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Global Learning
A BI-ANNUAL PUBLICATION OF GLOBAL SCHOOLS FOUNDATION Issue 06, December 2016 MCI (P) 059/10/2016 statistic Your child is not a We focus on them, going beyond formulaic learning At One World International School, we focus on individual student oriented methodologies that revolve around a structured curriculum with an experiential and inquiry based approach to learning. Ensuring that your child is a Admissions Open knowledgeable, creative and confident individual. +65 6542 2285 [email protected] www.owis.org We are offering One World International School | CPE Reg No: 200800495N | Period of Registration: 25 Feb 2015 to Feb 2016 OWIS Ad for Global Learning_option 2.indd 1 11/21/2016 5:29:30 PM Presidium of Patrons Dr Justice C S Dharmadhikari (Co-Founder) Prof MGK Menon Dr Karan Singh Mr N R Narayana Murthy Mr Basdeo Panday President Mr Chandrakant Borde (Co-Founder) Vice President Ambassador Aftab Seth Tan Sri Datuk Seri Mohd Hussin bin Abdul Hamid Advisory Board – International Sir J K Chande Dr F C Kohli Mr Arjun Malhotra Ms Shabana Azmi Mr Ashok Soota Mr Karan Singh Thakral Advisory Board – Japan Ambassador Aftab Seth Mr Kotaro Tamura Advisory Board – Singapore Ambassador K Kesavapany Mr Boon Yoon Chiang Ms Kirtida Mekani Advisory Board – United Arab Emirates H.E. Mr Abdullatif Almulla Advisory Board – Malaysia Tan Sri Datuk Seri Mohd Hussin bin Abdul Hamid Dato’ Sri Abdul Hamidy Abdul Hafiz Datuk Baljit Singh Sidhu Datuk Dr Denison Jayasooria Dr Denison Jayasooria Advisory Board – India Mr R Sundar Lt Gen (Retd) Sudhir Sharma Board of International Studies Mr Ralph Tabberer Mr Laurie Ince Mr Gregor Polson Prof Marmar Mukhopadhyay Prof Mukul Asher Executive Management Mr Atul Temurnikar, Chairman and Co-Founder Mr Kamal Gupta, Chief Operating Officer Mr Kaustubh Bodhankar, Deputy CEO Governing Board Mr Subodh Gore Mr Maneesh Tripathi Mr Sudan Wargantiwar For media enquiries, please email: [email protected] © Copyright Global Schools Foundation 2016 All rights reserved. -
TIARA Research Final-Online
TIARAResearch Insight Based Research Across Celebrities Indian Institute of Human Brands 2020 About IIHBThe Indian Institute of Human Brands (IIHB) has been set up by Dr. Sandeep Goyal, India’s best known expert in the domain of celebrity studies. Dr. Goyal is a PhD from FMS-Delhi and has been researching celebrities as human brands since 2003. IIHB has many well known academicians and researchers on its advisory board ADVISORY Board D. Nandkishore Prof. ML Singla Former Global Executive Board Former Dean Member - Nestlé S.A., Switzerland FMS Delhi Dr. Sandeep Goyal Chief Mentor Dr. Goyal is former President of Rediffusion, ex-Group CEO B. Narayanaswamy Prof. Siddhartha Singh of Zee Telefilms and was Founder Former Managing Director Associate Professor of Marketing Chairman of Dentsu India IPSOS and Former Senior Associate Dean, ISB 0 1 WHY THIS STUDY? Till 20 years ago, use of a celebrity in advertising was pretty rare, and quite much the exception Until Kaun Banega Crorepati (KBC) happened almost 20 years ago, top Bollywood stars would keep their distance from television and advertising In the first decade of this century though use of famous faces both in advertising as well as in content creation increased considerably In the last 10 years, the use of celebrities in communication has increased exponentially Today almost 500 brands, , big and small, national and regional, use celebrities to endorse their offerings 0 2 WHAT THIS STUDY PROVIDES? Despite the exponential proliferation of celebrity usage in advertising and content, WHY there is no organised body of knowledge on these superstars that can help: BEST FIT APPROPRIATE OR BEST FIT SELECTION COMPETITIVE CHOOSE BETTER BETWEEN BEST FITS PERCEPTION CHOOSE BASIS BRAND ATTRIBUTES TRENDY LOOK AT EMERGING CHOICES FOR THE FUTURE 0 3 COVERAGE WHAT 23 CITIES METRO MINI METRO LARGE CITIES Delhi Ahmedabad Nagpur (incl. -
Use and Abuse of Female Body in Popular Hindi Films: a Semiotic Analysis of Item Songs
Use and Abuse of Female Body in Popular Hindi Films: A Semiotic analysis of Item Songs *Dr. G. K. Sahu Assistant Professor Dept. of Mass Communication Aligarh Muslim University Aligarh- 202002 & **Sana Abbas Research Scholar Dept. of Mass Communication Aligarh Muslim University Aligarh-202002 India Abstract The item songs have become an important element of Bollywood movies. Women are featured as a commodity, only to satisfy male urge and their bodies are featured in a way as if they are meant for male consumption. In an environment where a plethora of movies are releasing every year, putting a peppy item song in a movie, is a good trick to gain the attention of viewers . Brazen lyrics are used to enhance the popularity of these songs. Many established film makers in the industry are using this trick to gain huge financial returns. They are attracting and engaging audiences by using as well as abusing female body in their films. The paper makes an attempt to analyze the item songs by employing semiotic method to examine the use and abuse of female body in Hindi films. Key Words: Hindi Films, Item Songs, Female Body, Use & Abuse, Portrayal, Commoditization. www.ijellh.com 14 Introduction Cinema and dance have had a long history of engagement. Cinema enlisted dance from its very beginnings – the spectacular display of movement. The shared investment in movement ensured a spontaneous intermediality (transgression of boundaries) between early cinema and dance. Songs with dance have always played a crucial role in Hindi movies. The role of song and its demand changed with the entry of „item songs‟. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Om Shanti Om
Om Shanti Om REŻYSERIA FARAH KHAN W KINACH OD 30 MAJA 2008 DYSTRYBUCJA W POLSCE ul. Zamenhofa 1, 00-153 Warszawa tel.: (22) 536 92 00 fax: (22) 635 20 01 e-mail: [email protected] http://www.gutekfilm.pl Reżyseria Farah Khan Producent Gauri Khan Scenariusz Farah Khan Mushtaq Sheikh Mayur Puri Muzyka Vishal Dadlani Shekhar Ravjiani Pyarelal Ramprasad Sharma Choreografia Farah Khan Występują Shah Rukh Khan Arjun Rampal Deepika Padukone Shreyas Talpade Kirron Kher Produkcja Eros International Red Chillies Entertainment Indie rok produkcji: 2007 czas trwania: 162 minut kolor – Dolby SR – 1.85:1 2 Om Shanti Om to drugi film w karierze reżyserskiej Farah Khan. Pierwszy – Jestem przy tobie, zdobył serca wielu widzów dzięki roli Shah Rukh Khana, jako majora Rama poszukującego swojego brata i broniącego córki generała w przebraniu studenta. Najnowszy film Farah Khan to zrealizowany z ogromnym rozmachem film ku czci króla Bollywoodu – Shah Rukh Khana. Om Shanti Om jest filmem o marzeniach, miłości i zemście. Akcja filmu rozpoczyna się w roku 1977. Om Prakash Makhija (Shah Rukh Khan) jest statystą, zakochanym bez pamięci w gwieździe indyjskiego kina Shanti (Deepika Padukone). Om jest jej najwierniejszym fanem, gotowym w razie potrzeby oddać za nią życie. Gdy na planie ich wspólnego filmu wybucha pożar, Om ratuje Shanti i zostaje jej przyjacielem. Marzy o wspólnej przyszłości, jednak życie Shanti nie jest tak piękne, jak mogłoby się wydawać. Om przez przypadek poznaje tajemnicę Shanti. Wkrótce potem oboje giną… Druga część filmu rozpoczyna się w roku 2007. Om Kapoor (Shah Rukh Khan) jest wielkim gwiazdorem. Żyje beztrosko, wydaje się, że ma cały świat u swoich stóp. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Study on Customer's Perception Towards a Digital Marketing
Turkish Journal of Computer and Mathematics Education Vol.12 No.11 (2021), 4631-4635 Research Article Study on Customer’s Perception towards a Digital Marketing Company Dr. Sridevi K.B1, Sankara Lingam S2, Robin S, Ishrad Ali A3, Deepthi Shivani P4 1Professor, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 2Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 3Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 4Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 5Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore Article History: Received: 11 January 2021; Revised: 12 February 2021; Accepted: 27 March 2021; Published online: 10 May 2021 Abstract: Digital marketing is also known as Internet (or) Online advertising, it is a form of marketing and advertising that involves sending promotional marketing messages to customers through the Internet. Email marketing, search engine marketing (SEM), Social media marketing, a variety of display ads (including online banner ads), and smartphone advertising are all part of it. Internet advertising, like other types of advertising, often includes both a publisher and an advertiser. The publisher incorporates ads into its online material, and the advertiser produces the advertisements to be shown on the publisher's content. Advertising agencies who help to create and position ad copy, an ad server that produces the ad and records statistics, and advertising associates that do in-dependent promotional work for the advertising company all are possible participants. And in this study the Perception of the customer is to analyse that how they satisfied about the work of the company that they designed the digital marketing product for an organization or customer for digital advertising purpose and for promotion purpose to market their product or brand to advertise on the market to attract customers. -
Advertisement
REPUBLIC OF KENYA SELECTION PANEL FOR THE APPOINTMENT OF COMMISSIONERS OF THE INDEPENDENT ELECTORAL AND BOUNDARIES COMMISSION ADVERTISEMENT PUBLICATION OF NAMES AND QUALIFICATIONS OF ALL APPLICANTS FOR THE POSITIONS OF CHAIRPERSON AND MEMBER OF THE INDEPENDENT ELECTORAL AND BOUNDARIES COMMISSION PURSUANT to Articles 88, 166(3) and 250 of the Constitution of Kenya, 2010, sections 5 and 6 of the Independent Electoral and Boundaries Commission Act, 2011 and Paragraph 3 of the First Schedule thereto, and the First Schedule of the Election Laws (Amendment) Act, 2016, the Selection Panel for the Appointment of Commissioners of the Independent Electoral and Boundaries Commission (IEBC) hereby publishes the names of all applicants who have applied for the positions of Chairperson and Member of the IEBC and their qualifications.* *This is a summary of the qualifications of these applicants. The applicants may have other qualifications. 1. APPLICATIONS FOR CHAIRPERSON OF THE IEBC (Ref. SP/IEBC/1/2016) S/NO NAME GENDER I.D/ COUNTY QUALIFICATIONS PP NO. 1. Andrew M 440999706 American PhD, International Law, New Jonathan York Law School Franklin BBA, Bernard M. Baruch College, City University of NY 2. David Mukii M 343680 Murang’a LLM, UON Mereka LLB, UON Page 1 of 119 S/NO NAME GENDER I.D/ COUNTY QUALIFICATIONS PP NO. 3. John Kangu M 0675657 Kakamega PhD Law, University of the Mutakha ( Dr.) Western Cape LLM, UNISA LLB, UON Dip. Legal Practice, KSL 4. John Tentemo M 9743660 Kajiado MA (Economics), UON Ole Moyaki BA, Moi University 5. Joshua M 23647427 Nyeri MBA, Strategic Management, Kamwere UON Wanjiku B.Comm (Accounting), CUEA CPA (K), KASNEB 6. -
Winners of Bookmyshow.Com, 'Players Re-Tweet Contest' Get A
Winners of BookMyShow.com, ‘Players Re-tweet Contest’ get a chance to meet the Star cast of the movie “Players” ~ BookMyShow.com associates with Players as the online media partner ~ Mumbai, January 2012: Bookmyshow.com, India’s leading entertainment ticketing portal on 5th January 2012 organized a special meet and greet for the winners of BookMyShow.com ‘Players Re-tweet Contest. Three lucky BMS patrons got a chance to meet and get charmed by the star cast of the movie; Abhishek Bacchan, Bipasha Basu, Sonam Kapoor and Neil Nitin Mukesh. Ms. Krutik Munani, Mr. Manan Haria and Mr. Sheherazad Master were the lucky ones who got a chance to meet their favourite star. The cast was seen getting candid with the winners and sharing their experience during the movie shoot. Neil, who plays the character named ‘Spider’, a computer hacker crooned the crowd with an impromptu rendition of a song sung by his late grandfather Mr. Mukesh. Abhishek wowed the crowd with his entrance and spoke about his character in the movie - Charlie, the master-mind of this heist based thriller. Bipasha Basu, who plays the femme fatale called as ‘Riya’ and Sonam Kapoor who portrays the character called ‘Naina’ who is much like her real-life character of a chirpy optimist were seen shaking their legs with the male stars. About Bookmyshow.com Bigtree Entertainment's Bookmyshow.com is the gateway to the fastest and most secure hassle free booking experience. With 90% market share in e-ticketing, Bookmyshow.com is the market leader in providing ticketing solution for entertainment universe encompassing movies and non-movies options like concerts, plays, stand up acts, live performances and major sporting events. -
Page 01 July 15.Indd
TUESDAY 15 JULY 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Google smartwatches: CAMPUS LG G Watch, Samsung • QFBA distributes gifts to children at Gear Live and Hamad General Hospital Android Wear P | 4 P | 12 FOOD • Creamy dressings without the cream showcase the flavours of summer P | 6 LIFESTYLE • Medieval fans in Japan living out armoured dreams P | 7 FILM • Planet of the Apes climbs over Transformers to win US box office crown P | 8-9 HEALTH • Ten minutes without ANYBODY smartphone fuel anxiety • All that Jazzercise HOME? P | 11 LEARN ARABIC While much of the world worries about how it will accommodate • Learn commonly rapidly growing populations, some used Arabic words islands in the Pacific like Niue face and their meanings the opposite dilemma: how to stop everybody from leaving. P | 13 2 PLUS | TUESDAY 15 JULY 2014 COVER STORY BY NICK PERRY “People wanted to go away to look for a better University of Sydney, recalls speaking with a life,” Hetutu says. “People are still searching.” nurse who specialised in neonatal care and had t was a school once, but there are no chil- Other Pacific islands face similar struggles. returned for her father’s funeral. dren here anymore. The lonely building The CIA estimates the population of the Cook “There was no point in her being in Niue,” on this remote Pacific island now contains Islands is declining by 3 percent per year, a rate Connell says. “She could only be there if she Ionly a punching bag that someone has second only to war-torn Syria. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
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JAMMU | WEDNESDAY | APRIL 28, 2021 JB ENTERTAINMENT JAMMU BULLETIN 7 Aashka Goradia quits showbiz: ‘Would Dhanush film Jagame Thandhiram will rather call it moving on to a different phase’ start streaming on Netflix from this date hanush-starrer ashka Goradia has shocked did that when I took up acting two Jagame Thandhiram fans and television audience decades back, and I gave it my all. will be released on by deciding to quit acting to Right now, yes it’s a tough decision D A Netflix on June 18, the pursue her entrepreneurial dreams. and choices are always tough. I am not Having started her make-up brand a just walking away from a career I built streaming giant announced few years back, the actor wants to from the scratch but also the city, on Tuesday evening. Sharing focus on the same in a bid to take it to memories, relationships — I will miss a new poster of the movie in a new level. Calling it a ‘three year everything but I have always believed which a smiling Dhanush is plan’ as of now, Aashka however calls that you have to stride to make a mark seen sporting shades, Netflix it a ‘moving on’ decision rather than in your career,” she replied with a wrote, “Suruli oda aatatha ‘quitting’. The Maharana Pratap actor smile. paaka naanga ready! Neenga shared, “I don’t think you can give up And if you are wondering what ready ah? something that has been such an would Aashka Goradia miss the most, #JagameThandhiram coming important phase in your life.