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NEW YORK PUBLIC LIBRARY, WOODSTOCK BRANCH, 761 East 160Th Street, the Bronx Constructed 1913-1914; Mckim, Mead & White, Architects
Landmarks Preservation Commission April 14, 2009 Designation List 412 LP-2322 NEW YORK PUBLIC LIBRARY, WOODSTOCK BRANCH, 761 East 160th Street, The Bronx Constructed 1913-1914; McKim, Mead & White, architects Landmark Site: Borough of the Bronx, Tax Block 2657, Lot 30 On January 13, 2009, the Landmarks Preservation Commission held a public hearing on the proposed designation of the New York Public Library Woodstock Branch. Four witnesses spoke in favor of the designation, including a representative of the New York Public Library and representatives of the Municipal Art Society, the Historic Districts Council and the Metropolitan Chapter of the Victorian Society in America. Summary Opened on February 17, 1914, the Woodstock Branch of the New York Public Library is the sixty-first Carnegie branch library built in New York City. It is one of nine in the Bronx (eight still extant) and one of sixty-seven in all five boroughs, constructed when Andrew Carnegie donated $5.2 million in 1901 to establish a city-wide branch library system. The preeminent and nationally influential architectural firm of McKim, Mead & White designed the Woodstock Branch; it was the eleventh of their twelve Carnegie libraries, consisting of three in the Bronx, and nine in Manhattan.1 The library’s classically-inspired style, with its characteristic vertical plan, offset entrance, carved stone ornament, and tall arched first floor windows providing abundant lighting to a simple interior, is characteristic of the urban Carnegie library type. The library has played a prominent role in the neighborhood for nearly one hundred years. DESCRIPTION AND ANALYSIS History of Morrisania2 The Morrisania section of the Bronx was named after the prominent Morris family, local landowners, slaveowners and politicians through several generations from the seventeenth through nineteenth centuries. -
(FORMER) JAMES HAMPDEN and CORNELIA VAN RENSSELAER ROBB HOUSE, 23 Park Avenue (Aka 101-103 East 35Th Street), Manhattan
Landmarks Preservation Commission November 17, 1998; Designation List 299 LP-2026 (FORMER) JAMES HAMPDEN AND CORNELIA VAN RENSSELAER ROBB HOUSE, 23 Park Avenue (aka 101-103 East 35th Street), Manhattan. Built 1889-1892; Stanford White of McKim, Mead & White, architect. Landmark Site: Borough of Manhattan Tax Map Block 891, Lot 1. On September 15, 1998, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the (Former) James Hampden and Cornelia Van Rensselaer Robb House, and the proposed designation of the related Landmark Site (Item No. 1). The hearing had been duly advertised in accordance with the provisions of law. Eight witnesses spoke in favor of designation, including Samuel G. White, architect with Buttrick, White & Burtis and great-grandson of Stanford White, and representatives of the Murray Hill Association, the New York Landmarks Conservancy, the Beaux Arts Alliance, and the Historic Districts Council. A member of the 23 Park Avenue Realty Corporation, owner of the building, spoke in support of the designation. There were no speakers in opposition to this designation. At its September meeting Manhattan Community Board Six passed a resolution in support of the designation. The Commission has received a letter from the Robbs' great granddaughter, Katherine C. Moore, in support of the designation. In the past the Commission received several letters urging the designation of this building. Summary Built in 1889-92 for J. Hampden Robb and his wife Cornelia Van Rensselaer Robb, this elegant and imposing structure is considered one of the finest urban residences designed by Stanford White of the prominent architectural firm of McKim, Mead & White and was one of the earliest Renaissance Revival townhouses by White. -
I. Introduction & Background
I. Introduction & Background This project was initiated by the Duluth Heritage Preservation Commission in order to document the historic resources within an approximately 100-acre, 24-block area of the East End which was defined as follows: properties fronting North 21st Avenue East extending east to North 27th Avenue East and properties fronting East Superior Street on the south extending northward to include properties fronting on East Third Street. Two hundred and twelve residential buildings were documented (see annotated list of properties in Appendix A and maps of area in Appendix B.) The project was paid for by a Certified Local Government grant from the National Park Service through the State Historic Preservation Office at the Minnesota Historical Society and a cash match provided by the Duluth Preservation Alliance. Basic background research on the houses in the East End was begun years ago and can be almost entirely credited to the work of Maryanne Norton, currently a member of the Duluth Heritage Preservation Commission and volunteer research librarian at the Duluth Public Library. The project product is provided in two parts: the first is this report, which is a synthesis of the significant findings concerning the district; the second is a set of survey forms in which each individual property is documented with a written description, photograph and map. The second part is under separate cover. Notes: . For purposes of this report, the term “East End Neighborhood” or “East End” refers to the approximately 24-block area defined above, even though this neighborhood actually includes a more extensive area (the remainder of which is to be surveyed in a second phase). -
Adirondack Camps National Historic Landmarks Theme Study
NPS Form 10-900-b OMB No. 1024-0018 (June 1991) United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This form is for use in documenting multiple property groups relating to one or several historic contexts. See instructions in How to Complete the Multiple Property Documentation Form (National Register Bulletin 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items. x New Submission Amended Submission A. Name of Multiple Property Listing ADIRONDACK CAMPS NATIONAL HISTORIC LANDMARKS THEME STUDY B. Associated Historic Contexts THE ADIRONDACK CAMP IN AMERICAN ARCHITECTURE C. Form Prepared by name/title Wesley Haynes, Historic Preservation Consultant; James Jacobs, Historian, National Historic Program, National Park Service date March 28, 2000; updated organization 2007 street and number 22 Brightside Drive telephone 917-848-0572 city or town Stamford state Connecticut zip code 06902 D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional requirements set forth in 36 CFR Part 60 and the Secretary of the Interior’s Standards and Guidelines for Archaeology and Historic Preservation. (See continuation sheet for additional comments.) Signature and title of certifying official Date State or Federal agency and bureau I hereby certify that this multiple property documentation form has been approved by the National Register as a basis for evaluating related properties for listing in the National Register. -
Landmarks Preservation Commission March 13, 2007, Designation List 388 LP-2214
Landmarks Preservation Commission March 13, 2007, Designation List 388 LP-2214 LABORATORY ADMINISTRATION BUILDING, BROOKLYN BOTANIC GARDEN, 1000 Washington Avenue, Brooklyn. Built 1912-17; McKim, Mead & White, architects (William Kendall) Landmark Site: Borough of Brooklyn Tax Map Block 1183, Lot 1, in part consisting of the land on which the described building is situated On November 14, 2006, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Laboratory/Administration Building and the proposed designation of the related Landmark Site (Item No. 6). The hearing was duly advertised in accordance with the provisions of law. Three people spoke in favor of designation including the President of Brooklyn Botanic Garden, and representatives of the Historic Districts Council and the Society for the Architecture of the City. In addition, the Commission received a letter of support from City Councilmember Letitia James. Summary The Laboratory Administration Building, designed by William Kendall of the renowned architectural firm, McKim, Mead & White, is located within the boundaries of and is an integral part of the Brooklyn Botanic Garden. Initially conceived of in 1910, the Laboratory Administration Building was constructed in stages, beginning in 1912. The building is modeled after small churches in the Lombardy region of Italy and is constructed in a Greek cross design with a cupola at the center of a symmetrical form. This Tuscan Revival style building is made of concrete and brick, with stucco finish and terra-cotta detailing. Included in the firm’s A Monograph of the Works of McKim, Mead & White 1879-1915, the Laboratory/Administration Building is considered to be a significant example of the firm’s late work. -
Roster of Graduates and Past Cadets of Norwich University, 1819-1907
ifr-yt^.^pi^,^'^. f^^ ^5^ ,#I^N^^^^ U.. ^liM^ '>^ X ^•f r^jfe *7 -^-, ^-*^-^^^..^ . .^,'^m y?f.^^ ^m^^r REYNOLO^ HiFTORICAL GENEALOGY COLLECTION T^OTT^^rT ^arbarti CoUrgr ILtijrarg Ga-oJxix, ALLEN COUNTY PUBLIC LIBRARY 3 1833 00828 8497 i'U ^'i iyi;y ROSTER OF THE GRADUATES AND PAST CADETS NORWICH UNIVERSITY THK MILITARY COLLEGE OF THE STATE OF VERMONT. 1819-1907 COMPILED BY WILLIAM A. ELLIS, B. S., A, M. LIBRARIAN, NORWICH UNIVERSITY Vt^^o^ ®ljp ©ptninn Prrsa lanr Note—It is our -purpose in presenting this "Roster of the Alumni and Past Cadets" of the University, to give a few of the more important positions held by the men; their highest rank in the National Guard and the military service of the country. This record is necessarily incomplete and in many cases it was impossible to give the present address of the men, but Avith the co- operation of our Alumni and friends, we can make this "Roster" practically complete. The Roster of Past Cadets includes the names of the men who have been in attendance two years. We earnestlv request that our Alumni and friends read this Roster through carefully and inform the compiler of any change or addition. A large portion of the data used in compiling this "Roster" was taken from the "History of Norwich University, 1819-98" published in 1898. A second edition of the history of the University is being compiled, and will be ready for distribution by the commencement of 1908. This history will cover the period from 1866 to date, and will include the sketches of the men left out in the first ediion. -
Mckim, Mead & White, Architects Landmark Site
Landmarks Preservation Commission April 14, 2009 Designation List 412 LP-2322 NEW YORK PUBLIC LIBRARY, WOODSTOCK BRANCH, 761 East 160th Street, The Bronx Constructed 1913-1914; McKim, Mead & White, architects Landmark Site: Borough of the Bronx, Tax Block 2657, Lot 30 On January 13, 2009, the Landmarks Preservation Commission held a public hearing on the proposed designation of the New York Public Library Woodstock Branch. Four witnesses spoke in favor of the designation, including a representative of the New York Public Library and representatives of the Municipal Art Society and the Metropolitan Chapter of the Victorian Society in America. Summary Opened on February 17, 1914, the Woodstock Branch of the New York Public Library is the sixty-first Carnegie branch library built in New York City. It is one of nine in the Bronx (eight still extant) and one of sixty-seven in all five boroughs, constructed when Andrew Carnegie donated $5.2 million in 1901 to establish a city-wide branch library system. The preeminent and nationally influential architectural firm of McKim, Mead & White designed the Woodstock Branch; it was the eleventh of their twelve Carnegie libraries, consisting of three in the Bronx, and nine in Manhattan.1 The library’s classically-inspired style, with its characteristic vertical plan, offset entrance, carved stone ornament, and tall arched first floor windows providing abundant lighting to a simple interior, is characteristic of the urban Carnegie library type. The library has played a prominent role in the neighborhood for nearly one hundred years. DESCRIPTION AND ANALYSIS History of Morrisania2 The Morrisania section of the Bronx was named after the prominent Morris family, local landowners, slaveowners and politicians through several generations from the seventeenth through nineteenth centuries. -
Architetti E Ingegneri Italiani in Albania
ARCHITETTI E INGEGNERI ITALIANI IN ALBANIA a cura di Ezio Godoli e Ulisse Tramonti © Copyright 2012 by Edifir Edizioni Firenze s.r.l. Via Fiume, 8 – 50123 Firenze Tel. 05528639 – Fax 055289478 www.edifir.it – [email protected] Responsabile del progetto editoriale Simone Gismondi Responsabile editoriale Silvia Frassi Stampa Pacini Editore Industrie Grafiche isbn 978-88- In copertina: Fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% di ciascun volume/fascicolo di periodico dietro pagamento alla SIAE del compenso previsto dall’art. 68, comma 4, della legge 22 aprile 1941 n. 633 ovvero dall’accordo stipulato tra SIAE, AIE, SNS e CNA, ConfArtigianato, CASA, CLAAI, ConfCommercio, ConfEsercenti il 18 dicembre 2000. Le riproduzioni per uso differente da quello personale sopracitato potranno avvenire solo a seguito di specifica autorizzazione rilasciata dagli aventi diritto/dall’editore. INDICE JORGAQ KACANI Presentazione 00 ARTAN SHKRELI Gli albori di Tirana Capitale e Armando Brasini 00 ELISABETTA PROCIDA I progetti di Armando Brasini “Architetto onorario del Governo d’Albania” 00 ULISSE TRAMONTI Florestano Di Fausto. Dal Dodecaneso all’Albania attraverso Predappio 00 MARIA CONCETTA MIGLIACCIO Identità e architettura nell’esperienza albanese di Florestano Di Fausto 00 EZIO GODOLI Progetti per la SVEA (Società per lo sviluppo economico dell’Albania): documenti dagli archivi di Luigi Luiggi e Guido Fiorini 00 DIEGO CALTANA FRANCESCO KRECIC Le Assicurazioni Generali in Albania: sedi di rappresentanza e -
NEW YORK PUBLIC LIBRARY, TOMPKINS SQUARE BRANCH, 331East10th Street, Manhattan
Landmarks Preservation Commission May 18, 1999, Designation List 304 LP-1998 NEW YORK PUBLIC LIBRARY, TOMPKINS SQUARE BRANCH, 331East10th Street, Manhattan. Built 1904. McKim, Mead & White, architects. Landmark Site: Borough of Manhattan Tax Map Block 404, Lot 39 On May 5, 1998 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of The New York Public Library, Tompkins Square Branch, and the proposed designation of the related Landmark Site (Item No. 4). The hearing was duly advertised in accordance with the provisions of law. A representative of The New York Public Library and a representative of Council member Margarita Lopez spoke in favor of designation; there were no speakers in opposition. Summary Opened on December 1, 1904, the Tompkins Square Branch of The New York Public Library is one of the earliest Carnegie branch libraries in New York City. It is one of twenty in Manhattan and one of sixty-seven in New York City, built when Andrew Carnegie donated $5. 2 million in 1901 to establish a city-wide branch library system. The preeminent and nationally influential architectural firm of McKim, Mead & White designed the Tompkins Square Branch and twelve other Carnegie branch libraries. The library, with its characteristic vertical plan and arched entrance offset to one side, classically-inspired style and carved stone ornament, and tall, arched first and second floor windows providing abundant lighting to a simple interior, is characteristic of the urban Carnegie library type. The library has played a prominent role in the neighborhood for nearly one hundred years. -
BAMPFA Premieres Groundbreaking Exhibition Organized by Mead Art Museum at Amherst College That Examines the Role of Science in Mid-Century Art
Media Contact: A. J. Fox · (510) 642-0365 · [email protected] BAMPFA Premieres Groundbreaking Exhibition Organized by Mead Art Museum at Amherst College that Examines the Role of Science in Mid-Century Art On View at the University of California, Berkeley Art Museum & Pacific Film Archive: November 7, 2018–March 3, 2019 On View at Mead Art Museum at Amherst College: March 28–June 2, 2019 Dimensionism Illuminates Untold Story of “Scientific Revolution” Among Leading European and American Artists (Berkeley, CA) August 21, 2018—This fall, the University of California, Berkeley Art Museum and Pacific Film Archive (BAMPFA) presents the premiere of a nationally touring exhibition that explores the influence of scientific discovery on some of the twentieth century’s most celebrated artists. Organized by the Mead Art Museum at Amherst College, Dimensionism: Modern Art in the Age of Einstein is the first exhibition to highlight the untold story of the “Dimensionist Manifesto”—a proclamation authored by Hungarian poet Charles Sirató in 1936 and endorsed by such artistic luminaries as Alexander Calder, Marcel Duchamp, Joan Miró, László Moholy-Nagy, Sophie Taeuber-Arp, and others—which called for an artistic response to the era’s groundbreaking scientific discoveries. Featuring nearly seventy artworks by the Manifesto’s signatories and their contemporaries, the exhibition illuminates remarkable connections between the scientific and artistic revolutions that shaped the twentieth century. Dimensionism features new scholarship on the influence of science on European and American artists of the 1930s, who were active at a time when mass media was exposing the general public to radical new developments in scientific theory. -
The Scots Who Built New York’S Landmarks
THE SCOTS WHO BUILT NEW YORK’S LANDMARKS Wednesday, October 15, 2014 A talk by Michael Miscione Manhattan Borough Historian & John Kinnear Historian, Architect & President of AFGG on Charles Follen McKim, William Rutherford Mead & Stanford White of the legendary firm McKim, Mead & White The University Club One West 54th Street New York, NY 10019 Talk & Reception: 6-8pm RSVP: Reply card enclosed THE AMERICAN-SCOTTISH FOUNDATION® is proud to present the first in a series of talks leading to our 2015 exhibition of the Scottish architects & philanthropists who have contributed to the building of New York City. October 15 will focus on Charles McKim of McKim, Mead & White who was the architect for the historic University Club. MICHAEL MISCIONE - the Manhattan Borough Historian, a native New Yorker, was appointed Borough Historian by the Manhattan Borough President in June of 2006. As the borough’s official history booster he oversees a team of community historians; hosts history talks, ceremonies and workshops and fields questions about city history from the press and public. Mr. Miscione has written articles about New York City history for the New York Times, the New York Post, the Gotham Gazette and other publications. He contributed entries to the “The Greatest Grid,” a book about the history of the Manhattan street grid. Previously, Mr. Miscione was a senior television producer for NYC-TV where he created many nonfiction programs including an award-winning historical documentary that depicted the contentious political struggle to consolidate the five boroughs in 1898. JOHN KINNEAR - Principal of John Kinnear Architects and President of the American Friends of the Georgian Group, has an architectural practice based in Manhattan, which undertakes projects throughout the United States. -
1 APPENDIX D BIBLIOGRAPHIES of ARCHITECTS, MCKIM, MEAD and WHITE Charles Follen Mckim (1847-1909 Was Born at Isabella Furnace
1 APPENDIX D BIBLIOGRAPHIES OF ARCHITECTS, MCKIM, MEAD AND WHITE Charles Follen McKim (1847-1909 was born at Isabella Furnace, Chester County, Pennsylvania and was the anchor of the practice and the partner who enshrined the commitment to Beaux-Arts ideals. McKim studied Mining Engineering briefly at Harvard and in the summer of 1867 apprenticed under the noted architect, Russell Sturgis (1836-1909) in New York.1 From 1867-1870 McKim attended the École des Beaux-Arts in Paris returning to the United States in 1870. He brought with him the teachings of the École that combined ideals of beauty and clear planning to produce monumental architecture, and added Ruskinian precepts he had absorbed during this brief stay in Sturgis’ office – expressive massing, solid and straight forward construction and symbolic meaning enhanced by mural painting and decorative sculpture.2 Before McKim entered into a partnership with William B. Bigelow and William Mead in 1872 in New York City, he worked for a short time in the office of Henry Hobson Richardson (1838-1886), and became Richardson’s principal assistant working in the Spring of 1872 on the early studies for Trinity Church in Boston. William Rutherford Mead (1846-1928) was born in Brattleboro, Vermont and graduated from Amherst College in 1867. He worked for an engineer for a short time before entering the New York architectural office of Russell Sturgis as a paying student for instruction in architecture in 1867. Mead left New York for one and a half years and 1 Leland Roth, The Architecture of McKim, Mead & White 1890-1920: A Building List (New York and London: Garland Publishing, 1978), xvii.