Dossier-De-Presse-L-Ombrelle-Bleue
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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Dus Kahaniyaan Free Moviesl
Dus Kahaniyaan Free Moviesl 1 / 4 Dus Kahaniyaan Free Moviesl 2 / 4 3 / 4 MOVIE NAME: DUS KAHANIYAAN (BOLLYWOOD MOVIE WATCH ONLINE) (PDVD-RIP) PRESENTER: Sanjay Dutt BANNER: White Feather .... Stream & watch back to back Full Movies only on Eros Now - https://goo.gl/GfuYux Ten short stories, across .... Dus Kahaniyaan (2007). Original Title: दस कहानियाँ. Watch Now. Filters. Best Price. SD. HD. 4K. Stream. Jio Cinema. Subs. Zee5. Free. Eros Now. Subs HD.. In every web site they charging for full movie.. I am not going to pay.. So plz any body send me the link of this movie where it is downloaded for free of cost.. Watch Dus Kahaniyaan - title on DIRECTV. It's available to watch.. Dus Kahaniyaan - Wikipedia, the free encyclopedia Official Movie Poster of Dus Kahaniyaan: Produced by: Sanjay Gupta: Starring: Sanjay Dutt .... Dus Kahaniyaan - Bollywood>Bollywood (1954 - 2008) - watch hd movie newly available worth watching .... Up next. 50+ videos Mix - Dus Kahaniyaan Full Hindi Movie 2007YouTube. Out of Time YouTube Movies .... Dus Kahaniyaan is only available for rent or buy starting at $5.99. Get notified if it ... all in one place. Totally free to use! ... on Prime Video. It's an action & adventure and crime movie with an average IMDb audience rating of 5.7 (1,460 votes).. Dus Kahaniyaan. Dus Kahaniyaan movie poster ... This film is a collection of ten stories of kind strangers who are living an oppression free life.. Dus Kahaniyaan ( transl. Ten stories) is a 2007 Indian Hindi- language anthology film ... From Wikipedia, the free encyclopedia. -
A Study of Shakespeare Contribution in Hindi Cinema
International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 Index Copernicus Value (2016): 79.57 | Impact Factor (2015): 6.391 A Study of Shakespeare Contribution in Hindi Cinema Asma Qureshi Abstract: In India, Cinema not only a name of entertainment, but also educate to millions of people every day. Friday is celebrated by screening of new films. Indians happily participate in Cinema culture of the Country. Shakespearean tragedies have been a never ending source of inspiration for all filmmakers across the world. Many Hindi films based on Shakespeare novel like Shahid, Omkara, Goliyo ki raasleela Ramleela etc. William Shakespeare in India has been an exceptional and ground-breaking venture. The literary collection of Shakespeare is dynamic and an unlimited source of inspiration for countless people across the globe. When Shakespeare’s writing is adapted in cinema, it sets it ablaze, and transfers the audience to a cinematic paradise. Indian adaptation of both Shakespearean tragedy and comedy can be comprehended as an Combination of ‘videsi’ and ‘desi’, a synthesis of East and West, and an Oriental and Occidental cultural exchange. Shakespeare’s, “bisexual‟ mind, the complexity of his Narrative, music, story-telling, and creative sensibility categorizes him as an ace literary craftsman. This Research is an attempt to understand the contribution of Shakespeare novel in Hindi cinema. So that we can easily understand the main theme of the story. What writer wants to share with us. We can easily understand main theme of novel. 1. Introduction European library worth the whole native literature of India and Arabia‖. It also has a lot to do with profound resonances Indian Hindi language film industry is also known as Hindi between Shakespeare‘s craft and Indian cultural forms that cinema which is situated or we can say mainly operated converge on one concept: masala. -
Applications Received During 1 to 31 March, 2020
Applications received during 1 to 31 March, 2020 The publication is a list of applications received during 1 to 31 March, 2020. The said publication may be treated as a notice to every person who claims or has any interest in the subject matter of Copyright or disputes the rights of the applicant to it under Rule 70 (9) of Copyright Rules, 2013. Objections, if any, may be made in writing to copyright office by post or e-mail within 30 days of the publication. Even after issue of this notice, if no work/documents are received within 30 days, it would be assumed that the applicant has no work / document to submit and as such, the application would be treated as abandoned, without further notice, with a liberty to apply afresh. S.No. Diary No. Date Title of Work Category Applicant 1 3906/2020-CO/L 01-03-2020 Data Structures Literary/ Dramatic M/s Amaravati Publications 2 3907/2020-CO/L 01-03-2020 SHISHU VIKAS YOJANA Literary/ Dramatic NIRAJ KUMAR 3 3908/2020-CO/A 01-03-2020 Picaso POWER Artistic INDOGULF CROPSCIENCES LIMITED 4 3909/2020-CO/L 01-03-2020 ICON COMPUTER Literary/ Dramatic ICON COMPUTER SOLUTION SOLUTION 5 3910/2020-CO/A 01-03-2020 PLANOGULF Artistic INDOGULF CROPSCIENCES LIMITED 6 3911/2020-CO/L 01-03-2020 Color intensity based Literary/ Dramatic Dr.Preethi Sharma, Dr. Minal Chaudhary, software: An adjunct Mrs.Ruchika Sinhal, Dr.Madhuri Gawande screening tool used in Potentially malignant disorders and Oral squamous cell carcinoma 7 3912/2020-CO/L 01-03-2020 Aakarshan : Aapke Pyaar Literary/ Dramatic Akshay Gaur ki Seedhee 8 3913/2020-CO/L 01-03-2020 Academic course file Literary/ Dramatic Dr. -
Psychoanalysis of Female Characters in Vishal Bharadwaj's Trilogy
© 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) Psychoanalysis of Female Characters in Vishal Bharadwaj’s Trilogy Maqbool, Omkara and Haider Shikha Rani, Research Scholar MJP Rohilkhand University Bareilly Alka Mehra Assistant Professor Government Degree College Bisalpur MJP Rohilkhand University Bareilly Abstract: Freud’s theory of psychology that he referred as psychoanalysis has been accepted and extended in analyzing literature and other arts too. Freud believes that literature and other arts are like dreams and psycho symptoms which contain imaginative fancies, so literature and other arts are capable to fulfill wishes that are commonly restricted by social standards and norms. My research paper is an attempt to focus on the psychoanalysis of female protagonists in Bharadwaj’s worldwide acclaimed movies ‘Maqbool’, ‘Omkara’ and ‘Haider’ which are an adaptation of Shakespeare’s famous tragedies ‘Macbeth’, ‘Othello’ and ‘Hamlet’. These female characters are just like puppet in grip of unconscious urges. This study further analysis human’s helplessness under the arrest of its uncontrolled passions. Through this study, I want to find out the strong and weak unconscious fancies of Nimmi, Dolly and Gazala and their fight against their own id, ego and superego which brutally influenced them mentally as well as physically. Nimmi who is a complex character, struggles as a mistress of don and as a beloved of Maqbool. Dolly suffers mentally due to male’s suspicious nature and patriarchal society whereas Gazala tries to make conciliation with her second marriage and with her adult obsessive son. Keyword: psychoanalysis, sex complex obsessive, conflict. Shakespeare’s plays have been adapted all over the world due to his universality and cosmopolitan nature. -
The 360-Degree Sweep of Philanthropy
(/Home/index) Share Font Size D’load Image Image Text Listen The 360-degree sweep of philanthropy How lessons from being a rst-generation entrepreneur have helped Ronnie Screwvala transform rural life in Raigad through his Swades Foundation 14/09/2019 Zarina (centre) and Ronnie Screwvala interacting with the Gokulwada village community, which received drinking water at their homes for the first time with the support of the Swades Foundation.courtesy swades foundation Sanjukta Sharma At 56, seven years after he divested his media and movies conglomerate UTV Software Communications to Disney for an enterprise value of $1.4 billion (around ₹10,000 crore now), Ronnie Screwvala is one of the few Indian philanthropists who has created his own not-for-prot, 360-degree model of rural development that can have a multiplier eect. The Swades Foundation has been working in more than 2,000 villages in Maharashtra’s Raigad district since 2013. Screwvala doesn’t live or talk like a billionaire and doesn’t like the word “philanthropist”, he says, when we meet at his oce an unassuming sprawl built around basics, in Worli, Mumbai. “Philanthropist sounds ponderous. It seems to mean you have to mature, above 50, with a fat bank balance to give. I believe you don’t need to necessarily have a lot to give. We started very young, in our 20s,” he says. By we, he means his family: wife Zarina Screwvala, co-founder and managing trustee of the foundation, and daughter Trishya Screwvala, who is also a social entrepreneur. The oce is home to Swades Foundation, his online education venture upGrad, sports company U Sports, (/Home/index) private equity label Unilazer Ventures and movies and digital content company RSVP, which produced, among other lms, the year’s very successful Hindi lm Uri: The Surgical Strike. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Toba Tek Singh Short Stories (Ii) the Dog of Tithwal
Black Ice Software LLC Demo version WELCOME MESSAGE Welcome to PG English Semester IV! The basic objective of this course, that is, 415 is to familiarize the learners with literary achievements of some of the significant Indian Writers whose works are available in English Translation. The course acquaints you with modern movements in Indian thought to appreciate the treatment of different themes and styles in the genres of short story, fiction, poetry and drama as reflected in the prescribed translations. You are advised to consult the books in the library for preparation of Internal Assessment Assignments and preparation for semester end examination. Wish you good luck and success! Prof. Anupama Vohra PG English Coordinator 1 Black Ice Software LLC Demo version 2 Black Ice Software LLC Demo version SYLLABUS M.A. ENGLISH Course Code : ENG 415 Duration of Examination : 3 Hrs Title : Indian Writing in English Total Marks : 100 Translation Theory Examination : 80 Interal Assessment : 20 Objective : The basic objective of this course is to familiarize the students with literary achievement of some of the significant Indian Writers whose works are available in English Translation. The course acquaints the students with modern movements in Indian thought to compare the treatment of different themes and styles in the genres of short story, fiction, poetry and drama as reflected in the prescribed translations. UNIT - I Premchand Nirmala UNIT - II Saadat Hasan Manto, (i) Toba Tek Singh Short Stories (ii) The Dog of Tithwal (iii) The Price of Freedom UNIT III Amrita Pritam The Revenue Stamp: An Autobiography 3 Black Ice Software LLC Demo version UNIT IV Mohan Rakesh Half way House UNIT V Gulzar (i) Amaltas (ii) Distance (iii)Have You Seen The Soul (iv)Seasons (v) The Heart Seeks Mode of Examination The Paper will be divided into section A, B and C. -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
Kaminey 2.1(Roman)
KAMINEY By Supratik Sen Abhishek Chaubey Sabrina Dhawan Vishal Bhardwaj July 13th, 2009 Draft 2.1 Roman 1 On black, we hear the sound of gospel singing in chorus. 1 FADE IN: EXT. AFRICAN HAMLET-TWILIGHT A sleepy African hamlet in the twilight. The sound of the gospel spreads over the countryside. A group of small kids play football with a plastic bottle in the village square. SUPER appears- CUANGO VALLEY,ANGOLA INT. AFRICAN HAMLET- LOCAL CHURCH As the camera tracks down from the bleeding visage of Christ, a group of local village elders stand in a row and sing the gospel. EXT. AFRICAN HAMLET-LOCAL CHURCH A battered cross on the church roof. As the camera cranes up,a convoy of inconspicuous jeeps can be seen on a distant hilly road,making their way towards the village. INT. AFRICAN HAMLET-VILLAGE HOUSE-KITCHEN / LIVING ROOM A heavily pregnant girl, LIBERTA, takes out hot soup into bowls from a vessel on the top of the gas stove. An intense discussion can be heard coming out of the living room. The camera travels with her as she walks into the room to set the dinner table. An old couple and two three male elders, sit around the table. There is tension in the air. Leading the discussion is WELKETT, the husband of the pregnant lady. They notice her presence and the argument stops. DANIEL mimics the size of her belly. DANIEL She can’t get out of the door of the house with the size of her belly and you are asking us to leave the village. -
Sex, Songs and the Desi Feminist Noir1
NCJCF 12 (1+2) pp. 97–111 Intellect Limited 2014 New Cinemas: Journal of Contemporary Film Volume 12 Numbers 1 & 2 © 2014 Intellect Ltd Article. English language. doi: 10.1386/ncin.12.1-2.97_1 Krupa shandilya Amherst College The long smouldering night: sex, songs and the desi feminist noir1 absTracT Keywords This article argues that the films Ishqiya/Romance (Chaubey, 2010) and Dedh film noir Ishqiya/Romance 1.5 (Chaubey, 2014) by Abhishek Chaubey, represent a new genre feminism of films, namely the ‘desi feminist noir’, which is characterized by all the elements of Ishqiya film noir, such as the murky distinction between good and evil, the lawlessness of the Dedh Ishqiya streets and the femme fatale. However, in these films the figure of the femme fatale is Bollywood used to forward explicitly feminist trajectories of love, romance and sex. I give a brief queer desire history of romantic coupling in Hindi cinema, and analyse the films’ departure from these articulations of romance. Next, I focus on a song sequence from each of the films to explicate the desi feminist femme fatale’s subversion of the romantic conven- tions of the Hindi film song and her inauguration of a new aesthetic of romance. In conclusion, I consider the implications of this new genre for Bollywood cinema. This article argues that the films Ishqiya/Romance (Chaubey, 2010) and Dedh 1. Many thanks to Crystal Parikh, Naomi Schiller, Ishqiya/Romance 1.5 (Chaubey, 2014) represent a new genre of films, namely Jini Kim Watson and the ‘desi feminist noir’. The ‘desi feminist noir’ is characterized by all the Joseph Keith for their elements of film noir, such as the murky distinction between good and evil, invaluable comments on an early draft of the lawlessness of the streets and the femme fatale.