•» \E\Y-:OitK t?ATLY TRIBUNE, SUNDAY, JANUABI 2?., 1910. TfUSICAL NOTES «•*COMMML

! MARIE DELNA. CHARLES DALMORES. A Ple©L for the Ora.torio amd a. Discussion AT THE MANHATTAN THE METROPOLITAN In "Orfeo ed Euridice" at the Met- In "Samson et Dalila" at the Man- ropolitan. hattan. of Its Future In the United States. (Copyriffh'. Mlthkir, Stu4lo. New York.) Goodly Week Promised De- Three Wagner'*—"L'EU- f of complished most completely. JCerl had tJj« spite "Elcktra's" Postponement sir d'Awore" on Thursday. By Claude Cuoniaeham. assistance of Palestrina. who Is called % Homer of music and the creator of cbecai the melody, and fifty years Definite his utmost efforts, Oscar Ham- The first three opera? of Richard Wag- "What i.«« tiie future of oratorio In within after tas merstein has found it impossible to give ner's "Sacrosanct Ring." a? George Moore United States?" Is a ouestion frequently death of this* men. who died about time, ti% Richard Strsuss's most recent music has termed ft, will receive a production in heard in these latter times, ami, although same the world had what we sjaf. dT-arr.a. "E!ecfctra," upon the date sched- their proper sequence this week at th-. one Is obliged to return an uncertain an- ems call oratorio. Italy grave birth to Idea, th* uled, which -was next Tuesday evening. Metropolitan Opera House. All three operas 'j swer, filled with dark mlsgtjlnga based on and Germany reared it to the gtsjMtfe Is conditions, heights of Bach and Haydn. The complexity of the score the reason will be' given in the afternoon. "Das Rhein- well defined sisn3 and he Is Beethovea as* given for the postponement. So those* E<>lSiegfried" on Friday. The ing reasons for the change in public sen- The very earliest traces of organta^, « ant of this latest morsel In musical caviare series will be given under the musical di- That public Interest Is waning diaphony. we find designed for th* «\u25a0> wait for \timent. presslon snrrfl thought. must '.own tlielr feelings and rection of Alfred Hertz. rapidly in that form of the tonal art there of Beethovea en:% until Tuesday evening, Feb- ! wrote to "Go on; do another week— The cast of "Das Rheinßold" will in- can be no doubt, for one Is compelled to a friend: not alone ruary Frcmstad, Wickham, Gluck, practise art, but penetrate to 1. clude Mines. } that it Is no long*- possible to her heart admit ait Yet the week at the Manhattan willhave Meitschik, Sparkeß and Fornia and MM. the old, keen enthusiasm In the She lMm« it. for. and science ealy interest, will perform- Burrlan, Reiss, Goritz, !arouse tan raise mankind to codhood"; Its for there be two Soomer. Blass and j oratorio performance. Something must be and te ances of Massenet's "Griselidls" on Mon- Witherspoon. Mme. Fremstad will re- Cerhard yon Breunln* h* said: "I done to overcome this lethargy, for IfIn- n««| a day and at the Saturday matinee, ! text which will stimulate me. evening appear on Thursday as fair-haired Sieg- Is the mother of all right and Itmust b* *uid the lirFt performance of the season, on S^cglinoe eye and difference Mmethlnjr morn. something uplift^. linde. a beautiful to the chaos in the scientific world, it 13 much Friday evening, of Saint-Saens's "Samson appealing to the heart, compounded of Texts f>uch as Mozart composed Iahovjg pas- more so In the spiritual world, ami while rt DaliJa." Mis 3 Maty Garden will, of poetry, made the more potent by n*ver have been aM» to s?t to nvjsrir. sion and tame indifference la oft?n a forerun- i course, stain impersonate Griselidis at the sense of impending tragedy. Mm^. that could rt«-'. er have got myself into a tnea| of a re-creation, of a re-lnstallatlon. ' constant heart, and from the heights a majestic and clear ner for li«-ent!:>us texts. This n«k wim. of conscious virtue v.ill defy the Devil Brtinnliildo and Mr. Burrlan an admirable I der why our intellectual int«r»st3 an wish to postpone progress by permit- pa^ and all his work*?, including bis majesty's Siegfried. Mr. Soomer will lend his splendid not suits have not made the same will, ourselves drift idly and silently advance- •Wife. couple as «t excellent powers to ting to \ ment In music that they hjvs This amiable voice and dramatic the dangerous sacred fo last week's performance, be played by Mr. part of cast on a tide. the secular. Surely, we cannot snpposj Wotan. Others in the will be spiritual ecstasy. and Mine. Walter-Villa, while Homer and Mr. Hinckley. .This is not an asre of that Beethoven lacked in proper :Huberdcau Mine. form, or ad»- DaJmorcs will ne a more than usually In the second of the trilogy and the opera of which «M iiavs quate Inspiration or in Intelligent Mr. part Mme. pro- sUbb> vigorous lovesick Shrphcrd and Mr. Du- be sleeping and such an excellent abundanca to-day, point: Gadski will the Brtinnhllde such franne a clarion voiced marqui.«. Mr. Burrian the young Siegfried, slayer of vides a certain brilliant sensation and It may be complained that the such sacai Saint-Saens, dean of living French com- dragons and awakener of a maiden's love. a sensational brilliancy and an elabo- story -Joes not sufficiently abound la ex- posers, can feel no qualms regarding the and Mr. rate array of arts and ways and meam citing; material, but that is another Mr. Soomer will be the Wanderer musical m. production of his Biblical opera on Friday Goritz the Alberich. quite out^ido the realm of mere Jcct, and must be dealt with elsewbtie- evening. To the surprise of many, "Sam- perhaps Interest among the art that the public taste la more or less although, be it said, the present Of chief say wrt'tr ton et Pallia" proved last year one of the other performance* will be the first pro- demoralized by It. I ••demoralized" believes that he can show as much fajtf. moM popular of the Hammersteinian offer- duction of the season on Thursday evening on the ground that If the attributes of a natins mysticism and subtle psycholos"xal point ings. In spite of It*lack of action the rich- of Donizetti' s "l/?:ii»ir d'Amore," with Mr. given thing are augmented to a interest In a score or mor» or sacred kf ness of its melody, the stateliness of the Bonci in the part that he sing? so beauti- •where they deprive it of it* first impor- ends and other sacred stories as ever be- production and its admirable cast of singers fully. Mme. di Pasquale will sing th% role tance and its primary intention and there- longed to any "Pelleas et fn-y M*!l3*aie." brought forth almost universal praise. so long associated with the name of Mme. by essay to usurp th- first place, Whether they are logically true or tot Th» cast this year, with one exception, i?emhrich. and others appearing will be Mr. are certainly demoralizing to the thing It- make* no difference. willbe th* Fame as last. Mi.Dalmores will Scottl and Mr. l'iniCorsi. MME. GERVILLEREACHE. self and to Its aim. "Where there is a will there Is a waj." lie \u25a0 trulyheroic Samson and MileGcrville- Tho prejudice against Bohemia and Bo- In "Samson et Dalila" at the Man- In the case of the modern opera, or We are tired of the ulterior influenest tj Meache a most voluptuous and rich voiced hemians will surely need to disappear On iiattan. music drama, as it la better called, the vecal music, and we are especially tired Philistine woman. All New York knows Wednesday, for at both the. Metropolitan (Copyright. Mishkin Studio. New York ) music, while it is the chief essential. \a of th» influence of th<* "scarlet wo=:aa" now of her pinging of "Mon cceur s'ouvre a. and the Manhattan Puccini and Murgor - made subservient to everything, even the who "rants and tears" and dominates «r voix." Mr. will again be the reign supreme. Itspeaks volumes for the OLIVE FREMSTAD. HECTOR DUFRANNE. the poses opera, and who has so enticed vasft) ts Dufranne Nt" May •«•!* March 23 andIntt.. ..Mr. dramatic situations and of the the High Priest. Only Mr. Vieuille w'll be popularity of the by this time well worn In "Walkure" at the Metropolitan. }« &> In "Griselidis" at the Manhattan. prima donna, and attention Is distracted mind that it has come to conceive her m Hebrew, ' Andrew^ p.ogramme for next Wednesday missed in the part of the Old his "Boheme" that it is to b«» produced upon (Copyright. A Dupont.) ' <<"©pyrlght. Mlshkin Studio. MMf Torlc.) from the music by all sorts of device*. a part of all music, and that withoutitr sepa- will be as follow**: place being taken by Mr. ValHer. th" «ame night at two opera houses This Is all right and beautiful and inter- vocal music is no music at all. It i$ ft Wednesday evening the of Bo- rated by only a dozen city blocks. Prelude In C minor Bach Itself, purity of thought that is needed: On coast half At lute manner. The suite consists of four Choral-Prelude (Jesu. Meins Zuverslcht)..Bach active progress under Mme. Selma. Kfonold. ! esting: enough in but when it is Itv hemia willappear again on the horizon with the Broadway house Miss Geraldine Farrar movements— "At Home," "In the Streets," Chant Pastorale Dubois The society has the -warm approbation of to allure and to fascinate the pub- freedom from the vulgarity of a CarfeM, in the the, and In Duboi* j made Louise, a most fascinating Inhabitant per- will invest Mimi with both beauty "Sunday Morning In th« Country,'' "At the Paradis-im Archbishop Farley and the prominent lic gaze to the exclusion of the other and a a Santuzza and a Mn?»::i Cavalicri charm, ' Sonata in C minor (first movement).. .Andrews son of Mil".Lina Cavalieri. Mile. while Mr. Caruso will be Rodolfe. Ball (waltz). Karh tells Its own story Cantllene S=alom* clergy of th* diocese. finer forms. Isay that it Is demoralizing that we want! It would be equally abrori, -will UMO sing Miml in Puccini's opera '"La Consequently a full sized audience may be most characteristically. Andante in t) Silas scope Intelli- en th« other hand, to suggest that mate Syfnphonl* Pathetlque. .Tschaikowgky to the public taste and of pride, young expected. will again Im- Finale. .. he to the expression of Boiifme." with Ireland's John Miss Bella Alten Improvisation. The following is the programme for the gence and deceiving to both. confined religion BfcOarnsKk, as Rodolfe, Mr. c.ilii>ert as personate M'lsetta, and the three Bohe- song recital by Miss Kathrin Hilke in Men- thought— God forbid!—but it would «r. sung Scotti, music, Schaunard, Mr. Sammarco as Marcel and mians will be by Mr. de Segu- MUSK NOTES, The necond concert of tho Marum Quartet delssohn Hall on 'Wednesday afternoon: MUST LOVE THE INTRINSIC. talnly seem that profane so caUri, Mil-. rola Didur. pushing 35*-. Huberdeau as Colline. Trcntini and will be held in the concert hall of the Im "I While nearly every one has a certain is all sacred music not cut Mb delight fathers, the Abendroth — ; will Finz- Musetta. "Trovatore." of our 3, Das 1 _ 'l sound.', very the proverbially "cold, Cooper Union on Thursday, February at Ued Im Grilnen... «".Schub«rt I' love for harmonious a definite cold world." tat offering on Saturday bare announcement of which was once suf- Ifiss Geraldine Morgan announce? two Die Junge Nonne Franz «•«• •• ThA popular priced 8 o'clock. The programme will consist en- r>»r Binsame Jf lova and a given education along fixed out Into a world burning with a d»- right will be "Trovatore," and the trouba- ficient tv puck the largest opera house, will concerts of chamber music to be given at tirely of the works of Schubert. Tjtebestreu 1 lines are requisite to an appreciation of sire for sensationalism. wh»r<» it ts con- donjon try again Monday evening. the Stuyvesant on Sunday evening, c chaff, dour who will sing from the tower for favor on Theatre Johanne.Brahm, i music in the concrete. Keats once said sumed like and a cry go»3 o» to will this powerful February Friday afternoon. March Na^3f'! "--:1 •will be Mr. ZeroU.. Others in the cast For favor there will be a 6. and Standchcn a mighty idea of beaut that world to pause in its frenzy and is> nawme Flonaaloy will give the sec- J Tremfsot that abstract t»? Mile. Baron, Mme. D'Alvarez and Mr. argument in the presence of Leo Slezak an IS. Thft preliminary announcements The Quartet Novembr« «- "E. all minute happiness fleet upon the moral ruin it is working. among be performed a con- ond of its subscription concerts on Tues- f>Stttea Roses H. A. Ceselc stifles divided and Bamma-rco. the Troubadour, as well as in the appear- the works to in of life. Itis In all art Lieonora, «* D"*™ ' the sundries So "SALOME" AS AN EXAMPLE. ance of Mme. Gadskl as Mme. SBSnu&?*£-:i and we must actually love and Homer as Azucena and Mr. Amato as di Aneln* Aeolsharfe 1 forms! Something seems to have been rrrezch*! i PHILHARMONIC ORCHESTRA. T>»r Gartner ,-L v .-„Wo..Wo" possess the Intrinsic if we are not to be ' Zurßuh 1 zurßuh'! huso normal place and the floodpc There -will be only one Philharmonic con- Luna. "With this cast there should be more . f | sidetracked In our pursuit. A true love from its than a flash of the glories of old time. Tretet* eln. hoher Krieger..J of a certain intellectual hell opened, and cert In New York during this week. The v guides lhe roses ....? •• •• Arthur Foots j for the beautiful in any art will stifle th<> On Friday evening German patriotism rV2There sits a bird $ _ „ an avalanche of perverted Ideas has gashed •'concert, is to take place in Carnegie. _ ; weeds that grow up around it, but it la which through Italian glasses will again be glori- I/me ago Edward MwDwll which It seems Impossible to «tax. on "Wednesday evening. Is the fourth The Danza. G«org» (/badwick Impossible to develop that love while out- -forth Hall fied. It will be the second performance in There has been an upheaval of glgsatio «m« of the historical series. The first com- side Influences are permitted to distract America of Franchetti's "Ormania," trith - forces quite outside or the criminal sn*jeff position will be the Brahm? « Third -Sym- Mme. Sembrleh has ended her "Western from the art itself. Mr. Caruso as Lowe, Mr. as music; and, behold, we have such exasastas *hr>ny. to followed by a group of five Amato Palm tour, yesterday started South. She conditions a weight be Mme. as and Our economic have Intellectual workmanship a* Strand songs by Mahler, to be. sung by and Destinn Rlcke. Arturo Tos- pave to houses in we neglect. of Gustav eanini will, of course, direct the orchestra. four concerts soUl-out In these matters which often "Salome," the text of which a Ludwig Wanner. Dvorak's overture "In Los Angeles, enormous gatherings goes Beethoven's, embodies fIM performance of Oluck's ed sans to Our wall up with which startling: presentation of will*be the third number of the "Orffio in and and gave four I fiendish lauiwitf- Mature" Kurldice" on Saturday afternoon willbe of Seattle Vancouver he expressed in these words: "When !ty and perverted couvej» a evening, and the fourth a group of concerts to audiences which even shared ', my eyes sigh involuntarily escapes instincts and special interest because of the debut in open a to th- moral sad eongs. which also Mr. Wiillner will in- the platform of the hall with her in San j for that Isee (in society) shock the entire fabric of America of Mme. Marie Delna, the well me. all runs the purpose or art. terpret. of these are by Felix Wcin- Francisco, and one concert in Oakland to 1 my religion. despise ethical standard of Two known contralto, whose counter to Perforce I we determine, the remaining pair by Hugo Ptench name has an that had bought every seat In As far as can OSJ9Mt frartner and the long been associated with the role of Orfeo. audience the world which does not Intuitively feel any con- concluding number on the pro- the hall a week the date of th* - efforts of mankind toward music Wolf. The Mies Spark*-.- will be Amore, and Mis* before that music is a higher revelation than and depression c* gramme be overture to "The performance. During the remainder «>f sisted in the elevation will the Gluck, I'na Ombra Felice, while Mr. all wisdom and philosophy." Later ha th»» readfm; of Bartered Bride." One week from to-day, Tosca- January and :February the distinguished the human voice in asMi nini willmake the musical direction a labor said: "Nature knows no quiescence anil writings, fact has sigasleSßC* in the afternoon, an extra concert will be soprano will sing In Southern cities, re- and this a of love. true art walks with her hand in hand. its own. Many centuries of this £iv?n ft part of the regular scries. turning to New York for a recital at Car- all ffM- as In the evening there will be a mnst pe- Her sister— from whom Heaven forefend vocal form, with occasional Important Tie "Kinder-Todtenlieder" ("Children's negie Hall on Tuesday afternoon. March 1. tlve juxtaposition operas— us!—ls railed Artificiality." modifications, finally itaj.'s IDcath Songs") are a setting by the Phil- culiar of "Hansel und lead us to th« Gretel," followed by "Cavalleria Rusti- In the present commercial state of the songs troubadours, to whM> harmonic Society's conductor of five pa- Mr. and Mrs. Henry TlMden Huss. as- love of the cana." Surely a most catholic conjunction, modern mind, the constant nervous tension the germ of th* sty!? thetic poem? by Friedrich RUckert. which sisted by Alwin Schroeder. will give a we trace roraantle even to j in and about us forever and ever, even in music, brought forward at the festival if one startling delicate nerves: recital in Mendelssohn Hall on Monday of and music as a language of «\u25a0•• Sir. Mahler The two children of Humperdincks opera our dreams, one can readily discover why gradually developed froai of th» General Mu?ical Association afternoon, January 31. This will be the j tion has been German will, course, impersonated by Miss the average business man of to-day, for in- inspiration hpld in Graz In the summer of 1303. They of be programme: that source. Since the first sf Alten and Mins Mattfeld, while stance, feeU as if he had been to a funeral origin thous!::. «re for solo vole* and orchestra and were Mme. piano all music had its In sacred Meitpchik Sonata for violoncello and Locatelll when ha cornea away from a performance knowledge conceived by the composer as a unit, willbe the "Witch and Mr. Goritz Mr. Sehroeder and Mr. Husa. and if we are to. use our ofIks Ma?- (at- of a standard oratorio. This of course, •"> •wherefore he has requested that their con- and Miss Wickham the parents. In WHlst Dv dein Hers mir Schenken'.' is. psychology of music, its effect on the Destinn will sing San- tributed to Bach) Qlovannlnl a physical and nervous condition, and ex- int»llect, but tinuity l»^ not interrupted by applause be- caßiii's work Mine. Flngo per M!o Piloioo Old Italian tlons and the etc.. to tha Maubourg Lola, Mr. plains why the same man complains of con- tw*><-n the number?. • tuzza. Mile. Martin Da» Gliick der Freundschaft Beethoven the advantage, would we not do well to Turriddu, Gilly * Soldaten Hraut Schumann length of a sermon, however good, if it develop The songs. which, like those of Felix and Mr. Alno. Memo Lieb« Ist Grttn Brahms tinue to the oratorio fora? Weingartner and Hugo Wolf, will be sung Mrs. Hlldegard Hoffmann Hus». continues more than twenty minutes. Our The policies o£ the oratorio sede-* ("ourante —G major...."! economic conditions, political social, t r; Dr. Wiillner, will be accompanied by NEW YORK SYMPHONY SOCIETY. — and have had much to do with the dec!ia» Dr. Dvorak Sarab&nde— C minor... Bach are not these that contribute to any real of in the work?. Tfasa-iss* *\u25a0 th<*orchestra. The overture by This afternoon The New Theatre the digue C major J\ interest sacred § the ol three which have com- at development In the general public of the when the public would not listen to o?er* i* one of sot New York Symphony Society will give its AlwinSehroeder. munity of theme, and which had their first Apr*-*un Reve- .Faure love of the fine arts. sung on the concert stage, but t»#sy Debussy programme. The "Three Noc- performance at the concert which was Mandoline Debussy many oratorio societies In th» t'altrf will be a feature, and the third. Tr2ume Wagner EUROPE'S LIKE EXPERIENCE. by the composer when he became a turnes" It Was a. Lover and His 1 are devoting much of their Hubs ta- Kiven "Siren?," willbe given with a chorus from I>ass This indeed, a deplorable condition, States resident of New York. At the time, the Kv«ry Day Hath Its Night mew)..V...... Husi Is. for th« study and performance of opera rrJl« works being stillin manup< ript. Dr. Dvorak the Musical Art Society, conducted by Ich Lteb« Dich J we simply must not retrograde, and yet we Mrs. Huss. This was not possible two decades age, and overture," Frank Damrosch. The prelude to the "Af- are undergoing nothing that is new to the ' called the three -a "triple and Sonata for 'cello and piano—A major (M3.V.Huss can never be proper, and yet It Is de- v ternoon of a Faun" will be. given, and world. All Europe passed tray* the f" parat< numbers separate titles (New. first tlm»: dedicated to Mr. Sohroeder) has through the manded. This applies, of course, only, t» — 'Nature," "Life"' and Debussy songs will be sung by Julia Hein- Mr. Schroeder and Mr. Huaj. same experience from different causes, "Love." When he but the older more melodious opsras. far published he designated the three rich and George Harris. has she done so All and them an unscathed? countries it would futile and ridiculous t> s> Trilogy," but pave each The Wagner programme recently given ax The third Saturday matinee concert for have had their writers of sacred music, be "Overture work a tempt a performance of the very modem. »»parate opus number and changed their The New Theatre will be repeated at the young people by the New York Symphony but where are they to-day? And Orchestra,' the con- music drama on the concert stage, sat tie to "In Nature," "«"arnaval"' and concert at Carnegie Hall on Tuesday even- MR. AND MRS. HENRY HUSS. Walter Damrosch. conductor, ditions force the question. titles Are the nations facts Indicate the temperament and tsa- "Othello." The first and second have re- ing. This programme is as follows: At Mendelssohn Hall. will bo given in the opera house of the ethically or intellectually as well off with- Academy Music, Brooklyn, dency of the age toward th» sensatloni* tained a considerable measure of popu- Prelude t" "Lohengrin." of on Saturday out them? (Paris version). afternoon, January 29, and not the spiritual forms. larity, but the last is seldom beard now. Ftecchanale from •"Tannh&user" at 3 o'clock. David Germany boasts that her Bach is im- I'rlzo .Song from "Die Meistersinger" (arranged certo grosso in D major by Corelli (1653- day evening, lfebrua/y 1, at Mendelssohn is concert, for orchestra). Mannes the soloist tor the and mortal. So do we all. for we look for a re- LOW LEVEL THREATENED. PUBLIC LECTURES. 1712). for two violins and violoncello acconi- Hall. The programme will include compo- the Is programme: Prelude to Act [11. "Ota Meistersinner." following the vival of the Bach spirit,in spite of Why upon ts» Siegfried, the Forest Bird and the Dragon (ar- panied by two violins, viola and double bass; sitions by Haydn, Chausson, Reger and the dor- do we Insist rUrtlln* In hi? annual report for ihe last year. Final* from Symphony in C S»chub«rt mant interest of the present day. «\u25a0» ranged for concert by Walter Damrosch). a quintet in G major for strings, by Brahms; Following its Initial concert But it la sensibilities? We hay« departed freta ••jbmitted to the Board of Education dur- Siegfried's Rhine Journey, from "Die Golter- Beethoven. Scherzo from th« Scotch Symphony. .Mendelssohn to Ttaly that we owe our oratorio, »'* dammerung." a quartet in F major for violin, oboe, viola last week, the quartet played In Bos- Itomanza from Symphony No. 4 in Dminor.- and be- strait path of spirituality in art. ami the last week, Dr. Henry M. Leipziger, has state lnz Kun«*ral Music from "Die ttprdaninierun(?." ?.nd violoncello; an by Pergolesi (1710- ton, Bryn Wellesley and Schumann hold the of sacred music InItaly to- we on the verge of slnkln? to a •\u25a0\u25a0• of lectures, points to the fact Friday violin solo aria Mawr. Harvard. David Mann«.«. day! SJi'Tvi^or Good Spell (arranged for with 1736), and Ueder by March from Italy had her Gregory and Filipno where, we shall be morally capable efallar- lectures on music are among the orchcstim). Schubert. "I.onore" Symphony (Th» de' & that the Manner. Michelson, been Parting* j^fj Neri and Palestrina. all very great men ing and enticing popular by board, David The assisting artists are Miss Leontine de Miss Henriette who has Allegretto from Into "sensaticnallssi"* most offered the and Prelude and Finale from "Tristan und Isolde." Grimson, Symphony No. 2 in D. "In indeed, but what has she had since? Can *' organs Alma. A. Coan, Samuel Hans studying with Harold Bauer in Paris during Spring Time'- Brahm» Noth- the name of Music and of Art! ••jpgests that use be made of the. The Siegfried excerpt, arranged by Wal- Overture ing but a gradual decadence In edify aai In- have I,etz, Miss Alice Ives Jones, H. Levy, Paul the last two years, will make her first ap- GoldmarW that art no longer interest and still which been installed in a number of ter Damrosch for concert performance, form since their period. The spirit of school buildings Morgan and Albert Deburcher. pearance here in a piano recital at Men- that struct? Must we adulterate and tfc*>W for the purpose of giving was heard in New York give form departed Italy, •* organ last season. delssohn Hall on the afternoon of Febru- Fritz Kreisler will a violin recital in of music has from degrade our art in order to center recital:,. The suggestion has been Carnegie indeed, The Paris version of the "Bacchanale" was Mark Andrews, of Montclair. will give an ary 11, 3 o'clock. Her programme in- Hall on Friday afternoon. His and. from all Continental Europe, real enjoyment? referred to the committee on lectures and at programme thrill of composed during the period of the compo- organ recital in the Great Hall of the City cludes mazurkas by Percy Goetschius willbe as follows: and the fear Is that the love of the oratorio was when artlstie music* libraries of the board for consideration. sition of "Tristan" for, two Time the * the ill starred per- College on Wednesday afternoon. January this composer to her. Devil's Trill is fast departing from among us. was too narrow to admit aar^ 3 For the coming week the board has ar- formance of which has dedicated < Tarttni world • "Tannhauser" in Paris. The 26. at 4 o'clock. Following this recital Sam- oncerto N*>. F sharp minor Vleuxtemps In order to revive public interest In ora- but the sentiments of religion. Ha*« ranged a number of special lectures on programme for Sunday, January 30, at Hecitatlve and\u25a0?' scherzo Kreisler torio The uel A. Baldwin will begin his regular spring Dvorak's Ludmila" is an- „ (For we need the same Intellectual achieve- gone direction ti*- music in addition to those arranged in Theatre will consist oratorio "St. violin alone.) so far in the opposite New of the "New term series on Sunday afternoon, January nounced for production on Sunday evening, Chanson Meditation cnft«in»»n" ment In the sacred thought In music that narrowing courses Edmund Severn will lecture on World" Symphony, Dvorak; Two Old Vienna Valses ."*-; |"" w© are menaced by a •*/• by "A Pagan same hour, February Carnegie Hall, by the Cath- Humoresquß n we have In the secular forms, and barring •*•" "Nationality in Music" on Tuesday, at Poem," 30. at the and will continue 20. at .".....I. "Dvorak the fear forces to the pohu of all for orchestra and piano,- by Charles every Non Plu inesta . Is that we obliged 4th street, east of Sunday and Wednesday thereafter, olic Oratorio Society. Rehearsals ate in '.-\u25a0.Paganlni shall bo to meet the uality from our music* Public School 63. First M. Loeffler, and Liadow's "Ballade." Hein- Accompanist. Haddon Squire. present public temperament *"•* avenue, Monday, at more or less The of to-day Is ir.dffl while on Public School rich Gebhard will be the soloist in the music **"* avenue, on its own ground—i. c.. the result of our but spirit? ZC'i'. 108th street and Amsterdam "Pagan Poem." Mine. Antoinette Szumowska, a lectual. where is the «- will recital Pollsn efforts must be interest creating. We may possible admlst^* \u25a0Walter [* Bogert Rive a on The second subscription series of eight pianist, will give a recital at Mendelssohn unately there Is a * of Germany." On Wednesday, be obliged to accept a radical change, an with loftiness-loftiness «'^9 "Folk Songs Sunday concerts of the Symphony Society CALENDAR THE CURRENT WEEK. Hall on the afternoon of February 7 loftiness •* Houne 76th FOR in utterly new conception, but any plan lofttß*"* a' the -East Side Settlement. of New York will begin on January- 30. honor of the Chopin centenary, pro- will the sacred and the secular— The her be welcome that promises to entertain religious • **I street and East River. Mrs. Carrie Oilman concert of February 13 will be a — House, m., operatic gramme will be made up entirely and art with loftiness of !ia double SUNDAY Metropolitan Opera 8:30 p. popular concert: Man- from Instruct and edify at the same «i S\I wards will sp^ak on "Life Forces In performance of Beethoven's Ninth gym- hattan Opera House, 8:30 p. m., popular operatic concert: New Theatre, 2 Chopin's works. • time and by tellectual and ethical thought, Society, Dam- the fame medium. , '^«*1 Music." The following lectures have been phony. Following this three concerts will p. in., concert of Debussy s music by the Symphony Walter \u0084 for that unity that we plead. ';. Both 3 p. m.. reading of with was Fllippo 1 **- arranged for the week: devoted to a cle. roscn. conductor; No. 78 West street. "Elektra" It de Nerl who organized a without anything that IsW'J«ocd. be Berlioz c: by Miss Amy Grant; Carnegie Lyceum, 3:10 p. m., concert by L«ou!s Mme. Charlotte Lunud. soprano, not be ' music and series of musical performances, consisting art limitations, Su* s Monday—"Schubert," illustrated at the Stillnan. George should know no -^ j Copeland, pianist, give joint *° * jiiano, Daniel Gregory Mason, at Public will a of poems on sacred subjects sung by hold beauty and light as Its MONDAY—Metropolitan Opera House. 1:30 p. m., German opera, "Das Rhein- recital in on all „%! Behool ?2, Hester and Kssex streets; "Folk SUITE BY CARL POHLIO. \u25a0pld"; Trovutore"; Manhattan Opera m.. opera, Mendelssohn Hall Friday even- Rome's best singers and accompanied by glory. by vocal 8 it. in. "II House. 8 p. French ing. This will be and expand in their Viewr Songs of Germany," illustrated •"Griwcelidis"; Hall of Cooper Union, 8:15 p. m., concert of chamber music Jiy the the programme: what instruments they had. for pur- real»=£ro ftjid instrumental selections, Walter L. Bo- Carl Pohlig. the leader of the Symphony Auxiliary; the *ays that our prejudices are our Phila- Margullfls Trio, under the auspices of the People's J'al pleura en rev« ' „. pose of attracting large to gert. at Public School 160, 108th street and delphia Orchestra, according to a Phila- Academy of Music. Brooklyn, 8:1". p. m., lecture by Thomas Whitney Surrette Mat ' "He congregations and bers" and that our vices are our real avenue. \u25a0 \u25a0-•\u25a0\u25a0\u25a0-: Un rev* '"" llahn of reviving religious Interests, Amsterdam delphia dispatch, has Just brought out his on "The Opera, ast and Present." '..'.." ... Ohio: St Paul. Minneapolis. M .- A number of well known «i the pia.ro, Daniel Gregory Mason, at Theatre. 2 Italian "111s- St. Impression on the great composers and toire dun Pierrot"; Carneglo Hall. 8:15 p. m.. concert In the historical series Come Back M««si Luna. Middle West. York"JJfJJi>c Friday—"Th « Edwin C. from of Europe. also THURSDAY—Metropolitan Opera 1:30 p. in.. German opera, "Pie Wal- College. These- concerts are ' In. Broome. at Public School 40. Bohemian, long kiire"; 8 p. m., opera. Carneglo Hall, 8:15 Xl Albatelm... I £3pet 120 Kast 20th street; of l.iv a had not been here before Italian "L'Kllsir d'Amore"; p. m.. Malaga Albenij Sergei Rachmaninoff educational character and - No. "fioiifts foncert pi the Russian Symphony Society, Modest Altpchulor, conductor; f will be the soloist yy ft Jacd," >!rated by hongs. Miss Marl Ruef he was moved to write the symphony Auditorium, University, Aragon I with the Russian Symphony planned to develop an Interest and Horace Mann Columbia 8:15 p. m., lecture by Dr. ) Orchestra at " \ltn- Hofer. at Public School I£B. Avenue A and World," quartet, Song >lalMfic-r* I*01 Music," "From the New and his .Tohn C. Grißgs on "German Writers": Academy of Music, Brooklyn, Bouree faniasque. Oabrier their concert on Thursday evening in Car- music of the highest class. ?" T:th Mleat: "Srottish Illustrated m., by » .. \ f<>r;i'* * hy selections, Mrs. Kwtherine Hand, at which also depicts his lmpreaeiont of 8:15 p. recital of violin music Fritz Kreisler. Mr. Copeland. negie Halt. The programme feel that an Intelligently d — 1 will as fol- Anthony In he, theory FRIDAY Metropolitan Opera House. 1:30 p. m., German opera, "Siegfried": An""- oubllfles— Poesies be w«Jh^» Public School 28. and Tremont America. the»« works had a p. S 1. d« Paul Verlaine: lows: with a definite purpose and aim m., \u25a0 Manhattan Opera House, m., C'e»t Kvta»<». ) -• m venues; "Sonps That Never Die." illus- of utilizing the of slave, Bongs— Italian opera. "Gertnanj* 8 p. French ... fonp?. elements t.pera, "Sampon Dalllah"; Carnegie Ha!), 3 p. Aquarelle.. j_Or«cn Ov.rture only give pleasure to thousands trated by Frederic Reddali. at Pub- ft m.. recital of violin music by no. '.'.'..'.'...ICla»rt<» F&r.uisie. "Honeo and Juliet".... t Feiiool 22, Jerome avenue, north of lS4th not the melodies themselves— as the basis Fritz Kreisler; Mondeisfolin Hall. R:l?l p. m.. recital by Charlotte Lund,- so- Aquarelles. No 2-Bpleen D«bu y mudle lovers, but will also c! {L <|i- ic prano, George pianoforte; Tajiaget Belges-Ohevaux \ J» >U»¥n *•% \[} 1 composition. „, and Copelnnd. Opera House, Brooklyn. 1:15 p' m., de BOlaJ S>mrhon!c Poem. "I,)*of Death".. lUchm»nlnort an urttAtic atmosphere which c)Q-. r red of Society. Mahler, _, , , Ml»» — f concert of the Phllharmontc Guatav conductor; Carnesie . Lund. New. rect benefit and an upM'Mns/aJ&i* Faturda-v "Gotterd*>mmeiung," Miss Mr. Pehlig. though h» has very carefully m., Hal CUIr de I.un« '1llCt( , (L »** Wilson, Library, 1:11 p. violin recital by Fritz Kreisler. Fot?s na v.r,... C n" by he comrc«-r. l>a\t-i of th© Vormal ,^ C. at Public No. KiJ the Indian and negro music, in d'0r...... f r "trl: •» President wUPf^ Ft'arl studied folk SATURDAY—Manhattan Opera Houte, 1p. m.V French opera. "Grlß*lidt(i" p m, Cortege *t Air d« ih..« "\u25a0. "'" '«" on rachalkowak consented to th* use of the »^ West Ftreet R Danse " 1 1 *"*' l«th t-uite has not mad» any effort to force Italian opera at Trovatore", I'eau ."Uud« a child. a** '*•' concert?, th- flm cf ;\u25a0 his popular prices, "II Metropolitan Opera House 2 Reflets dan. I, rr«a».•mJE. »ndi*many roses series of V-w theory any composition reflecting m tall 1 "ra' ed Earidice ;S p. m., German Et la lune descend iur ttnipi* l>«nu»sy * unte-1 there*.Aren*ky Ktven about the middle cf f*^,,;» MargTilJes will give a the that «r "Orfeo and Italian opera" tßy **n *> be \u25a0 The Trio concert !'iTHan*<»l"J undV rjtetel" Carnegie Hall, out fut \u25a0.••.•...,,, S«c»ni punn„!,..« r request.* Henry T. , Hie and "CaTallerta Rustic ana Ir m f *»cond concerto Professor \.<. oJpfjßjljejr music In Ceeper Union Hall American should be based on these t«ng by «>..-je Hamlln; Opera }'•\u25a0>>]«•\u25a0». Brooklyn,. L alt Jojeuse .'." " *-) . -.lUdhmanlnsff at theFle^k.Normal *' Bf rfloltal 3 p. m concert dI '*.' Flayed by composer. chair of music ? Instead, he simply music for young people, by Society. . Mr. Cape land." tha coi - "ie CcU^. 11 evenlnr- The soloist will be melodies. has let the the. Symphony Walter Damrosch, conductor L.>nduct the '\u25a0\u25a0» tc-isorreTc \u25a0 «*2rStm-'* M Hargriive. pianist. raueic express itself natural**- in an abso- I nth artlsM.- a. >»£ T* V.*t Z'Aza-tetn Mme. Klrkby-Lunn Is ,t it to selec-d -"a ti» to be the MMH be - 11 »~ Herbert Wtthsrspoon will give a scr.g re- rhilht'mor'. ani ? mrhony tc