The Man Behind the Poster
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Batman As a Cultural Artefact
Batman as a Cultural Artefact Kapetanović, Andrija Undergraduate thesis / Završni rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:723448 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-27 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Andrija Kapetanović Batman as a Cultural Artefact Završni rad Zadar, 2016. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Batman as a Cultural Artefact Završni rad Student/ica: Mentor/ica: Andrija Kapetanović Doc. dr. Marko Lukić Zadar, 2016. Izjava o akademskoj čestitosti Ja, Andrija Kapetanović, ovime izjavljujem da je moj završni rad pod naslovom Batman as a Cultural Artefact rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Editorial MILENIO
Índice onomástico 10cc, 96, 153, 154, 155, 156, 157, 171 Alice Cooper, 82, 92, 93, 94, 95, 96, Archiduque Luis Salvador de Aus- Bee Gees, 110 2 Chainz, 285 107 tria, 69 Ben Vaughn, 20 2D, 281 Alicia Keys, 287 Aretha Franklin, 23 Benjamin Disraeli, 33 A Certain Ratio, 258 Alien Lanier, 144 Arthur ‘Big Boy’ Crudup, 13 Bernard Butler, 251, 252 A Tribe Called Quest, 285 All You Can Eat, 25 Artie Shaw, 23 Bernard Edwards, 191 Aaron Rapoport, 175, 179 Allan Clarke, 218 Arturo Vega, 147, 149, 150 Bernard Pierre Wolff, 185, 187, 188, Abba, 65 Allan Tannenbaum, 50 Athena Demos, 228 189 Abbie Rose, 203 Allen Ginsberg, 202 Athlete, 289 Bernard Shaw, 27 Acy R. Lehman, 24, 129 Alton Kelley, 52 Atomic Rooster, 62 Bernard Sumner, 275 Ad lnfinitum, 258 AM, 19 Atrocity, 195 Bernie Karlin, 129 Adam Again, 207 Amanda Lear, 115, 123 Aubrey Powell, 97, 99, 153, 170 Bernie Taupin, 109, 112 Augusto Rivalta, 187 Adam Clayton, 236, 238, 240 Amber Rose, 212 Beth Orton, 253 Ava Cherry, 115 Adam Faith, 115 Amy Winehouse, 105 Betty Blue, 242 Aelbert Cuyp, 199 Awesome Snakes, 84 Beverly, 268 Ana Johnson, 224 Ahmed Abdul Malik, 76 Axxe, 125 Beyoncé, 286 André C. Le Breton, 91 Aida Griffin, 54 B.P. Fallen, 127, 130 Big Audio Dynamite, 15 André Malraux, 69 MILENIO Al Green, 286 Bad Company, 278 Big Boi, 286 Andrew Boloton, 28 Al Stewart, 65 Baden-Powell, 216 Big Brother & the Holding Com- Andrew Loog Oldham, 37, 38, 40 Alain Delon, 215, 216, 219 Ban Ban Bazar, 25 pany, 42, 43, 53 Andy Fletcher, 201 Alan Erasmus, 186 Banana Splits, 279 Bill Graham, 43, 53 Andy Griffith, -
Semiotics Study on Poster Film the Pursuit of Happyness
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Institute for Science, Technology and Education (IISTE): E-Journals Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal DOI: 10.7176/JLLL Vol.54, 2019 Semiotics Study on Poster Film The Pursuit of Happyness Septi Rizki Nuryani Gunadarma University, Salemba Raya No. 53 Jakarta Pusat 10440, Indonesia Abstract This study concerns on Semiotics fields. The problems of the study are what signs that represent film The Pursuit of Happyness on poster; what meanings are contained in the poster of the film; and how is poster design of The Pursuit of Happyness attracting the audience’s attention. The research aims to find out signs that represent the film; to find out meanings that contain on poster; and to find out how the design used to attract attention of the audience. This study uses qualitative method. The findings of the study shows that there are 9 signs on the poster namely white background, the shining light between two main characters, the use of colour and size on two words (‘pursuit’ and ‘happy’), the position of some words, the symbol of father and son, gesture of the two main characters, the appearance of two main character, facial expression and the intention of the slogan ‘inspired by true story’ as well as Christmas 2006. Each sign has meaning. The way illustrator attracting audience’s attention is very smooth. Although the poster looks simple, the visual and the way s/he uses the colours. -
RELACIONES ENTRE ARTE Y ROCK. APECTOS RELEVANTES DE LA CULTURA ROCK CON INCIDENCIA EN LO VISUAL. De La Psicodelia Al Genoveva Li
RELACIONES ENTRE ARTE Y ROCK. APECTOS RELEVANTES DE LA CULTURA ROCK CON INCIDENCIA EN LO VISUAL. De la Psicodelia al Punk en el contexto anglosajón, 1965-1979 TESIS DOCTORAL Directores: Genoveva Linaza Vivanco Santiago Javier Ortega Mediavilla Doctorando Javier Fernández Páiz (c)2017 JAVIER FERNANDEZ PAIZ Relaciones entre arte y rock. Aspectos relevantes de la cultura rock con incidencia en lo visual. De la Psicodelia al Punk en el contexto anglosajón, 1965 - 1979 INDICE 1- INTRODUCCIÓN 1-1 Motivaciones y experiencia personal previa Pág. 5 1-2 Objetivos Pág. 6 1-3 Contenidos Pág. 8 2- CARACTERÍSTICAS ESTILÍSTICAS, TENDENCIAS Y BANDAS FUNDAMENTALES 2-1 ORÍGENES DEL ROCK 2-1-1 Características fundaMentales del rock priMitivo Pág. 11 2-1-2 La iMagen del rock priMitivo Pág. 15 2-1-2-1 El priMer look del Rock 2-1-2-2 El caudal de iMágenes del priMer Rock y el color 2-1-3 PriMeros iconos del Rock Pág. 17 2-2 BRITISH INVASION Pág. 22 2-3 MODS 2-3-1 Características principales Pág. 26 2-3-2 El carácter visual de la cultura Mod Pág. 29 2-4 PSICODELIA Y HIPPISMO 2-4-1 Características principales Pág. 32 2-4-2 El carácter visual de la Psicodelia y el Arte Psicodélico Pág. 42 2-5 GLAM 2-5-1 Características principales Pág. 55 2-5-2 El carácter visual del GlaM Pág. 59 2-6 ROCK PROGRESIVO 2-6-1 Características principales Pág. 65 2-6-2 El carácter visual del Rock Progresivo Pág. 66 2-7 PUNK 2-7-1Características principales Pág. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
Beyond the Films Themselves Hollywood Is Not Just Fancy Dresses and Gossip: Vermeer Rarity Exists in the Artwork
BEYOND THE FILMS THEMSELVES HOLLYWOOD IS NOT JUST FANCY DRESSES AND GOSSIP: Vermeer Rarity Exists in the Artwork by Dwight Cleveland Movies are arguably the most influential art form of the 20th Century. Everyone loves the movies the world over. U.S. film companies have averaged $1.25 billion in global receipts each year for over 15 years. In terms of intellectual consumption it has been one of the U.S.’s largest exports every year since the early 1930’s. One can now view current films on hand-held devices like iPads and mobile phones, at home On Demand or with a purchased or rented DVD, or old-school style “at a local theatre near you.” The options are ubiquitous by necessity. Movies have given us words to live by, iconic phrases that are universal: “Make my day.” “You look’n at me?” “I’ll be back!” “You can’t handle the truth.” “Frankly my dear, I don’t give a damn.” Where on earth would one have to go to find someone who didn’t understand these words? The movies are a way of life and an influence on everyone, everywhere. So if the movies are such an integral part of our cultural fabric, why do the posters advertising those films mean so little to most people, especially industry insiders? Back in the day, film posters started out as the only advertising agent for a newly released movie. During the early years, the entire ad budget went into the artwork, design and printing of the posters. From the teens through the 1930’s, they were beautiful stone lithographs with sophisticated graphics and fully saturated color schemes. -
A Study to Understand the Changing Trends of the Publicity Posters of Hindi Films)
DECODING THE BOLLYWOOD POSTERS (A study to understand the changing trends of the publicity posters of Hindi films) Manash Pratim Goswami Research Scholar Deptt. of Journalism & Mass Communication Punjabi University, Patiala INTRODUCTION Even in the age of digital publicity, printed film poster plays an important role. If not the most important publicity tool, the posters on outside or inside carriages -trams, rickshaws, auto- rickshaws, delivery-vans, buses, railway carriages, toilet, wall of cinema hall and busy chowk, etc. draw attention of public very easily. Yes, poster has been a part and parcel of film publicity from the beginning. Evidence of first poster with the screening of the first reel in India on 7th July in 1896. FILM POSTER Normally contains images of the main actors or a scene or a collage of several scenes of the film with text. The textual information includes -Title of the film in large lettering -Names of the main actors, director, producer, music director, story writer, etc. -Date of releases. FILM POSTER: THE BEGINNING Like the advertisements of the early periods, poster in the early period introduced potential audiences to -the act of film screening -inform the experience associated with it in a pictorial way. Two famous available posters of Lumière Brothers and Edison were showing rapturous audiences in front of giant screen. The only text of the poster for Edison’s device – “Edison’s Greatest Marvel: The Vitascope”, released in United States. The text for the Lumière Brothers „ device – Cinématographe Lumière , seen in France. FILM POSTER IN INDIA Phalke Raja Harishchandra through his hand-painted film poster. -
OH, PRETTY PARODY: CAMPBELL V. ACUFF-ROSE MUSIC, INC
Volume 8, Number 1 Fall 1994 OH, PRETTY PARODY: CAMPBELL v. ACUFF-ROSE MUSIC, INC. Lisa M. Babiskin* INTRODUCTION For the second time ever, the Supreme Court addressed the affirmative defense of fair use to copyright infringement in the context of parody in Campbell v. Acuff-Rose Music, Inc. ~ The unanimous opinion found a parody rap version of Roy Orbison's song "Oh, Pretty Woman" by the group 2 Live Crew could be a fair use within the exceptions to the protections of the Copyright Act of 1976. 2 The fair use defense is an inconsistent and confusing area that has been called "the most trouble- some [issue] in the whole law of copyright. "3 The Campbell decision helps preserve the flexible, case-by-case analysis intended by Congress and recognizes the value of parody both as a form of social criticism and catalyst in literature. The decision affords wide latitude to parodists, emphasizing the irrelevance of the judge's personal view of whether the parody is offensive or distasteful. It is unclear whether future courts will interpret this holding to be limited to fair use of parody in the context of song, or whether they will construe it more broadly to confer substantial freedom to parodists of all media. It is also unclear what effect this decision will have on the music industry's practice of digital sampling. This article will review the historical background of fair use in the context of parody and the case law preceding the Supreme Court's decision. A detailed discussion of the lower courts' decisions will be followed by analysis of the Supreme Court's decision and its implications for the future. -
News Release for Immediate Release
NEWS RELEASE FOR IMMEDIATE RELEASE DISNEY SHOWCASES LIVE ACTION SLATE WITH EXCITING NEWS EXCLUSIVELY FOR FANS AT D23 EXPO 2015 STARS AND FILMMAKERS OF UPCOMING DISNEY, MARVEL STUDIOS AND LUCASFILM MOVIES FEATURED AT TODAY’S LIVE ACTION EVENT Film stills, title treatments and event images will be available at: http://www.image.net/d23_2015. ANAHEIM, Calif. (Aug. 15, 2015) — Disney, Marvel Studios and Lucasfilm presented their live action film slates this morning at the D23 EXPO 2015 at the Anaheim Convention Center in Anaheim, Calif. The presentations, which revealed exclusive news and details about the upcoming live action films, were aided by live and video appearances from talent and filmmakers. Walt Disney Studios Chairman Alan Horn hosted the highly anticipated biennial event. “It’s quite something to be able to have Disney, Marvel and Lucasfilm all on the same stage, and it’s tremendously gratifying to unveil our upcoming projects to our most dedicated fans first,” said Alan Horn, Chairman, The Walt Disney Studios. “We always have an incredible time at the D23 EXPO.” After welcoming the crowd to D23 EXPO 2015, Horn introduced Kevin Feige, President of Marvel Studios, and Sean Bailey, President of Walt Disney Studios Motion Picture Production, to present overviews of the Marvel Studios and Disney live action slates. Later Horn returned to the stage to present the Lucasfilm film slate to the enthusiastic audience. A recap of the presentation follows: · Kevin Feige led off with a glimpse into the world of Marvel’s “Doctor Strange,” featuring a video greeting by Benedict Cumberbatch, who stars as the title character, followed by a pre- production piece that offered fans a taste of the look and feel of the upcoming film, opening in U.S. -
Roy Orbison by Dave Hoekstra May 10, 1987
Roy Orbison By Dave Hoekstra May 10, 1987---- MALIBU, Calif. We were unsure about ingenues in the front row of the class and goals in the back seat of the car. But we were certain about Roy Orbison. The first time I contacted a case of the Orbies was upon the demise of my first relationship in junior high school. She implied it was over by taking a pair of pliers to a dime-store ring with a design of a knight in shining armor. I would sleep with the transistor radio under the pillow; that night WLS played "Only the Lonely." The message was clear. I was not alone. At the second annual induction dinner for the Rock 'n' Roll Hall of Fame in January, Bruce Springsteen introduced Orbison by explaining, "In '74, just prior to going in the studio to make `Born To Run,' I was looking at Duane Eddy for his guitar sound and I was listening to a collection of Phil Spector records and I was listening to `Roy Orbison's All-Time Greatest Hits.' I'd lay in bed at night with just the lights of my stereo on and I'd hear `Crying,' `Love Hurts,' `Running Scared,' `Only the Lonely' and `It's Over' fillin' the room. "Some rock 'n' roll reinforces friendship and community, but for me, Roy's ballads were always best when you were alone and in the dark." I read that quote to Orbison during a recent conversation we had at his home here and asked him where he reached for a style that is isolated yet so personal. -
First Choice
firstchoice wusf for information, education and entertainment • marcH 2010 Pop Heaven! The Teenage Music International Show (aka The T.A.M.I. Show) was America’s first full-length concert movie. Originally released it 1964, this exuberant and spellbinding documentary showcases an impressive line-up of rock and soul titans, including Chuck Berry, Marvin Gaye, Smokey Robinson and the Miracles, The Supremes, The Rolling Stones, and The Beach Boys. The film concludes with a battle of the bands between the electrifying James Brown and the then-young upstarts, The Rolling Stones. This legendary concert film, which has been meticulously restored in high-definition format, has not been seen in its entirety since its theatrical release more than 40 years ago. It’s pure pop heaven! Airs Saturday, March 6, at 8 p.m. from the wusf gm Giving and Getting here’s a good chance you’re a member of WUSF Public T Broadcasting because you’re reading this edition of First Choice. Your support has ensured the continued broadcast of quality programming that is creative, entertaining, relevant and educational. Thanks to you, we serve a Win an HD Radio leadership role in this region by providing During the WUSF 89.7 Spring Membership home-grown, in-depth journalism that Campaign! knits our area together with clear thinking, March 16, 17 & 18 honest talk and open dialogue. WUSF’s commitment to quality, community Everyone who makes journalism has been recognized on a national level. We’re proud that a pledge to WUSF 89.7 Innovators!, one of our Florida Matters programs, recently won a National Educational Telecommunications Association on the first three (NETA) award.