Convergence 2021 Souvenir Guide
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Most Contagious 2011
MOST CONTAGIOUS 2011 Cover image: Take This LoLLipop / Jason Zada most contagious / p.02 / mosT ConTAGIOUS 2011 / subsCripTion oFFer / 20% disCounT FuTure-prooFing your brain VALid unTiL 9Th JANUARY 2012 offering a saving of £200 gBP chapters / Contagious exists to find and filter the most innovative 01 / exercises in branding, technology, and popular culture, and movemenTs deliver this collective wisdom to our beloved subscribers. 02 / Once a year, we round up the highlights, identify what’s important proJeCTs and why, and push it out to the world, for free. 03 / serviCe Welcome to Most Contagious 2011, the only retrospective you’ll ever need. 04 / soCiaL It’s been an extraordinary year; economies in turmoil, empires 05 / torn down, dizzying technological progress, the evolution of idenTiTy brands into venture capitalists, the evolution of a generation of young people into entrepreneurs… 06 / TeChnoLogy It’s also been a bumper year for the Contagious crew. Our 07 / Insider consultancy division is now bringing insight and inspiration daTa to clients from Kraft to Nike, and Google to BBC Worldwide. We 08 / were thrilled with the success of our first Now / Next / Why event augmenTed in London in December, and are bringing the show to New York 09 / on February 22nd. Grab your ticket here. money We’ve added more people to our offices in London and New 10 / York, launched an office in India, and in 2012 have our sights haCk Culture firmly set on Brazil. Latin America, we’re on our way. Get ready! 11 / musiC 2.0 We would also like to take this opportunity to thank our friends, supporters and especially our valued subscribers, all over the 12 / world. -
The Horror Film Series
Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors. -
Jesse La-Flair
Jesse La-Flair Gender: Male Mobile: 631-384-4193 Height: 6 ft. 0 in. E-mail: [email protected] Weight: 140 pounds Web Site: http://Http://www.je... Eyes: Blue Hair Length: Regular Waist: 30 Inseam: 33 Shoe Size: 9 Physique: Athletic Coat/Dress Size: 36L Ethnicity: Caucasian / White Photos Film Credits X-Men Dark Phoenix Nightcrawler Stunt Double Guy Norris Captain Marvel Stunt Performer / Wire work Jeff Habberstad Alpha Kodi Smit-Mcphee Stunt Double Brian Machleit X-Men Apocalypse Nightcrawler stunt double Jim Churchman, Jeff Habberstad, Yoga Hosers Hunter stunt double Chad Dashnaw Teenage Mutant Ninja Turtles Stunts Garrett Warren Divergent Stunts Garrett Warren 300: Rise of an Empire Spartan - Stunts Damon Caro After Earth Stunts R.A. Rondell & Chad Stahelski Zombie War 25ft Low Fall Action Factory Savage Dragon Stunts Victor Lopez,Thayr Harris, Cory Demeyers Generated on 10/01/2021 01:32:54 am Page 1 of 4 Richard King Dark Prophet Soldier - Stunts Brandon Melendy (Stunts) & George Roberson II (Fight choreo) Blood Games Fighter / Monkey Man Jessen Noviello / NXT LVL Sand Sharks Nikki's Boyfriend & Stunts Mark Atkins Don't Idle (Zombie Parkour Seth - STARRING & Stunts Marco Antonio Aguilar Movie) Equinox Freerunner - STARRING Fred Murphy (ASC) Under Penalty Stunts Liam Holland Jobert's Painting Stunts Derrick Judge Early Psycho-Path Malik Geraldine Winters Unicorn parkour stunt double: Kevin J Tim Mikulecky O'connor / Buck Acting role Television Shameless Stunts Eddie Perez Westworld Stunt Performer Mickey Giacomazzi The Goldbergs -
Cristal Oscuro
CRISTAL Menuda OSCURO MENUDA FILMO Filmo CINE PARA TODOS LOS PÚBLICOS © 2005-2018 Studio Ghibli Inc. CRISTAL OSCURO JIM HENSON Y FRANK OZ THE DARK CRISTAL EE.UU • 1982• 93’ El cine que solemos ver en el cine o en la televisión suelen ser dibujos animados, animación digital y algunas veces stop-motion. Raras veces vemos DIRECCIÓN: Jim Henson, Frank Oz películas que estén hechas con títeres, como Cristal Oscuro. Fueron los GUIÓN: David Odell FOTOGRAFÍA: titiriteros Jim Henson y más tarde Frank Oz quienes introdujeron los títeres en Oswald Morris MÚSICA: Trevor el mundo del audiovisual. Jones INTÉRPRETES: Jim Henson, Kathryn Mullen, Frank Oz, Dave Jim Henson fue el creador de los teleñecos, un tipo de títere de boca grande Goelz PRODUCCIÓN: Jim Henson y ojos saltones. En 1969 aparecieron por primera vez dentro del programa Productions / Universal Pictures / The educativo infantil Barrio Sésamo (Sesame Street, Joan Ganz Cooney 1969- ). Gerber/ITC Entertainment Group Para esta serie Henson imaginó personajes entrañables y reconocibles como la rana Gustavo, la cerdita Peggy o Epi y Blas. Frank Oz comenzó en el programa como titiritero manejando e interpretando a teleñecos como el Monstruo de las galletas o Coco hasta convertirse también en guionista. Su éxito fue tal que en 1977 estrenaron su propio espacio televisivo, El show de los Teleñecos (The SINOPSIS Muppet Show, Jim Henson 1976-1981). Hace mil años, en un mundo fantástico, la ruptura de un Cristal Oscuro fue su primer largometraje, y también el primero hecho con cristal mágico desencadenó una títeres. Incluso se publicitó como “la primera película de imagen real sin era de caos, dominada por unos personas”, lo que no era del todo cierto. -
A Comparison of the Spanish- and English-Language Versions Of
Quiero chupar tu sangre: A Comparison of the Spanish- and English- language versions of Universal Studios’ Dracula (1931) Robert Harland [Dr. Harland teaches Spanish at Mississippi State University. In addition to research and teaching interests in Mexican and European Spanish Literature, he imparts a course in Spanish- language horror movies, one of which is Drácula.] While the English-language version of Dracula (Dir. Tod Browning) is the more famous, especially given its iconic performance by the charismatic Bela Lugosi, the Spanish version, directed by George Melford is in many ways superior. The Anglo adaptation has its place in cultural history assured. Bela Lugosi’s morbid charm, dark hair and genuinely exotic accent gave Dracula a touch of charisma and even authenticity in a film which is often more implausible than the fantastic novel from which it was drawn. Though the line “I want to suck your blood” is never spoken, Lugosi’s accent, his character’s noble lineage, and antiquated, cloaked wardrobe have formed the basic template for all subsequent vampires to follow or avoid. It was a theatre role that Lugosi had previously made his own and which was to haunt him for the rest of his life. Friedrich Wilhelm Murnau’s brilliant silent German adaptation of 1921, Nosferatu, is arguably the much better movie. Alas, Murnau’s film (whose Count Orlok was played by Max Schreck) did not shine in the full glare of the moonlight. Nosferatu was dogged by copyright problems; Lugosi and Browning won first place for their imprint on popular culture. That said, the English version is certainly a poor piece of filmic art on many levels. -
Google Adwords
“Andrew Goodman es la autoridad mundial líder en Google AdWords. ...Es mejor que este libro esté en su escritorio, no en su repisa, si espera ganar con Google”. – Fredrick Marckini, fundador, iProspect; Chief global search officer, Isobar • Ponga en funcionamiento, una campaña exitosa de anuncios en Google • Subaste por las palabras clave que quiera y obténgalas • Llegue a millones de clientes que realizan búsquedas • Aumente el tráfico de su sitio web, ventas y ganancias • Obtenga información valiosa del mercado Segunda edición Andrew Goodman Fundador y presidente, Page Zero Media www.FreeLibros.me Google AdWords Segunda edición www.FreeLibros.me Acerca del autor Andrew Goodman es fundador y presidente de Page Zero Media, una agencia de marketing que ofrece servicio completo de administración de campañas de búsqueda pagada, además de diversos servicios en relación con el marketing en línea para clientes orientados al crecimiento, como E*TRADE, Canon, Etsy, Business and Legal Reports, Canadian Tire y Torstar Digital. Su blog, Traffick.com, ha enmarcado muchos de los debates de la industria, desde 1999. Orador reconocido en todo el mundo (incluida una función integral en más de 30 conferencias Search Engine Strategies, desde 2002), ha servido como jefe de programa para Search Engine Strategies Toronto en los últimos dos años. Su columna aparece de manera regular en publicaciones como Search Engine Land, y sus comentarios suelen aparecer con frecuencia en medios importantes, incluidos The New York Times, The Globe and Mail, The Washington Post, Fortune Small business, Business News Network y Marketing Magazine. Es también cofundador de HomeStars, una empresa de las denominadas punto com que ofrece servicios de mejoramiento de casas. -
TELEVISION • Classic Japanese TV Series • • Puppet History on PBS • •Tv Puppeteer Interviews •
P FALL 2001 Issue $5.95 NTERNATIONAL TELEVISION • Classic Japanese TV series • • Puppet History on PBS • •Tv Puppeteer Interviews • 0 (4470 87 Center for Puppetg Arts & Interact with International Leaders of Puppetry We are expecting a large number of professional puppetry artists as well as presenters andfestival organizers from 55 pupiets .*4(7 .I countries. Space is limited to 350 ri SO REGISTER EARLY! 2002 June 20 - 23,2002 Center for Puppetry Arts Featuring: •AMERICAN SHOWCASE FESTIVAL with performances from all over the USA and Canada •UNIMA International's biennial conference with news on puppetry activities worldwide All sessions will be translated into English, French and Spanish •UNIMA-USA SYMPOSIA Hear top professionals in the field •MUSEUM EXHIBITS Winner's Circle: Ten Years of UNIMA-USA Citations of Excellence Posters International: A Puppet Perspective PUPPETS: The Power of Wonder, the Center's interactive exhibit For more delails contact: •INTERNATIONAL EXCHANGE: Shop The World! PUPPETS 2002 1404 Spring Street, Atlanta, Georgia, 30309 404.881.5110 Fax: 404.873.9907 Center 44*petry BIREJELD N Email: [email protected] \*/~ MA Itt INN ~~]~ ATLANTA Website: puppet.org Arts 9*114 ' .„m.........,„. Editor Andrew Periale HC74 Box 307 ~UPPETRY INTERNATIONAL Strafford, NH 03884-9622 [email protected] the puppet in contemporary theatre, film & media Designer/Assistant ~ditor issue no. 10 Bonnie Periale Editorial Advisor The Editor's Page 2 Leslee Asch SPECIAL FEATURE Book Review Editor PUPPETS on TELEVISION John Bell Media Review Editor Donald Devet Eric Jacobson by Donald Deret G Advertising Kathryn Mullen. Michael Frith b)'Donald Devet 10 Mallory Smith [email protected] Japanese TV 4)' Michiko Ueno-Herr. -
City Remembers Former Councillor
Siakam The leads the Bulletin’s way for annual Aggies Legislative Page 22 Guide is now out $1.00 • © 2016 LAS CRUCES BULLETIN LOCAL NEWS AND ENTERTAINMENT SINCE 1969 • WWW.LASCRUCESBULLETIN.COM • FRIDAY, JANUARY 22, 2016 VOLUME 48 • NUMBER 44 State of the State City remembers *with purchase of a Queen or King Motion Power Base former councillor $ starting at 999 Silva died Sunday of apparent suicide Queen Size Motion Power Base Please see ad on Page A3 By Mike Cook “I sat next to Miguel *See store for details. Offer expires 1/28/16 and Brook Stockberger Silva for four years on 3299 Del Rey Blvd. Las Cruces Las Cruces Bulletin 575.523.3933 this council,” said former “He brought us laugh- City Councillor Dolores ter, he brought us joy, he Connor. “Miguel had a brought us support in big heart with lots of Las Cruces has many, many activities,” ideas and thoughts. Good- Las Cruces community bye to my good friend and activist Irene Oliver-Lew- to that guy who loved nearly 1,000 is said in memory of the being a public servant.” late Miguel Kari Bachman, coordi- G. Silva at nator of Doña Ana Place acres of parks the Tuesday, Matters, said she first met Jan. 19 Las Silva in 1994, when she Cruces City came to Las Cruces as a Editor’s note: This is the first of a se- Council student at New Mexico ries of stories about city parks in Las SILVA meeting. State University. Cruces. Silva, 55, “He and I had many dis- died Sunday, Jan. -
Voices in Real Time Interactive and Transmedia Testimonies of the Arab Spring, Instant Archive and New Social Movements Discourses
International PHD Programme in Audiovisual Studies University of Udine, DAMS Gorizia a.a.20 !"20 # Voices in real time Interactive and transmedia testimonies of the Arab Spring, instant archive and new social movements discourses $andidate% &udovica Fales Su)ervisors% *oy Menarini, University of Bologna Ian C,ristie, Bir-.e'- College London 1 /The wor- of our time is to clarify to itself t,e meaning of its o1n desires' 2. Mar3, 'For a Rut,less Criticism of Everyt,ing E3isting' (16!!7 1 2. Mar3, /(or a *ut,less $riticism of 4veryt,ing 43isting,/ in Te Marx- ngles !eader, ed *obert $. 8u'-er, 2nd edition, Ne1 Yor-, W.;. Norton, p. <=6, 12> # 2 I9D4? Introduction "e#ning the research field : transmedia or interactive documentaries% &owards a de#nition of interactive documentaries as '(living( entities )h* is this useful in relation to Tahrir S+uare? xploring the research field. What actions and whose voices% Than-s $,a)ter I – "ocumenting events in the ma-ing toda* 1.1. Documenting collective events in their actuality. A Pre-,istory .,.,., Te formation of the modern public sphere$ actualit* and participation -Te philosophical concept of actualit* - nlightenment as re/ective consciousness on the present -0lashes and fragments of the present time -Actualit* as gathering the present .,.,2 "Te whole world is watching3, Witnessing and showing d*namic in narrating dissent -A new consciousness of news media in the Chicago.567 revolt -"ocumenting and producing media protests (.59:-2::.; - September 1., 2::.. “Te death of detachment( in the news 1.2 Glo.al imagination, actuality, present>tense, real>time .,2,., =lobal imagination, >ocal imagining, A 4ultural Studies &oolbox for Media !epresentation in the =lobal World -=lobal Imagination, Local Imagining -?e*ond '@rientalism'% - Self-narratives, testimonies, micro narratives .,2,2, Te Space of Tahrir S+uare- Within and Without -A Space-in-process -A Space Extended to Tose Watching It -Aerformativit* of Tahrir S+uare - Social Media, Social Change and CitiBen Witnessing – A Faceboo- revolution% .,2,D, Can Tahrir S+uare 2:. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
The Impossible Quest'
Toyota Disrupts TechCrunch with Technology Trifecta 'The Impossible Quest' September 12, 2016 SAN FRANCISCO (Sept. 12, 2016) – Take emerging virtual reality technologies, add one of the world’s most recognized visual architects and mix in an Emmy-award winning director and the most technologically advanced hybrid vehicle in Toyota’s lineup. This is the recipe for disrupting TechCrunch Disrupt. “The Impossible Quest” is a sensory overload VR event that incorporates users’ creations using a custom- engineered proprietary 3-D design tool with a world design inspired by Syd Mead (the visual futurist on Tron and Blade Runner) and a story by Emmy-award winner Jason Zada of MediaMonks, who directed feature film “The Forest” and is responsible for the pop-culture phenomenon “Take This Lollipop” and “Elf Yourself.” “The Impossible Quest” supports of the official west coast debut of the Toyota Prius Prime, the most technologically advanced Prius yet. And the place for this high-tech experience to make its world debut: TechCrunch Disrupt. “The Impossible Quest” will kick-off with a guided 3-D design experience using a custom-built VR painting tool, dubbed the “Prius Prime Studio” to create elements for the VR universe. These user-generated creations are incorporated into the world in real time, as the user dons the VR goggles and is dropped into a futuristic world developed in conjunction with Syd Mead. “TechCrunch Disrupt is about game-changing technology, which is consistent with the Prius Prime’s combined feature set of hybrid and in-vehicle technologies, so having the Prime make its west coast debut here seemed appropriate,” said Doug Coleman, Toyota national marketing and communications manager. -
La Exposición Sobre Jim Henson Una Imaginación Sin Límites
SE RUEGA NO SACAR DE LA GALERÍA La exposición sobre Jim Henson una imaginación sin límites AN EXHIBITION ORGANIZED BY ©MUPPETS/DISNEY. ©2019 SESAME WORKSHOP. ©THE JIM HENSON COMPANY. SE RUEGA NO SACAR DE LA GALERÍA 1. Proyección LA EXPOSICIÓN SOBRE JIM HENSON: UNA IMAGINACIÓN SIN LÍMITES A lo largo de su singular carrera que se extendió a lo largo de cuatro décadas, Jim Henson creó personajes de marionetas e historias que se convirtieron en iconos del cine y la televisión y han dejado una marca indeleble en la cultura popular. Con su sentido del humor delicadamente subversivo, su infatigable curiosidad y su mirada innovadora sobre el arte de las marionetas, Henson creó los Muppets/Teleñecos y los convirtió en una marca internacional perdurable, nos regaló los adorables personajes de Plaza/Barrio Sésamo y plasmó su rica imaginación en películas e historias para la gran pantalla. En esta exposición indagamos en las extraordinarias aportaciones con las que Jim Henson contribuyó al campo de la imagen en movimiento y desvelamos cómo él y su talentoso equipo de diseñadores, actores y escritores crearon una obra sin parangón que hoy día sigue inspirando y deleitando a personas de todas las edades. 2. Jim Henson y la rana René/Gustavo en el set de Llegan los Muppets/La película de los Teleñecos (1978) 3. Marioneta de la rana René/Gustavo, hacia 1978 Diseñada por Jim Henson Confeccionada por Caroly Wilcox a partir de patrones diseñados por Don Sahlin Manejada por Jim Henson Tela de vellón, fieltro, plástico, caucho y papel autoadhesivo de vinilo Cedido en préstamo por la familia de Jim Henson (Jim Henson confeccionó la primera marioneta de la rana René/Gustavo en 1955).