISTORICAL POLICY ANALYSIS OF THE CARL D. PERKINS LEGISLATION: EXAMINING THE HISTORY, CREATION, IMPLEMENTATION AND REAUTHORIZATION OF THE LAW BY AIMEE MICHELLE LAFOLLETTE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Educational Policy Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Associate Professor Yoon Pak, Chair Professor James D. Anderson Professor Debra Bragg Associate Professor Christopher Span ABSTRACT This dissertation explores the historical development of the Carl D. Perkins Vocational Education Act of 1984, with the incorporation of ―special populations‖ as a provision in the law from 1963. From 1917 through 1963, vocational funding primarily supported teacher training, research, program improvement, and expansion of vocational programs, in 1963 acknowledging the social climate of the time Congress included provisions to support services for disadvantaged students. In 1984, Congress established prescriptive provisions attaching funds to serve and address the needs of underserved students described as special populations. Vocational education‘s focus expanded from 1963 -1984 to included provisions to create programs eliminating sexual bias and stereotyping. This dissertation traces the foundations by which Congress was led to focus on access to vocational education programs and prescribe funding to serve handicapped, single parents, displaced homemakers, economically disadvantaged, academically disadvantaged, students with limited English proficiency, and gender equity. ii To my children James and Jacob iii ACKNOWLEDGEMENTS I believe Malcolm Gladwell, author of Tipping Point, said it best when he stated that, ―…the people we surround ourselves with have a profound effect on who we are.‖ Personal success can never be attributed to a single individual. -
HOUSE of REPRESENTATIVES-Friday, May 6, 1977 the House Met at 11 O'clock A.M
13884 CONGRESSIONAL RECORD-HOUSE May 6, 1977 It is admirable in both its ambition and its exemplary news and public affairs pro careers for themselves within New execution, quietly and effectively going be graming geared to the special needs of York's garment industry. yond stereotypes to tap the fascinating re women in the tri-State area. Channel 2 Weekday mornings, WCB~TV's pro sources of real people ... the closeups prove "Eye On," which this year won a New vocative interview program with Jeanne fascinating. and the subsequent talk is in York area Emmy award for "outstand Parr sparks lively discussions on topics formative. ing documentary series," each week of particular interest to women. Ms. Kay Gardella of the New York Daily focuses on a critical issue or newsmaking Parr, who was one of this country's first News found Ms. Myerson- personality affecting residents of New women news correspondents, has tackled A splendid on-camera performer, and the York, New Jersey, and Connecticut. such controversial themes as the right of women she chooses as subjects are articulate Whether it be an investigative report on women to enter the priesthood, alco and capable of pinpointing their needs, emo women ex-offenders caught in the re holism among women, menopause, and tions and problems-it is an excellent series. volving door of criminal justice or a pro women in sports and journalism. Writing in the New York Post, Bob file of my colleague Congresswoman Liz This kind of enlightened broadcasting Williams praised Ms. Myerson's approach HOLTZMAN, "Eye On" maintains the high philosophy is a reflection of WCBS-TV's to the women on the evening and daily standards of · electronic journalism continuing commitment and responsi broadcasts of "A Woman Is . -
Most-Common-Surnames-Bmd-Registers-16.Pdf
Most Common Surnames Surnames occurring most often in Scotland's registers of Births, Marriages and Deaths Counting only the surname of the child for births, the surnames of BOTH PARTIES (for example both BRIDE and GROOM) for marriages, and the surname of the deceased for deaths Note: the surnames from these registers may not be representative of the surnames of the population of Scotland as a whole, as (a) they include the surnames of non-residents who were born / married / died here; (b) they exclude the surnames of residents who were born / married / died elsewhere; and (c) some age-groups have very low birth, marriage and death rates; others account for most births, marriages and deaths.ths Registration Year = 2016 Position Surname Number 1 SMITH 2056 2 BROWN 1435 3 WILSON 1354 4 CAMPBELL 1147 5 STEWART 1139 6 THOMSON 1127 7 ROBERTSON 1088 8 ANDERSON 1001 9 MACDONALD 808 10 TAYLOR 782 11 SCOTT 771 12 REID 755 13 MURRAY 754 14 CLARK 734 15 WATSON 642 16 ROSS 629 17 YOUNG 608 18 MITCHELL 601 19 WALKER 589 20= MORRISON 587 20= PATERSON 587 22 GRAHAM 569 23 HAMILTON 541 24 FRASER 529 25 MARTIN 528 26 GRAY 523 27 HENDERSON 522 28 KERR 521 29 MCDONALD 520 30 FERGUSON 513 31 MILLER 511 32 CAMERON 510 33= DAVIDSON 506 33= JOHNSTON 506 35 BELL 483 36 KELLY 478 37 DUNCAN 473 38 HUNTER 450 39 SIMPSON 438 40 MACLEOD 435 41 MACKENZIE 434 42 ALLAN 432 43 GRANT 429 44 WALLACE 401 45 BLACK 399 © Crown Copyright 2017 46 RUSSELL 394 47 JONES 392 48 MACKAY 372 49= MARSHALL 370 49= SUTHERLAND 370 51 WRIGHT 357 52 GIBSON 356 53 BURNS 353 54= KENNEDY 347 -
Surnames in Bureau of Catholic Indian
RAYNOR MEMORIAL LIBRARIES Montana (MT): Boxes 13-19 (4,928 entries from 11 of 11 schools) New Mexico (NM): Boxes 19-22 (1,603 entries from 6 of 8 schools) North Dakota (ND): Boxes 22-23 (521 entries from 4 of 4 schools) Oklahoma (OK): Boxes 23-26 (3,061 entries from 19 of 20 schools) Oregon (OR): Box 26 (90 entries from 2 of - schools) South Dakota (SD): Boxes 26-29 (2,917 entries from Bureau of Catholic Indian Missions Records 4 of 4 schools) Series 2-1 School Records Washington (WA): Boxes 30-31 (1,251 entries from 5 of - schools) SURNAME MASTER INDEX Wisconsin (WI): Boxes 31-37 (2,365 entries from 8 Over 25,000 surname entries from the BCIM series 2-1 school of 8 schools) attendance records in 15 states, 1890s-1970s Wyoming (WY): Boxes 37-38 (361 entries from 1 of Last updated April 1, 2015 1 school) INTRODUCTION|A|B|C|D|E|F|G|H|I|J|K|L|M|N|O|P|Q|R|S|T|U| Tribes/ Ethnic Groups V|W|X|Y|Z Library of Congress subject headings supplemented by terms from Ethnologue (an online global language database) plus “Unidentified” and “Non-Native.” INTRODUCTION This alphabetized list of surnames includes all Achomawi (5 entries); used for = Pitt River; related spelling vartiations, the tribes/ethnicities noted, the states broad term also used = California where the schools were located, and box numbers of the Acoma (16 entries); related broad term also used = original records. Each entry provides a distinct surname Pueblo variation with one associated tribe/ethnicity, state, and box Apache (464 entries) number, which is repeated as needed for surname Arapaho (281 entries); used for = Arapahoe combinations with multiple spelling variations, ethnic Arikara (18 entries) associations and/or box numbers. -
2014/15 SEASON Thecolonial.Org Dear Members, Donors, and Patrons
September 19 AARON NEVILLE From New Orleans first family of music March 7 RHAW Rennie Harris reinvents hip-hop dance March 28 Colin MOCHRIE & Brad SHERWOOD TWO MAN GROUP April 19 CIRQUE MECHANICS PEDAL PUNK A rowdy steampunk circus 2014/15 SEASON TheColonial.org Dear Members, Donors, and Patrons, It is with great pride that I present you with The Colonial’s 2014/15 season. Our aim as always is to provide our region with a diverse array of performers from around the world. From astonishing spectacles to the intimate charms of spoken word, all our offerings serve as reminders of why the performing arts are a vital part of the human experience. You will probably recognize many of the names in this year’s lineup: legendary New Orleans vocalist Aaron Neville, comedy improv stars of Who’s Line is it Anyway? Tickets TheColonial.org or 603/352-2033 Colin Mochrie and Brad Sherwood, and witty wordsmith David Sedaris. Others may be new to you, like the all ages friendly Cirque Mechanics: Pedal Punk and leading creator of hip hop dance theatre Rennie Harris’ RHAW. I encourage you to embrace the familiar and seek out the rewarding experience that comes with discovering something new. In our endeavor to bring the world’s greatest artists to central New England, you should expect to see us adding other performers throughout the season. The best way to stay on top of everything Colonial is to become a member of the theatre. By joining or renewing today you are ensured of immediate notification of new events and first access to the best seats. -
Artifacts of Hollywood & Music
09/25/21 04:03:32 Artifacts of Hollywood & Music Auction Opens: Mon, Aug 9 12:00am PT Auction Closes: Sat, Sep 4 10:00am PT Lot Title Lot Title 1 Elvis Presley and Johnny Cash Signed $1 Bill 115 Marilyn Monroe 1959 A New Wrinkle Pin-Up 10 Jimi Hendrix Personally Owned Red Silk Scarf Calendar 100 Star Trek Memorabilia From Gene 116 Marilyn Monroe 1955 Golden Dreams Pin-Up Roddenberry's Estate Calendar 101 Adam Driver Autographed "Star Wars" Kylo 117 Debbie Reynolds Autographed Black and White Ren Helmet Photo 102 Adam Driver Autographed "Star Wars" Kylo 118 Priscilla Presley's Personally Owned Plush Ren Poster Sweater 103 "Back to the Future" Double Signed Photo 119 Elvis and Priscilla Presley Photo Signed by W/COA Priscilla 103A Back to the Future "OUTATIME" DeLorean 12 Jimi Hendrix Personally Owned Red Crystal License Plate Bottle 103B Harry Potter Prop Gringotts Wizarding Bank 120 Elvis Presley Honeymoon Home Exhibit White Slips Jumpsuit 104 "Harry Potter" Cast Signed 11"x14" Photograph 121 Elvis Presley Honeymoon Home Exhibit W/COA Framed Photos 105 Gene Wilder Signed Golden Ticket in Matted 122 Elvis Presley "Guitar Man" Promo Belt Buckle Display and LP 106 Johnny Depp Autographed "Willie Wonka" 123 Elvis Presley Beverly Hills Estate Leaf Pendant 11"x14" Photo 123A Elvis Presley Solid 14K Yellow Gold TCB 107 Bud Blake Signed Original "Tiger" Sketch Necklace W/COA 123B Khloe Kardashian's Custom Cognac Diamond 108 Al Pacino "The Godfather" Autographed Scala Bracelet Fedora 123C Khloe Kardashian's Custom Black Diamond 109 Al Pacino and -
Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (Guest Post)*
“Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (guest post)* Louis Jordan Original label “Caldonia” film poster, 1945 “Caldonia” (originally titled “Caldonia Boogie”) became one of Louis Jordan and his Tympany Five’s most enduring hits. The song, with its lyrical catchphrase “Caldon-YAH! Caldon-YAH! What makes your big head so hard!?” set America on its ear and spawned endless cover versions, two of which competed directly with Jordan’s version in 1945. The song had been in Jordan’s repertoire since at least the summer of 1944, when he recorded it for use on a December airing of “Jubilee!,” an Armed Forces Radio Service show for African- American servicemen. In January, 1945 he recorded it for Decca, but the label first released a pairing of Jordan’s “Mop! Mop!” and “You Can’t Get That No More” that became a major hit that winter, and perhaps delayed the release of “Caldonia.” In February, Jordan filmed a performance of it for a short film of the same name, which hit theaters in March. In late Feburary, white bandleader Woody Herman recorded a modern jazz-tinged arrangement by Ralph Burns, who’d heard Jordan perform it live. Herman’s version hit the stores at about the time that African-American bandleader Erskine Hawkins recorded a version for RCA-Victor at the end of March. Decca, perhaps feeling the pressure, released Jordan’s definitive small group version at almost the same time that Hawkins’ disc came out in mid-April. Surprisingly, all three versions of the tunes were hits. -
Carl D. Perkins Career and Technical Education Act of 2006 (Perkins IV)
2 Table of Contents Part A – Narrative I. Planning, Coordination, and Collaboration Prior to Plan Submission …..……….. 6 II. Program Administration …………………………………………………...……. 15 III. Provision of Services for Special Populations ………………..…………….…... 51 IV. Accountability and Evaluation ………………………………………………….. 56 V. Tech Prep Programs ………………………………………………...…………... 65 VI. Financial Requirements ………………………………………………………..... 75 VII. EDGAR Certifications and Other Assurances ………………………...……..… 82 Part B – Budget Forms I. Title I Budget Table ……………………………..……...…………………….… 91 II. Title II Budget Table …………………........……..………...……………..…….. 92 Part C – Accountability Forms I. Definitions of Student Populations ……………………………………………... 95 II. Final Agreed Upon Performance Levels Form (FAUPL) …………………….… 98 Appendices A. Basic Grant Application Approval Checklist ………………………………….. 113 B. Basic Grant Application and Instructions ……………………………………... 131 C. Tech Prep Application Approval Checklist ………………………………….... 171 D. Tech Prep Application and Instructions ……………………………………….. 183 E. Basic Grant Allocation ………………………………………………………… 221 F. Tech Prep Grant Allocation ………………………………………………….… 225 G. Reserve Fund Allocation ………………………………………………………. 229 H. Secondary Allocations …………………………………………………………. 233 I. Consortia Allocations ………………………………………………………….. 259 J. Postsecondary Allocations …………………………………………………...… 283 K. Iowa Professional Development Model Overview …………………………….. 287 L. Written Comments Received ………………………………………………...… 293 M. Assurances …………………………………………………………………...… 309 -
North Carolina Histories and North Carolina Records
Genealogical Holdings in the Kellenberger Room of the New Bern-Craven County Public Library Volume I: North Carolina Histories and North Carolina Records Third Edition, ©2010 New Bern-Craven County Public Library 400 Johnson Street New Bern, NC 28560 (252) 638-7800 Table of Contents Preface.................................................................................................................... iii Afro-American Families ..........................................................................................1 Family Histories (Surname begins A)......................................................................5 Family Histories (Surname begins B) ....................................................................11 Family Histories (Surname begins C) ....................................................................33 Family Histories (Surname begins D)....................................................................47 Family Histories (Surname begins E) ....................................................................56 Family Histories (Surname begins F) ....................................................................60 Family Histories (Surname begins G)....................................................................66 Family Histories (Surname begins H)....................................................................76 Family Histories (Surname begins I) .....................................................................91 Family Histories (Surname begins J) .....................................................................92