Charles Follen Mckim Architect ( 1847

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Charles Follen McKim Architect ( 1847 – 1909 ) McKim was born in Pennsylvania, and studied architecture at the École des Beaux-Arts in Paris before joining the office ofHENRY HOBSON RICHARDSON in 1870. McKim formed his own firm in partnership with engineer WILLIAM RUTHERFORD MEAD, joined in 1877 by fellow Richardson protegé STANFORD WHITE. Initially, the firm was primarily known for their in- formal summer houses. McKim became best known, however, as an exponent of Beaux-Arts architecture in styles, exemplified by his first major work, the Bos- ton Public Library, begun in 1887. For this project, he engaged the services of JOHN SINGER SARGENT and AUGUSTUS SAINT-GAUDENS, among others. In 1891, he designed the old Madison Square Garden, in 1892, he designed the Rhode Island state capitol. In 1901, at the behest of the Senate, he joined with Saint-Gaudens, Low Library was built in 1895 by FREDERICK LAW OLMSTED and DANIEL H. BURNHAM to Columbia University president make recommendations to design Washington, D.C. He SETH LOW, in memory of his father ABIEL ALLOT LOW, and financed was primarily responsible for the central area around with his own money when the the Capitol. university balked at the price. Now a National landmark, it is Works in New York include the campus of Columbia capped by the largest free-stand- University, the University Club, the Pierpont Morgan Li- ing granite dome in the U.S. and brary, and the magnificent Penn Station. McKim, with is home to a beloved university symbol, the statue Alma Mater by the aid of RICHARD MORRIS HUNT formed the American DANIEL CHESTER FRENCH. School of Architecture in Rome in 1894, which has be- come the American Academy in Rome. McKim received numerous awards during his lifetime, including the Médaille d’Or at the 1900 Paris Exposi- tion and a gold medal from Britain’s Edward VII. He was elected a Fellow of the American Institute of Ar- chitects in 1877, and received the AIA Gold Medal, post- humously, upon his death in 1909..

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H. H. Richardson's House for Reverend Browne, Rediscovered

H. H. Richardson’s House for Reverend Browne, Rediscovered mark wright Wright & Robinson Architects Glen Ridge, New Jersey n 1882 Henry Hobson Richardson completed a mod- ﬂowering, brief maturity, and dissemination as a new Amer- est shingled cottage in the town of Marion, overlook- ican vernacular. To abbreviate Scully’s formulation, the Iing Sippican Harbor on the southern coast of Shingle Style was a fusion of imported strains of the Eng- Massachusetts (Figure 1). Even though he had only seen it lish Queen Anne and Old English movements with a con- in a sadly diminished, altered state and shrouded in vines, in current revival of interest in the seventeenth-century 1936 historian Henry-Russell Hitchcock would neverthe- colonial building tradition in wood shingles, a tradition that less proclaim, on the walls of the Museum of Modern Art survived at that time in humble construction up and down (MoMA) in New York, that the structure was “perhaps the the New England seaboard. The Queen Anne and Old most successful house ever inspired by the Colonial vernac- English were both characterized by picturesque massing, ular.”1 The alterations made shortly after the death of its the elision of the distinction between roof and wall through ﬁrst owner in 1901 obscured the exceptional qualities that the use of terra-cotta “Kent tile” shingles on both, the lib- marked the house as one of Richardson’s most thoughtful eral use of glass, and dynamic planning that engaged func- works; they also caused it to be misunderstood—in some tionally complex houses with their landscapes.
2018-19 Rome Prize Winners and Italian Fellows

L’American Academy in Rome annuncia i nuovi Vincitori del Rome Prize e gli Italian Fellows Artisti e ricercatori a cui viene dato tempo e spazio per pensare e lavorare a Roma I borsisti italiani sono Ila Bêka (Enel Foundation Italian Fellow in Architecture, Urban Design, and Landscape Architecture), Carmen Belmonte (Italian Fellow in Modern Studies), Invernomuto (Cy Twombly Italian Fellow in Visual Arts), Renato Leotta (Fondazione Sviluppo e Crescita CRT Italian Fellow in Visual Arts), Francesco Lovino (Italian Fellow in Medieval Studies), Virginia Virilli (Italian Fellow in Literature) e Francesco Zorzi (Tiffany & Co. Italian Fellow in Design) New York e Roma (13 aprile 2018) – L’American Academy in Rome (AAR) ha annunciato i vincitori del Rome Prize 2018–19 e le Italian Fellowship dedicate agli artisti e studiosi italiani. Queste borse di studio, altamente selettive, supportano il lavoro e la ricerca indipendente e di qualità nel campo delle arti e degli studi umanistici. I vincitori del Rome Prize e i borsisti italiani sono stati annunciati il 12 aprile 2018 durante la cerimonia di assegnazione dei Rome Prize intitolata ad Arthur and Janet C. Ross nel Frederick P. Rose Auditorium alla Cooper Union di New York. Dopo un’introduzione di Mark Robbins, Presidente e Amministratore Delegato dell’Accademia, borsista nel 1997, i vincitori del Rome Prize 2018–19 e i borsisti italiani sono stati presentati da Mary Margaret Jones, Presidente del Consiglio di Amministrazione, borsista nel 1998. Oltre ai 29 vincitori del Rome Prize, l’Accademia ha annunciato i vincitori delle 7 borse di studio italiane, attraverso cui artisti e ricercatori italiani vivono e lavorano all’interno della comunità dell’Accademia, dedicandosi ai propri progetti in un ambiente collaborativo e interdisciplinare con i loro colleghi americani.
Society of Fellows News American Academy in Rome

SOCIETY OF FELLOWS NEWS AMERICAN ACADEMY IN ROME GARDENS SPRING 2004 From the Editor Catherine Seavitt FAAR’98 The Latin word hortus translates as and the delicacy of life itself, through Society of Fellows NEWS "kitchen garden", which certainly its very materiality. A field of golden SPRING 2004 implies a very different notion than wheat is certainly a powerful image - Published by the Society of Fellows of FAAR’98 that of a large public park or a private epitomized in Agnes Denes 's The American Academy in Rome pleasure garden. Conceptually, the Wheatfield, the planting and harvesting 7 East 60 Street kitchen garden embodies notions of of two acres of wheat at the Battery New York, NY 10022-1001 USA growth, careful tending, and suste- Park landfill, New York, in 1982. This tel 212 751 7200 www.sof-aarome.org Catherine Seavitt FAAR’98 nance, as well as a deeper notion of is a work that profoundly addresses Editor: Co-Editors: Stefanie Walker FAAR’01 text the stewardship of the land. The capitalism and hunger as well as the Joanne Spurza FAAR’89 news cycling of nature is visible in the sea- sustainability of our own humanity. Brian Curran FAAR’94 obits sonal passage of fruits and vegetables, Agnes' Wheatfield is particularly SOF Liason: Elsa Dessberg as is the quirky character of plants - poignant in light of the aftermath of the eternal return of the tomatoes September 11, 2001. Contents and the certain invasion of the A garden captures the spiritual SOF President’s Message 3 rhubarb. The challenges of a small notion of the eternal return, and per- From the AAR President, New York 4 kitchen garden certainly have some haps no city matches that spirit more From the AAR Director, Rome 6 News From Rome 8 analog with each of our own person- than Rome, the Eternal City.
Michael Rosenfeld Gallery @ Frieze New York Spotlight Stand D31 May 5-7, 2017 , 1967/1994, Polished Bronze and Silk on on Silk and Bronze Polished 1967/1994,

Michael Rosenfeld Gallery @ Frieze New York Spotlight Stand D31 May 5-7, 2017 , 1967/1994, polished bronze and silk on on silk and bronze polished 1967/1994, , FOR IMMEDIATE RELEASE (April 22, 2017 – New York) Michael Rosenfeld Gallery will present a spotlight position for Barbara Chase-Riboud (American, b.1939) at Frieze New York, concentrating on works from the 1960s and 1970s. The exhibition will in- clude a selection of sculpture and drawings; most works to Twins in Back Matisse’s be featured have never been exhibited in the United States. American-born, European-based au- thor, poet, and sculptor Barbara Chase- Riboud, will be attending Frieze New York on Thursday, May 4 from 2:00-6:00pm; she will be available for interviews. Following her seminal spotlight at (b.1939), Chase-Riboud Barbara cm 45.7 x 99.1 x 191.1 / 18” x 39” x 1/4” 75 base, steel painted Frieze New York, Michael Rosenfeld Gallery will present in September 2017 Barbara Chase-Riboud – Malcolm X: the series, begun in 1969. Additions to the series came in 2003, Complete, her second large-scale solo 2007-08 and 2016-17, totaling twenty sculptures. Known collec- exhibition at 100 Eleventh Avenue. tively as the Malcolm X Steles, the first thirteen sculptures were exhibited in 2014 to acclaim at the Philadelphia Museum of Art Scheduled to be on view from September 8 to November 4, and the Berkeley Art Museum (University of California Berkeley). 2017, the exhibition will focus on her now complete series Malcolm X Steles which she started in 1969.
The Rhode Island State House

THE RHODE ISLAND STATE HOUSE: The Competition (1890-1892) by Hilary A. Lewis Bachelor of Arts Princeton University Princeton, New Jersey 1984 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE DEGREE MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY FEBRUARY 1988 (c) Hilary A. Lewis 1988 The Author hereby grants to M.I.T. permission to reproduce and to distribute publicly copies of this thesis document in whole or in part. .Signature of author Hilary A. Lewis artment of Architecture January 15, 1988 Certified by Sta ford Anderson Professor of Architecture Thesis Supervisor Accepted by 'Julian Beinart Chairman Departmental Committee for Graduate Students OF E-THNOLOGY UBMan Rot' CONTENTS A. Contents......... .............................. .1 B. Acknowledgements. ............. ................. .2 C. Abstract......... ...............................3 I. Introduction....................................4 II. Body of the Text: The Beginnings of the Commission.... ........... 8 The Selection of McKim, Mead & White .......... 23 Following the Competition........... .......... 39 III. Conclusion.....................................44 IV. Appendices "A" The Conditions for the Competition. ....... 47 "B" Statements of the Governors........ ....... 57 Letters................................. ....... 79 McKim and Burnham...................... ...... 102 The City Plan Commission Report........ 105 Illustrations of Competing Designs..... ...... 110 V. Bibliography............................ ...... 117 1 ACKNOWLEDGEMENTS This thesis was written under the direction of Professor Neil Levine, Chairman of the Fine Arts Department at Harvard University. Professor Levine has not only been extremely helpful with this project; he has been a wonderful teacher who has a gift for instilling his love of the subject in others. I thank him for all of his guidance. H.A.L. Cambridge 2 THE RHODE ISLAND STATE HOUSE: The Competition (1890-1892) by Hilary A.
Michael Van Valkenburgh Associates

MICHAEL VAN VALKENBURGH ASSOCIATES THE LANDSCAPE ARCHITECTURE FIRM AWARD SUBMITTAL ASLA Board of Trustees c/o Carolyn Mitchell American Society of Landscape Architects 636 Eye St., NW Washington, DC 20001 Re: Nomination of Michael Van Valkenburgh Associates for Firm of the Year Dear Trustees, The list of winners of ASLA’s Landscape Architecture Firm Award is stacked with firms that have produced significant work and made great contributions to our profession. As impressive as it is, however, the list remains glaringly incomplete, as it fails to recognize one of our most accomplished firms: Michael Van Valken- burgh Associates (MVVA). As a collective of talented designers and thinkers, MVVA has produced three decades worth of exceptional, groundbreaking built work, been a leader in promoting innovative responses to environmental challenges, and significantly raised awareness of the important work we do as landscape archi- tects. It is because of this that I enthusiastically nominate MVVA for the Landscape Architecture Firm Award. Michael Van Valkenburgh, FASLA, opened MVVA in 1982. As we all know, he has built a career as one of only a handful of landscape architects with name recognition extending far outside of our profession. His accom- plishments and contributions have been recognized with many awards, including the ASLA Design Medal and induction into the prestigious American Academy of Arts and Sciences. His is the public face for the firm, and the name on the letterhead, but he is far from the only person involved. Van Valkenburgh leads the firm with Laura Solano, ASLA and Matthew Urbanski, ASLA, who have been in- volved in most of the firm’s major projects, along with other principals Paul Seck, ASLA, and Gullivar Shepard, ASLA.
American Academy in Rome Announces 2016–2017 Rome Prize Winners & Italian Fellows

FOR IMMEDIATE RELEASE 19 of the 2016-2017 Rome Prize Winners in NYC (Photo: Christine Butler) AMERICAN ACADEMY IN ROME ANNOUNCES 2016–2017 ROME PRIZE WINNERS & ITALIAN FELLOWS NEW YORK and ROME (April 2016) – The American Academy in Rome is pleased to announce winners of the 2016 Rome Prize Fellowship, which annually supports advanced independent work in the arts and humanities within a unique residential community. These thirty-one artists and scholars will receive a stipend, workspace, and room and board for a period of six-months to two years at the Academy’s 11- acre campus in Rome. The Rome Prize winners were presented at the Arthur and Janet C. Ross Rome Prize Ceremony, which was held in Kaplan Hall Auditorium at the New School in New York City. “The interdisciplinary mix of the Rome Prize winners represents the leading edge of contemporary American scholarship and creativity,” said Academy President Mark Robbins, (1997 Fellow). “Each Fellow is enriched by their experience in Rome and when they return, their work has a profound impact on the cultural life of the U.S. and beyond for decades to come.” This year’s Rome Prize winners were presented by Mary Margaret Jones, (1998 Fellow), Chair of the Board of Trustees, and were welcomed by Robbins and Academy Director Kim Bowes, (2006 Fellow). The ceremony preceded a thought-provoking discussion and debate on the state of the humanities by scholars Anthony Grafton, the Henry Putnam Professor in the Department of History at Princeton University, and Christopher S. Celenza, the Charles Homer Haskins Professor at Johns Hopkins University.
Announcing New Rome Prize Winners and Italian Fellows

FOR IMMEDIATE RELEASE American Academy in Rome Announces New Rome Prize Winners and Italian Fellows Artists and scholars to join new director Avinoam Shalem in Rome New York and Rome (July 23, 2020) – The American Academy in Rome (AAR) today announced the winners of the 2020–21 Rome Prize and Italian Fellowships. These highly competitive fellowships support advanced independent work and research in the arts and humanities. This year, Fellowships were awarded to twenty-two American and two Italian artists and scholars, who will each receive a stipend, workspace, and room and board for a period of four to seven months at the Academy’s eleven-acre campus in Rome. Given the impact of COVID-19, the 2020–21 residential Fellowship season will begin in January and end in August. Starting in September, Academy staff will host a series of online programs for the Fellows, including orientations, language classes, presentations, and individual support with their upcoming projects. The Academy’s new director, Avinoam Shalem (2016 Resident), will begin his three-year term in January 2021, coinciding with the Fellows arrival in Rome. Currently the Riggio Professor for the Arts of Islam in the Department of Art History and Archaeology at Columbia University, Shalem specializes in the history of Islamic art, with a strong emphasis on Arab art in the Mediterranean Basin, the Near East, and the Levant, as well as in Spain, southern Italy, and Sicily. He also focuses on the art of the object, including secular and sacred aesthetics, as well as Jewish, Christian, and Islamic artistic interactions in the Mediterranean.
AAR Magazine

AMERICAN ACADEMY IN ROME MAGAZINE SPRING 2018 SPRING 2018 Welcome to the Spring 2018 issue UP FRONT IN CLOSING of AAR Magazine. 2 33 LETTER FROM THE PRESIDENT DONORS This issue highlights recent work and collabora- tions by our Rome Prize winners and Italian Fellows. 4 36 Because this year was the tenth anniversary of the FAR AFIELD WHEN IN ROME Scharoun Ensemble Berlin in Rome, we reflect on Checking in with past Fellows and Residents Three Fellows share their favorite places in Rome how the concert series began. The spring issue also anticipates a solo show of new work by Yto Barrada, 6 the Roy Lichtenstein Artist in Residence from last INTRODUCING fall, which—along with the Patricia H. Labalme The 2018–2019 Rome Prize winners Friends of the Library Lecture by Mary Roberts in and Italian Fellows March and a conference on Islamic art and architec- ture in May—are the culminating events of East and 10 West, the Academy’s thematic series of events for FROM THE ARCHIVES 2017–18. Ten years of Scharoun Ensemble Berlin Finally, we are excited to announce the 2018–19 Rome Prize winners and Italian Fellows! 11 IN RESIDENCE Vi diamo il benvenuto all’edizione Spotlighting recent Residents primaverile 2018 dell’AAR Magazine. 15 CONVERSATIONS/ CONVERSAZIONI Questo numero dà spazio alle opere e alle collabora- This season’s discussions in Rome and the US zioni recenti dei vincitori del Rome Prize e dei nostri Italian Fellows. Poiché quest’anno ricorre il decimo anniversario dello Scharoun Ensemble Berlin a Roma, ripercorriamo la storia della serie di concerti.
NEW YORK PUBLIC LIBRARY, WOODSTOCK BRANCH, 761 East 160Th Street, the Bronx Constructed 1913-1914; Mckim, Mead & White, Architects

Landmarks Preservation Commission April 14, 2009 Designation List 412 LP-2322 NEW YORK PUBLIC LIBRARY, WOODSTOCK BRANCH, 761 East 160th Street, The Bronx Constructed 1913-1914; McKim, Mead & White, architects Landmark Site: Borough of the Bronx, Tax Block 2657, Lot 30 On January 13, 2009, the Landmarks Preservation Commission held a public hearing on the proposed designation of the New York Public Library Woodstock Branch. Four witnesses spoke in favor of the designation, including a representative of the New York Public Library and representatives of the Municipal Art Society, the Historic Districts Council and the Metropolitan Chapter of the Victorian Society in America. Summary Opened on February 17, 1914, the Woodstock Branch of the New York Public Library is the sixty-first Carnegie branch library built in New York City. It is one of nine in the Bronx (eight still extant) and one of sixty-seven in all five boroughs, constructed when Andrew Carnegie donated $5.2 million in 1901 to establish a city-wide branch library system. The preeminent and nationally influential architectural firm of McKim, Mead & White designed the Woodstock Branch; it was the eleventh of their twelve Carnegie libraries, consisting of three in the Bronx, and nine in Manhattan.1 The library’s classically-inspired style, with its characteristic vertical plan, offset entrance, carved stone ornament, and tall arched first floor windows providing abundant lighting to a simple interior, is characteristic of the urban Carnegie library type. The library has played a prominent role in the neighborhood for nearly one hundred years. DESCRIPTION AND ANALYSIS History of Morrisania2 The Morrisania section of the Bronx was named after the prominent Morris family, local landowners, slaveowners and politicians through several generations from the seventeenth through nineteenth centuries.
Newport, Rhode Island As Ward Mcallister Found It

“The Glare and Glitter of that Fashionable Resort”: Newport, Rhode Island as Ward McAllister Found It By Emily Parrow A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Liberty University Lynchburg, Virginia April 2021 ‘THE GLARE AND GLITTER OF THAT FASHIONABLE RESORT’: NEWPORT, RHODE ISLAND AS WARD MCALLISTER FOUND IT by Emily Parrow Liberty University APPROVED BY: David Snead, Ph.D., Committee Chair Michael Davis, Ph.D., Committee Member Table of Contents Introduction ......................................................................................................................................1 Chapter 1: The Southern Connection ............................................................................................17 Chapter 2: The European Connection ............................................................................................43 Chapter 3: The New York Connection and the Era of Formality ..................................................69 Chapter 4: The New York Connection and the Era of Frivolity ..................................................93 Conclusion ..................................................................................................................................130 1 Introduction “Who the devil is Ward McAllister?” The New York Sun posed to its readers in 1889, echoing “a question that has been asked more times of late than any other by reading men all over the country and even in this city.”1 The journalist observed, “In the
(FORMER) JAMES HAMPDEN and CORNELIA VAN RENSSELAER ROBB HOUSE, 23 Park Avenue (Aka 101-103 East 35Th Street), Manhattan

Landmarks Preservation Commission November 17, 1998; Designation List 299 LP-2026 (FORMER) JAMES HAMPDEN AND CORNELIA VAN RENSSELAER ROBB HOUSE, 23 Park Avenue (aka 101-103 East 35th Street), Manhattan. Built 1889-1892; Stanford White of McKim, Mead & White, architect. Landmark Site: Borough of Manhattan Tax Map Block 891, Lot 1. On September 15, 1998, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the (Former) James Hampden and Cornelia Van Rensselaer Robb House, and the proposed designation of the related Landmark Site (Item No. 1). The hearing had been duly advertised in accordance with the provisions of law. Eight witnesses spoke in favor of designation, including Samuel G. White, architect with Buttrick, White & Burtis and great-grandson of Stanford White, and representatives of the Murray Hill Association, the New York Landmarks Conservancy, the Beaux Arts Alliance, and the Historic Districts Council. A member of the 23 Park Avenue Realty Corporation, owner of the building, spoke in support of the designation. There were no speakers in opposition to this designation. At its September meeting Manhattan Community Board Six passed a resolution in support of the designation. The Commission has received a letter from the Robbs' great granddaughter, Katherine C. Moore, in support of the designation. In the past the Commission received several letters urging the designation of this building. Summary Built in 1889-92 for J. Hampden Robb and his wife Cornelia Van Rensselaer Robb, this elegant and imposing structure is considered one of the finest urban residences designed by Stanford White of the prominent architectural firm of McKim, Mead & White and was one of the earliest Renaissance Revival townhouses by White.

Charles Follen Mckim Architect ( 1847 – 1909 )