{Download PDF} the Monty Pythons Flying Circus: Complete and Annotated: All the Bits
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The Rutles: All You Need Is Cash
SPOOFS The Rutles: All You Need Is Cash In the 1970s, Eric Idle, a former member of the legendary British com- edy team Monty Python, featured a Beatles parody song called “It Must Be Love” on Rutland Weekend Television, his own television show on BBC-2. The song had been written by Neil Innes, who had previously worked with Monty Python and the Bonzo Dog Doo-Dah Band. The song was performed by ‘The Rutles’, a Beatles look-alike band featuring Neil Innes as the John Lennon character, and Eric Idle as the Paul McCartney character (vgl. Harry 1985: 69). In October 1976, the parody was shown on America’s NBC TV’s show Saturday Night Live as a se- quel to the running gag of a Beatles reunion for $3,000. The parody went down so well that Eric Idle and Neil Innes decided to produce a feature program about The Rutles for television. Idle, who was a close friend of George Harrison, was allowed to watch Neil Aspinall’s unreleased do- cumentary about The Beatles, called The Long and Winding Road. Aspi- nall’s film featured a bulk of famous footage of The Beatles, from their first televised performance at the Cavern Club in Liverpool to their last group performance on the roof of their Apple business building. Idle u- sed The Long and Winding Road as a model for his fake-documentary about The Rutles and basically re-told the history of The Beatles pro- jected upon this imaginary rock band, adding essential elements of par- ody and the Pythonesque sense of surreal humor. -
Thesisfinalfinal27022017 This Version for Submission
NEGATIVE CAPABILITY: DOCUMENTARY AND POLITICAL WITHDRAWAL SIMON GENNARD A THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY VICTORIA UNIVERSITY OF WELLINGTON 2017 CONTENTS ABSTRACT 2 ACKNOWLEDGEMENTS 3 LIST OF ILLUSTRATIONS 4 INTRODUCTION 5 EXIT STRATEGIES CHAPTER ONE 16 NAMING AS SUCH CHAPTER TWO 32 ‘THE PURE FLIGHT OF A METAL BAR CRASHING THROUGH A WINDOW’ CHAPTER THREE 47 TROUBLE IN THE IMAGE WORLD CHAPTER FOUR 65 ‘THE QUEER OPAQUE’ CONCLUSION 83 BIBLIOGRAPHY 86 ILLUSTRATIONS 92 !1 ABSTRACT This thesis thinks with, alongside, and against several theories of political withdrawal that have emerged during the past three decades as they have been taken up by artists working with documentary video. Political withdrawal here refers to a set of tactics that position themselves in opposition to existing models of belonging, civic engagement, and contestation. The context in which this study takes place is one in which qualifying for citizenship in the liberal western state increasingly requires one remain transparent, docile, and willing to acquiesce to whatever demands for information the state may make. In response to these conditions, the theories and artworks examined in this thesis all propose arguments in favour of anonymity, opacity, and indeterminacy. Situating itself, sometimes uncomfortably, within the archives of feminist, queer, and anarchist thought, this thesis engages with selected video works by Martha Rosler, Bernadette Corporation, Hito Steyerl, and Zach Blas in order to understand the ways in which withdrawal may constitute a generative framework for enabling meaningful social change. These video works are here described as documentary, but not in the conventional sense that they are objective or transparent attempts to capture or record actual fact. -
ANDREW GOSLING 26Th October 1944
! " ANDREW GOSLING" 26th October 1944 - 11th May 2016" A PERSONAL APPRECIATION OF HIS LIFE BY IAN KEILL" I first met Andrew Gosling in 1970 when he edited a less than reverential film I made about William Wordsworth for “Late Night Line-Up”. After that he collaborated with me on many productions - first as film editor, then as director - for over twenty-five years. We became a sort of Ant-and- Dec-Behind-the-Camera." He was a man of great talent and enormous charm. Someone who could be relied on to come up with the goods with the least amount of fuss. In all the time I worked with him we rarely had a disagreement. It was a very happy and fruitful partnership." Andrew was educated at Eton - a fact that he played down all his life. He never used his school- ing as a stepping stone to anything … he made his way in life the way he wanted. Simply. Gen- tly. However, during his time at Eton he directed a stage production of T. S. Elliot’s “Murder in the Cathedral”. This was well received, and it resulted in him securing a place at the Oxford Play- house. There then followed work at the Century travelling theatre - an incredible set-up present- ing plays from a set of lumbering wagons trailing from town to town all over the North of England. Here he did anything and everything associated with being an ‘Assistant Stage Manager and Small Parts’." In the 1960s he decided to change course, and became a film editor at Associated Redi$usion. -
The Examples of Doctor Who and Monty Python's Flying Circus
AN00240X The British cultural background between 1969 and 1974: the examples of Doctor Who and Monty Python's Flying Circus. Agathe AZZAOUI Student Number: 21202177 1/37 Table of Contents: Introduction I- The social context in Britain after World War Two: men and their authority within a conservative Society 1. The emergence of social complaints in the postwar era 2. The division of tasks within the household and Conservative Women as seen in the Monty Python's Flying Circus 3. The male authority began to be challenged and the emergence of censorship: Doctor Who and the Flying Circus as evidence II- Between the 1960s and 1970s: going towards more sexual freedom and equality 1. The youth fought for equal rights between men and women: both the Flying Circus and Doctor Who support this idea 2. A wave of new reforms in favour of women 3. New social movements gave a different view on society III- Male gaze still present in the British society in the 1970s; a different form of power over women 1. The conservative ways still had an important place within society and male figures were still somehow dominant 2. The Monty Pythons supported women's sexual freedom but some men enjoyed it 3. Men, like in Doctor Who and the Flying Circus, promoted gender equality whereas others would use the same arguments in order to discredit women Conclusion Bibliography Acknowledgements 2/37 Introduction: Between 1969 and 1974, two television programmes reflected the British social background; the Monty Python's Flying Circus and Doctor Who. The Flying Circus was shown between 1969 and 1974 on the BBC and was created by five men coming from Cambridge and Oxford Universities, or Oxbridge. -
The Strange and Wondrous Tale of Bill Constable & the Cinemascope Pirates of Pagewood
1 “AAARRRHH THERE MATEY!” - The Strange and Wondrous Tale of Bill Constable & the Cinemascope Pirates of Pagewood... by Bob Hill, Oct 2018 In early 1954... and a world away from the dense urban spread of today’s Sydney... the southern suburb of Pagewood was little more than wind blasted sand hills and scrub encroached upon by rows of hastily thrown up brick bungalows, a couple of isolated factories and a desolate bus depot. In the middle of this literal and figurative wasteland, a strange enterprise was taking place in Australia’s only purpose-built film studio complex - the making of “Long John Silver”, a Hollywood style blockbuster replete with imported stars, executives and key technicians in all the Heads of Department roles... that is, all except for their Production Designer, a middle aged Australian about to make his first foray into film! 2 1. Hollywood in the Sand Hills Pagewood studios, 1954 - then named “Television City”, 2 years before TV arrived in Australia! (NSW State Library) “Television City seems to have borrowed its architectural inspiration from Long Bay Gaol...” ‘Pagewood’ is the great lost studio of Australian film-making: As Wikipedia explains... The studio was built in 1935 for National Productions by National Studios Ltd, it was originally known as National Studios. It was constructed for the presumed increase in production that most observers thought would result in Australia following introduction of the NSW Film Quota Act... They were the first new film studios built in Australia since 1912. Gaumont British helped provide finance and personnel in its construction.1 The Quota Act was never enforced and instead of becoming the hub of film production in Sydney, makeshift facilities at Cinesound in Bondi Junction (an old roller skating rink) and Figtree Studios in Lane Cove (a converted picnic ground pavilion) soon eclipsed the better equipped Pagewood studios. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
Nobody Expects the Spanish Inquisition
Nobody Expects the Spanish Inquisition Nobody Expects the Spanish Inquisition Cultural Contexts in Monty Python Edited by Tomasz Dobrogoszcz Foreword by Terry Jones ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 16 Carlisle Street, London W1D 3BT, United Kingdom Copyright © 2014 by Rowman & Littlefield All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Nobody expects the Spanish Inquisition : cultural contexts in Monty Python / edited by Tomasz Dobrogoszcz ; foreword by Terry Jones. pages cm Includes bibliographical references and index. ISBN 978-1-4422-3736-0 (cloth : alk. paper) – ISBN 978-1-4422-3737-7 (ebook) 1. Monty Python (Comedy troupe) I. Dobrogoszcz, Tomasz, 1970– editor. PN2599.5.T54N63 2014 791.45'028'0922–dc23 2014014377 TM The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America But remember, if you’ve enjoyed reading this book just half as much as we’ve enjoyed writing it, then we’ve enjoyed it twice as much as you. Contents Acknowledgments ix Foreword xi Part I: Monty Python’s Body and Death 1 1 “It’s a Mr. -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
Graduate Catalog 2021-2022
Graduate Catalog 2021-2022 GRADUATE CATALOG 2021-2022 FROSTBURG STATE UNIVERSITY 101 BRADDOCK ROAD FROSTBURG, MARYLAND 21532- 2303 WWW.FROSTBURG.EDU Published for the Division of Academic Affairs by the FSU Office of Communications & Media Relations Frostburg State University is a constituent institution of the University System of Maryland. ii | GRADUATE CATALOG 202 1 - 2022 The provisions of this catalog are not to be regarded as an irrevocable contract between the University and the student. The University reserves the right to change any provisions of requirement at any time, but its practice is to not make changes in degree and admission requirements retroactive. Other regulations and procedures and course offerings may change during the period of your enrollment. Whenever possible, such changes will be published in official University publications such as the Graduate Catalog and Registration Guidelines, and on the University website, with prior notice of changes provided. However, if circumstances require, such changes may be made without notice. NOTE: Notwithstanding any other provision of this or any other University publication, the University reserves the right to make changes in tuition, fees and other charges at any time such changes are deemed necessary by the University and the University System of Maryland Board of Regents. FSU is committed to making all of its programs, services and activities accessible to persons with disabilities. To request accommodation through the ADA Compliance Office, call 301.687.4102 or use a Voice Relay Operator at 1.800.735.2258. Frostburg State University is an Affirmative Action/Equal Opportunity institution. Admission as well as all policies, programs and activities of the University are determined without regard to race, color, religion, sex, national origin, status as a veteran, age or handicap. -
THE RUTLES in “ALL YOU NEED IS CASH” ( 1. What Is the Crowd Doing in the Opening Scene? Why? …
THE RUTLES in “ALL YOU NEED IS CASH” (https://vimeo.com/50881351) Observation & Comprehension Quiz 1. What is the crowd doing in the opening scene? Why? ……..……………………..……………… ……..……………………..……………………..……..……………………..……………………………. 2. What are the Rutles doing after their arrival at the airport? Why? ……………………………. ……..……………………..……………………..……..……………………..……………………………. 3. (1:11) What can you read on the back of the van? ………………..……………………………. 4. (1:26) What does the car registration number say? ………………..……………………………. 5. (1:35) Name the venue (=place) in Liverpool where the Rutles first played? …………….. 6. (1:39) What is the nickname of the Rutles? ………………..……………………….…………. 7. Complete the table with the full names of the Rutle members: Rutle member Styled after Beatle member Played by the actor John Lennon Neil Innes Paul McCartney Eric Idle George Harrison Ricky Fataar Richard Starkey John Halsey Nickname: Nickname: Ringo Starr th (=The 5 Rutle) Stuart Sutcliffe (=The 5th Beatle) Ollie Halsall 8. (1:50) What is the name of the Rutles’ manager? ………..……………………….…………. 9. Where did he discover them? ………………..………………………….………….…………. 10. How long did it take to record their 1st album? ………………………….………….…………. 11. (1:59) And their 2nd album? ………………………….………….……………………….………. 12. The reporter goes on to explain what his documentary (“mockumentary”) is about by saying : “Tonight we examine the ………… of the Rutles, we look at their …………, their …………, their ………… We ………… some of the ………… that ………… them what they are ………… And we shall also be ………… some of the people who …………with -
Monty Python's Completely Useless Web Site
Home Get Files From: ● MP's Flying Circus ● Completely Diff. ● Holy Grail ● Life of Brian ● Hollywood Bowl ● Meaning of Life General Information | Monty Python's Flying Circus | Monty Python and the Holy Grail | Monty Python's Life of Brian | Monty Python Live at the Hollywood Bowl | Monty Python's The Meaning of Life | Monty Python's Songs | Monty Python's Albums | Monty Python's ...or jump right to: Books ● Pictures ● Sounds ● Video General Information ● Scripts ● The Monty Python FAQ (25 Kb) Other stuff: ● Monty Python Store ● Forums RETURN TO TOP ● About Monty Python's Flying Circus Search Now: ● Episode Guide (18 Kb) ● The Man Who Speaks In Anagrams ● The Architects ● Argument Sketch ● Banter Sketch ● Bicycle Repair Man ● Buying a Bed ● Blackmail ● Dead Bishop ● The Man With Three Buttocks ● Burying The Cat ● The Cheese Shoppe ● Interview With Sir Edward Ross ● The Cycling Tour (42 Kb) ● Dennis Moore ● The Hairdressers' Ascent up Mount Everest ● Self-defense Against Fresh Fruit ● The Hospital ● Johann Gambolputty... ● The Lumberjack Song [SONG] ● The North Minehead Bye-Election ● The Money Programme ● The Money Song [SONG] ● The News For Parrots ● Penguin On The Television ● The Hungarian Phrasebook ● Flying Sheep ● The Pet Shop ● The Tale Of The Piranha Brothers (10 Kb) ● String ● A Pet Shop Near Melton Mowbray ● The Trail ● Arthur 'Two Sheds' Jackson ● The Woody Sketch ● 1972 German Special (42 Kb) RETURN TO TOP Monty Python and the Holy Grail ● Complete Script Version 1 (74 Kb) ● Complete Script Version 2 (195 Kb) ● The Album Of -
Beverly-Hills-Chihuahua-Production
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/chihuahua CAST Rachel . PIPER PERABO Sam Cortez . MANOLO CARDONA CREDITS WALT DISNEY PICTURES Aunt Viv . JAMIE LEE CURTIS Vasquez. JOSÉ MARÍA YAZPIK Presents Rafferty . MAURY STERLING Officer Ramirez . JESUS OCHOA BEVERLY HILLS Store Owner . EUGENIO DERBEZ Rangers . OMAR LEYVA CHIHUAHUA NAOMY ROMO Angela. ALI HILLIS A Blair. MARGUERITE MOREAU MANDEVILLE FILMS/ Bryan . NICK ZANO SMART ENTERTAINMENT Inn Keeper Lady. CARMEN VERA Production Shelter Director . GINA GALLEGO Desk Clerk . HIRAM VILCHEZ A Film by Bellman . ALBERTO REYES RAJA GOSNELL Doorman/ The Carthay . ENRIQUE CHAVERO Directed by . RAJA GOSNELL Doorman/ Screenplay by . ANALISA LABIANCO Baja Sur Hotel . ANDRES PARDAVE and JEFF BUSHELL Armand . JUAN CARLOS MARTIN Story by . JEFF BUSHELL Conductor . JUAN ANTONIO SALDAÑA Produced by. DAVID HOBERMAN Ring Announcer . SAL LÓPEZ TODD LIEBERMAN Museum Guide . GIOVANNA ACHA Produced by . JOHN JACOBS Desk Sergeant. FERNANDO MANZANO Executive Producer . STEVE NICOLAIDES Butler . RANDALL ENGLAND Director of Chic Owners . CLAUDIA CERVANTES Photography . PHIL MEHEUX, BSC LILLIAN LANGE Production Designer . BILL BOES Waiter . BRANDON KEENER Editor . SABRINA PLISCO, A.C.E. Dog Nanny . JACK PLOTNICK Costume Shaman Lady . MARY PAZ MATA Designer . MARIESTELA FERNANDEZ Poor Woman. MAYRA SERBULO Visual Effects Baja Sur Supervisor . MICHAEL J. MCALISTER Desk Clerk . MONTSERRAT DE LEON Co-Producer . RICARDO DEL RIO GALNARES Lady . BERENICE ROMERO Music Composed by . HEITOR PEREIRA Museum Music Supervisor . BUCK DAMON Security Guards . ANTONIO INFANTE Casting by . AMANDA MACKEY, C.S.A. TOMIHUATZI XELHUALTZI and CATHY SANDRICH GELFOND, C.S.A. Little Boy . ERICK FERNANDO CAÑETE Limo Driver .