The Book of Modern Irish Anecdotes
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Brave New World Service a Unique Opportunity for the Bbc to Bring the World to the UK
BRAVE NEW WORLD SERVIce A UNIQUE OPPORTUNITY FOR THE BBC TO BRING THE WORLD TO THE UK JOHN MCCaRTHY WITH CHARLOTTE JENNER CONTENTS Introduction 2 Value 4 Integration: A Brave New World Service? 8 Conclusion 16 Recommendations 16 INTERVIEWEES Steven Barnett, Professor of Communications, Ishbel Matheson, Director of Media, Save the Children and University of Westminster former East Africa Correspondent, BBC World Service John Baron MP, Member of Foreign Affairs Select Committee Rod McKenzie, Editor, BBC Radio 1 Newsbeat and Charlie Beckett, Director, POLIS BBC 1Xtra News Tom Burke, Director of Global Youth Work, Y Care International Richard Ottaway MP, Chair, Foreign Affairs Select Committee Alistair Burnett, Editor, BBC World Tonight Rita Payne, Chair, Commonwealth Journalists Mary Dejevsky, Columnist and leader writer, The Independent Association and former Asia Editor, BBC World and former newsroom subeditor, BBC World Service Marcia Poole, Director of Communications, International Jim Egan, Head of Strategy and Distribution, BBC Global News Labour Organisation (ILO) and former Head of the Phil Harding, Journalist and media consultant and former World Service training department Director of English Networks and News, BBC World Service Stewart Purvis, Professor of Journalism and former Lindsey Hilsum, International Editor, Channel 4 News Chief Executive, ITN Isabel Hilton, Editor of China Dialogue, journalist and broadcaster Tony Quinn, Head of Planning, JWT Mary Hockaday, Head of BBC Newsroom Nick Roseveare, Chief Executive, BOND Peter -
THE PASSION of MUSICK Dorothee Oberlinger – ENSEMBLE 1700 Vittorio Ghielmi – IL SUONAR PARLANTE
THE PASSION OF MUSICK dorothee oberlinger – ENSEMBLE 1700 vittorio ghielmi – IL SUONAR PARLANTE – G0100031694135 – Recording: April 10 –14, 2014; Köln Deutschlandfunk Kammermusiksaal Executive Producer: Dr. Christiane Lehnigk Recording Producer: Peter Laenger, TRITONUS Musikproduktion GmbH, Stuttgart Recording Engineer: Christoph Rieseberg Text Booklet: Dorothee Oberlinger & Helga Heyder-Späth English Translation: Stewart Spencer Photos and Art Direction: Johannes Ritter With Support from the DKB Stiftung für gesellschaftliches Engagement A coproduction with Deutschlandfunk G0100031694135 P+C 2014 Deutschlandradio / Sony Music Entertainment 1 the duke of norfolk (paul’s steeple) 3’17 9 parson’s farewell 1’51 From: “The Division Violin” (London, 1685), mixed with Variations Tune from “The English Dancing Master” (1651) from “The Division Flute” (London, 1706) and improvised Variations with Variations by Jacob van Eyck (c1590–1657) 4 recorders, bagpipe, 4 viols, harp, virginal, bhodrán soprano recorder (DO), 3 viols (VG, RP, CC), harp 2 adson’s masque 1’40 10 the irish ho-hoane 5’44 John Adson (c1587–1640), from “Courtly Masquing Ayres” (1621) Vittorio Ghielmi (2012), after a traditional Irish Tune in 4 recorders, 4 viols, harp, virginal “Fitzwilliam Virginal Book” (c1610–1625) bass and soprano recorder (DO), 3 viols (VG, RP, CC) 3 lord galway’s lamentation 1’23 Turlough O´Carolan (1670–1738) 11 the pashion of musick 4’20 harp Captain Tobias Hume (1569–1645) bass recorder (DO), 3 viols (RP,VG, CC) 4 cupararee or gray’s inn 3’05 pro. by -
The Military Coup Operation Lifeline Interview with John Garang THIRD WORLD QUARTERLY
AMERICA'S LEADING MAGAZINE ON AFRICA JULY-AUGUST 1989 $4.50 SUDAN The Military Coup Operation Lifeline Interview with John Garang THIRD WORLD QUARTERLY free gift for new subscribers Over ten years. Third World Quarterly has established a reputation as the leading journal in the field of international politics and current affairs relating to the Third World. Subscribe to Third World Quarterly, and you will receive thorough coverage of fundamental issues concerning the Asia/Pacific region. Latin America and the Caribbean, Africa and the Middle East. annual subscription rates UK £20/US$30 (Postage included) Subscribe using this form and you will receive a copy of Regional Integration: The Latin American Experience' (Published by the Third World Foundation, and edited by Altaf Gauhar) free of charge. (Retail price £16/ S21) send your order to: Circulation Dept., Third World Quarterly, New Zealand House, 80 Haymarket, London SW1 4TS. England. order form D Please send me Third World Quarterly for one year, plus my free copy of 'Regional Integration: The Latin American Experience I enclose a cheque for £ / USS made payable lo Third World Quarterly. D Please send me further information on Third World Quarterly. Name __^_ __ Address. JULY-AUGUST 1989 AMERICA'S LEADING MAGAZINE VOLUME 34, NUMBER 4 ON AFRICA A Publication of the RT African-American Institute Ix'tters to the Editor The Update African-American Institute Editor: Andre Astrow Chairman West Africa Maurice Tempeisman Blood Brothers 13 Hy Mark Doyle President Ghana Vivian Lowery Derryck A Grassroots Democracy 17 Publisher Hy Colleen Lowe Morna Frank E. Ferrari On the Road to Recovery 21 Editor-in-Chief Hy Ernest Harsch Margaret A. -
A Popular History of Ireland V2
A Popular History of Ireland V2 Thomas D'Arcy McGee A Popular History of Ireland V2 Table of Contents A Popular History of Ireland V2.............................................................................................................................1 Thomas D'Arcy McGee.................................................................................................................................2 BOOK VIII. THE ERA OF THE REFORMATION..................................................................................................5 CHAPTER IV. SIR HENRY SIDNEY'S DEPUTYSHIP—PARLIAMENT OF 1569— THE SECOND “GERALDINE LEAGUE”—SIR JAMES FITZ−MAURICE.....................................................................6 CHAPTER V. THE “UNDERTAKERS” IN ULSTER AND LEINSTER—DEFEAT AND DEATH OF SIR JAMES FITZMAURICE...............................................................................................................10 CHAPTER VI. SEQUEL OF THE SECOND GERALDINE LEAGUE—PLANTATION OF MUNSTER—EARLY CAREER OF HUGH O'NEIL, EARL OF TYRONE—PARLIAMENT OF 1585.............................................................................................................................................................13 CHAPTER VII. BATTLE OF GLENMALURE—SIR JOHN PERROTT'S ADMINISTRATION— THE SPANISH ARMADA—LORD DEPUTY FITZWILLIAM—ESCAPE OF HUGH ROE O'DONNELL FROM DUBLIN CASTLE—THE ULSTER CONFEDERACY FORMED......................16 CHAPTER VIII. THE ULSTER CONFEDERACY—FEAGH MAC HUGH O'BYRNE—CAMPAIGN OF 1595—NEGOTIATIONS, ENGLISH AND SPANISH—BATTLE -
Mrnm BI' IPO::Rrmwoodb DD Co
LOlIDOlr .mrnm BI' IPO::rrmwOODB DD co. D1I'-8TUft SQVABB THE mSTORY OF ENGLAND FROM THE ACCESSION OF JAMES THE SECOND BY LORD MACAULAY VOLUME V. EDrrED BY HIS SISTER, ·LADY TREVELYAN LONDON LONGMAN, GREEN; LONGMAN,· AND ROBERTS 1861 v~ p L ~s:7J .S- I 778 PREFACE THE FIFTH VOLUME. I HAVE thought it. right to publish that portion of the continuation of the" History of England " which was fairly transcribed and revised by Lord Macaulay. It is given to the world·. precisely as it was left: no con .. necting link has been added; no reference verified; no authority sought for or examined. It would indeed have been possible, with the help 1 might have obtained from his friends, to haVe'supplied much that is wanting; but I preferred, and I believe the public will prefer, that the last thoughta of the great mind passed away from among us should be preserved sacred from any touch but his own. Besides the revised manuscript, a few pages containing the first rough sketch of the last two months of William's reign are all that is left. From this I have with some difficulty deciphered the vi PREFACE TO THE FIFTH VOLUME. account of the death of William. No attempt has been made, to join it on to the preceding part, or to supply the corrections which would have been ,given by the improving hand of the author. But, imperfect as it must be, I believe it will be recei-\ted with pleasure and interest as a fit conclusion to the life o{ his great hero. -
[Insert Your Title Here]
Popular Music and the Myth of Englishness in British Poetry by Brian Allen East A dissertation submitted to the Graduate Faculty of Auburn University in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Auburn, Alabama May 9, 2011 Keywords: Englishness, popular music, British poetry, poetics, national identity Copyright 2011 by Brian Allen East Approved by Jeremy Downes, Chair, Professor of English Jonathan Bolton, Professor of English Virginia M. Kouidis, Associate Professor Ruth C. Crocker, Professor of History Abstract This dissertation deconstructs the myth of Englishness through a comparative analysis of intersections between popular music and the poetry of the British Isles. In particular, my project explores intersections where popular music and poetry critics attempt to define Englishness, intersections where poetry and music combine to perform Englishness, and intersections where poetry and music combine to resist Englishness. In the wake of centuries of colonialism, British cultural expressions comprise a hybrid discourse that reflects global influences. I argue that attempts by critics to preserve the myth of Englishness result in the exclusion of a diversity of voices. Such exclusionary tactics potentially promote the alienation of future readers from British poetry. A comparative analysis of intersections between poetry and popular music expands the current critical discourse on British poetry to incorporate the hybridity of British popular music. Although for comparative purposes I consider music as a literature, I do not focus on song lyrics as the exclusive, or primary “text” of popular music. Instead, I am much more interested in the social forces that transform popular music into an expression of Englishness. -
Lung MR. NIGHTINGALE. " That Matters Not; Only Let Me Go." •T THB ACTHOR of "HOBSON's CHOICB," &C
y ~i^ —^m r^ttol-STd^-GE- 01JE\:,iiyES -JI^pM-Yl^TO ^i^P^^ CO^(JCT£DBY WITH WHICH IS l|NICOF\Po^XED a^^»rri in m rii I "i .n- Tl nji i'^ ^MtNBwSEEUs.j SATUEDAT, AUGUST 2, 1873. " And where to, may I ask ?'' lUNG MR. NIGHTINGALE. " That matters not; only let me go." •T THB ACTHOR OF "HOBSON'S CHOICB," &C. " To your husband's house, of course. » Overbury Hall is, without doubt, the proper L'i •CHAPTER XXII. HER LADYSHIP. place, the only place, for Lady Overbury JBBTTA"abruptly resumed possesrion of to return to. Where else could she go ?" f(^ded paper, the proof, as she had Rosetta hesitated. Then she tossed her jed, of her marriage with Lord Over- head and stamped her foot impatiently. How strange and unaccounta'jle it There was silence for a few moments. ieemed ! I was speechless, motionless " Let it be so," sbe said at length. " I'll surprise. go back to the hall." 'Let me pass," she said. "I'll not re- " It Avill be best, I think, if your lady here a moment longer." ship really feels well enough to undertake [ Jly mother interposed. the journey. His lordship must be already L" Pardon me. YoUi ladyship forgets, I anxious on your ladyship's account. But Ilk, that it is now night, and bitter cold, I can send to the hall to let him know snow deep, the way very dangerous, that you are here In safety, if your lady were safer, better, surely, to remain ship Avill honour us by remaining here -at least until the morning. -
Aristophanes in Performance 421 BC–AD 2007
an offprint from Aristophanes in Performance 421 BC–AD 2007 Peace, Birds and Frogs ❖ EDITED BY EDITH HALL AND AMANDA WRIGLEY Modern Humanities Research Association and Maney Publishing Legenda: Oxford, 2007 C H A P T E R 4 ❖ The English-Speaking Aristophanes 1650–1914 Edith Hall Introduction In Chs. 5 and 6 it will be seen that as early as the 1650s an Irishman could use Aristophanes to criticize English imperialism, while by the early nineteenth century the possibility was being explored in France of staging a topical adaptation of Aristophanes. In 1817, moreover, Eugène Scribe could base his vaudeville show Les Comices d’Athènes on Ecclesiazusae.1 Aristophanes became an important figure for German Romantics, including Hegel, after Friedrich Schlegel had in 1794 published his fine essay on the aesthetic value of Greek comedy.2 There Schlegel proposed that the Romantic ideals of Freedom and Joy (Freiheit, Freude) are integral to all art; since Schlegel regarded comedy as containing them to the highest degree, for him it was the most democratic of all art forms. Aristophanic comedy made a fundamental contribution to his theory of a popular genre with emancipatory potential.3 One result of the philosophical interest in Aristophanes was that in the early decades of the nineteenth century, until the 1848 revolution, the German theatre itself felt the impact of the ancient comic writer: topical Lustspiele displayed interest in his plays, which provided a model for German poets longing for a political comedy, for example the remarkable satirical trilogy Napoleon by Friedrich Rückert (1815–18).4 This international context illuminates the experiences undergone by Aristophanic comedy in England, and what became known as Britain consequent upon the 1707 Act of Union. -
John Gay's Dramatic Works,, Formula for Arranging the Songs: Introductions and Codas Vol
The Music of JohnGay's The Beggar'sOpera E,ditedand Arrangedfrom Eighteenth-Century Sources by JERE,MYBARLO\T MusicDepartment OXFORD UNIVERSITYPRE,SS Oxford and New York To Martin Best ()xford Llttir.'arsit1,Press, \X/alt<tn Strcat, Oxford ()X2 (tDP, b,nglartd ()xford Uttiucrsity,I'rcss,200 MLtdisonAt,cnuc, Ncrt,York, Ny 10()/6, IJSA ()rfrtrd is tt Irtda nttrk rtf ()xlbrd Llnit'crsit)' prcss @ ()xiord Unit'crsi4,Prcss 1990 1.\lJN0- t9-.i.i6.i06 2 Pcrntissiotrto pcrfornt 7fii511tork or dny pLtrt oi it drdnrtttit'tlly, or tba completc u'rtrk itr conccrt f<trm, trtust lta oltttrinctl in rtdurtrtccirom tbc puhlishcrs (rtr tbcir dgcnts tbrottl) u,bo util! Lluote tcrnts on apltlic,ttiorr.Pcrmissit,tr t() pL'rl()nu L'xL'L't'ptsirt concart fitrm ntust bc o[ilainctl irom tbc l'crfornring Right Socicty,29l.l3 llcrncrs Strcct, London WIP 1AA, or front thc Sociatlt'sreprcsentLrtiL,as tor parfrtrnttrrtccs otrtsidc tbc Unitcd Kingdottt. Stdge,rtdio, tclcuisiou, rrtotir;n lticture, t,idco, perforning, Lrnd,tll otbcr rigbts subsisting in this umrk arc strictly rcsarued. lxlo 1t,trtof tbis publictttiott ntay ltc reprotluced, st<trcdirr tr rctricual systent,or trttnsntittctl, in Llny fornt rtr l\',rtty' ntctuts,clcctronic, ntcc'brtttit-tl,photocopyirtg, rat'ording, or otberu'ise,tt,itbortt the prior ltcrntission oi thc publishcrs. A ptpcrbttck edition is dlso trtuilablc, cortttriuingi con(lense(luersiort of thc prcf'LtccLmd cditrtriol mcthod ltrouidcd bcra. All perfornting rrttttaritrl,including librctti, is ,tudiltblc for birc f'r<nn tbc ltultlishcr's -
Ldpd 9593025 000.Pdf
|i^|iinlfiTOnug[iinl|1irgfiiig||ugnuillTci] THE LIBRARIES COLUMBIA UNIVERSITY Music LIBRARY |i^rimfiuiiniH[nnI|iuniiiiil|iinl[?ijil|l3l THE GBEAT MUSICIANS PUKCELL me <&veat MvMti&n* PURCELL BY WILLIAM H. CTJMMINGS LONDON SAMPSON LOW, MABSTON & COMPANY Limited St. guilslan's Dousfc jCKTXfiit LANE, FLEET STREET, E.G. 1896 T>B.BMS?rT'.roUSICIANS. A Series of Biographies of the Great Musicians. EDITED BY THE LATE DR. FRANCIS HUEFFER. Small post 8i'fl, clatk extra, price Zs. each. MENDELSSOHN, By W. 8. ROCKSTEO. MOZAB.T. By Dr. P. GEHKIKQ. HANDEL. By S(rs. JPLIAN MABSHAT.U WAGNER, By the EDITOR, Second Edition, with additional matter, bringing the lustory do^n to the end of ISSii. WEBEB. Bj Sir JULIUS BENEDICT. SCHUHKKT. By EC. F. FROST, ROSSINI, and the Modern Italian SchooL By H, STJTHERLJND EnwARps. PUECEtL. By W- Ef- CUMMI^QS. ENGLISH CHURCH COMPOSERS. By WM. ALEX. BARRETT, MUS. Bac. Oxon. JOHN SEBASTIAN BACH. By REGINALD LANE POOLP. SCHTJMANN. By J, A. FULLER MALI-LAND, HAYDN1. By Miss TOWNSHESD. BEETHOVEN. By H. A. RUDAI.1,. CHERUBINT, By F. J- CROWEST. CKARXES qotrNOD. By Mme. BOVET. Price 10s. 6i*. FfiEDHEtlCK CHOPIN, By C. WILLEBY. Price \0s. ad. HECTOR. B.ERL.I0Z. By ^DNEY R. TBOMPSQN. Price 10s. 61!. "In these dainty volumes, under the able superintendence of Mr. Hueffur, musical authorities of note describe the lives and criticise the masterpieces of the Great Musicians, conveying just such information as is most required, and thereby satisfying a desire which has lately been making itself more and more felt."—Times. London: SAMPSON tow, BIAHSTON & COMPANY, Ltd., St. -
Alison Balsom in Gabriel
Alison Balsom in Gabriel: An Entertainment with Trumpet Monday 21 October 2019 7.30pm, Hall Samuel Adamson writer Alison Balsom trumpet Elizabeth Watts soprano Tim Morgan countertenor Gwilym Bowen tenor Jamie Parker actor Jack Farthing actor Anjana Vasan actor Amanda Wilkin actor Lizzie Patterson The English Concert Guildhall Consort Harry Bicket conductor Dominic Dromgoole director Jonathan Fensom designer Part of Barbican Presents 2019–20 Co-producd by the Barbian Centre and Saffron Hall Please do ... Turn off watch alarms and phones during the performance. Please don’t ... Take photos or make recordings during the performance. Use a hearing aid? Please use our induction loop – just switch your hearing aid to T setting on entering the hall. The City of London Corporation Programme produced by Harriet Smith; is the founder and advertising by Cabbell (tel 020 3603 7930) principal funder of the Barbican Centre Welcome We’re delighted that trumpeter Alison at Shakespeare’s Globe in 2013 and now Balsom is this season’s Milton Court Artist- adapted for the concert hall. Samuel in-Residence as it gives audiences a chance Adamson wrote a series of plays that evoke to experience the sheer range of her the bustle and clamour of Restoration gifts and interests. She’s a musician who London, through a number of characters doesn’t believe in boundaries and shows from all strata of society. In the middle of that magnificently here in concerts that all this is Alison Balsom with her natural range from a reworking of Miles Davis’s trumpet, performing music by Purcell groundbreaking Sketches of Spain with and his contemporaries, woven together the Guildhall Jazz Orchestra to a concert to create a stunning aural and visual with Britten Sinfonia mixing ancient and patchwork. -
Tales from Irish History
Conditions and Terms of Use Copyright © Heritage History 2010 Some rights reserved This text was produced and distributed by Heritage History, an organization dedicated to the preservation of classical juvenile history books, and to the promotion of the works of traditional history authors. The books which Heritage History republishes are in the public domain and are no longer protected by the original copyright. They may PREFACE therefore be reproduced within the United States without paying a royalty to the author. This book is for children who wish to know something The text and pictures used to produce this version of the work, of the great men and great deeds in the stirring history of however, are the property of Heritage History and are subject to certain Ireland. Irish History is, as a rule, very little known in spite of restrictions. These restrictions are imposed for the purpose of protecting the its great interest, and it is hoped that this book will stimulate a integrity of the work, for preventing plagiarism, and for helping to assure further reading and appreciation of the subject. that compromised versions of the work are not widely disseminated. In order to preserve information regarding the origin of this text, a I am greatly indebted to Mrs J. R. Green, Dr. copyright by the author, and a Heritage History distribution date are Todhunter, and Arthur Va Clerigh for permission to use included at the foot of every page of text. We require all electronic and extracts from their works. printed versions of this text include these markings and that users adhere to ALICE BIRKHEAD the following restrictions.