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Symposium Programme
Singing a Song in a Foreign Land a celebration of music by émigré composers Symposium 21-23 February 2014 and The Eranda Foundation Supported by the Culture Programme of the European Union Royal College of Music, London | www.rcm.ac.uk/singingasong Follow the project on the RCM website: www.rcm.ac.uk/singingasong Singing a Song in a Foreign Land: Symposium Schedule FRIDAY 21 FEBRUARY 10.00am Welcome by Colin Lawson, RCM Director Introduction by Norbert Meyn, project curator & Volker Ahmels, coordinator of the EU funded ESTHER project 10.30-11.30am Session 1. Chair: Norbert Meyn (RCM) Singing a Song in a Foreign Land: The cultural impact on Britain of the “Hitler Émigrés” Daniel Snowman (Institute of Historical Research, University of London) 11.30am Tea & Coffee 12.00-1.30pm Session 2. Chair: Amanda Glauert (RCM) From somebody to nobody overnight – Berthold Goldschmidt’s battle for recognition Bernard Keeffe The Shock of Exile: Hans Keller – the re-making of a Viennese musician Alison Garnham (King’s College, London) Keeping Memories Alive: The story of Anita Lasker-Wallfisch and Peter Wallfisch Volker Ahmels (Festival Verfemte Musik Schwerin) talks to Anita Lasker-Wallfisch 1.30pm Lunch 2.30-4.00pm Session 3. Chair: Daniel Snowman Xenophobia and protectionism: attitudes to the arrival of Austro-German refugee musicians in the UK during the 1930s Erik Levi (Royal Holloway) Elena Gerhardt (1883-1961) – the extraordinary emigration of the Lieder-singer from Leipzig Jutta Raab Hansen “Productive as I never was before”: Robert Kahn in England Steffen Fahl 4.00pm Tea & Coffee 4.30-5.30pm Session 4. -
The Amadeus Quartet
The Uuive ·cal Society The Presents The Amadeus Quartet NORBERT BRAININ, Violinist PETER SCHIDLOF, Violist SIEGMUND NISSEL, Violinist MARTIN LOVETT, Cellist THURSDAY EVENING, APRIL 6, 1978, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Quartet in B-flat major, K. 458 ("Hunting") MOZART Allegro vivace assai Menuetto: moderato Adagio Allegro assai Quartet No.2 in C major, Op. 36 BRITTEN Allegro colmo senza rigore Vivace Chacony: sostenuto, molto piu andante, molto piu adagio INTERMISSION Quartet in F major, Op. 96 ("American") DVORAK Allegro rna non troppo Lento Molto vivace Vivace rna non troppo Deutsche Grammophon, Angel, and Westminster Records. Watch for alLnlJ"ltliCement next week of the new 1978-1979 Chamber Arts Series, part of next season's International Presentations marking the 100th year of the University Musical Society. Eighth Concert Fifteenth Annual Chamber Arts Series Complete Programs 4121 About the Artists England's internationally famous Amadeus Quartet has become one of America's favorite chamber music ensembles since its United States debut in 1952. Although their home base is in London, only one member of the Quartet, Martin Lovett, is a native Englishman. His colleagues, Norbert Brainin, Siegmund Nissel, and Peter Schidlof, are Austrian-born and received their early training in Vienna. To escape the oppressive Nazi regime, the families moved to England in 1938. In spite of such parallel events, they did not meet until 1941 when all four boys, employed in various war factories, were pursuing their music studies under Max Rostal. Thus began the association which led to the iormation of a permanent quartet, with their first public appearance in 1948. -
Emigremusicianspdf.Pdf
Short biographies and sources for further information About the sources: Extensive biographies and information about compositions, recordings, careers and families of émigré musicians can be found in German in the excellent LexM online encyclopedia of musicians persecuted by the Nazis, hosted by the University of Hamburg. English-language information about many émigrés can be found on Wikipedia. I am indebted for many details to Jutta Raab Hansen, author of NS-verfolgte Musiker in England (Hamburg: Bockel Verlag, 1996), who interviewed many émigré musicians in London during the 1990s and published nearly 300 short biographies in her book. Norbert Meyn Bing, Rudolf Born 9.1.1902 in Vienna, died 2.9.1997 in New York From 1928 opera manager Darmstadt, then Städtische Oper Berlin 1930-33 Emigration to UK in 1934 1936-1949 general manager of Glyndebourne opera Founding director of the Edinburgh Festival 1947 General manager of Metropolitain Opera New York 1950-1972 Raab Hansen, p. 397 Brainin, Norbert Born 12.3.1923 in Vienna, died April 10, 2005 in London Emigration to UK in 1938 Violin studies with Carl Flesch and Max Rostal in London 1940 internment Isle of Man concerts with Ferdinand Rauter and Paul Hamburger Work as a metal worker duringt he war 1948-1987 1st violin in Amadeus Quartet with Sigmund Nissel, Peter Schidlof (both also émigrés) and Marin Lovett, over 4000 concerts http://www.lexm.uni-hamburg.de/object/lexm_lexmperson_00002549 http://www.youtube.com/watch?v=l06wDJIjQ2M Raab Hansen, p. 399 Busch, Fritz Born 13.3.1890 in Siegen, died 14.9.1951 in London Started as opera conductor in Riga, Aachen and Stuttgart 1922-1934 music director of Dresden Opera Nazi persecution for political reasons, Busch was not Jewish 1934-1939 music director of Glyndebourne Festival Opera, international conducting career, Teatro Colon Buenos Aires, Metropolitain Opera New York, Chicago, Copenhagen, Stockholm http://www.lexm.uni-hamburg.de/object/lexm_lexmperson_00001742 Raab Hansen, p. -
Norbert Brainin, Primarius of the Amadeus Quartet
Click here for Full Issue of Fidelio Volume 14, Number 1-2, Spring-Summer 2005 Norbert Brainin: Founder and Primarius of the Amadeus Quartet he death of violinist Norbert exactly the kind of violin playing TBrainin on April 10, 2005, which you need in order to play came as a shock, and is still Beethoven’s music,” said Brainin. difficult to grasp. He died at the “It means, producing a certain age of 82 in London. With him the singing tone. It’s like the bel canto world loses one of those truly great technique in singing. And, like a artists and human beings, who, singer, you have to rehearse this because of their moral integrity every day. Every day.” Yet, aside and extraordinary charisma, are from all the talent and able to shape an entire epoch, since industriousness, as well as the they are able to successfully enthusiasm and joy in doing mediate in all cultures precisely creative work, the cultural and that which makes man unique: the personal background of the joy in creative work. Anyone who members of the Amadeus Quartet has seen firsthand only once, how was also a decisive reason for its intensively, precisely, and success, and for that the career of rigorously—but never ever Norbert Brainin is exemplary. pedantically, always inspiring, EIRNS loose, and with a lot of jokes— The Development of a Great Norbert Brainin was capable of Musician teaching especially young IN MEMORIAM Born in 1923 in Vienna, Brainin’s musicians, how great Classical enthusiasm and talent for playing works are to be performed, so that the violin became clear already at the listeners can be reached and 2004—an interview which now the age of 6, when he saw the 12-year- ennobled in the best Schillerian sense, unfortunately has become the very last old prodigy Yehudi Menuhin perform understands the deeper meaning of of his life. -
Digital Booklet Porgy & Bess
71 TRACKS THE AMADEUS QUARtet ReCORDINGS VOL. I BEETHOVEN Berlin, 1950-1967 recording producer: Wolfgang Gottschalk (Op. 127) Hartung (Op. 59, 2) Hermann Reuschel (Op. 18, 2-5 / Op. 59, 1 / Op. 130-133 / Op. 135 / Op. 29) Salomon (Op. 18, 1+6 / Op. 59, 3 / Op. 95) recording engineer: Siegbert Bienert (Op. 18, 5 / Op. 130-133 / Op. 29) Peter Burkowitz (Op. 18, 6) THE Heinz Opitz (Op. 18, 2 / Op. 59, 1+2 / Op. 127 / Op. 135) Preuss (Op. 18, 1 / Op. 59, 3 / Op. 95) Alfred Steinke (Op. 18, 3+4) AMADEUS QUARtet ReCORDinGS Berlin, 1950-1967 Eine Aufnahme von RIAS Berlin (lizenziert durch Deutschlandradio) recording: P 1950 - 1967 Deutschlandradio research: Rüdiger Albrecht remastering: P 2013 Ludger Böckenhoff rights: audite claims all rights arising from copyright law and competition law in relation to research, compilation and re-mastering of the original audio tapes, VOL. I BEETHOVEN as well as the publication of this CD. Violations will be prosecuted. The historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, MstASTER RELEASE which attain an astonishingly high quality, even measured by today’s standards, with their tape speed of up to 76 cm/sec. The remastering – professionally com- petent and sensitively applied – also uncovers previously hidden details of the interpretations. Thus, a sound of superior quality results. CD publications based 1 on private recordings from broadcasts cannot be compared with these. AMADEUS-QUARtett further reading: Daniel Snowman: The Amadeus Quartet. The Men and the Music, violin I Norbert Brainin Robson Books (London, 1981) violin II Siegmund Nissel Gerd Indorf: Beethovens Streichquartette, Rombach Verlag (Freiburg i. -
Bibliotheksbestand: September 2011
Bibliotheksbestand: September 2011 Verfasser Titel Untertitel ErschOrt Jahr Signatur Kernkraft in der DDR: Zwischen Kernenergieentwicklung in Abele, nationaler Industriepolitik und der DDR. Atomkraftwerke Dresden 2000 Ge-199/26 Johannes sozialistischer Zusammenarbeit 1963- und Widerstand gegen 1990 Atomkraft in der DDR. Politischer Umbruch in der DDR und in Wismar Politischer Umbruch und Neubeginn in 1989.Vorgeschichte 1985- Abrokat, Sven Hamburg 1997 Ge-403 Wismar von 1989 bis 1990: 1989. Profilierung der politischen Parteien.+ Dokumente Ackermann, ¬An die lernende und suchende Berlin; Leipzig 1946 DDR-212 Anton deutsche Jugend: ¬Die Jenaer Schulen im Fokus der DDR-Schulwesen. Führungs- Staatssicherheit: Eine Abhandlung zur IM -System in Jena. Ackermann, Mitarbeit von Lehrern und Schülern Mitarbeit von Lehrern und Weimar 2005 Ge-1021 Jens P. beim Ministerium für Staatssicherheit Schülern beim Ministerium der DDR für Staatssicherheit. Christliche Frauen in der DDR: Studie zur Situation Ackermann, Alltagsdokumente einer Diktatur in christlicher Frauen in der Leipzig 2005 Ge-1024 Sonja Interviews DDR. 97 Interviews. A.S. Makarenko- Erzieher im Dienste Adolphes, der Revolution: Versuch einer Eine Makarenko-Studie. Bad Godesberg 1962 Ge-1009 Lotte Interpretation Agsten, LDPD auf dem Weg in die DDR: Zur Rudolf; Geschichte der LDPD in den Jahren Berlin 1974 DDR-0001 Bogisch, 1946-1949 Manfred Umgang mit DDR- Vergangenheit in den 90er Jahren. Erfahrungen der Ostalgie: Zum Umgang mit der DDR- Ostdeutschen.Ostalgie. Ahbe, Thomas Erfurt 2005 Ge-1037 Vergangenheit in den 1990er Jahren Zwischenbilanz der Vereinigung: Ostdeutsche Gewinne und Verluste im Spiegel der Statistik. Analyse der Generationen der DDR und in Ahbe, Geschichte der Generationen in der Ostdeutschland. Gliederung Thomas; DDR und in Ostdeutschland: Ein in sechs Generationen und Erfurt 2007 Ge-1368 Gries, Rainer Panorama Darstellung ihres Wesens.+ zahlreiche Fotos+ Literaturverzeichnis. -
Musique Et Camps De Concentration
Colloque « MusiqueColloque et « campsMusique de concentration »et camps de Conseilconcentration de l’Europe - 7 et 8 novembre » 2013 dans le cadre du programme « Transmission de la mémoire de l’Holocauste et prévention des crimes contre l’humanité » Conseil de l’Europe - 7 et 8 novembre 2013 Éditions du Forum Voix Etouffées en partenariat avec le Conseil de l’Europe 1 Musique et camps de concentration Éditeur : Amaury du Closel Co-éditeur : Conseil de l’Europe Contributeurs : Amaury du Closel Francesco Lotoro Dr. Milijana Pavlovic Dr. Katarzyna Naliwajek-Mazurek Ronald Leopoldi Dr. Suzanne Snizek Dr. Inna Klause Daniel Elphick Dr. David Fligg Dr. h.c. Philippe Olivier Lloica Czackis Dr. Edward Hafer Jory Debenham Dr. Katia Chornik Les vues exprimées dans cet ouvrage sont de la responsabilité des auteurs et ne reflètent pas nécessairement la ligne officielle du Conseil de l’Europe. 2 Sommaire Amaury du Closel : Introduction 4 Francesco Lotoro : Searching for Lost Music 6 Dr Milijana Pavlovic : Alma Rosé and the Lagerkapelle Auschwitz 22 Dr Katarzyna Naliwajek–Mazurek : Music within the Nazi Genocide System in Occupied Poland: Facts and Testimonies 38 Ronald Leopoldi : Hermann Leopoldi et l’Hymne de Buchenwald 49 Dr Suzanne Snizek : Interned musicians 53 Dr Inna Klause : Musicocultural Behaviour of Gulag prisoners from the 1920s to 1950s 74 Daniel Elphick : Mieczyslaw Weinberg: Lines that have escaped destruction 97 Dr David Fligg : Positioning Gideon Klein 114 Dr. h.c. Philippe Olivier : La vie musicale dans le Ghetto de Vilne : un essai -
AJR Journal | July 2020
VOLUME 20 NO.7 JULY 2020 JOURNAL The Association of Jewish Refugees ROUTES TO Fleeing from France FREEDOM France makes our headlines twice 2020 is an extraordinary year for anniversaries. The 75th this month, and not just because we still can’t travel there. Our lead story anniversary of the liberation of Auschwitz in January, the 75th focuses on the huge wave of refugees anniversary of VE-Day in May, and, a few days ago, the 80th from France while an article on page 9 looks at the kindertransports that left anniversary of the Fall of France. France for the United States. Other articles are based on recent online events hosted by the AJR, and on some fascinating stories about the late relatives of some of our members. We hope you enjoy this issue and that you are staying well and enjoying the little bit more freedom that is gradually being afforded to us as lockdown slowly eases. News ....................................................3 & 20 Born to Care ................................................. 4 Letter from Israel .......................................... 5 Marc Chagall, Marcel Duchamp, Claude Lévi-Strauss and Antoine de Saint-Exupéry Letters to the Editor ...................................6-7 were among the large and distinguished group of French artists, writers and Art Notes...................................................... 8 intellectuals who fled to America to spend the war. Sending children across the pond ................. 9 My cousin Otto .....................................10-11 In six weeks from 10 May 1940 bills. At one point, Wilder was staying Great Britain rules the waves ...................... 12 German forces conquered Belgium, the in the same cheap boarding-house as Revisiting emotional visits........................... 13 Netherlands and France. -
REDEFINING HEIMAT: Language and the Search for Homeland in Modern German Jewish Writing
REDEFINING HEIMAT: Language and the Search for Homeland in Modern German Jewish Writing by CHARLOTTE SCHALLM B.A., The University of British Columbia, 1998 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming to the required standard^ THE UNIVERSITY OF BRITISH COLUMBIA October 1999 © Charlotte Schallie, 1999 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver, Canada Date Oc-hrC-er j2} /?<?^ DE-6 (2/88) 11 Abstract The example of Jewish writers living in post-Shoah Germany can be taken as a case study for the ways in which language creates a homeland—a Heimat. Because the concept of Heimat lies outside the realm of national affiliations, German-speaking Jews have been able to redefine and establish a German homeland without having to associate themselves with the German national state. Heimat in language creates an environment which they can—for the most part—safely inhabit. Since the heterogeneous Jewish population of postwar Germany lacked a well-defined identity, German Jewish authors born or raised after 1945 needed a new way to find a sense of belonging. -
New Mexico Lobo, Volume 056, No 67, 3/30/1954." 56, 67 (1954)
University of New Mexico UNM Digital Repository 1954 The aiD ly Lobo 1951 - 1960 3-30-1954 New Mexico Lobo, Volume 056, No 67, 3/30/ 1954 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1954 Recommended Citation University of New Mexico. "New Mexico Lobo, Volume 056, No 67, 3/30/1954." 56, 67 (1954). https://digitalrepository.unm.edu/ daily_lobo_1954/29 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1951 - 1960 at UNM Digital Repository. It has been accepted for inclusion in 1954 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. '''-::::--''i~' !!!!I!!!!!!"!!,,2!!!!J~,",,.!!!!~!I!!"_!!!!I«!!II_!!!"_!!!,,_!!!!!S!!!!!2!!!!!A!!!!,,,"!!',,,_!!!!. £Q!!!!." ,!!!!,_"!!'_!!!! ..!!!!!!!I!S"!!!!,_!!!!.,,,!!!!:e::~._~_!!!!l.=,,,,,.,,,, ="_"'~""',.""n""••.",,_.,,, __ ::===. ='~"'k""",,,=.=,,,,=_.,_.~_~_,,,.·,,,,_ .. _,,, , I ~, the sake of fighting. Deborllh KeJ;r lin her movie set aud "sta$d heck. abal)dons her hitherto regllI and News . .• ling" hili! former lllve. )fiss Winters .J>tM'N GEMS proper. characterizations til appear Continued from page 1 , said" Th1,!rsday ,Elhe" was Borry , •• The ooginning Ilf as the"lu$h" sweater-clad and ,un· she had mill~ed him. the end. ' haPpy Army wife whose chance WOJ:k9rll, general economic condition ••• One Star EW: Amllur wjth her husband's first Ber of country ••. at the same news EXIcoLoB conference expressed himself as be. The BaltimoJ:e Orioles, with a gellnt turns into something unex ing opposed t(l anyone "sitting' in WIlJl ,,10-lost 5 record so :(ar ill thl) "The Voieeof a Great Southwestern University" pected but underf!tandable. -
Transitions from Nazism to Socialism: Grassroots Responses to Punitive and Rehabilitative Measures in Brandenburg, 1945-1952
Transitions from Nazism to Socialism: Grassroots Responses to Punitive and Rehabilitative Measures in Brandenburg, 1945-1952 Doctoral Thesis of Julie Nicole Deering-Kraft University College London PhD in History 1 Declaration I, Julie Nicole Deering-Kraft, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract This study examines transitions from Nazism to socialism in Brandenburg between 1945 and 1952. It explores the grassroots responses and their relative implications within the context of both punitive and rehabilitative measures implemented by the Soviet Military Administration (SMAD) and the communist Socialist Unity Party of Germany (SED). The present study is based on archival and oral history sources and addresses two main research questions: First, in what ways did people at the grassroots attempt to challenge the imposition of punitive measures, and did their responses have any effect on the manner in which these policies were implemented at a grassroots level? These punitive measures were designed to remove remnants of Nazism and included punitive Soviet practices, Soviet NKVD camps and denazification and sequestering. Second, to what extent did grassroots Brandenburgers participate in political organisations which were designed to integrate East Germans during the rehabilitative stage and what impact did these responses have on the post-war transition? This study focuses on the National Democratic Party and the Society for German-Soviet Friendship as well as examining wider factors which may have impeded and facilitated the processes of post-war transitions. Two main arguments are proposed. -
Buffalo Chamber Music Society 1924-2019 Ensembles – Artists
BUFFALO CHAMBER MUSIC SOCIETY 1924-2019 ENSEMBLES – ARTISTS ACADEMY OF ST. MARTIN IN THE FIELDS, IONA BROWN, Director and violin soloist ACADEMY OF ST. MARTIN IN THE FIELDS OCTET Kenneth Sillito, violin, leader; Harvey de Souza, violin; Mark Butler, violin; Paul Ezergailis, violin Robert Smissen, viola; Duncan Ferguson, viola; Stephen Orton, cello; John Heley, cello AIZURI QUARTET Emma Frucht & Miho Saegusa, violins; Ayane Kozasa, viola; Karen Ouzounian, cello ; ALBENERI TRIO Alexander Schneider, violin; Benar Heifetz, cello; Erich Itor Kahn, piano – 1945, 1948 Giorgio Ciompi, violin; Benar Heifetz, cello; Erich Itor Kahn, piano 1951, 1952,1955 Giorgio Ciompi, violin; Benar Heifetz, cello, Ward Davenny, piano 1956, 1958 Giorgio Ciompi, violn; Benar Heifetz, cello; Arthur Balsam, piano 1961 ALEXANDER SCHNEIDER AND FRIENDS Alexander Schneider, violin; Ruth Laredo, piano; Walter Trampler, viola, Leslie Parnas, cello 1973 Alexander Schneider, violin; Walter Trampler, viola; Laurence Lesser, cello; Lee Luvisi, piano 1980 ALEXANDER STRING QUARTET Eric Pritchard, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 1988 Ge-Fang Yang, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 1994 Zakarias Grafilo, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 2006 ALMA TRIO Andor Toth, violin; Gabor Rejto, cello; Adolph Baller, piano 1967 Andor Toth, violin; Gabor Rejto, cello; William Corbett Jones, piano 1970 ALTENBERG TRIO Claus-Christian Schuster, piano; Amiram Ganz,