DOCSLIB.ORG

The Academy Rewcirds the American Academy in Rome Promotes Scholarship and Offers a Creative Haven

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Academy Rewcirds the American Academy in Rome Promotes Scholarship and Offers a Creative Haven PLACES THAT STILL MATTER The Academy Rewcirds The American Academy in Rome promotes scholarship and_offers a creative haven. PATRICIA MORRISROE spends a heady week where ivory tower meets Eternal City. he gods may not be wearing Prada, but they are Three hundred sixty guests mingle in the lemon gardens in the certainly smiling down onJaniculum Hill, where main courtyard, the crowd a fascinating blend of worlds that rarely the designer herself is being honored at the Amer­ collide: art and fashion stars alongstde archaeologists, historic ican Academy in Rome's annual McKim Gala. preservationists, landscape architects and classical studies scholars. After a long rainy spell, the weather has cleared, There's Zaha Hadid, the Pritzker prize- winning arc;hitect who the sunset equal to the setting. Perched on the designed Rome's new MAXXI museum; Franca Sozzani, editor highest spot within Rome's ancient city walls, Villa Aurelia is in chief of Italian Vogi1e; art dealer Larry Gagosian; Carla Fendi; the jewel in the academy's 11 -acre, ten-building compound. The and Sid and Mercedes Bass, who have made the academy one of 17th-century Baroque palazzo is set on four acres of classical gar­ their philanthropic pet projects. dens with rows of lemon trees, a grove of umbrella pines and a After dinner in the secluded Secret Garden, Adele Chatfield­ long entry drive lined with blue and white African daisies. Taylor, the academy's president, presents Miuccia Prada with IVIVIV.DEPARTURES.CO/lf 153 PLACES THAT STILL MATTER ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ the McKim Medal for her innova- The medal was named for Charles architecture, historic preservation, design, tive fashion work and' her promotion Follen McKim, the prominent 19th­ literature, music composition and visual of the visual arts through Fondazione century architect who wanted America to arts. Prizewinners receive a stipend of Prada. Past recipients include architect have its own national school in Rome the $13,000 to $26,000 and can stay at the Renzo Piano, writer Umberto Eco and way France was represented by the Ecole academy for six or 11 months, drawing painter Cy Twombly, who designed the des Beaux-Arts. In 1884 he founded the on all its resources, including its well­ gold medal that was then crafted by the American School of Architecture, which connected staff. "They can get you into I 'Who needs sleep?" says a fellow. "I love my work, so being awake means more time for it." Italian jeweler Vhernier. It dangles from in 1911 merged with the American places you'd never dream you'd be able a bright scarlet and orange ribbon and School of Classical Studies. They became to gain access to," says Drew Beattie, a clashes with the designer's fuchsia silk the American Academy in Rome, a cen­ painter and a Harvard lecturer who was a / top in a very Prada way. "We would ter for independent study in the arts visual arts fellow in 1995 and is currently have never thought she'd stay this long," and humanities. Every year, through a president of the Society of Fellows. whispers one of the party organizers at national, juried competition, the school Throughout the year the fellows are the end of the evening. "But look at awards approximately 30 Rome Prize joined by visiting scholars and artists, ful­ her- she's beaming!" fellowships in 18 disciplines, including filling McKim's dream of a collaborative 154 WWW.DEPARTURES.CO/If PLACES THAT STILL MATTER ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ MEETING OF THE MINDS Every year the academy has a gala to award Its McKlm Medal (crafted by Vhernier and named for its founder, Charles Follen McKim). Designer Miuccia Prada (bottom right) was this year's recipient, and the crowd of 360 that swept into the lemon gardens of the school's Villa Aurelia included academy president Adele Chatfield-Taylor (top left), art dealer Larry Gagos ian (bottom left) and architect Zaha Had ld (top cen ter). haven where the community is inspired The McKim Gala is just one of the Until recently, only trustees could partic­ not only by Rome but also by the daily many highlights of the annual Trustees Trip, ipate in th~ activities, but the independently exchange of ideas. Chatfield-Taylor, who which takes place every spring to coincide financed academy, which will celebrate its has been the academy's president since with the fellows' year-end events. The centenary in 2011 , wanted to broaden 1988, was once a design arts fellow and offerings are incredibly rich and varied, its reach. It established the International describes that experience as the greatest of from an exclusive preview of the MAXXI Council and members can attend many of her life. A historic preservationist by train­ (the National Museum of the 21st Century the events slated for Trustees Week, as well ing, she was drawn to Rome by what she Arts) to a tour of "Galileo's Rome.,,- In as lectures, concerts and parties in both calls "a wonderful layering effect." addition, fellows give readings and con­ New York and Rome, for an annual fee of "Few cities in the world offer such an certs and open their studios to show what $5,000 (see "The People's Academy"). opportunity to see that kind of complex they've been working on during the year. "It's really a great opportunity to enjoy evolution," she explains. "That's what the Stephen Westfall, who teaches at Bard some of the same insider experiences," fellows are responding to-the richness College and Rutgers University, did a series says Suz;nne "Qeal Booth, the council's and depth."When she took over the acad­ of abstract paintings in reaction to Rome's chairwoman, when we meet on the run emy, it was falling apart and looked as if it "layered urban environment." Robert at the Caravaggio exhibit. I'd love to hear might close down. "It was a preservation Hammond, one of the people responsible more about it, but Westfall is saying some­ project writ large," she says. "We spent for New York's High Line, turned his sights thing fascinating about the angel in the twenty years and $35 million renovating to the Tiber River. He transformed a sec­ Annunciation, while a few feet away Storr is ten major buildings and all the gardens. tion of a walkway into an event-" Chance talking about the painter's "strict geometry." Having benefited from the academy, I Encounter on the Tiber"-that combined Who to listen to? Where to look? There knew why it had to be protected." movable seating and m.usic performance. are too many choices. Should I go to 15 6 WWW.DEPARTURES.COAi PLACES THAT STILL MATTER ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ the Philip Guston show? Or on a walk of what it's like to sleep in a Beaux-Arts to see five medieval churches? And what THE PEOPLE'S "dorm" filled with the smartest, most about the tour of the underground ACADEMY talented kids at school. "It is intense," cult sites, including the lower levels of he says. "You can practically feel the the Basilica of San Clemente which, ecoming a trustee at the American energy through the walls. It makes it Chatfield-Taylor says, represents Rome's Academy in Rome requires selec­ hard to sleep." "layering effect" to the max? Btion by a nominating committee; "Who needs sleep?" asks archaeolo­ For a newcomer, all this can be a little however, the public ck still participate gist Brian Rose. "I love my work so in its events and programs through one dizzying. Perhaps it is the lofty setting or of the school's councils. Members of much that being awake just gives me the academy's long history as an incu­ the International Council (annual fee, more time for it." Rose, president of bator of American creativity-Aaron 5,000) make a yearly trip to the acad­ the Archaeological Institute of America Copland, Thornton Wilder, Michael emy, where they meet with leaders and and a professor of archaeology at the attend events that feature fellows' work. Graves, William Styron and Frank Stella This year's events included the Fellows' University of Pennsylvania, was a fellow are just a few of the people who found Annual Year-End Concert, a viewing of in 1992 and is now a trustee. For the inspiration here-but even lunch is a a Roman sarcophagus, an archaeologi­ past 30 years he has overseen Greek and cal study and guided visits to the heady experience. It is served in the MAXXI and MACRO museums. Mem­ Roman excavations in Tur~y, where he courtyard of the main building, a 130- bers also attend the Academy's Annual unearthed a larger-than-lite statue of room travertine palazzo where most of Cabaret in New York, which features Roman emperor Hadrian and a portrait the fellows work and sleep. The building past fellows alongside widely recog­ head of the Roman emperor Augustus. nized performers like Lou Reed and is one of only two structures outside Laurie Anderson. In a few weeks he's off to Turkey again. North America designed by McK.im, For those looking to get involved on a After several such conversations I slip Mead and White. Even the food comes smaller scale, Friends of the Academy into the building's main salon for a break. (annual fee, S75- S25,000) offers a variety with a pedigree: In 2007, with help from of options. For a S75 donation, members There I meet the Tony award-winning Alice Waters, the academy instituted the receive an invitation to the annual Janet playwright John Guare, the author of Rome Sustainable Food Project, plant­ and Arthur Ross Rome Prize ceremony Six Degrees of Separation and the husband ing an organic garden and establishing as well as the yearly calendar of events at of Chatfield-Taylor.
Load more

Recommended publications
  • 2018-19 Rome Prize Winners and Italian Fellows
    L’American Academy in Rome annuncia i nuovi Vincitori del Rome Prize e gli Italian Fellows Artisti e ricercatori a cui viene dato tempo e spazio per pensare e lavorare a Roma I borsisti italiani sono Ila Bêka (Enel Foundation Italian Fellow in Architecture, Urban Design, and Landscape Architecture), Carmen Belmonte (Italian Fellow in Modern Studies), Invernomuto (Cy Twombly Italian Fellow in Visual Arts), Renato Leotta (Fondazione Sviluppo e Crescita CRT Italian Fellow in Visual Arts), Francesco Lovino (Italian Fellow in Medieval Studies), Virginia Virilli (Italian Fellow in Literature) e Francesco Zorzi (Tiffany & Co. Italian Fellow in Design) New York e Roma (13 aprile 2018) – L’American Academy in Rome (AAR) ha annunciato i vincitori del Rome Prize 2018–19 e le Italian Fellowship dedicate agli artisti e studiosi italiani. Queste borse di studio, altamente selettive, supportano il lavoro e la ricerca indipendente e di qualità nel campo delle arti e degli studi umanistici. I vincitori del Rome Prize e i borsisti italiani sono stati annunciati il 12 aprile 2018 durante la cerimonia di assegnazione dei Rome Prize intitolata ad Arthur and Janet C. Ross nel Frederick P. Rose Auditorium alla Cooper Union di New York. Dopo un’introduzione di Mark Robbins, Presidente e Amministratore Delegato dell’Accademia, borsista nel 1997, i vincitori del Rome Prize 2018–19 e i borsisti italiani sono stati presentati da Mary Margaret Jones, Presidente del Consiglio di Amministrazione, borsista nel 1998. Oltre ai 29 vincitori del Rome Prize, l’Accademia ha annunciato i vincitori delle 7 borse di studio italiane, attraverso cui artisti e ricercatori italiani vivono e lavorano all’interno della comunità dell’Accademia, dedicandosi ai propri progetti in un ambiente collaborativo e interdisciplinare con i loro colleghi americani.
    [Show full text]
  • Society of Fellows News American Academy in Rome
    SOCIETY OF FELLOWS NEWS AMERICAN ACADEMY IN ROME GARDENS SPRING 2004 From the Editor Catherine Seavitt FAAR’98 The Latin word hortus translates as and the delicacy of life itself, through Society of Fellows NEWS "kitchen garden", which certainly its very materiality. A field of golden SPRING 2004 implies a very different notion than wheat is certainly a powerful image - Published by the Society of Fellows of FAAR’98 that of a large public park or a private epitomized in Agnes Denes 's The American Academy in Rome pleasure garden. Conceptually, the Wheatfield, the planting and harvesting 7 East 60 Street kitchen garden embodies notions of of two acres of wheat at the Battery New York, NY 10022-1001 USA growth, careful tending, and suste- Park landfill, New York, in 1982. This tel 212 751 7200 www.sof-aarome.org Catherine Seavitt FAAR’98 nance, as well as a deeper notion of is a work that profoundly addresses Editor: Co-Editors: Stefanie Walker FAAR’01 text the stewardship of the land. The capitalism and hunger as well as the Joanne Spurza FAAR’89 news cycling of nature is visible in the sea- sustainability of our own humanity. Brian Curran FAAR’94 obits sonal passage of fruits and vegetables, Agnes' Wheatfield is particularly SOF Liason: Elsa Dessberg as is the quirky character of plants - poignant in light of the aftermath of the eternal return of the tomatoes September 11, 2001. Contents and the certain invasion of the A garden captures the spiritual SOF President’s Message 3 rhubarb. The challenges of a small notion of the eternal return, and per- From the AAR President, New York 4 kitchen garden certainly have some haps no city matches that spirit more From the AAR Director, Rome 6 News From Rome 8 analog with each of our own person- than Rome, the Eternal City.
    [Show full text]
  • Michael Rosenfeld Gallery @ Frieze New York Spotlight Stand D31 May 5-7, 2017 , 1967/1994, Polished Bronze and Silk on on Silk and Bronze Polished 1967/1994,
    Michael Rosenfeld Gallery @ Frieze New York Spotlight Stand D31 May 5-7, 2017 , 1967/1994, polished bronze and silk on on silk and bronze polished 1967/1994, , FOR IMMEDIATE RELEASE (April 22, 2017 – New York) Michael Rosenfeld Gallery will present a spotlight position for Barbara Chase-Riboud (American, b.1939) at Frieze New York, concentrating on works from the 1960s and 1970s. The exhibition will in- clude a selection of sculpture and drawings; most works to Twins in Back Matisse’s be featured have never been exhibited in the United States. American-born, European-based au- thor, poet, and sculptor Barbara Chase- Riboud, will be attending Frieze New York on Thursday, May 4 from 2:00-6:00pm; she will be available for interviews. Following her seminal spotlight at (b.1939), Chase-Riboud Barbara cm 45.7 x 99.1 x 191.1 / 18” x 39” x 1/4” 75 base, steel painted Frieze New York, Michael Rosenfeld Gallery will present in September 2017 Barbara Chase-Riboud – Malcolm X: the series, begun in 1969. Additions to the series came in 2003, Complete, her second large-scale solo 2007-08 and 2016-17, totaling twenty sculptures. Known collec- exhibition at 100 Eleventh Avenue. tively as the Malcolm X Steles, the first thirteen sculptures were exhibited in 2014 to acclaim at the Philadelphia Museum of Art Scheduled to be on view from September 8 to November 4, and the Berkeley Art Museum (University of California Berkeley). 2017, the exhibition will focus on her now complete series Malcolm X Steles which she started in 1969.
    [Show full text]
  • Michael Van Valkenburgh Associates
    MICHAEL VAN VALKENBURGH ASSOCIATES THE LANDSCAPE ARCHITECTURE FIRM AWARD SUBMITTAL ASLA Board of Trustees c/o Carolyn Mitchell American Society of Landscape Architects 636 Eye St., NW Washington, DC 20001 Re: Nomination of Michael Van Valkenburgh Associates for Firm of the Year Dear Trustees, The list of winners of ASLA’s Landscape Architecture Firm Award is stacked with firms that have produced significant work and made great contributions to our profession. As impressive as it is, however, the list remains glaringly incomplete, as it fails to recognize one of our most accomplished firms: Michael Van Valken- burgh Associates (MVVA). As a collective of talented designers and thinkers, MVVA has produced three decades worth of exceptional, groundbreaking built work, been a leader in promoting innovative responses to environmental challenges, and significantly raised awareness of the important work we do as landscape archi- tects. It is because of this that I enthusiastically nominate MVVA for the Landscape Architecture Firm Award. Michael Van Valkenburgh, FASLA, opened MVVA in 1982. As we all know, he has built a career as one of only a handful of landscape architects with name recognition extending far outside of our profession. His accom- plishments and contributions have been recognized with many awards, including the ASLA Design Medal and induction into the prestigious American Academy of Arts and Sciences. His is the public face for the firm, and the name on the letterhead, but he is far from the only person involved. Van Valkenburgh leads the firm with Laura Solano, ASLA and Matthew Urbanski, ASLA, who have been in- volved in most of the firm’s major projects, along with other principals Paul Seck, ASLA, and Gullivar Shepard, ASLA.
    [Show full text]
  • American Academy in Rome Announces 2016–2017 Rome Prize Winners & Italian Fellows
    FOR IMMEDIATE RELEASE 19 of the 2016-2017 Rome Prize Winners in NYC (Photo: Christine Butler) AMERICAN ACADEMY IN ROME ANNOUNCES 2016–2017 ROME PRIZE WINNERS & ITALIAN FELLOWS NEW YORK and ROME (April 2016) – The American Academy in Rome is pleased to announce winners of the 2016 Rome Prize Fellowship, which annually supports advanced independent work in the arts and humanities within a unique residential community. These thirty-one artists and scholars will receive a stipend, workspace, and room and board for a period of six-months to two years at the Academy’s 11- acre campus in Rome. The Rome Prize winners were presented at the Arthur and Janet C. Ross Rome Prize Ceremony, which was held in Kaplan Hall Auditorium at the New School in New York City. “The interdisciplinary mix of the Rome Prize winners represents the leading edge of contemporary American scholarship and creativity,” said Academy President Mark Robbins, (1997 Fellow). “Each Fellow is enriched by their experience in Rome and when they return, their work has a profound impact on the cultural life of the U.S. and beyond for decades to come.” This year’s Rome Prize winners were presented by Mary Margaret Jones, (1998 Fellow), Chair of the Board of Trustees, and were welcomed by Robbins and Academy Director Kim Bowes, (2006 Fellow). The ceremony preceded a thought-provoking discussion and debate on the state of the humanities by scholars Anthony Grafton, the Henry Putnam Professor in the Department of History at Princeton University, and Christopher S. Celenza, the Charles Homer Haskins Professor at Johns Hopkins University.
    [Show full text]
  • Announcing New Rome Prize Winners and Italian Fellows
    FOR IMMEDIATE RELEASE American Academy in Rome Announces New Rome Prize Winners and Italian Fellows Artists and scholars to join new director Avinoam Shalem in Rome New York and Rome (July 23, 2020) – The American Academy in Rome (AAR) today announced ​ the winners of the 2020–21 Rome Prize and Italian Fellowships. These highly competitive fellowships support advanced independent work and research in the arts and humanities. This year, Fellowships were awarded to twenty-two American and two Italian artists and scholars, who will each receive a stipend, workspace, and room and board for a period of four to seven months at the Academy’s eleven-acre campus in Rome. Given the impact of COVID-19, the 2020–21 residential Fellowship season will begin in January and end in August. Starting in September, Academy staff will host a series of online programs for the Fellows, including orientations, language classes, presentations, and individual support with their upcoming projects. The Academy’s new director, Avinoam Shalem (2016 Resident), will begin his three-year term in January 2021, coinciding with the Fellows arrival in Rome. Currently the Riggio Professor for the Arts of Islam in the Department of Art History and Archaeology at Columbia University, Shalem specializes in the history of Islamic art, with a strong emphasis on Arab art in the Mediterranean Basin, the Near East, and the Levant, as well as in Spain, southern Italy, and Sicily. He also focuses on the art of the object, including secular and sacred aesthetics, as well as Jewish, Christian, and Islamic artistic interactions in the Mediterranean.
    [Show full text]
  • AAR Magazine
    AMERICAN ACADEMY IN ROME MAGAZINE SPRING 2018 SPRING 2018 Welcome to the Spring 2018 issue UP FRONT IN CLOSING of AAR Magazine. 2 33 LETTER FROM THE PRESIDENT DONORS This issue highlights recent work and collabora- tions by our Rome Prize winners and Italian Fellows. 4 36 Because this year was the tenth anniversary of the FAR AFIELD WHEN IN ROME Scharoun Ensemble Berlin in Rome, we reflect on Checking in with past Fellows and Residents Three Fellows share their favorite places in Rome how the concert series began. The spring issue also anticipates a solo show of new work by Yto Barrada, 6 the Roy Lichtenstein Artist in Residence from last INTRODUCING fall, which—along with the Patricia H. Labalme The 2018–2019 Rome Prize winners Friends of the Library Lecture by Mary Roberts in and Italian Fellows March and a conference on Islamic art and architec- ture in May—are the culminating events of East and 10 West, the Academy’s thematic series of events for FROM THE ARCHIVES 2017–18. Ten years of Scharoun Ensemble Berlin Finally, we are excited to announce the 2018–19 Rome Prize winners and Italian Fellows! 11 IN RESIDENCE Vi diamo il benvenuto all’edizione Spotlighting recent Residents primaverile 2018 dell’AAR Magazine. 15 CONVERSATIONS/ CONVERSAZIONI Questo numero dà spazio alle opere e alle collabora- This season’s discussions in Rome and the US zioni recenti dei vincitori del Rome Prize e dei nostri Italian Fellows. Poiché quest’anno ricorre il decimo anniversario dello Scharoun Ensemble Berlin a Roma, ripercorriamo la storia della serie di concerti.
    [Show full text]
  • 2019) – the American Academy in Rome Has Announced the Winners of the 2019–20 Rome Prize and Italian Fellowships
    American Academy in Rome Announces New Rome Prize Winners and Italian Fellows Artists and scholars given time and space to think and work in Rome New York and Rome (April 9, 2019) – The American Academy in Rome has announced the winners of the 2019–20 Rome Prize and Italian Fellowships. These highly competitive fellowships support advanced independent work and research in the arts and humanities. This year, Rome Prizes were awarded to thirty American and six Italian artists and scholars, who will each receive a stipend, workspace, and room and board for a period of five to eleven months at the Academy’s eleven-acre campus in Rome. The winners of the Rome Prize and Italian Fellowships were presented on April 9, 2019, during the Arthur and Janet C. Ross Rome Prize Ceremony in the Great Hall at Cooper Union in New York. The Academy is pleased to award two new Fellowships this year. The first is the Philip Guston Rome Prize in Visual Arts, established by Musa and Thomas Mayer in memory of the artist Philip Guston. This Fellowship further marks Guston’s long-standing relationship with the Academy and the city of Rome, as a Fellow (1949), Resident (1971), and Trustee (1969–76). AAR will also award the inaugural Adele Chatfield-Taylor Rome Prize in Historic Preservation. This Fellowship recognizes the indelible influence and impact that Chatfield-Taylor has had on both her discipline and our institution. After an introduction by Cary Davis, Chair of the Board of Trustees, the winners of the 2019– 20 Rome Prize and Italian Fellowships were presented by Mark Robbins, the Academy’s President and CEO (1997 Fellow).
    [Show full text]
  • Rome's Postwar Academies As Architecture's First Global Programs
    Eternal City to Open City: Rome’s Postwar Academies as Architecture’s First Global Programs Twenty years ago, as the American Academy in Rome celebrated a trium- phant centennial in 1994, architectural critic Joseph Giovannini questioned its value for architects. He asked how Rome could be “foundational” for a discipline operating within an increasingly “‘groundless’ and dispersed” cul- ture. “The Eurocentric impulse on which the Academy itself is premised” vio- lates the millennial reality of global multiculturalism, and the city’s classical architectural canon “represents the official culture that dominated others.”1 DENISE R. COSTANZO His lament that Rome is a “pervasive and demanding” instead of a “transparent” Pennsylvania State University presence echoes Le Corbusier’s famous warning that the city will maim impres- sionable young architects.2 For Giovannini, Rome violates modernist social and aesthetic ideals, as well as postmodern cultural sensibilities. To reside at an Academy—intentionally elite and exclusive, the “cancer” of French architecture to Le Corbusier—only compounds the damage. Such critiques helped shape this session. It rightly assumes that architectural educators hope today’s global programs will do more than find new “Romes” and create new “Academies.” While adapting to overwhelming changes in inter- national study’s parameters, these represent the conservative, outmoded tradi- tions against which they react. But the challenge of navigating today’s complex variables might inspire a certain nostalgia: at least Rome provided an automatic answer to where architects should go, and its academies offered predetermined answers to what they should do, and why. But that (apparent) certainty was decisively disrupted by the advent of modern architecture.
    [Show full text]
  • FOR IMMEDIATE RELEASE 15 April 2011
    FOR IMMEDIATE RELEASE 15 April 2011 AMERICAN ACADEMY IN ROME HONORS ARCHITECT FRANK GEHRY AND NEW YORK PUBLIC LIBRARY PRESIDENT PAUL LECLERC AT GALA ON 13 APRIL 2011 IN NEW YORK CITY GALA CELEBRATED THE ACADEMY’S 100 YEAR MERGER IN THE ARTS AND HUMANITIES AND THE CONCLUSION OF $70 MILLION CAMPAIGN FOR THE AMERICAN ACADEMY IN ROME New York – The American Academy in Rome’s Centenary Celebration Gala took place on Wednesday 13 April 2011 at The Plaza Hotel in New York City. The Academy celebrated 100 years as one intellectual and creative community by honoring world-renowned architect Frank Gehry and distinguished scholar and New York Public Library President Paul LeClerc for their contributions to art, culture and scholarship. At the event Academy President, Adele Chatfield-Taylor announced the successful conclusion of a 7 year campaign that has raised over $70 million to restore, renovate, invigorate and endow the Academy. The event was hosted by Sid and Mercedes Bass, and was attended by over 380 guests including Henry and Nancy Kissinger, Frank Gehry, Paul LeClerc, Annette de la Renta, Robert A. M. Stern, Michael Graves, Thom Mayne, Renzo Piano, Duane Hampton, Morley Safer, Barbara Goldsmith, Lynn Nesbit and John Guare. Academy President Adele Chatfield-Taylor introduced actor Edward Norton and Founding Director of the Signature Theatre Company James Houghton, who presented the award to Frank Gehry and Prof. Anthony Grafton presented the award to Paul Leclerc. Established in 1894 by Charles Follen McKim (1847-1909), the American Academy in Rome quickly emerged as a premier overseas center for America’s most promising architects and artists.
    [Show full text]
  • Americans in Rome: Music by Fellows of the American Academy in Rome
    4089 Pine Meadows Way Pebble Beach, CA 93953 Tel.: 831. 620.1332 Fax: 831. 417.6444 Email: [email protected] For Immediate Release Fall 2008 Americans in Rome: Music by Fellows of the American Academy in Rome Historic 4-CD Release Issued by Bridge Records Premiere Recordings of Works by Sessions, Moravec, Lang, Hartke, Wyner, more The American Academy in Rome (AAR) has announced the October 2008 release of a 4-CD set - Americans in Rome / Music by Fellows of the American Academy in Rome - on Bridge Records (BRIDGE 9271). The package is comprised of new recordings of works by 37 composers who have won the Academy’s prestigious Rome Prize over a period of more than eight decades. Included in the set are works by such composers as Samuel Barber, Elliott Carter, Paul Moravec, Stephen Hartke, Roger Sessions, Leo Sowerby, Derek Bermel, Yehudi Wyner, Howard Hanson, David Lang and 27 more**. “We are thrilled that the rich tradition of creativity and accomplishment on the part of the many American innovators who have won the Rome Prize in musical composition is on display in Bridge Records’ superb 4-CD recording, available at long last for all to hear and enjoy,” said Adele Chatfield-Taylor, President of the American Academy in Rome. Ms. Chatfield-Taylor went on to say “There are many key individuals and organizations to thank for the existence of this historic set of recordings, but special recognition must be given to Donald Berman, Artistic Director of Americans in Rome, who first envisioned this project.” In 1997, pianist Donald Berman was invited to the American Academy’s 11-acre property atop Rome’s highest hill to perform in AAR’s annual spring concert of works by Rome Prize Fellows.
    [Show full text]
  • American Academy in Rome Announces 2012-2013 Rome Prize Winners
    FOR IMMEDIATE RELEASE 27 April 2012 AMERICAN ACADEMY IN ROME ANNOUNCES 2012-2013 ROME PRIZE WINNERS New York – The American Academy in Rome congratulates the winners of the 116th annual Rome Prize Competition. The winners’ names were announced at the Janet & Arthur Ross Rome Prize Ceremony held at the Harmonie Club in New York City on 26 April. Recipients of the 2012-2013 Rome Prizes are provided with a fellowship that includes a stipend, a study or studio, and room and board for a period of six months to two years in Rome, Italy. After the Rome Prize winners’ names were announced, the audience enjoyed a conversation with opera, theater and festival director, Peter Sellars and Nobel laureate and Pulitzer Prize winning novelist, Toni Morrison about Desdemona, a play on which they collaborated based on the female protagonist of Shakespeare’s Othello. The 2012-2013 Rome Prize winners are: Erik Adigard (Design) Ross Benjamin Altheimer (Landscape Architecture) Polly Apfelbaum (Visual Arts) Patrick Baker (Renaissance and Early Modern Studies) Peter Jonathan Bell (Renaissance and Early Modern Studies) Joshua Colin Birk (Medieval Studies) Emma Blake (Ancient Studies) Nicholas Blechman (Design) Pablo Castro Estévez (Architecture) Anthony Cheung (Musical Composition) Lucy Corin (Literature) Carl D'Alvia (Visual Arts) Steven J.R. Ellis (Ancient Studies) Jessica Fisher (Literature) Mari Yoko Hara (Renaissance and Early Modern Studies) Thomas Hendrickson (Ancient Studies) Jesse Jones (Musical Composition) Brenda Longfellow (Ancient Studies) Randall Mason (Historic Preservation and Conservation) Camille S. Mathieu (Modern Italian Studies, second year of two-year fellowship) Karen M'Closkey (Landscape Architecture) Glendalys Medina (Visual Arts) Claudia Moser (Ancient Studies) William O'Brien Jr.
    [Show full text]