DOCSLIB.ORG

2014/15 SEASON Thecolonial.Org Dear Members, Donors, and Patrons

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2014/15 SEASON Thecolonial.Org Dear Members, Donors, and Patrons September 19 AARON NEVILLE From New Orleans first family of music March 7 RHAW Rennie Harris reinvents hip-hop dance March 28 Colin MOCHRIE & Brad SHERWOOD TWO MAN GROUP April 19 CIRQUE MECHANICS PEDAL PUNK A rowdy steampunk circus 2014/15 SEASON TheColonial.org Dear Members, Donors, and Patrons, It is with great pride that I present you with The Colonial’s 2014/15 season. Our aim as always is to provide our region with a diverse array of performers from around the world. From astonishing spectacles to the intimate charms of spoken word, all our offerings serve as reminders of why the performing arts are a vital part of the human experience. You will probably recognize many of the names in this year’s lineup: legendary New Orleans vocalist Aaron Neville, comedy improv stars of Who’s Line is it Anyway? Tickets TheColonial.org or 603/352-2033 Colin Mochrie and Brad Sherwood, and witty wordsmith David Sedaris. Others may be new to you, like the all ages friendly Cirque Mechanics: Pedal Punk and leading creator of hip hop dance theatre Rennie Harris’ RHAW. I encourage you to embrace the familiar and seek out the rewarding experience that comes with discovering something new. In our endeavor to bring the world’s greatest artists to central New England, you should expect to see us adding other performers throughout the season. The best way to stay on top of everything Colonial is to become a member of the theatre. By joining or renewing today you are ensured of immediate notification of new events and first access to the best seats. As the leading performing arts center for our region, we are proud to serve you and thank you for your support. As always, I look forward to seeing you at The Colonial. ALEC DOYLE Executive Director 2 2014/15 SEASON AT A GLANCE SEPTEMBER CAPTAIN SIG & FRIENDS September 14 AARON NEVILLE DUO September 19 LINDA EDER September 27 OCTOBER THE STEP CREW October 10 The MET Live in HD - Macbeth October 11 The MET Live in HD - Le Nozze de Figaro October 18 SPANK! The Fifty Shades Parody October 30 NOVEMBER The MET Live in HD - Carmen November1 KRISTALLNACHT REMEMBRANCE November 9 JIVE TALKIN’ - recreate and present THE BEE GEES November 14 The MET Live in HD - The Death of Klinghoffer November 15 DECEMBER GREATER KEENE POPS CHOIR - Light of the Season December 7 SWEET HONEY IN THE ROCK - Celebrating the Holydays December 12 The MET Live in HD - Die Meistersinger von Nürnberg December 13 JANUARY APPLE HILL STRING QUARTET - On Stage January 16 The MET Live in HD - The Merry Widow January17 NORTH SHORE COMEDY January 24 The MET Live in HD - Les Contes d’Hoffman January 31 FEBRUARY KEENE LIONS CLUB - Cinderella February 13-15 The MET Live in HD - Iolanta / Bluebeard’s Castle February 16 NATALIE MACMASTER/DONNELL LEAHY February 19 MILLION DOLLAR QUARTET February 20 MARCH RENNIE HARRIS/RHAW March 7 THE MACHINE March 13 The MET Live in HD - La Donna del Lago March 14 COLIN MOCHRIE & BRAD SHERWOOD: Two Man Group March 28 APRIL RUSSIAN NATIONAL BALLET THEATRE - Sleeping Beauty April 3 MONiff April 16 -18 CIRQUE MECHANICS - Pedal Punk April 19 The MET Live in HD - Cavaleria Rusticana / Pagliacci April 25 WGREATER KEENE POPS CHOIR April 26 MAY RAYLYNMOR OPERA: The Magic Flute May 8 - 9 AN EVENING WITH DAVID SEDARIS May 14 C&S Wholesale Grocers, Markem-Imaje and The Mountain are proud to be Season Underwriters and invite you to share in their support of The Colonial Theatre. CAPTAIN SIG & FRIENDS SUNDAY, SEPTEMBER 14 | 7:30PM | $44/$40/$30 Captain Sig Hansen and the crew from Discovery Channel’s Deadliest Catch share behind-the-scenes stories and videos about some of the most harrowing stories they’ve ever faced on the high seas. From treacherous weather to crew conflicts, they give you the stories and videos about how the most dangerous job in the world really goes down. ickets TheColonial.org or 603/352-2033 T Support for the 2014/15 season provided in part by The Melanson Company (lead show sponsor), and Cheshire County Federal Credit Union AARON NEVILLE DUO FRIDAY, SEPTEMBER 19 | 8:00PM | $56/$52/$42 Standing with the long shadow of an incredible career - full of Grammy awards (for his triple platinum collaboration with Linda Ronstadt, “Cry Like a Rainstorm, Howl Like the Wind”), number one hits (“Tell It Like It Is” was his first), membership in the Louisiana Music Hall of Fame, moving seamlessly back and forth between solo work and his role in the first family of New Orleans music, the Neville Brothers, Aaron Neville’s latest work speaks to one of his first loves: doo wopp. 4 One of the greatest contemporary voices of our time. LINDA EDER SATURDAY, SEPTEMBER 27 | 8:00PM | $65/$61/$49 Linda Eder’s diverse repertoire spans Broadway, standards, pop, country and jazz; she inhabits a vital niche as America’s most popular and acclaimed new interpreter of pop standards and theatrical songs. Her albums combine her abundant vocal gifts with her skill for delivering dramatic, emotionally resonant interpretations of familiar songs. Support for the 2014/15 season provided in part by Liberty Mutual Insurance “The StepCrew does not simply draw their audience in, they take them by the hand and remind us what dance is meant to be about - fun.” -Paddy Moloney, The Chieftains THE STEP CREW FRIDAY, OCTOBER 10 | 8:00PM | $42/$38/$28 A sensational new Celtic inspired evening awaits with The Step Crew – featuring six of the most charismatic dancers performing today. The show is the first of its kind to combine three unique styles of dance: Irish step, traditional tap, and the extraordinary Ottawa Valley step dancing, taking Celtic dance to the next level with flair and humor, showcasing the similarities between the forms, and highlighting the loose-limbed and hilariously virtuosic Ottawa Valley style. Backed by ickets TheColonial.org or 603/352-2033 champion fiddlers and top-notch musicians in the Celtic genre. T THE FIFTY SHADES PARODY SPANK! THURSDAY, OCTOBER 30 | 7:30PM | $39 “The audience went wild. SPANK! is a raucously hilarious, perfect girl’s night out!” -BroadwayWorld.com Grab your girlfriends for the most exciting show of the year! It’s time for the steamy book that created a world sensation to get spanked! SPANK The Fifty Shades Parody brings the naughty fun of the best-selling book to life in this hilarious new musical that will have your inner goddess laughing out loud. Your favorite characters come to life with sharp-witted comedy, musical numbers, sexy striptease performances from the leading hunk, and lots of surprises! SPANK! The Fifty Shades Parody is not associated with, nor authorized by, author E.L. James or Vintage Press. Support for the 2014/15 season provided in part by Frazier & Son Furniture 6 Support for the 2014/15 season provided in part by Clark-Mortenson Agency, Inc., and Hamblet Electric. KRISTALLNACHT REMEMBRANCE SUNDAY, NOVEMBER 9 | 7:00PM | FREE The Colonial is pleased to present, in conjunction with the Cohen Center for Holocaust and Genocide Studies, this annual remembrance of the lessons of the holocaust. Jive Talkin’ is a JIVE TALKIN’ global smash hit that brings the soul and essence of the Bee Gees to life. Featuring brilliantly convincing vocals paired with a live string section, you’ll be transported back to the memo- rable seventies with your favorite hits, like “More Than A recreate and present Woman,” “Night Fever,” “Stayin’ THE BEE GEES Alive,” “Tragedy,” | and loads more. It’s FRIDAY, NOVEMBER 14 8:00PM | $42/$38/$28 an emotional musi- cal journey sure to Support for the 2014/15 season provided in part by Liberty Mutual Insurance be remembered. Celebrating the Holydays SWEET HONEY IN THE ROCK FRIDAY, DECEMBER 12 | 8:00PM | $49/$45/$35 ickets TheColonial.org or 603/352-2033 T Challenge and change are the themes underlying the revered female African-American a cappella ensemble Sweet Honey in the Rock. Their music is a compelling and potent blend of blues, African, jazz, gospel and R&B, woven with themes of political and social justice. They use their individual and collective voice to address the critical issues of our time, and invite you to join them with yours. They bring their special holiday show, which debuted at Harlem’s Apollo Theatre in 2012, to set a harmonious tone for the season. SUNDAY, DECEMBER 7 | 3:00PM | $12 GREATER Join the Greater Keene Pops Choir KEENE POPS for a concert that will enhance the holiday season through song. CHOIR Featuring the Keene State College Brass. 8 APPLE HILL STRING QUARTET On Stage FRIDAY, JANUARY 16 | 8:00PM | $37 ADULTS / $29 STUDENTS & YOUTH The Apple Hill String Quartet has earned accolades from around the world for their interpretive mastery of such traditional repertoire as Haydn, Mozart, Schubert and Ravel – along with their special dedication to seldom heard masterworks and contemporary music. On stage performance; seating is limited. NORTH SHORE COMEDY SATURDAY, JANUARY 24 | 8:00PM | $23/$21 The best cure for cabin fever! Featuring Jim Colliton (Comedy Central & NESN Comedy All Stars), Mark Scalia (Boston Comedy Riot & Absolut Comedy Tour), and Jay Grove (known as the NH Granite Gun of Comedy). Support for the 2014/15 season provided in part by Monadnock Radio Group and Korvin Appliance. KEENE LIONS CLUB $24/$22 The Keene Lions Club hops from the hills of Who-ville to the fate and fashion of fairy FRIDAY, FEBRUARY 13 | 7:30PM godmothers with CINDERELLA, a show for people of all ages! Slated for The Colonial SATURDAY, FEBRUARY 14 Theatre stage February 13-15, 2015, the 1:00PM & 7:30PM Lions bring us a perfect Valentine’s Day weekend treat.
Load more

Recommended publications
  • SCHOOL BOARD MEETING May 20, 2014 5:00 P.M. School
    Lynchburg City Schools 915 Court Street Lynchburg, Virginia 24504 Lynchburg City School Board SCHOOL BOARD MEETING May 20, 2014 5:00 p.m. Regina T. Dolan-Sewell School Administration Building School Board District 1 Board Room Mary Ann Hoss School Board District 1 A. CLOSED MEETING Michael J. Nilles School Board District 3 1. Notice of Closed Meeting Jennifer R. Poore Scott S. Brabrand. Page 1 School Board District 2 Discussion/Action Katie Snyder School Board District 3 2. Certification of Closed Meetng Scott S. Brabrand. Page 2 Treney L. Tweedy School Board District 3 Discussion/Action J. Marie Waller School Board District 2 B. PUBLIC COMMENTS Thomas H. Webb 1. Public Comments School Board District 2 Scott S. Brabrand. Page 3 Charles B. White Discussion/Action (30 Minutes) School Board District 1 C. SPECIAL PRESENTATION School Administration Scott S. Brabrand 1. Student Recognitions Superintendent Scott S. Brabrand. Page 4 Discussion William A. Coleman, Jr. Assistant Superintendent of Curriculum and Instruction 2. LCS: Why We Stand Out Ben W. Copeland Scott S. Brabrand. Page 5 Assistant Superintendent of Discussion Operations and Administration Anthony E. Beckles, Sr. D. FINANCE REPORT Chief Financial Officer Wendie L. Sullivan 1. Finance Report Clerk Anthony E. Beckles, Sr. .Page 6 Discussion E. CONSENT AGENDA 1. School Board Meeting Minutes: May 6, 2014 (Regular Meeting) F. STUDENT REPRESENTATIVE COMMENTS G. UNFINISHED BUSINESS 1. Carl Perkins Funds: 2014-15 William A. Coleman, Jr. Page 11 Discussion/Action 2. School Board Retreat Scott S. Brabrand. Page 14 Discussion/Action 3. Update Extra-Curricular Supplements and Stipends Ben W.
    [Show full text]
  • Million Dollar Quartet” by Colin Escott & Floyd Mutrux at the Hippodrome Theatre Through December 2
    “Million Dollar Quartet” By Colin Escott & Floyd Mutrux At the Hippodrome Theatre through December 2 By James Cooper MEMORIES ARE MADE OF THIS … PRODUCTION Flashing lights, shimmering jackets and long musical solos radiate through the production of “Million Dollar Quartet,” now at the Hippodrome Theatre. Though the special effects and costumes are beneficial in some instances, the show lacks emphasis in the one area it should stress the most: the music. The whole story focuses on the decisions of four major musicians from the 1950s: Carl Perkins, Johnny Cash, Jerry Lee Lewis and Elvis Presley. Music is the main concept within the script, but it certainly isn’t the main concept within the performance. The show focuses on a single event: the night that all four musicians of the “Million Dollar Quartet” were present in the same space at the same time, the Sun Records Studio in Memphis on December 4, 1956. Elvis (Cody Slaughter) used to be a member of the Sun Records family but then he switched to RCA, a bigger label. Since this change, Elvis has lost contact with his former producer, Sam Phillips (Vince Nappo). As Elvis returns with his girlfriend Dyanne (Kelly Lamont) he makes it clear to Sam that he wishes he had stayed at Sun. Sam too wishes that Elvis had stayed, but his main focus is now on producing Johnny (David Elkins) and the up-and-coming Jerry Lee (Martin Kaye). All the while Carl (Robert Britton Lyons) has to decide whether or not he wants to leave Sun Records or move on to Columbia.
    [Show full text]
  • 20Questions Interview by David Brent Johnson Photography by Steve Raymer for David Baker
    20questions Interview by David Brent Johnson Photography by Steve Raymer for David Baker If Benny Goodman was the “King of Swing” periodically to continue his studies over the B-Town and Edward Kennedy Ellington was “the Duke,” next decade, leading a renowned IU-based then David Baker could be called “the Dean big band while expanding his artistic and Hero and Jazz of Jazz.” Distinguished Professor of Music at compositional horizons with musical scholars Indiana University and conductor of the Smithso- such as George Russell and Gunther Schuller. nian Jazz Masterworks Orchestra, he is at home In 1966 he settled in the city for good and Legend performing in concert halls, traveling around the began what is now a world-renowned jazz world, or playing in late-night jazz bars. studies program at IU’s Jacobs School of Music. Born in Indianapolis in 1931, he grew up A pioneer of jazz education, a superlative in a thriving mid-20th-century local jazz scene trombonist forced in his early 30s to switch that begat greats such as J.J. Johnson and Wes to cello, a prolific composer, Pulitzer and Montgomery. Baker first came to Bloomington Grammy nominee and Emmy winner whose as a student in the fall of 1949, returning numerous other honors include the Kennedy 56 Bloom | August/September 2007 Toddler David in Indianapolis, circa 1933. Photo courtesy of the Baker family Center for the Performing Arts “Living Jazz Legend Award,” he performs periodically in Bloomington with his wife Lida and is unstintingly generous with the precious commodity of his time.
    [Show full text]
  • An Historical Policy Analysis of the Carl D. Perkins Legislation: Examining the History, Creation, Implementation and Reauthorization of the Law
    AN HISTORICAL POLICY ANALYSIS OF THE CARL D. PERKINS LEGISLATION: EXAMINING THE HISTORY, CREATION, IMPLEMENTATION AND REAUTHORIZATION OF THE LAW BY AIMEE MICHELLE LAFOLLETTE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Educational Policy Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Associate Professor Yoon Pak, Chair Professor James D. Anderson Professor Debra Bragg Associate Professor Christopher Span ABSTRACT This dissertation explores the historical development of the Carl D. Perkins Vocational Education Act of 1984, with the incorporation of ―special populations‖ as a provision in the law from 1963. From 1917 through 1963, vocational funding primarily supported teacher training, research, program improvement, and expansion of vocational programs, in 1963 acknowledging the social climate of the time Congress included provisions to support services for disadvantaged students. In 1984, Congress established prescriptive provisions attaching funds to serve and address the needs of underserved students described as special populations. Vocational education‘s focus expanded from 1963 -1984 to included provisions to create programs eliminating sexual bias and stereotyping. This dissertation traces the foundations by which Congress was led to focus on access to vocational education programs and prescribe funding to serve handicapped, single parents, displaced homemakers, economically disadvantaged, academically disadvantaged, students with limited English proficiency, and gender equity. ii To my children James and Jacob iii ACKNOWLEDGEMENTS I believe Malcolm Gladwell, author of Tipping Point, said it best when he stated that, ―…the people we surround ourselves with have a profound effect on who we are.‖ Personal success can never be attributed to a single individual.
    [Show full text]
  • HOUSE of REPRESENTATIVES-Friday, May 6, 1977 the House Met at 11 O'clock A.M
    13884 CONGRESSIONAL RECORD-HOUSE May 6, 1977 It is admirable in both its ambition and its exemplary news and public affairs pro­ careers for themselves within New execution, quietly and effectively going be­ graming geared to the special needs of York's garment industry. yond stereotypes to tap the fascinating re­ women in the tri-State area. Channel 2 Weekday mornings, WCB~TV's pro­ sources of real people ... the closeups prove "Eye On," which this year won a New vocative interview program with Jeanne fascinating. and the subsequent talk is in­ York area Emmy award for "outstand­ Parr sparks lively discussions on topics formative. ing documentary series," each week of particular interest to women. Ms. Kay Gardella of the New York Daily focuses on a critical issue or newsmaking Parr, who was one of this country's first News found Ms. Myerson- personality affecting residents of New women news correspondents, has tackled A splendid on-camera performer, and the York, New Jersey, and Connecticut. such controversial themes as the right of women she chooses as subjects are articulate Whether it be an investigative report on women to enter the priesthood, alco­ and capable of pinpointing their needs, emo­ women ex-offenders caught in the re­ holism among women, menopause, and tions and problems-it is an excellent series. volving door of criminal justice or a pro­ women in sports and journalism. Writing in the New York Post, Bob file of my colleague Congresswoman Liz This kind of enlightened broadcasting Williams praised Ms. Myerson's approach HOLTZMAN, "Eye On" maintains the high philosophy is a reflection of WCBS-TV's to the women on the evening and daily standards of · electronic journalism continuing commitment and responsi­ broadcasts of "A Woman Is .
    [Show full text]
  • Washington's Perkins V Plan
    January 29, 2020 WASHINGTON’S Update – FOR RELEASE TO PUBLIC PERKINS V PLAN COMMENT Strengthening Career and Technical Education for the 21st Century Act Washington State Perkins Plan U. S. Department of Education Office of Career, Technical, and Adult Education Strengthening Career and Technical Education for the 21st Century Act (Perkins V) State Plan I. COVER PAGE A. State Name: WASHINGTON STATE B. Eligible Agency (State Board)4 submitting plan on behalf of the State: WORKFORCE TRAINING AND EDUCATION COORDINATING BOARD C. State Agency delegated responsibilities by Eligible Agency under section 131(b) for the administration, operation, or supervision of activities of the State plan (if applicable): WORKFORCE TRAINING AND EDUCATION COORDINATING BOARD OFFICE OF SUPERINTENDENT OF PUBLIC INSTRUCTION STATE BOARD FOR COMMUNITY AND TECHNICAL COLLEGES D. Individual serving as the State Director for Career and Technical Education: 1. Name: ELENI PAPADAKIS 2. Official Position Title: EXECUTIVE DIRECTOR 3. Agency: WORKFORCE TRAINING AND EDUCATION COORDINATING BOARD 4. Telephone: (360) 709-4600 5. Email: [email protected] E. Type of Perkins V State Plan Submission - FY 2019 (Check one): 1-Year Transition Plan (FY2019 only) – if an eligible agency selects this option, it will then complete Items G and J State Plan (FY 2019-23) – if an eligible agency selects this option, it will then complete Items G, I, and J 5 F. Type of Perkins V State Plan Submission - Subsequent Years (Check one): X State Plan (FY 2020-23) - if an eligible agency selects this option, it will then complete Items H, I, and J State Plan Revisions (Please indicate year of submission: if an eligible agency selects this option, it will then complete Items H and J Washington’s 2020 Perkins V Plan - 1 Washington State Perkins Plan G.
    [Show full text]
  • Artifacts of Hollywood & Music
    09/25/21 04:03:32 Artifacts of Hollywood & Music Auction Opens: Mon, Aug 9 12:00am PT Auction Closes: Sat, Sep 4 10:00am PT Lot Title Lot Title 1 Elvis Presley and Johnny Cash Signed $1 Bill 115 Marilyn Monroe 1959 A New Wrinkle Pin-Up 10 Jimi Hendrix Personally Owned Red Silk Scarf Calendar 100 Star Trek Memorabilia From Gene 116 Marilyn Monroe 1955 Golden Dreams Pin-Up Roddenberry's Estate Calendar 101 Adam Driver Autographed "Star Wars" Kylo 117 Debbie Reynolds Autographed Black and White Ren Helmet Photo 102 Adam Driver Autographed "Star Wars" Kylo 118 Priscilla Presley's Personally Owned Plush Ren Poster Sweater 103 "Back to the Future" Double Signed Photo 119 Elvis and Priscilla Presley Photo Signed by W/COA Priscilla 103A Back to the Future "OUTATIME" DeLorean 12 Jimi Hendrix Personally Owned Red Crystal License Plate Bottle 103B Harry Potter Prop Gringotts Wizarding Bank 120 Elvis Presley Honeymoon Home Exhibit White Slips Jumpsuit 104 "Harry Potter" Cast Signed 11"x14" Photograph 121 Elvis Presley Honeymoon Home Exhibit W/COA Framed Photos 105 Gene Wilder Signed Golden Ticket in Matted 122 Elvis Presley "Guitar Man" Promo Belt Buckle Display and LP 106 Johnny Depp Autographed "Willie Wonka" 123 Elvis Presley Beverly Hills Estate Leaf Pendant 11"x14" Photo 123A Elvis Presley Solid 14K Yellow Gold TCB 107 Bud Blake Signed Original "Tiger" Sketch Necklace W/COA 123B Khloe Kardashian's Custom Cognac Diamond 108 Al Pacino "The Godfather" Autographed Scala Bracelet Fedora 123C Khloe Kardashian's Custom Black Diamond 109 Al Pacino and
    [Show full text]
  • Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (Guest Post)*
    “Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (guest post)* Louis Jordan Original label “Caldonia” film poster, 1945 “Caldonia” (originally titled “Caldonia Boogie”) became one of Louis Jordan and his Tympany Five’s most enduring hits. The song, with its lyrical catchphrase “Caldon-YAH! Caldon-YAH! What makes your big head so hard!?” set America on its ear and spawned endless cover versions, two of which competed directly with Jordan’s version in 1945. The song had been in Jordan’s repertoire since at least the summer of 1944, when he recorded it for use on a December airing of “Jubilee!,” an Armed Forces Radio Service show for African- American servicemen. In January, 1945 he recorded it for Decca, but the label first released a pairing of Jordan’s “Mop! Mop!” and “You Can’t Get That No More” that became a major hit that winter, and perhaps delayed the release of “Caldonia.” In February, Jordan filmed a performance of it for a short film of the same name, which hit theaters in March. In late Feburary, white bandleader Woody Herman recorded a modern jazz-tinged arrangement by Ralph Burns, who’d heard Jordan perform it live. Herman’s version hit the stores at about the time that African-American bandleader Erskine Hawkins recorded a version for RCA-Victor at the end of March. Decca, perhaps feeling the pressure, released Jordan’s definitive small group version at almost the same time that Hawkins’ disc came out in mid-April. Surprisingly, all three versions of the tunes were hits.
    [Show full text]
  • Carl D. Perkins Career and Technical Education Act of 2006 (Perkins IV)
    2 Table of Contents Part A – Narrative I. Planning, Coordination, and Collaboration Prior to Plan Submission …..……….. 6 II. Program Administration …………………………………………………...……. 15 III. Provision of Services for Special Populations ………………..…………….…... 51 IV. Accountability and Evaluation ………………………………………………….. 56 V. Tech Prep Programs ………………………………………………...…………... 65 VI. Financial Requirements ………………………………………………………..... 75 VII. EDGAR Certifications and Other Assurances ………………………...……..… 82 Part B – Budget Forms I. Title I Budget Table ……………………………..……...…………………….… 91 II. Title II Budget Table …………………........……..………...……………..…….. 92 Part C – Accountability Forms I. Definitions of Student Populations ……………………………………………... 95 II. Final Agreed Upon Performance Levels Form (FAUPL) …………………….… 98 Appendices A. Basic Grant Application Approval Checklist ………………………………….. 113 B. Basic Grant Application and Instructions ……………………………………... 131 C. Tech Prep Application Approval Checklist ………………………………….... 171 D. Tech Prep Application and Instructions ……………………………………….. 183 E. Basic Grant Allocation ………………………………………………………… 221 F. Tech Prep Grant Allocation ………………………………………………….… 225 G. Reserve Fund Allocation ………………………………………………………. 229 H. Secondary Allocations …………………………………………………………. 233 I. Consortia Allocations ………………………………………………………….. 259 J. Postsecondary Allocations …………………………………………………...… 283 K. Iowa Professional Development Model Overview …………………………….. 287 L. Written Comments Received ………………………………………………...… 293 M. Assurances …………………………………………………………………...… 309
    [Show full text]
  • Introducing Phoenix Theatre's 99Th Season!
    PRESS RELEASE For Immediate Release: April 17, 2018 Media: Carolyn Thomas, 602.889.6320 Press Photos: phoenixtheatre.com/press Public: Phoenix Theatre, 602.254.2151 Introducing Phoenix Theatre’s 99th Season! Phoenix, Ariz. - Phoenix Theatre announces the final additions to the incredible lineup for the 2018/2019 season! Kicking off the New Year in January of 2019 will be The Second City’s It’s Not You, It’s Me, an improvised adventure into the modern dating scene and the age-old phenomenon that is falling in love. Closing out the season will be Million Dollar Quartet, back by popular demand! Relive the now-legendary 1956 impromptu jam session of Elvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis. Explore Phoenix Theatre’s full 2018/2019 season. With 11 productions plus the Festival of New American Theatre, there’s something for everyone! Avenue Q - There’s more fuzz to love when our badly-behaved puppet friends return! This R-rated, laugh-out-loud look at life after college packs more purposeful punch and candid heart than ever before. West Side Story - When Tony falls for Maria, it seems like love could conquer all… until their rival gangs go to war. Don’t miss Leonard Bernstein and Stephen Sondheim’s timeless classic! Fun Home - Lose the rose-colored glasses: this five-time Tony Award® winning musical tackles love, dysfunction, and everything in between. Elf: The Musical - Get your sparklejollytwinklejingle on with Buddy the Elf! Seeing this musical might just get you onto the good list (but you didn’t hear it from us).
    [Show full text]
  • A Defense of the Farm Labor Contractor Registration Act
    University of Arkansas ∙ System Division of Agriculture [email protected] ∙ (479) 575-7646 An Agricultural Law Research Article A Defense of the Farm Labor Contractor Registration Act by Richard S. Fischer Originally published in Texas LAW REVIEW 59 TEX. L. REV. 531 (1981) www.NationalAgLawCenter.org Notes A Defense of the Farm Labor Contractor Registration Act [w]e see families crowded into shelters that are more like coops for animals, with children undernourished and in poor health, 2 or 3 years behind in school, with little chance to develop their talents and become fully useful to themselves or their country. This is the ugliest kind of human waste. The plight of the mi­ grant and his family is a charge on the conscience of all of us. I The Farm Labor Contractor Registration Act2 (FLCRA) protects migrant and seasonal farmworkers from abuses of the farm labor con­ tracting system. 3 The Act guarantees that farmworkers receive notice of the terms and conditions of employment offers, and generally deters employers from exposing farmworkers to hazardous conditions, breaching employment agreements, or denying farmworker employees the rights and benefits secured by other federal statutes. Congress in 1980 rejected amendments to FLCRA (Boren Amendment)4 that would have excluded many agricultural employers and most farmworkers from the Act's scope.s FLCRA has weathered similar as­ saults,6 but none so well organized, and none so nearly successful. Most certainly, there will be future attacks'? This Note is a defense of FLCRA. I. STAFF OF SUBCOMM. ON MIGRATORY LABOR OF THE SENATE COMM. ON LABOR AND PUBLIC WELFARE, 86TH CONG., 20 SESS., THE MIGRANT FARM WORKER IN AMERICA vii (Comm.
    [Show full text]
  • C E Le B Ra Tin G 5 0 Y E a Rs the Green Room
    --------------------Calendar • Stage & Dance ------------------- Now Playing COME Bac K TO THE 5 & DIME JIMMY DE A N , SH A KESPE A RE ’S MER C H A NT OF VENI C E The Green Room JIMMY DE A N — Disciples of James — Complex and controversial play ALMOST , MA INE — As the northern Dean gather for a 20th anniversary about a merchant who secures a JEN POIRY-PROUGH lights hover above Almost, Maine, reunion to mull over their present loan from a Jewish money lender residents find themselves falling lives and reminisce about the past, who will receive a pound of flesh in and out of love in unexpected presented by IPFW Department if the loan defaults, 7:30 p.m. and sometimes hilarious ways, 7 of Theatre, contains adult lan- Thursday-Saturday, Feb. 26-28; Pulse Opera House Offers Theater Classes p.m. Thursday-Friday, Feb. 26-27, guage and subject matter 8 p.m. 7:30 p.m. Friday-Saturday, March The Pulse Opera House in Warren is holding two theater classes this Carroll High School, Fort Wayne, Thursday-Saturday, Feb. 26-28, 6-7; 2:30 p.m. Sunday, March 8 Williams Theatre, IPFW, $5-$15 and 7:30 p.m. Friday-Saturday, spring. Creative Dramatics (ages 8 to 12) is taught by Cynthia Smyth- $5, 637-3161 Wartzok and meets 10-11:30 a.m. Saturdays. Improv (ages 18 and up) CA B A RET — Musical set in a 1930s thru IPFW box office 481-6555 March 13-14, First Presbyterian German nightclub about a young DI A RY OF ANNE FR A NK — Stage adapta- Theater, Fort Wayne, $10-$20, is taught by Stacia Brinneman and meets 2-4 p.m Saturdays.
    [Show full text]