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Enlightenment Unfolds Is a Sequel to Kaz Tanahashi’S Previous Collection, Moon in a Dewdrop, Which Has Become a Primary Source on Dogen for Western Zen Students

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Enlightenment Unfolds Is a Sequel to Kaz Tanahashi’S Previous Collection, Moon in a Dewdrop, Which Has Become a Primary Source on Dogen for Western Zen Students “Tanahashi is a writer and painter whose earlier collection, Moon in a Dewdrop, served as an introduction to the work of Dogen for many Western readers. This sequel collection draws from the complete range of Dogen’s writing. Some pieces have been widely translated and will be familiar to students of Zen, others have been reprinted from Moon in a Dewdrop, and still others appear here in English for the first time. Tanahashi worked with a number of co-translators, all of them Zen practitioners in Dogen’s lineage, and the result is an accessible and admirably consistent text. This is particularly impressive given the somewhat eccentric nature of Dogen’s prose, which can approach poetry and as a vehicle for Zen teachings often exists at the outer limits of usefulness of language in conveying meaning. Students of Zen will find this text essential.” —Mark Woodhouse, Library Journal ABOUT THE BOOK Enlightenment Unfolds is a sequel to Kaz Tanahashi’s previous collection, Moon in a Dewdrop, which has become a primary source on Dogen for Western Zen students. Dogen Zenji (1200–1253) is unquestionably the most significant religious figure in Japanese history. Founder of the Soto school of Zen (which emphasizes the practice of zazen or sitting meditation), he was a prolific writer whose works have remained popular for six hundred years. Enlightenment Unfolds presents even more of the incisive and inspiring writings of this seminal figure, focusing on essays from his great life work, Treasury of the True Dharma Eye, as well as poems, talks, and correspondence, much of which appears here in English for the first time. Tanahashi has brought together his own translations of Dogen with those of some of the most respected Zen teachers and writers of our own day, including Reb Anderson, Edward Espe Brown, Norman Fisher, Gil Fronsdal, Blanche Hartman, Jane Hirschfield, Daniel Leighton, Alan Senauke, Katherine Thanas, Mel Weitzman, and Michael Wenger. KAZUAKI TANAHASHI, a Japanese-trained calligrapher, is the pioneer of the genre of “one stroke painting” as well as the creator of multicolor enso (Zen circles). His brushwork has been shown in solo exhibitions in galleries, museums, and universities all over the world. Tanahashi has edited several books of Dogen’s writings and is also the author of Brush Mind. Sign up to learn more about our books and receive special offers from Shambhala Publications. Or visit us online to sign up at shambhala.com/eshambhala. TRANSLATORS Tenshin Reb Anderson Edward Brown Norman Fischer Gil Fronsdal Blanche Hartman Jane Hirshfield Taigen Daniel Leighton Rebecca Mayeno Susan Moon Alan Senauke Kazuaki Tanahashi Katherine Thanas Mel Weitsman Michael Wenger CONTRIBUTING TRANSLATORS Robert Aitken John Daido Loori Tensho David Schneider Brian Unger Dan Welch Philip Whalen Enlightenment Unfolds The Essential Teachings of Zen Master Dōgen EDITED BY KAZUAKI TANAHASHI SHAMBHALA Boston & London 2013 Shambhala Publications, Inc. Horticultural Hall 300 Massachusetts Avenue Boston, MA 02115 www.shambhala.com © 1999 by San Francisco Zen Center Texts from Moon in a Dewdrop: Writings of Zen Master Dōgen, edited by Kazuaki Tanahashi, © 1985 by San Francisco Zen Center, reprinted by permission of North Point Press, a division of Farrar, Straus and Giroux: “Actualizing the Fundamental Point,” “The Time-Being,” “Undivided Activity,” “On a Portrait of Myself,” “Original Face,” and “Death Poem.” Texts from Essential Zen, edited by Kazuaki Tanahashi and Tensho David Schneider © 1994, HarperSanFrancisco, reprinted by permission: A portion of “Informal Talks” and a portion of “Continuous Practice.” Printed by permission of Dharma Communications: “Cases for Study.” All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Library of Congress catalogues the hardcover edition of this book as follows: Dōgen, 1200–1253. Enlightenment unfolds: the essential teachings of Zen Master Dogen/edited by Kazuaki Tanahashi. p. cm. Includes bibliographical references. eISBN 978-0-8348-2394-5 ISBN 978-1-57062-305-9 (cloth) ISBN 978-1-57062-570-1 (pbk.) 1. Sōtōshū—Doctrines—Early works to 1800. I. Tanahashi, Kazuaki, 1933– . II. Title. BQ9449.D652D6 1998 98-39897 294.3′420427—dc21 CIP In deep gratitude to Zen Master Shunryū Suzuki who taught in San Francisco from 1959 to 1971 Contents Preface and Acknowledgments Notes to the Reader Introduction Texts and Translation Credits EMERGENCE OF THE TRUE DHARMA EYE, 1223–1235 Journal of My Study in China Poems On a Portrait of Myself Record of Bringing Master Myōzen’s Relics Recommending Zazen to All People Actualizing the Fundamental Point Cases for Study RAISING SAGES, 1235–1243 Donation Request for a Monks’ Hall at the Kannondōri Monastery Formal Talk upon Establishing the Kōshō Monastery Informal Talks Valley Sounds, Mountain Colors The Time-Being The Power of the Robe Encouraging Words Miracles Continuous Practice, Fascicle One Continuous Practice, Fascicle Two Within a Dream Expressing the Dream Undivided Activity GREAT AWAKENED ONES, 1243–1246 Intimate Language Insentient Beings Speak Dharma Turning the Dharma Wheel In Honor of Master Rujing On Carving the Buddha Image for the Daibutsu Monastery Space Formal Talk on the First Day of the Practice Period Given to Hironaga Hatano ETERNAL PEACE, 1246–1253 Formal Talk upon Naming the Eihei Monastery Guidelines for Officers of the Eihei Monastery Auspicious Beginning of Spring Original Face Transmission Outside Scripture Formal Talk upon Returning from Kamakura Omens of the Sixteen Arhats On a Portrait of Myself Three Auspicious Signs at the Eihei Monastery Identifying with Cause and Effect Eight Awakenings of Great Beings Final Instructions Poem Death Poem Selected Bibliography Glossary of Terms Glossary of Names E-mail Sign-Up Preface and Acknowledgments A PROFOUND THINKER and imaginative writer of medieval Japan, the monk Dōgen remains an extraordinary source of inspiration for readers of our time. The dramatic increase of translations and criticisms of his works published in the English language in the last two decades reflects a sudden recognition in the Western world of the greatness of this literary giant. Although Dōgen’s work has been studied mainly by Buddhist practitioners, the interest seems to extend further to circles of scholars and artists as well as peace and environmental workers. We present this selection of Dōgen’s writings in chronological order. We hope the texts in this book illustrate Dōgen as a whole person—not only as a seeker, traveler, teacher, and priest who brought Zen from China to Japan, but as a poet, thinker, scholar, administrator, and woodcarver. The text consists of formal and informal talks, essays, monastic rules, journals, poems, and notes, including Dōgen’s words as recorded by his disciples. Some were originally written in Chinese, others in Japanese. This book is intended to be accessible to readers who are not familiar with Zen texts as well as to those who are. We have tried to make our translation as clear and readable as possible, while maintaining the original images and tone. At times we have added some interpretive words to explicate implied meanings behind the lines. Brackets indicate our own explanations. Full texts are presented unless otherwise indicated in the Texts and Translation Credits. Dōgen’s writings are full of technical terms, both Buddhist and non- Buddhist, and also of paradox and ambiguity. We chose, however, not to give multiple meanings of lines, or sources of quotations and references. Instead of referring to earlier masters with respectful titles, as Dōgen does, we usually use their best-known names (such as Bodhidharma instead of the First Ancestor or Great Master). Likewise, where more than one name of a person is given, we have put the best-known name first. We divided the texts into sections, with ornamental symbols in between, so that shifts in topics are easily seen. A follow-up to Moon in a Dewdrop: Writings of Zen Master Dōgen (North Point Press, 1985), the present translation project of Enlightenment Unfolds has been sponsored by the San Francisco Zen Center. My cotranslators are all long-term practitioners of Zen in Dōgen’s lineage. Some of them are teachers at the Zen Center and some are celebrated for their own literary work. The cotranslator’s name on each text is shown in the section Texts and Translation Credits. We reprinted some pieces from Moon in a Dewdrop and credited my collaborators on these works as contributing translators on the frontispiece. We also credited Abbot John Daido Loori of Zen Mountain Monastery, Mt. Tremper, New York, as this book includes an excerpt from the translation he and I did of Dōgen’s three hundred kōans. I would like to express my deep gratitude to all my cotranslators. Studying thoroughly and translating Dōgen’s texts with special friends has given me unspeakable joy. The earliest translation in this book was done with Robert Aitken Rōshi at the Diamond Sangha in Honolulu in 1965. Some other translations were done after 1977, when Richard Baker Rōshi, the abbot at San Francisco Zen Center at that time, invited me to work there as a scholar in residence, which I did for seven years. The translation work continued after I became a freelancer, and intensified in 1995 when the Zen Center approved the two-year project for creating this book. I appreciate the staff and leaders of the Zen Center community for their continuous friendship and support. My special thanks go to Michael Wenger, former president and current dean of Buddhist Studies of the Zen Center, for initiating and overseeing the project, and to Barbara Kohn, the current president. Among my collaborators, Susan Moon has provided invaluable guidance by reading the entire manuscript and offering detailed editorial suggestions.
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