UTV IOM Earnings Release 3Q-FY2008
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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
Effectiveness of Product Placement in Hindi Movies (Topic Related to Advertising Media)
Marketing Management Effectiveness of Product Placement in Hindi Movies (Topic related to Advertising media) Prof. Smita.V Harwani SIPNA college of Engg. and Tech. Amravati. Sipna’s campus, in frount of Nemani godown, Badnera road, Amravati. Ph: (0721) 2522341, 2522342, 2522343 Abstract Media planners and brand marketers are looking for alternative media vehicles to reach at customers with a distinct message so that the memorability of the message increases and hence the brand name is popularised. A product placement is the inclusion of a product, package, signage, a brand name or the name of the firm in a movie or in a television programme for increasing memorability of the brand and instant recognition at the point of purchase. Placements can be in form of verbal mentions in dialogue, actual use by character, visual displays such as corporate logo on a vehicle or billboard, brands used as set decorations, or even snatches of actual radio or television commercials. This is a growing trend in Indian films for various reasons. This paper highlights the basic reasons for placing products and brands in films with special reference to hindi films and the effectiveness of these placements as a tool for enhancing the recall value of the brands in the long run. The paper proposes a category of placements that can be used by brand marketers to put their brands in the films and identifies the caveat for putting the brands in the films. This paper suggests about the modality and plot connections in bringing congruity in the presentation so that the brand placement does not look out of context. -
Promising Signs Ahead Media & Entertainment in South India
Promising signs ahead Media & Entertainment in South India Media & Entertainment Business Conclave – Chennai October 2012 Contents Message from FICCI ............................................................................................................................................................... 3 Message from Deloitte Touche Tohmatsu India Pvt. Ltd. (Deloitte) ......................................................................................... 4 Message from Deloitte Touche Tohmatsu India Pvt Ltd (Deloitte)........................................................................................... 5 1. Introduction .................................................................................................................................................................... 6 2. Film .............................................................................................................................................................................. 11 3. Television .................................................................................................................................................................... 30 4. Print ............................................................................................................................................................................. 51 5. Radio ........................................................................................................................................................................... 64 6. Direct tax - -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Dossier-De-Presse-L-Ombrelle-Bleue
Splendor Films présente Synopsis Dans un petit village situé dans les montagnes de l’Himalaya, une jeune fille, Biniya, accepte d’échanger son porte bonheur contre une magnifique ombrelle bleue d’une touriste japonaise. Ne quittant plus l’ombrelle, l’objet L’Ombrelle semble lui porter bonheur, et attire les convoitises des villageois, en particulier celles de Nandu, le restaurateur du village, pingre et coléreux. Il veut à tout prix la récupérer, mais un jour, l’ombrelle disparaît, et Biniya bleue mène son enquête... Note de production un film de Vishal Bhardwaj L’Ombrelle bleue est une adaptation cinématographique très fidèle à la nouvelle éponyme de Ruskin Bond. Le film a été tourné dans la région de l’Himachal Pradesh, située au nord de l’Inde, à la frontière de la Chine et Inde – 2005 – 94 min – VOSTFR du Pakistan, dans une région montagneuse. La chaîne de l’Himalaya est d’ailleurs le décor principal du film, le village est situé à flanc de montagne. Inédit en France L’Ombrelle bleue reprend certains codes et conventions des films de Bollywood. C’est pourtant un film original dans le traitement de l’histoire. Alors que la plupart des films de Bollywood durent près de trois heures et traitent pour la plupart d’histoires sentimentales compliquées par la religion et les obligations familiales, L’Ombrelle bleue s’intéresse davantage aux caractères de ses personnages et à la nature environnante. AU CINÉMA Le film, sorti en août 2007 en Inde, s’adresse aux enfants, et a pour LE 16 DÉCEMBRE vedettes Pankaj Kapur et Shreya Sharma. -
UTV Software Communications Limited Antique Media and Entertainment Conference, Mumbai
Movies Interactive Television Broadcasting New Media UTV Software Communications Limited Antique Media and Entertainment Conference, Mumbai January 6, 2009 UTV business segments TV Content Movies Broadcasting Gaming New Media Own TV Content Hindi Network of the Console Internet Production future Digital Regional movies Mobile 3 strong segments Mobile Content Production Hollywood Joint Ventures Youth Online Segments Animation Music Sponsored Blocks Movies Publisher +IP Creators Entertainment Slate of over 45 Business movies Worldwide Business Web/Mobile Worldwide integral part market Technology distribution Portals Own distribution Full Studio Model network UTVi.com Worldwide Bindass.com Syndication utvatplay.com Strategy Stay consolidated to have value creation across all 5 verticals in one Company for aligned shareholder interest… 2 A quick look at this fiscal… 9 Months FY09 revenue of Rs. 4,681 mn, up by 86% yoy Positioned as one of leading and fastest growing Media and Entertainment company in India – One of the top 5 companies in terms of scale Growth possible due to diversified yet synergistic business model Unique positioning as compared with most of the diversified Companies focused on Broadcasting model - Content + Distribution + IP + Platform A Unique play in this part of the world Promoter interests fully aligned in media to this one listed vehicle only 3 UTV Team Board of Directors Disney - 3 Promoters - 3 Independent - 6 CEO Group CFO TV Content Motion Pictures Broadcasting Interactive New Media CEO ED/CEO CEO COO CEO COO, MD, Ignition CEO Bindass Spotboy COO, COO, Movie MD, Indiagames Development channels CEO, True Games COO, Development Employee strength of 1,000 across all five verticals 4 Result Summary Rs. -
The 360-Degree Sweep of Philanthropy
(/Home/index) Share Font Size D’load Image Image Text Listen The 360-degree sweep of philanthropy How lessons from being a rst-generation entrepreneur have helped Ronnie Screwvala transform rural life in Raigad through his Swades Foundation 14/09/2019 Zarina (centre) and Ronnie Screwvala interacting with the Gokulwada village community, which received drinking water at their homes for the first time with the support of the Swades Foundation.courtesy swades foundation Sanjukta Sharma At 56, seven years after he divested his media and movies conglomerate UTV Software Communications to Disney for an enterprise value of $1.4 billion (around ₹10,000 crore now), Ronnie Screwvala is one of the few Indian philanthropists who has created his own not-for-prot, 360-degree model of rural development that can have a multiplier eect. The Swades Foundation has been working in more than 2,000 villages in Maharashtra’s Raigad district since 2013. Screwvala doesn’t live or talk like a billionaire and doesn’t like the word “philanthropist”, he says, when we meet at his oce an unassuming sprawl built around basics, in Worli, Mumbai. “Philanthropist sounds ponderous. It seems to mean you have to mature, above 50, with a fat bank balance to give. I believe you don’t need to necessarily have a lot to give. We started very young, in our 20s,” he says. By we, he means his family: wife Zarina Screwvala, co-founder and managing trustee of the foundation, and daughter Trishya Screwvala, who is also a social entrepreneur. The oce is home to Swades Foundation, his online education venture upGrad, sports company U Sports, (/Home/index) private equity label Unilazer Ventures and movies and digital content company RSVP, which produced, among other lms, the year’s very successful Hindi lm Uri: The Surgical Strike. -
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JAMMU | WEDNESDAY | APRIL 28, 2021 JB ENTERTAINMENT JAMMU BULLETIN 7 Aashka Goradia quits showbiz: ‘Would Dhanush film Jagame Thandhiram will rather call it moving on to a different phase’ start streaming on Netflix from this date hanush-starrer ashka Goradia has shocked did that when I took up acting two Jagame Thandhiram fans and television audience decades back, and I gave it my all. will be released on by deciding to quit acting to Right now, yes it’s a tough decision D A Netflix on June 18, the pursue her entrepreneurial dreams. and choices are always tough. I am not Having started her make-up brand a just walking away from a career I built streaming giant announced few years back, the actor wants to from the scratch but also the city, on Tuesday evening. Sharing focus on the same in a bid to take it to memories, relationships — I will miss a new poster of the movie in a new level. Calling it a ‘three year everything but I have always believed which a smiling Dhanush is plan’ as of now, Aashka however calls that you have to stride to make a mark seen sporting shades, Netflix it a ‘moving on’ decision rather than in your career,” she replied with a wrote, “Suruli oda aatatha ‘quitting’. The Maharana Pratap actor smile. paaka naanga ready! Neenga shared, “I don’t think you can give up And if you are wondering what ready ah? something that has been such an would Aashka Goradia miss the most, #JagameThandhiram coming important phase in your life. -
Sigaram Thodu’
UTV announces its next Tamil film ‘SIGARAM THODU’ Chennai, 2nd January 2013: UTV Motion Pictures today announced its next home production in Tamil ‘Sigaram Thodu’ which will be written and directed by Gaurav of ‘Thoonga Nagaram’ fame and will star Vikram Prabhu in the lead. After ‘Settai’ (remake of Hindi super hit film Delhi Belly) starring Arya, Santhanam, Premgi, Hansika, Anjali and Nasser and directed by R. Kannan this will be UTV’s next Tamil release this year. The pre-production work for ‘Sigaram Thodu’ has commenced from today and the film’s shooting is expected to begin from April 2013. The other cast and crew is under finalization and will be announced shortly. “As a Studio it has been our constant endeavour to bring across the right mix of content for our consumers like we have done with our Hindi slate. South is a key market for us and we will be announcing an equally eclectic slate this side as well,” said G. Dhananjayan, Chief – South Business, Studios, DisneyUTV In 2013, ‘Settai’ will be UTV’s first release in Tamil which will release in February and ‘Sigaram Thodu’ will hit theatres in December. STUDIOS – DisneyUTV Bringing together the best of both worlds, The Walt Disney Studios and UTV Motion Pictures have formed one of the leading film studios in India. The Studio’s activities span across creative development, production, marketing, distribution, licensing, merchandising and syndication of films in India and worldwide. UTV Motion Pictures as a dominant player in the Indian film industry has been in the forefront of bringing Indian films to a global audience and the last decade in Indian cinema has seen UTV delivering some of the most iconic films including Swades, Rang De Basanti, Jodhaa Akbar, A Wednesday, Dev D, Khosla Ka Ghosla, The Namesake, Life in a Metro, Oye Lucky! Lucky Oye!, Fashion, Kaminey, No One Killed Jessica, Raajneeti, Udaan, Peepli Live, Delhi Belly and more recently Ek Main Aur Ekk Tu, Paan Singh Tomar, Rowdy Rathore, Barfi! and Heroine. -
Lions Film Awards 01/01/1993 at Gd Birla Sabhagarh
1ST YEAR - LIONS FILM AWARDS 01/01/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR TAPAS PAUL for RUPBAN BEST ACTRESS DEBASREE ROY for PREM BEST RISING ACTOR ABHISEKH CHATTERJEE for PURUSOTAM BEST RISING ACTRESS CHUMKI CHOUDHARY for ABHAGINI BEST FILM INDRAJIT BEST DIRECTOR BABLU SAMADDAR for ABHAGINI BEST UPCOMING DIRECTOR PRASENJIT for PURUSOTAM BEST MUSIC DIRECTOR MRINAL BANERJEE for CHETNA BEST PLAYBACK SINGER USHA UTHUP BEST PLAYBACK SINGER AMIT KUMAR BEST FILM NEWSPAPER CINE ADVANCE BEST P.R.O. NITA SARKAR for BAHADUR BEST PUBLICATION SUCHITRA FILM DIRECTORY SPECIAL AWARD FOR BEST FILM PREM TELEVISION BEST SERIAL NAGAR PARAY RUP NAGAR BEST DIRECTOR RAJA SEN for SUBARNALATA BEST ACTOR BHASKAR BANERJEE for STEPPING OUT BEST ACTRESS RUPA GANGULI for MUKTA BANDHA BEST NEWS READER RITA KAYRAL STAGE BEST ACTOR SOUMITRA CHATTERHEE for GHATAK BIDAI BEST ACTRESS APARNA SEN for BHALO KHARAB MAYE BEST DIRECTOR USHA GANGULI for COURT MARSHALL BEST DRAMA BECHARE JIJA JI BEST DANCER MAMATA SHANKER 2ND YEAR - LIONS FILM AWARDS 24/12/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR CHIRANJEET for GHAR SANSAR BEST ACTRESS INDRANI HALDER for TAPASHYA BEST RISING ACTOR SANKAR CHAKRABORTY for ANUBHAV BEST RISING ACTRESS SOMA SREE for SONAM RAJA BEST SUPPORTING ACTRESS RITUPARNA SENGUPTA for SHWET PATHARER THALA BEST FILM AGANTUK OF SATYAJIT ROY BEST DIRECTOR PRABHAT ROY for SHWET PATHARER THALA BEST MUSIC DIRECTOR BABUL BOSE for MON MANE NA BEST PLAYBACK SINGER INDRANI SEN for SHWET PATHARER THALA BEST PLAYBACK SINGER SAIKAT MITRA for MISTI MADHUR BEST CINEMA NEWSPAPER SCREEN BEST FILM CRITIC CHANDI MUKHERJEE for AAJKAAL BEST P.R.O. -
Aspirational Movie List
SL Title Year Type Rating Ratings 1 3 Idiots 2009 Feature 8.5 155,763 2 Like Stars on Earth 2007 Feature 8.5 71,581 3 Rang De Basanti 2006 Feature 8.4 57,061 4 Gangs of Wasseypur 2012 Feature 8.4 32,853 5 Lagaan: Once Upon a Time in India 2001 Feature 8.2 54,714 6 Mughal-E-Azam 1960 Feature 8.4 3,425 7 A Wednesday 2008 Feature 8.4 30,560 8 Udaan 2010 Feature 8.4 23,017 9 Swades 2004 Feature 8.4 47,326 10 Dil Chahta Hai 2001 Feature 8.3 38,159 11 Pyaasa 1957 Feature 8.4 2,677 12 Black Friday 2004 Feature 8.6 6,126 13 Sholay 1975 Feature 8.6 21,695 14 Anand 1971 Feature 8.9 7,826 15 Special 26 2013 Feature 7.9 22,078 16 Queen 2014 Feature 8.5 28,304 17 Andaz Apna Apna 1994 Feature 8.8 22,766 18 Haider 2014 Feature 8.5 28,728 19 Guru 2007 Feature 7.8 10,337 20 Dev D 2009 Feature 8.1 16,553 21 Paan Singh Tomar 2012 Feature 8.3 16,849 22 Chakde! India 2007 Feature 8.4 34,024 23 Sarfarosh 1999 Feature 8.1 11,870 24 Mother India 1957 Feature 8 3,882 25 Bhaag Milkha Bhaag 2013 Feature 8.4 30,313 26 Barfi! 2012 Feature 8.3 43,308 27 Zindagi Na Milegi Dobara 2011 Feature 8.1 34,374 28 PK 2014 Feature 8.4 55,878 29 Baby 2015 Feature 8.4 20,504 30 My Name Is Khan 2010 Feature 8 56,169 31 The Legend of Bhagat Singh 2002 Feature 8.1 5,481 32 Munna Bhai M.B.B.S. -
Chup Chup Ke Tamil Movie Free Download in Hd
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