Terry Jones & Terry Gilliam: MONTY PYTHON's the MEANING of LIFE
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Topic 4: Monty Python's “The Argument Clinic”
Topic 4: ∗ Arguments ∗ The Logical Kind, Not The Talk Radio Kind. Arguments – CSc 245 v1.1 (McCann) – p. 1/23 Monty Python’s “The Argument Clinic” Featuring: Michael Palin as “Man” Rita Davies as “Receptionist” Graham Chapman as “Mr. Barnard” John Cleese as “Mr. Vibrating” Eric Idle as “Complainer” Terry Jones as “Spreaders” Definition: Argument Arguments – CSc 245 v1.1 (McCann) – p. 2/23 Inductive and Deductive Reasoning (1 / 3) Definition: Inductive Argument Definition: Deductive Argument Arguments – CSc 245 v1.1 (McCann) – p. 3/23 Inductive and Deductive Reasoning (2 / 3) Example(s): Arguments – CSc 245 v1.1 (McCann) – p. 4/23 Inductive and Deductive Reasoning (3 / 3) What type of argument is this? 3 is a prime number, 5 is a prime number, and 7 is a prime number. Therefore, all positive odd integers above 1 are prime numbers. Arguments – CSc 245 v1.1 (McCann) – p. 5/23 Structure of a Deductive Argument (p1 ∧ p2 ∧ . ∧ pn) → q Arguments – CSc 245 v1.1 (McCann) – p. 6/23 Valid and Sound Arguments (1 / 2) Definition: Valid Argument Example(s): Arguments – CSc 245 v1.1 (McCann) – p. 7/23 Valid and Sound Arguments (2 / 2) Example(s): Definition: Sound Argument Arguments – CSc 245 v1.1 (McCann) – p. 8/23 Some Rules of Inference (1 / 2) Learn these! 1. Addition 2. Simplification 3. Conjunction 4. Modus Ponens Arguments – CSc 245 v1.1 (McCann) – p. 9/23 Some Rules of Inference (2 / 2) Learn these, too! 5. Modus Tollens 6. Hypothetical Syllogism 7. Disjunctive Syllogism 8. Resolution Arguments – CSc 245 v1.1 (McCann) – p. -
John Cleese & Eric Idle
JOHN CLEESE & ERIC IDLE TOGETHER AGAIN AT LAST…FOR THE VERY FIRST TIME Mesa, AZ • November 21 Tickets On-Sale Friday, June 17 at 10 a.m. June 15, 2016 (Mesa, AZ) – Still together again, Britain’s living legends of comedy, John Cleese and Eric Idle, announce their must see show John Cleese & Eric Idle: Together Again At Last…For The Very First Time in Mesa at Mesa Arts Center on November 21 at 7:30 p.m.! Tickets go on-sale to the public Friday, June 17 at 10 a.m. In Together Again At Last…For The Very First Time, Cleese and Idle will blend scripted and improvised bits with storytelling, musical numbers, exclusive footage and aquatic juggling to create a unique comedic experience with every performance. No two shows will be quite the same, thus ensuring that every audience feels like they’re seeing Together Again At Last… For The Very First Time, for the very first time. And now you know why the show is called that, don’t you? Following a successful run last fall in the Eastern US as well as a sold-out run in Australia and New Zealand this past February, their tour, John Cleese & Eric Idle: Together Again At Last…For The Very First Time will once again embark on some of the warmest (and driest) territories the US (and Canada) has to offer. The tour will take place from October 16 to November 26 and will see the British icons perform unforgettable sit-down comedy at premier venues in Victoria, Vancouver, Seattle, Spokane, Salem, Santa Rosa, San Francisco, San Jose, Thousand Oaks, Santa Barbara, Escondido, San Diego, Las Vegas, Mesa, Tucson, Albuquerque, El Paso with additional markets to be announced soon. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
The Rutles: All You Need Is Cash
SPOOFS The Rutles: All You Need Is Cash In the 1970s, Eric Idle, a former member of the legendary British com- edy team Monty Python, featured a Beatles parody song called “It Must Be Love” on Rutland Weekend Television, his own television show on BBC-2. The song had been written by Neil Innes, who had previously worked with Monty Python and the Bonzo Dog Doo-Dah Band. The song was performed by ‘The Rutles’, a Beatles look-alike band featuring Neil Innes as the John Lennon character, and Eric Idle as the Paul McCartney character (vgl. Harry 1985: 69). In October 1976, the parody was shown on America’s NBC TV’s show Saturday Night Live as a se- quel to the running gag of a Beatles reunion for $3,000. The parody went down so well that Eric Idle and Neil Innes decided to produce a feature program about The Rutles for television. Idle, who was a close friend of George Harrison, was allowed to watch Neil Aspinall’s unreleased do- cumentary about The Beatles, called The Long and Winding Road. Aspi- nall’s film featured a bulk of famous footage of The Beatles, from their first televised performance at the Cavern Club in Liverpool to their last group performance on the roof of their Apple business building. Idle u- sed The Long and Winding Road as a model for his fake-documentary about The Rutles and basically re-told the history of The Beatles pro- jected upon this imaginary rock band, adding essential elements of par- ody and the Pythonesque sense of surreal humor. -
Spaß Beiseite Comedy Die Britische Komikertruppe Monty Python Hat Mit Ihrem Anarchischen Humor Fernsehgeschichte Geschrieben
Spaß beiseite Comedy Die britische Komikertruppe Monty Python hat mit ihrem anarchischen Humor Fernsehgeschichte geschrieben. Nun tritt sie in einer letzten großen Bühnenshow in London auf. Ein Treffen am Rande der Proben. Von Christoph Scheuermann s gibt zwei Möglichkeiten, ein Inter - sechste Python, ist leider seit 25 Jahren spricht. Die definitiv allerletzte große view mit den Monty Pythons zu be - tot. Show. Sie heißt in Anspielung an Graham Ekommen. Entweder man versucht, Es gibt nicht den geringsten Zweifel da - Chapman „One down, five to go“ – einer sich wochenlang durch die Fettschicht von ran, dass Monty Python die lustigste Ko - tot, fünf sind noch übrig. PR-Beratern, Mittelsleuten und Presse - mikertruppe der Menschheitsgeschichte ist, Auch das ist natürlich ein Python-Sar - damen zu beißen, die die Gruppe umgibt. besser als die Marx Brothers. Die Pythons kasmus. Sie werden diesmal versuchen, Oder man setzt sich vormittags in das Café haben mit ihrem anarchischen Humor zu - dem Tod aus allernächster Nähe ins Ge - des Cecil-Sharp-Hauses in London, eines erst das Fernsehen auf den Kopf gestellt sicht zu spucken. Die fünf Jungs sind in - Folkmusik-Zentrums, in dem John Cleese, und dann das Kino, dort vor allem mit den zwischen grauhaarige Gentlemen, alt ge - Michael Palin, Eric Idle, Terry Gilliam und Filmen „Das Leben des Brian“ und „Die wordene Clowns zwischen 71 und 74, in - Terry Jones die Gags für ihre gemeinsame Ritter der Kokosnuss“. 1983 trennten sie klusive künstlicher Gelenke, dritter Zähne, Show einstudieren. sich, wie so manches geniale Kollektiv, wo - Scheidungen, Hypotheken und Bauch - Eric Idle trottet als Erster die Treppe bei man betete, dass die Pythons es damit speck. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
The Examples of Doctor Who and Monty Python's Flying Circus
AN00240X The British cultural background between 1969 and 1974: the examples of Doctor Who and Monty Python's Flying Circus. Agathe AZZAOUI Student Number: 21202177 1/37 Table of Contents: Introduction I- The social context in Britain after World War Two: men and their authority within a conservative Society 1. The emergence of social complaints in the postwar era 2. The division of tasks within the household and Conservative Women as seen in the Monty Python's Flying Circus 3. The male authority began to be challenged and the emergence of censorship: Doctor Who and the Flying Circus as evidence II- Between the 1960s and 1970s: going towards more sexual freedom and equality 1. The youth fought for equal rights between men and women: both the Flying Circus and Doctor Who support this idea 2. A wave of new reforms in favour of women 3. New social movements gave a different view on society III- Male gaze still present in the British society in the 1970s; a different form of power over women 1. The conservative ways still had an important place within society and male figures were still somehow dominant 2. The Monty Pythons supported women's sexual freedom but some men enjoyed it 3. Men, like in Doctor Who and the Flying Circus, promoted gender equality whereas others would use the same arguments in order to discredit women Conclusion Bibliography Acknowledgements 2/37 Introduction: Between 1969 and 1974, two television programmes reflected the British social background; the Monty Python's Flying Circus and Doctor Who. The Flying Circus was shown between 1969 and 1974 on the BBC and was created by five men coming from Cambridge and Oxford Universities, or Oxbridge. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
Absolutely Anything
Bill & Ben Productions Ltd 20 Great Chapel Street, London W1F 8FW Phone: +44 20 7734 4933 E-Mail: [email protected] WHAT WOULD YOU DO IF YOU COULD DO... ABSOLUTELY ANYTHING Bill & Ben Productions Ltd January 2012 Absolutely Anything Absolutely Anything Written and Directed By Terry Jones A new £10.5m feature film scheduled for production in 2012 Starring Terry Jones John Cleese Michael Palin Terry Gilliam Eric Idle AND Guest Starring RoBin Williams (as Dennis the Dog) 2 Bill & Ben Productions Ltd January 2012 Absolutely Anything Overview Chaos ensues when hapless teacher Neil Clarke is given God-like power for ten days. Little does he know that the planet is Being tested By a council of supremely odd ‘world destroying’ aliens and his actions will determine the fate of planet Earth. Will Neil and his dog Dennis Become the unlikely saviours of mankind? What would you do if you could do Absolutely Anything? Synopsis Earth is in trouBle and only one man (and his dog) can save us! When the Court of the Inter-Galactic Council of Superior Species decides to destroy the planet, the people of Earth are given one last chance to prove they are exceptional beings in order to survive. The power to do absolutely anything is given, unknowingly, to frustrated teacher and aspiring writer Neil Clarke; the test Being whether he uses his new-found power for good or evil. BumBling his way through life with his loyal companion, Dennis the dog, Neil spends his days ignoring his class, avoiding the head teacher and lusting after his neighBour Catherine. -
Proceedings of the 2Nd Workshop on Argumentation Mining, Pages 1–11, Denver, Colorado, June 4, 2015
NAACL HLT 2015 2nd Workshop on Argumentation Mining Proceedings of the Workshop June 4, 2015 Denver, Colorado, USA c 2015 The Association for Computational Linguistics Order print-on-demand copies from: Curran Associates 57 Morehouse Lane Red Hook, New York 12571 USA Tel: +1-845-758-0400 Fax: +1-845-758-2633 [email protected] ISBN 978-1-941643-34-1 ii Background The goal of this workshop is to provide a follow-on forum to last year’s very successful Argumentation Mining workshop at ACL, the first research forum devoted to argumentation mining in all domains of discourse. Argumentation mining is a relatively new challenge in corpus-based discourse analysis that involves automatically identifying argumentative structures within a document, e.g., the premises, conclusion, and argumentation scheme of each argument, as well as argument-subargument and argument- counterargument relationships between pairs of arguments in the document. To date, researchers have investigated methods for argumentation mining of legal documents (Mochales and Moens 2011; Bach et al. 2013; Ashley and Walker 2013; Wyner et al. 2010), on-line debates (Cabrio and Villata 2012), product reviews (Villalba and Saint-Dizier 2012; Wyner et al. 2012), user comments on proposed regulations (Park and Cardie 2014), newspaper articles and court cases (Feng and Hirst 2011). A related older strand of research (that uses the term ’argumentative structure’ in a related but different sense than ours) has investigated automatically classifying the sentences of a scientific article’s abstract or full text in terms of their contribution of new knowledge to a field (e.g., Liakata et al.