It's… the Monty Python Memorabilia Auction

Total Page:16

File Type:pdf, Size:1020Kb

It's… the Monty Python Memorabilia Auction It’s… The Monty Python Memorabilia Auction Below is a list of all of the items available. More items are being added, so verify you have the latest list! This version: 17 June 2014 Please check Moe’s Books page on eBay regularly to see which of the below items are currently for auction. New items will be posted regularly. Individual items not currently listed on eBay can be purchased directly from Moe’s Books by contacting: [email protected] MONTY&PYTHON&COLLECTION DATE:&17&JUNE&2014 Item& Collection& Autographed&/& Publisher&/& Date&/&& Format Qty. Title&/&Product&Name Comments Author&/&Creator ISBN&/&ID&/&SKU Country Type Lot&ID Signed Manufacturer Year Accessory Bag 1 Monty&Python's&Spamalot&Duffle&bag&(black) Black&Spamalot&duffle&bag&With&strap&inside.&&Embroidered&on&front:&in&Red:&Monty&Python's&and&in& Item&1003 YelloW&Spamalot Accessory Bag 1 A&E&Pole&to&Pole&duffle&bag&(navy) Promotional&product&contribution&gift&for&PBS.&&Navy&With&White&accents&and&White&lettering&A&E&Pole& Item&1004 A&E to&Pole Accessory Wristwatch 1 Officially&Licensed&Monty&Python&Wristwatch& Rare!&&Officially&licensed&Monty&Python&Wristwatch.&&Features&the&famous&Python&Foot&at&the&center& Item&2599 Henderson&Group 2000 UK (2000)&]&Monty&Python&Foot&Watch of&the&Watch&With&"Monty&Python"&in&large&font.&The&Watch&face&uses&Arabic&numerals.&On&a&black& leather&strap.&Water&resistant&to&30&meters.&Box&display&includes&removable&cardboard&background& and&plastic&stand&With&Monty&Python&logo.&&CONDITION:&Mint,&never&used. Accessory Wristwatch 1 Officially&Licensed&Monty&Python&Wristwatch& Rare!&&Officially&licensed&Monty&Python&Wristwatch.&&Features&a&NorWegian&Blue&parrot&(dead)&as&the& Item&2600 Henderson&Group 2000 UK (2000)&]&Monty&Python&Dead&Parrot&Watch second&hand.&Although&the&second&hand&moves&constantly,&the&parrot&remains&dead.&The&Watch&face& uses&Roman&numerals&and&the&text&at&the&center&reads&"This&Parrot&is&No&More.&It&Has&Ceased&to&Be.& This&is&an&Ex]Parrot."&On&a&broWn&leather&strap.&Box&display&includes&removable&cardboard& background&and&plastic&stand&With&Monty&Python&logo.&&&CONDITION:&Mint,&never&used. Accessory Wristwatch 1 Officially&Licensed&Monty&Python&Wristwatch& Rare!&&Officially&licensed&Monty&Python&Wristwatch.&&Features&Terry&Gilliam's&artwork&of&Mr.&Gumby&at& Item&2601 Henderson&Group 2000 UK (2000)&]&Monty&Python&Mr.&Gumby&Watch the&center&of&the&Watch.&The&Watch&face&uses&Roman&numerals&and&"Monty&Python"&is&displayed&in& large&font.&On&a&black&leather&strap.&Box&display&includes&removable&cardboard&background&and& plastic&stand&With&Monty&Python&logo.&&&CONDITION:&Mint,&never&used. Accessory Wristwatch 1 Officially&Licensed&Monty&Python&Wristwatch& Rare!&&Officially&licensed&Monty&Python&Wristwatch.&&Features&the&likeness&of&Conrad&Pooh&(from&Terry& Item&2602 Signed&by&Eric&Idle Henderson&Group 2000 UK (2000)&]&Monty&Python&Conrad&Pooh&Watch&]& Gilliam's&Dancing&Teeth&animation)&at&the&center&of&the&Watch.&The&second&hand&is&a&fish&that&sWims& SIGNED&BY&ERIC&IDLE! around&the&clock.&The&Watch&face&uses&Arabic&numerals&and&the&text&reads&"All&Things&Dull&and&Ugly,& All&Creatures&Short&and&Squat,&All&Thungs&Rude&and&Ugly,&The&Lord&God&Made&the&Lot."&On&a&black& leather&strap.&Box&display&includes&removable&cardboard&background&and&plastic&stand&With&Monty& Python&logo.&&CONDITION:&Mint,&never&used. Accessory Wristwatch 1 Officially&Licensed&Monty&Python&Wristwatch& Rare!&&Officially&licensed&Monty&Python&Wristwatch.&&Features&Terry&Gilliam&at&the&center&of&the&Watch& Item&2603 Henderson&Group 2000 UK (2000)&]&Monty&Python&Cardinal&Fang&Watch as&Cardinal&Fang&from&the&Spanish&Inquisition&sketch.&The&Watch&face&uses&Roman&numerals&and&the& text&at&the&center&reads&"Confess!&Confess!&Nobody&Expects&the&Spanish&Inquisition!"&On&a&black& leather&strap.&Box&display&includes&removable&cardboard&background&and&plastic&stand&With&Monty& Python&logo.&&CONDITION:&Mint,&never&used. Accessory Wristwatch 1 Officially&Licensed&Monty&Python&Wristwatch& Rare!&&Officially&licensed&Monty&Python&Wristwatch.&&Features&John&Cleese&at&the&center&of&the&Watch& Item&2604 Henderson&Group 2000 UK (2000)&]&Monty&Python&Silly&Walks&Watch as&the&character&from&the&Ministry&of&Silly&Walks&sketch.&His&legs&are&the&minute&and&hour&hands,& Which&means&he&does&silly&Walks&round&the&clock.&The&Watch&face&uses&Roman&numerals&and&the&text& reads&"The&Ministry&of&Silly&Walks."&On&a&broWn&leather&strap.&Box&display&includes&removable& cardboard&background&and&plastic&stand&With&Monty&Python&logo.&&CONDITION:&Mint,&never&used. Accessory Wristwatch 1 Official&Cast&&&CreW&Christmas&Gift&"Spamalot"& Very&Rare!&&Official&"Monty&Python's&Spamalot"&Wristwatch&given&to&the&cast&&&creW&on&Christmas&in& Item&2605 UK Wristwatch NeW&York&as&a&keepsake&to&commemorate&this&BroadWay&shoW!&&&Genuine&leather&strap&(black)&and& stainless&steel&back.&&&Front&face&features&the&Well]knoWn&Terry&Gilliam&cartoon&version&of&King&Arthur& inside&the&Holy&Grail.&&&The&face&numbers&are&in&a&bizarre&Pythonesque&sequence&(clockWise&from&top):& 12,&7&1/2,&10,&3,&8,&2,&6,&11,&5&7/8,&9,&1,&and&4.&&&Monty&Python's&Spamalot&is&a&musical&comedy&adapted& from&the&1975&film&Monty&Python&and&the&Holy&Grail.&Like&the&film,&it&is&a&highly&irreverent&parody&of& the&Arthurian&Legend,&but&it&differs&from&the&film&in&many&Ways.&&The&original&2005&BroadWay& production,&directed&by&Mike&Nichols,&Won&three&Tony&AWards,&including&the&Tony&AWard&for&Best& Musical&of&the&2004–2005&season&and&received&14&Tony&AWard&nominations.&During&its&initial&run&of& over&1,500&performances&it&Was&seen&by&more&than&tWo&million&people&and&grossed&over&$175&million.&& CONDITION:&Mint,&never&used. Accessory Wristwatch 1 Officially&Licensed&Monty&Python&Wristwatch& Rare!&&Officially&licensed&Monty&Python&Wristwatch.&&Features&Terry&Gilliam's&artwork&of&Mr.&Gumby&at& Item&2667 Henderson&Group 2000 UK (2000)&]&Monty&Python&Mr.&Gumby&Watch the&center&of&the&Watch.&The&Watch&face&uses&Roman&numerals&and&"Monty&Python"&is&displayed&in& large&font.&On&a&black&leather&strap.&Comes&in&a&protective&black&case.&&&CONDITION:&Mint,&never&used. Accessory Promotional&pin 1 The&Magic&Pudding&movie&promotional&pin&/&Flyer&/& Pin,&flyer&and&rare&trading&cards&to&promote&the&film&"The&Magic&Pudding."&&The&film&Was&released&in& Item&2685 ABC&/&Energee& 2000 Australia Trading&Cards&(2000) 2000,&With&John&Cleese&voicing&the&title&role.&&Bunyip&Bluegum&(voice&of&Geoffrey&Rush)&is&a&koala&bear& Entertainment Who&has&lost&his&parents&and&sets&out&on&the&road&to&find&them.&In&his&travels,&Bunyip&meets&neW& friends&like&the&llandlocked&sailor&Bill&Barnacle&(voice&of&Hugo&Weaving),&a&penguin&named&Sam& Sawnoff&(voice&of&Sam&Neill),&and&Albert&(voice&of&John&Cleese),&a&magical&pudding&Who&can&change& flavors&at&Will&and&never&runs&out,&no&matter&hoW&much&people&eat&him.&&&CONDITION:&Excellent.&&Pin& Still&in&original&bag. Accessory Promotional& 1 Terry&Gilliam's&"12&Monkeys"&promotional& Promotional&Writwatch&for&Terry&Gilliam's&"12&Monkeys"&film.&&&This&Was&a&promotional&item&given&by& Item&2687 MCA&/&Universal& 1995 USA Watch Wristwatch&(1995) MCA&/&Universal&Home&Video&for&the&video&release&of&the&film&on&home&video&in&1995.&&12&Monkeys&is& Home&Video a&1995&American&science&fiction&film&directed&by&Terry&Gilliam,&inspired&by&Chris&Marker's&1962&short& film&La&Jetée,&and&starring&Bruce&Willis,&Madeleine&StoWe,&and&Brad&Pitt,&With&Christopher&Plummer& and&David&Morse&in&supporting&roles.&&Brad&Pitt&Was&nominated&for&the&Academy&AWard&for&Best& Supporting&Actor,&and&Won&a&Golden&Globe&for&his&performance.&&Story:&In&a&future&World&devastated& by&disease,&a&convict&is&sent&back&in&time&to&gather&information&about&the&man]made&virus&that&Wiped& out&most&of&the&human&population&on&the&planet.&&&MEASURES:&2&1/2"&W&x&6"&H&(box).&&CONDITION:& New,&never&opened&or&used. Page&1&of&89 MONTY&PYTHON&COLLECTION DATE:&17&JUNE&2014 Item& Collection& Autographed&/& Publisher&/& Date&/&& Format Qty. Title&/&Product&Name Comments Author&/&Creator ISBN&/&ID&/&SKU Country Type Lot&ID Signed Manufacturer Year Accessory Promotional&pin 1 "Coming&to&theatres"&promotional&button&for&Terry& Promotional&button&(still&attached&to&cardback)&for&Terry&Gilliam's&"12&Monkeys"&film.&&&This&Was&a& Item&2688 Universal&Pictures 1995 USA Gilliam's&"12&Monkeys"&(1995) promotional&item&given&by&Universal&Pictures&prior&to&the&movie's&premiere&in&1995.&&12&Monkeys&is&a& 1995&American&science&fiction&film&directed&by&Terry&Gilliam,&inspired&by&Chris&Marker's&1962&short& film&La&Jetée,&and&starring&Bruce&Willis,&Madeleine&StoWe,&and&Brad&Pitt,&With&Christopher&Plummer& and&David&Morse&in&supporting&roles.&&Brad&Pitt&Was&nominated&for&the&Academy&AWard&for&Best& Supporting&Actor,&and&Won&a&Golden&Globe&for&his&performance.&&Story:&In&a&future&World&devastated& by&disease,&a&convict&is&sent&back&in&time&to&gather&information&about&the&man]made&virus&that&Wiped& out&most&of&the&human&population&on&the&planet.&&&MEASURES:&9"&W&x&4"&H&(card).&&CONDITION:&NeW,& never&opened&or&used. Accessory 1 Quest&for&Camelot&CornWall&&&Devon&Pendant Promotional&pendant&for&the&Warner&Bros.&film&"Quest&for&Camelot"&featuring&the&likeness&of&the&two] Item&2675 1998 USA headed&dragon&Devon&&&CornWall.&&&"Quest&for&Camelot"&is&a&1998&American&animated&musical& fantasy&film&based&on&the&novel&The&King's&Damosel&by&Vera&Chapman.&&The&film&stars&the&voices&of& Jessalyn&Gilsig,&Cary&ElWes,&Jane&Seymour,&Gary&Oldman,&Eric&Idle,&Don&Rickles,&Pierce&Brosnan,& Bronson&Pinchot,&Jaleel&White,&Gabriel&Byrne,&John&Gielgud,&and&Frank&Welker,&With&the&singing&voices& of&Céline&Dion,&Bryan&White,&Steve&Perry,&and&Andrea&Corr.&&The&film&is&about&a&spirited&teenage&girl& named&Kayley&Who&Wants&to&be&a&knight&of&the&Round&Table&in&Camelot&like&her&father&Sir&Lionel,&and& her&companion,&a&blind&young&man&named&Garrett&Who&lives&in&solitude&and&their&quest&to&find& Excalibur.&&&CONDITION:&Excellent.&&Like&neW.
Recommended publications
  • WDSG Keeping in Touch Newsletter, Issue 9
    WDSG Keeping in Touch Issue 9 Welcome to our 9th Keeping in Touch Newsletter. It’s been good to hear that you are seeing a bit more of family and friends and we are hoping to see you all at Pabulum as soon as it is safe. To that end you will have received a survey for all members, friends and volunteers and we really want to hear your thoughts on returning to some sort of Pabulum café so we can make judgements on how and when to open. If you have any problems in opening the document or completing and returning electronically, please just let us know. You are also able to post the completed survey to: Fairland Church Centre, Fairland Green, Wymondham, Norfolk, NR18 0AW With the BBC stopping free licences for the over 75s from August 1st it is worth knowing that you can still get one if you are on pension credits - the link below will enable you to find out if you are entitled to pension credit if you are not already getting it - apparently over 1million pensioners fail to claim https://www.gov.uk/pension-credit-calculator If you are not on online but would like any information referred to in this newsletter please make contact with us. Also don’t forget, if you need any help or would like to talk please don’t hesitate to make contact Email Sarah or Deborah on [email protected] Sarah’s mobile number is 07391 659057. Deborah’s mobile number is 07586 312809. We are also open to anyone living in or near Wymondham who has been recently affected by dementia and would like to make contact, we can offer friendship and understanding.
    [Show full text]
  • London Calling: BBC External Services, Whitehall and the Cold War 1944- 57
    London calling: BBC external services, Whitehall and the cold war 1944- 57. Webb, Alban The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1577 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LONDON CALLING: SSC EXTERNAL SERVICES, WHITEHALL AND THE COLD WAR, 1944-57 ALBAN WEBB Queen Mary College, University of London A thesis submitted in partial fulfilment of the requirements of the University of London for the degree of Doctor of Philosophy (Ph.D) 1 Declaration: The work presented in this thesis is my own. Signed: '~"\ ~~Ue6b Alban Webb Declaration: The work presented in this thesis is my own. Signed: Alban Webb ABSTRACT The Second World War had radically changed the focus of the BBC's overseas operation from providing an imperial service in English only, to that of a global broadcaster speaking to the world in over forty different languages. The end of that conflict saw the BBC's External Services, as they became known, re-engineered for a world at peace, but it was not long before splits in the international community caused the postwar geopolitical landscape to shift, plunging the world into a cold war. At the British government's insistence a re-calibration of the External Services' broadcasting remit was undertaken, particularly in its broadcasts to Central and Eastern Europe, to adapt its output to this new and emerging world order.
    [Show full text]
  • John Cleese & Eric Idle
    JOHN CLEESE & ERIC IDLE TOGETHER AGAIN AT LAST…FOR THE VERY FIRST TIME Mesa, AZ • November 21 Tickets On-Sale Friday, June 17 at 10 a.m. June 15, 2016 (Mesa, AZ) – Still together again, Britain’s living legends of comedy, John Cleese and Eric Idle, announce their must see show John Cleese & Eric Idle: Together Again At Last…For The Very First Time in Mesa at Mesa Arts Center on November 21 at 7:30 p.m.! Tickets go on-sale to the public Friday, June 17 at 10 a.m. In Together Again At Last…For The Very First Time, Cleese and Idle will blend scripted and improvised bits with storytelling, musical numbers, exclusive footage and aquatic juggling to create a unique comedic experience with every performance. No two shows will be quite the same, thus ensuring that every audience feels like they’re seeing Together Again At Last… For The Very First Time, for the very first time. And now you know why the show is called that, don’t you? Following a successful run last fall in the Eastern US as well as a sold-out run in Australia and New Zealand this past February, their tour, John Cleese & Eric Idle: Together Again At Last…For The Very First Time will once again embark on some of the warmest (and driest) territories the US (and Canada) has to offer. The tour will take place from October 16 to November 26 and will see the British icons perform unforgettable sit-down comedy at premier venues in Victoria, Vancouver, Seattle, Spokane, Salem, Santa Rosa, San Francisco, San Jose, Thousand Oaks, Santa Barbara, Escondido, San Diego, Las Vegas, Mesa, Tucson, Albuquerque, El Paso with additional markets to be announced soon.
    [Show full text]
  • Virginia Woolf's Portraits of Russian Writers
    Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................
    [Show full text]
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
    [Show full text]
  • The Rutles: All You Need Is Cash
    SPOOFS The Rutles: All You Need Is Cash In the 1970s, Eric Idle, a former member of the legendary British com- edy team Monty Python, featured a Beatles parody song called “It Must Be Love” on Rutland Weekend Television, his own television show on BBC-2. The song had been written by Neil Innes, who had previously worked with Monty Python and the Bonzo Dog Doo-Dah Band. The song was performed by ‘The Rutles’, a Beatles look-alike band featuring Neil Innes as the John Lennon character, and Eric Idle as the Paul McCartney character (vgl. Harry 1985: 69). In October 1976, the parody was shown on America’s NBC TV’s show Saturday Night Live as a se- quel to the running gag of a Beatles reunion for $3,000. The parody went down so well that Eric Idle and Neil Innes decided to produce a feature program about The Rutles for television. Idle, who was a close friend of George Harrison, was allowed to watch Neil Aspinall’s unreleased do- cumentary about The Beatles, called The Long and Winding Road. Aspi- nall’s film featured a bulk of famous footage of The Beatles, from their first televised performance at the Cavern Club in Liverpool to their last group performance on the roof of their Apple business building. Idle u- sed The Long and Winding Road as a model for his fake-documentary about The Rutles and basically re-told the history of The Beatles pro- jected upon this imaginary rock band, adding essential elements of par- ody and the Pythonesque sense of surreal humor.
    [Show full text]
  • • Includes the Best and Most Frequently Quoted Moments • Each Disc
    Each of these six discs contains a cornucopia of Monty Python’s best, most famous, and most frequently quoted songs and sketches as selected and introduced by the very lunatics who made Monty Python the world’s premier comedy troupe. Indeed, it’s the perfect package for all of your comedy consumers, from the newcomer to the fanatic, and everyone in between.* • Includes the best and most frequently quoted moments from the groundbreaking Flying Circus series to give new fans a primer on everything Python—that will have them reciting Python like their Megaset™-purchasing brethren in no time! • At under $8 per disc, THE PERSONAL BEST OF MONTY PYTHON’S FLYING CIRCUS opens the best-selling Flying Circus DVD franchise to new, Python-curious audiences. • Each disc includes new footage with the present-day Pythons, plus all of the naughty bits that were edited out of the PBS broadcasts and never-broadcast, DVD-exclusive bonuses with the cast. • Monty Python’s Spamalot on Broadway is still sold out—and touring North America—continuing to bring new fans with deep pockets into the Monty fold. • All of the Pythons’ best sketches are represented, including: “Self-Defense Against Fresh Fruit,” “The Upper Class Twit of the Year,” “The Lumberjack Song,” “Spanish Inquisition,” “Fish Slapping Dance,” “Silly Walks,” and “The Man Who Wrestles Himself,” plus Terry Gilliam’s best animation sequences. DVD PREORDER AUG 1 RELEASE AUG 29 special features: Behind the Scenes of John Cleese’s Personal Best a Terry Gilliam’s Featurette: A Retrospective of Python’s Animation a Eric Idle’s Personal Second-Best a Terry Jones’ Personal Second-Best a Michael Palin’s Personal Second-Best a Graham Chapman’s Personal Second-Best a Six 15-Question, 15-Ton Megaquizzes—One for Each Python a Biography and Selected Credits for Each Python a Interactive Menus a Scene Selection $44.95 srp U.S., $59.95 srp Can.
    [Show full text]
  • Fawlty Towers - Episode Guide
    Performances October 6, 7, 8, 13, 14, 15 Three episodes of the classic TV series are brought to life on stage. Written by John Cleese & Connie Booth. Music by Dennis Wilson By Special Arrangement With Samuel French and Origin Theatrical Auditions Saturday June 18, Sunday June 19 Thurgoona Community Centre 10 Kosciuszko Road, Thurgoona NSW 2640 Director: Alex 0410 933 582 FAWLTY TOWERS - EPISODE GUIDE ACT ONE – THE GERMANS Sybil is in hospital for her ingrowing toenail. “Perhaps they'll have it mounted for me,” mutters Basil as he tries to cope during her absence. The fire-drill ends in chaos with Basil knocked out by the moose’s head in the lobby. The deranged host then encounters the Germans and tells them the “truth” about their Fatherland… ACT TWO – COMMUNICATION PROBLEMS It’s not a wise man who entrusts his furtive winnings on the horses to an absent-minded geriatric Major, but Basil was never known for that quality. Parting with those ill-gotten gains was Basil’s first mistake; his second was to tangle with the intermittently deaf Mrs Richards. ACT THREE – WALDORF SALAD Mine host's penny-pinching catches up with him as an American guest demands the quality of service not normally associated with the “Torquay Riviera”, as Basil calls his neck of the woods. A Waldorf Salad is not part of Fawlty Towers' standard culinary repertoire, nor is a Screwdriver to be found on the hotel's drinks list… FAWLTY TOWERS – THE REGULARS BASIL FAWLTY (John Cleese) The hotel manager from hell, Basil seems convinced that Fawlty Towers would be a top-rate establishment, if only he didn't have to bother with the guests.
    [Show full text]
  • Reagan Defends Military Strikes on Iranian Targets Associated Press No Illusions About the Cost of Irresponsible Behavior," WASHINGTON -- President Reagan Said
    Back In the fifties I IACCENT: Bitter 'Beetlejuice' again Mostly sunny and cool Tues­ day, high 45 to 50. Clear and /VIEWPOINT: Respond to the Task Force cold Tuesday night, low 30 to VOL XXI, NO. 125 TUESDAY, APRIL 19, 1988 the independent newspaper serving Notre Dame and Saint Mary's Reagan defends military strikes on Iranian targets Associated Press no illusions about the cost of irresponsible behavior," WASHINGTON -- President Reagan said. Reagan said Monday he or­ "They must know that we dered military strikes against will protect our ships, and if Iranian targets because of "ir­ they threaten us, they'll pay a responsible behavior" toward price," Reagan said. The pres­ U.S. ships, and served notice ident told his audience that "a that Tehran will "pay a price" more normal relationship with for such aggression in the Per­ Iran is desirable -- and we're sian Gulf. prepared for it." Defending attacks on Iranian But Reagan said that "such military platforms in the south­ a relationship is not possible so ern gulf, Reagan said: "we aim long as Iran attacks neutral to deter further Iranian aggres­ ships, threatens its neighbors, sion, not provoke it." He supports terrorism and refuses renewed the U.S. call for Iran to end the bloody war with to accept a United Nations Iraq." resolution demanding a cease­ Besides destroying the two fire in the Iran-Iraq war. offshore Iranian oil platforms Reagan used an appearance used for military purposes, the before a business audience to U.S. Navy either sank or comment on U.S.
    [Show full text]
  • "You Remind Me of the Babe with the Power": How Jim Henson Redefined the Portrayal of Young Girls in Fanastial Movies in His Film, Labyrinth
    First Class: A Journal of First-Year Composition Volume 2015 Article 7 Spring 2015 "You Remind Me of the Babe With the Power": How Jim Henson Redefined the orP trayal of Young Girls in Fanastial Movies in His Film, Labyrinth Casey Reiland Follow this and additional works at: https://dsc.duq.edu/first-class Recommended Citation Reiland, C. (2015). "You Remind Me of the Babe With the Power": How Jim Henson Redefined the Portrayal of Young Girls in Fanastial Movies in His Film, Labyrinth. First Class: A Journal of First-Year Composition, 2015 (1). Retrieved from https://dsc.duq.edu/ first-class/vol2015/iss1/7 This Article is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in First Class: A Journal of First-Year Composition by an authorized editor of Duquesne Scholarship Collection. “YOU REMIND ME OF THE BABE WITH THE POWER”: HOW JIM HENSON REDEFINED THE PORTRAYAL OF YOUNG GIRLS IN FANTASTICAL MOVIES IN HIS FILM, LABYRINTH By Casey Reiland, McAnulty College of Liberal Arts Instructor: Dr. Jessica McCort When I was fourteen, I was very surprised when one day my mom picked me up from school and plopped a DVD of David Bowie in tights posing with a Muppet into my hands. “Remember this?!” She asked excitedly. I stared quizzically at the cover and noticed it was titled, Labyrinth. For a moment I was confused as to why my mother would bother buying me some strange, fantasy movie from the eighties, but suddenly, it clicked. I had grown up watching this film; in fact I had been so obsessed with it that every time we went to our local movie rental store I would beg my mom to rent it for a couple of nights.
    [Show full text]
  • 50% Off List Copy
    ! ! ! ! ! ! James M. Dourgarian, Bookman! 1595-B Third Avenue! Walnut Creek, CA 94597! (925) 935-5033! [email protected]" www.jimbooks.com! ! Any item is returnable for any reason with seven days of receipt, if prior notice is given, and! if the same item is returned in the same condition as sent.! !Purchases by California resident are subject to 8.5% sales tax.! !Postage is $4 for the first item and $1 each thereafter.! Payment in U. S. dollars only. Visa, MasterCard, Discover, and American Express accepted.! ! Items are offered at a 50% discount on the prices shown. No other discounts apply. This discount applies only to direct orders. It does not apply to orders via ABE, Biblio, the! ABAA website, or my own website, which I would encourage you to visit.! 1. Algren, Nelson. Walk On The Wild Side. Columbia, 1962, first edition thus, self- wrappers. Softcover. An original-release film pressbook, 12 pages, with advertising supplement laid in. Fine. JD5 $10.00.! 2. Allen, Woody. Side Effects. NY, Random House, 1980, first edition, dust jacket. Hardcover. Very fine. JD17 $25.00.! 3. Allison, Dorothy. Two Or Three Things I Know For Sure. NY, Dutton, August 1995, first edition, dust jacket. Hardcover. Inscribed by author to the Jack London Foundation for use in an auction fund-raiser. Very fine, unread. JD31 $30.00.! 4. Benson, Jackson J. Wallace Stegner His Life And Work. NY, Viking, 1996, first edition, slick photographic wrappers. Softcover. Advance copy, an uncorrected proof of this long-awaited biography, this was the biographer's own personal copy, so Signed by Benson.
    [Show full text]
  • Gorinski2018.Pdf
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both.
    [Show full text]