Katherine E. Welch
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Roman Entertainment
Roman Entertainment The Emergence of Permanent Entertainment Buildings and its use as Propaganda David van Alten (3374912) [email protected] Bachelor thesis (Research seminar III ‘Urbs Roma’) 13-04-2012 Supervisor: Dr. S.L.M. Stevens Contents Introduction ................................................................................................................................ 3 1: The development of permanent entertainment buildings in Rome ...................................... 9 1.1 Ludi circenses and the circus ............................................................................................ 9 1.2 Ludi scaenici and the theatre ......................................................................................... 11 1.3 Munus gladiatorum and the amphitheatre ................................................................... 16 1.4 Conclusion ...................................................................................................................... 19 2: The uncompleted permanent theatres in Rome during the second century BC ................. 22 2.0 Context ........................................................................................................................... 22 2.1 First attempts in the second century BC ........................................................................ 22 2.2 Resistance to permanent theatres ................................................................................ 24 2.3 Conclusion ..................................................................................................................... -
Narcissus the Hunter in the Mosaics of Antioch
Narcissus the Hunter in the Mosaics of Antioch Elizabeth M. Molacek Among the hundreds of mosaic pavements discovered at as the capital of the Hellenistic Seleucid kingdom in 300 BCE Antioch-on-the-Orontes, a total of five represent Narcissus, and remained a thriving city until the Romans took power in the beautiful youth doomed to fall in love with his own 64 BCE. Antioch became the capital of the Roman province reflection. The predominance of this subject is not entirely of Syria; however, it was captured by the Arabs in 637 CE, surprising since it is one of the most popular subjects in bringing an end to almost a thousand years of occupation.2 Roman visual culture. In his catalogue of the mosaics of While its political history is simple to trace from the Hellenis- ancient Antioch, Doro Levi suggests that Narcissus’ frequent tic founding to the Arab sacking, Antioch’s cultural identity appearance should be attributed to his watery reflection due is less transparent. The city was part of the Roman Empire to the fact that Antioch was a “town so proud of its wealth for over five hundred years, but the inhabitants of Antioch of waters, springs, and baths.”1 The youth’s association with did not immediately consider themselves Roman, identifying water may account for his repeated appearance, but the instead with their Hellenistic heritage. As was standard in the present assessment recognizes a Narcissus that is unique to Greek East, the spoken language remained Greek even after Antioch. In art of the Latin West from the first century BCE Rome established control, and many traditions and social onwards, Narcissus has a highly standardized iconography norms were deeply rooted in the Hellenistic culture.3 Antioch that emphasizes his youthful appearance, the act of seeing was a hybrid of both eastern and western influences due to his reflection, and his fate for eternity. -
2018-19 Rome Prize Winners and Italian Fellows
L’American Academy in Rome annuncia i nuovi Vincitori del Rome Prize e gli Italian Fellows Artisti e ricercatori a cui viene dato tempo e spazio per pensare e lavorare a Roma I borsisti italiani sono Ila Bêka (Enel Foundation Italian Fellow in Architecture, Urban Design, and Landscape Architecture), Carmen Belmonte (Italian Fellow in Modern Studies), Invernomuto (Cy Twombly Italian Fellow in Visual Arts), Renato Leotta (Fondazione Sviluppo e Crescita CRT Italian Fellow in Visual Arts), Francesco Lovino (Italian Fellow in Medieval Studies), Virginia Virilli (Italian Fellow in Literature) e Francesco Zorzi (Tiffany & Co. Italian Fellow in Design) New York e Roma (13 aprile 2018) – L’American Academy in Rome (AAR) ha annunciato i vincitori del Rome Prize 2018–19 e le Italian Fellowship dedicate agli artisti e studiosi italiani. Queste borse di studio, altamente selettive, supportano il lavoro e la ricerca indipendente e di qualità nel campo delle arti e degli studi umanistici. I vincitori del Rome Prize e i borsisti italiani sono stati annunciati il 12 aprile 2018 durante la cerimonia di assegnazione dei Rome Prize intitolata ad Arthur and Janet C. Ross nel Frederick P. Rose Auditorium alla Cooper Union di New York. Dopo un’introduzione di Mark Robbins, Presidente e Amministratore Delegato dell’Accademia, borsista nel 1997, i vincitori del Rome Prize 2018–19 e i borsisti italiani sono stati presentati da Mary Margaret Jones, Presidente del Consiglio di Amministrazione, borsista nel 1998. Oltre ai 29 vincitori del Rome Prize, l’Accademia ha annunciato i vincitori delle 7 borse di studio italiane, attraverso cui artisti e ricercatori italiani vivono e lavorano all’interno della comunità dell’Accademia, dedicandosi ai propri progetti in un ambiente collaborativo e interdisciplinare con i loro colleghi americani. -
Society of Fellows News American Academy in Rome
SOCIETY OF FELLOWS NEWS AMERICAN ACADEMY IN ROME GARDENS SPRING 2004 From the Editor Catherine Seavitt FAAR’98 The Latin word hortus translates as and the delicacy of life itself, through Society of Fellows NEWS "kitchen garden", which certainly its very materiality. A field of golden SPRING 2004 implies a very different notion than wheat is certainly a powerful image - Published by the Society of Fellows of FAAR’98 that of a large public park or a private epitomized in Agnes Denes 's The American Academy in Rome pleasure garden. Conceptually, the Wheatfield, the planting and harvesting 7 East 60 Street kitchen garden embodies notions of of two acres of wheat at the Battery New York, NY 10022-1001 USA growth, careful tending, and suste- Park landfill, New York, in 1982. This tel 212 751 7200 www.sof-aarome.org Catherine Seavitt FAAR’98 nance, as well as a deeper notion of is a work that profoundly addresses Editor: Co-Editors: Stefanie Walker FAAR’01 text the stewardship of the land. The capitalism and hunger as well as the Joanne Spurza FAAR’89 news cycling of nature is visible in the sea- sustainability of our own humanity. Brian Curran FAAR’94 obits sonal passage of fruits and vegetables, Agnes' Wheatfield is particularly SOF Liason: Elsa Dessberg as is the quirky character of plants - poignant in light of the aftermath of the eternal return of the tomatoes September 11, 2001. Contents and the certain invasion of the A garden captures the spiritual SOF President’s Message 3 rhubarb. The challenges of a small notion of the eternal return, and per- From the AAR President, New York 4 kitchen garden certainly have some haps no city matches that spirit more From the AAR Director, Rome 6 News From Rome 8 analog with each of our own person- than Rome, the Eternal City. -
Michael Rosenfeld Gallery @ Frieze New York Spotlight Stand D31 May 5-7, 2017 , 1967/1994, Polished Bronze and Silk on on Silk and Bronze Polished 1967/1994,
Michael Rosenfeld Gallery @ Frieze New York Spotlight Stand D31 May 5-7, 2017 , 1967/1994, polished bronze and silk on on silk and bronze polished 1967/1994, , FOR IMMEDIATE RELEASE (April 22, 2017 – New York) Michael Rosenfeld Gallery will present a spotlight position for Barbara Chase-Riboud (American, b.1939) at Frieze New York, concentrating on works from the 1960s and 1970s. The exhibition will in- clude a selection of sculpture and drawings; most works to Twins in Back Matisse’s be featured have never been exhibited in the United States. American-born, European-based au- thor, poet, and sculptor Barbara Chase- Riboud, will be attending Frieze New York on Thursday, May 4 from 2:00-6:00pm; she will be available for interviews. Following her seminal spotlight at (b.1939), Chase-Riboud Barbara cm 45.7 x 99.1 x 191.1 / 18” x 39” x 1/4” 75 base, steel painted Frieze New York, Michael Rosenfeld Gallery will present in September 2017 Barbara Chase-Riboud – Malcolm X: the series, begun in 1969. Additions to the series came in 2003, Complete, her second large-scale solo 2007-08 and 2016-17, totaling twenty sculptures. Known collec- exhibition at 100 Eleventh Avenue. tively as the Malcolm X Steles, the first thirteen sculptures were exhibited in 2014 to acclaim at the Philadelphia Museum of Art Scheduled to be on view from September 8 to November 4, and the Berkeley Art Museum (University of California Berkeley). 2017, the exhibition will focus on her now complete series Malcolm X Steles which she started in 1969. -
Michael Van Valkenburgh Associates
MICHAEL VAN VALKENBURGH ASSOCIATES THE LANDSCAPE ARCHITECTURE FIRM AWARD SUBMITTAL ASLA Board of Trustees c/o Carolyn Mitchell American Society of Landscape Architects 636 Eye St., NW Washington, DC 20001 Re: Nomination of Michael Van Valkenburgh Associates for Firm of the Year Dear Trustees, The list of winners of ASLA’s Landscape Architecture Firm Award is stacked with firms that have produced significant work and made great contributions to our profession. As impressive as it is, however, the list remains glaringly incomplete, as it fails to recognize one of our most accomplished firms: Michael Van Valken- burgh Associates (MVVA). As a collective of talented designers and thinkers, MVVA has produced three decades worth of exceptional, groundbreaking built work, been a leader in promoting innovative responses to environmental challenges, and significantly raised awareness of the important work we do as landscape archi- tects. It is because of this that I enthusiastically nominate MVVA for the Landscape Architecture Firm Award. Michael Van Valkenburgh, FASLA, opened MVVA in 1982. As we all know, he has built a career as one of only a handful of landscape architects with name recognition extending far outside of our profession. His accom- plishments and contributions have been recognized with many awards, including the ASLA Design Medal and induction into the prestigious American Academy of Arts and Sciences. His is the public face for the firm, and the name on the letterhead, but he is far from the only person involved. Van Valkenburgh leads the firm with Laura Solano, ASLA and Matthew Urbanski, ASLA, who have been in- volved in most of the firm’s major projects, along with other principals Paul Seck, ASLA, and Gullivar Shepard, ASLA. -
American Academy in Rome Announces 2016–2017 Rome Prize Winners & Italian Fellows
FOR IMMEDIATE RELEASE 19 of the 2016-2017 Rome Prize Winners in NYC (Photo: Christine Butler) AMERICAN ACADEMY IN ROME ANNOUNCES 2016–2017 ROME PRIZE WINNERS & ITALIAN FELLOWS NEW YORK and ROME (April 2016) – The American Academy in Rome is pleased to announce winners of the 2016 Rome Prize Fellowship, which annually supports advanced independent work in the arts and humanities within a unique residential community. These thirty-one artists and scholars will receive a stipend, workspace, and room and board for a period of six-months to two years at the Academy’s 11- acre campus in Rome. The Rome Prize winners were presented at the Arthur and Janet C. Ross Rome Prize Ceremony, which was held in Kaplan Hall Auditorium at the New School in New York City. “The interdisciplinary mix of the Rome Prize winners represents the leading edge of contemporary American scholarship and creativity,” said Academy President Mark Robbins, (1997 Fellow). “Each Fellow is enriched by their experience in Rome and when they return, their work has a profound impact on the cultural life of the U.S. and beyond for decades to come.” This year’s Rome Prize winners were presented by Mary Margaret Jones, (1998 Fellow), Chair of the Board of Trustees, and were welcomed by Robbins and Academy Director Kim Bowes, (2006 Fellow). The ceremony preceded a thought-provoking discussion and debate on the state of the humanities by scholars Anthony Grafton, the Henry Putnam Professor in the Department of History at Princeton University, and Christopher S. Celenza, the Charles Homer Haskins Professor at Johns Hopkins University. -
Announcing New Rome Prize Winners and Italian Fellows
FOR IMMEDIATE RELEASE American Academy in Rome Announces New Rome Prize Winners and Italian Fellows Artists and scholars to join new director Avinoam Shalem in Rome New York and Rome (July 23, 2020) – The American Academy in Rome (AAR) today announced the winners of the 2020–21 Rome Prize and Italian Fellowships. These highly competitive fellowships support advanced independent work and research in the arts and humanities. This year, Fellowships were awarded to twenty-two American and two Italian artists and scholars, who will each receive a stipend, workspace, and room and board for a period of four to seven months at the Academy’s eleven-acre campus in Rome. Given the impact of COVID-19, the 2020–21 residential Fellowship season will begin in January and end in August. Starting in September, Academy staff will host a series of online programs for the Fellows, including orientations, language classes, presentations, and individual support with their upcoming projects. The Academy’s new director, Avinoam Shalem (2016 Resident), will begin his three-year term in January 2021, coinciding with the Fellows arrival in Rome. Currently the Riggio Professor for the Arts of Islam in the Department of Art History and Archaeology at Columbia University, Shalem specializes in the history of Islamic art, with a strong emphasis on Arab art in the Mediterranean Basin, the Near East, and the Levant, as well as in Spain, southern Italy, and Sicily. He also focuses on the art of the object, including secular and sacred aesthetics, as well as Jewish, Christian, and Islamic artistic interactions in the Mediterranean. -
AAR Magazine
AMERICAN ACADEMY IN ROME MAGAZINE SPRING 2018 SPRING 2018 Welcome to the Spring 2018 issue UP FRONT IN CLOSING of AAR Magazine. 2 33 LETTER FROM THE PRESIDENT DONORS This issue highlights recent work and collabora- tions by our Rome Prize winners and Italian Fellows. 4 36 Because this year was the tenth anniversary of the FAR AFIELD WHEN IN ROME Scharoun Ensemble Berlin in Rome, we reflect on Checking in with past Fellows and Residents Three Fellows share their favorite places in Rome how the concert series began. The spring issue also anticipates a solo show of new work by Yto Barrada, 6 the Roy Lichtenstein Artist in Residence from last INTRODUCING fall, which—along with the Patricia H. Labalme The 2018–2019 Rome Prize winners Friends of the Library Lecture by Mary Roberts in and Italian Fellows March and a conference on Islamic art and architec- ture in May—are the culminating events of East and 10 West, the Academy’s thematic series of events for FROM THE ARCHIVES 2017–18. Ten years of Scharoun Ensemble Berlin Finally, we are excited to announce the 2018–19 Rome Prize winners and Italian Fellows! 11 IN RESIDENCE Vi diamo il benvenuto all’edizione Spotlighting recent Residents primaverile 2018 dell’AAR Magazine. 15 CONVERSATIONS/ CONVERSAZIONI Questo numero dà spazio alle opere e alle collabora- This season’s discussions in Rome and the US zioni recenti dei vincitori del Rome Prize e dei nostri Italian Fellows. Poiché quest’anno ricorre il decimo anniversario dello Scharoun Ensemble Berlin a Roma, ripercorriamo la storia della serie di concerti. -
Roman North Africa North Roman
EASTERNSOCIAL WORLDS EUROPEAN OF LATE SCREEN ANTIQUITY CULTURES AND THE EARLY MIDDLE AGES Cilliers Roman North Africa Louise Cilliers Roman North Africa Environment, Society and Medical Contribution Roman North Africa Social Worlds of Late Antiquity and the Early Middle Ages The Late Antiquity experienced profound cultural and social change: the political disintegration of the Roman Empire in the West, contrasted by its continuation and transformation in the East; the arrival of ‘barbarian’ newcomers and the establishment of new polities; a renewed militarization and Christianization of society; as well as crucial changes in Judaism and Christianity, together with the emergence of Islam and the end of classical paganism. This series focuses on the resulting diversity within Late Antique society, emphasizing cultural connections and exchanges; questions of unity and inclusion, alienation and conflict; and the processes of syncretism and change. By drawing upon a number of disciplines and approaches, this series sheds light on the cultural and social history of Late Antiquity and the greater Mediterranean world. Series Editor Carlos Machado, University of St. Andrews Editorial Board Lisa Bailey, University of Auckland Maijastina Kahlos, University of Helsinki Volker Menze, Central European University Ellen Swift, University of Kent Enrico Zanini, University of Siena Roman North Africa Environment, Society and Medical Contribution Louise Cilliers Amsterdam University Press Cover illustration: Ruins of the Antonine Baths in Carthage © Dreamstime Stockphoto’s Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout isbn 978 94 6298 990 0 e-isbn 978 90 4854 268 0 doi 10.5117/9789462989900 nur 684 © Louise Cilliers / Amsterdam University Press B.V., Amsterdam 2019 All rights reserved. -
Quantifying the Popularity of Amphitheatre Spectacles In
QUANTIFYING THE POPULARITY OF AMPHITHEATRE SPECTACLES IN THE ROMAN WEST: DO AMPHITHEATRE SEATING CAPACITIES INDICATE POPULARITY LEVELS? BY JONATHAN LUKE HACKETT A thesis submitted to the University of Birmingham for the degree of MASTERS OF RESEARCH in ANCIENT HISTORY Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham September 2019 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis aims to determine whether it is possible to quantify the popularity of amphitheatre spectacles in the Roman West. Traditionally, amphitheatre spectacles have been regarded as having experienced widespread popularity, and there has been little in the way of a proper assessment of contemporary levels of popularity in modern scholarship. This work will attempt to tackle this issue, and the popularity of amphitheatre spectacles will be primarily explored through the comparison of amphitheatre seating capacity estimates with their corresponding urban population estimates. Through a number of case studies, this thesis will argue that, instead of the traditionally accepted widespread popularity of amphitheatre spectacles, contemporary levels of popularity were complex, and could differ greatly, depending on time period and region of the Roman West. -
Tunis, Kairouan & Carthage
<Sc5tJ^Oft . jti&Sf «P> sgr: wmm—mm f TUMM SKW TSI jEapl^r——* B ,->. a m S&iJ i §■ ;tearr~-^ mmm A y -Ays+A. Digitized by the Internet Archive in 2018 with funding from Getty Research Institute https://archive.org/details/tuniskairouancarOOpetr . A MINOR MOSQUE, KAIROUAN TUNIS KAIROUAN & CARTHAGE DESCRIBED AND ILLUSTRATED WITH FORTY-EIGHT PAINTINGS BY GRAHAM PETRIE, R.I. oe <£ LONDON WILLIAM HEINEMANN 1908 Copyright, London, 1908, by William Heineniann SHE GETTY CEfv'TEP. LIBRARY AUTHOR’S NOTE Among the many books concerning the history of Tunisia which I have consulted, those included in the following list have proved the more interest¬ ing and profitable. To their authors I gratefully acknowledge my indebtedness, and tender my cordial thanks, confidently recommending their pages to readers who would supplement my modest essays with more substantial fare, and bridge the gaps between some scattered fragments from the grim chronicles of Time. “ The Roman History of Appian of Alexandria ” (translated from the Greek by Horace White); “Figures et Recits de Carthage Chretienne ” (Abel Alcais) ; “ Histoire Generate de la Tunisie ” (Abel Clarin de la Rive); “ Carthage and the Carthaginians ” (R. Bos- worth Smith) ; “ L’Afrique Romaine ” (Gaston Boissier); “ Carthage ” (Ernest Babelon) ; “ Carthage of the Phoenicians ” (Mabel Moore). G. P. Arts Club, London. CONTENTS INTRODUCTION _ PAGES Tunis of to-day—Bazaars—Cafes—Biblical types—Exten¬ sive historical interest—The Punic Wars—The Christian Church, its saints and martyrs—French care of classical ruins—Modern ideas and their effect . i—io CHAPTER I A Tale of Two Continents Marseilles—The song of the ship—Sighting Corsica—The first impressions of Monsieur Babelon—Tunis receives our greetings in her night-dress—Arrival .