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The Fondation Louis Vuitton
THE FONDATION LOUIS VUITTON A new ambition for LVMH's corporate patronage Created by the LVMH group and its Maisons in 2006 on the initiative of Bernard Arnault, the Fondation Louis Vuitton forms part of the art and culture patronage programme developed by the group for over twenty years. It also marks a new step driven by a renewed ambition: – A lasting commitment with the desire to become firmly rooted in a particular place and bring an institution to life over the long term. – A major philanthropic gesture towards the city of Paris with the construction of an exceptional building on municipal state property and the signature of a 55-year occupancy agreement with Paris city council. Driven by a desire to work for the common good, the Fondation Louis Vuitton demonstrates a clear commitment to contemporary art and looks to make it accessible to as many people as possible. To foster the creation of contemporary art on a national and international scale, the Fondation Louis Vuitton calls on a permanent collection, commissions from artists, temporary modern and contemporary art exhibitions and multidisciplinary events. One of its priorities is to fulfil an educational role, especially among the young. A new monument for Paris Frank Gehry has designed a building that, through its strength and singularity, represents the first artistic step on the part of the Fondation Louis Vuitton. This large vessel covered in twelve glass sails, situated in the Bois de Boulogne, on the edge of avenue du Mahatma Gandhi, is attached to the Jardin d'Acclimatation. Set on a water garden created for the occasion, the building blends into the natural environment, amidst the wood and the garden, playing with light and mirror effects. -
An Analysis of the 50-Year Rule, 1966-2010
Copyright by Emily Jeanne Koller 2011 The Report Committee for Emily Jeanne Koller Certifies that this is the approved version of the following report: Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 APPROVED BY SUPERVISING COMMITTEE: Supervisor: Michael Holleran Monica Penick Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 by Emily Jeanne Koller, B.A.; MA Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Science in Community and Regional Planning The University of Texas at Austin May 2011 Abstract Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 Emily Jeanne Koller, MSCRP The University of Texas at Austin, 2011 Supervisor: Michael Holleran The report evolves from previous work in the field that questions the efficacy of the 50-year rule, or criterion consideration G, of the National Register of Historic Places program to register and protect modern and recent past resources. Proponents of the recent past argue that by restricting evaluation of historic architecture to only that which is 50-years or older is leading to widespread endangerment and demolition of buildings and sites with periods of significance from the postwar era. This report studies the use of criterion G in-depth since the inception of the National Register program and attempts to identify and quantify the resources lost through continued adherence to the 50-year rule. The analysis is done in two parts. -
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California State Univer Porter’s wooden coffin, sity-San Marcos has received which she kept in her apart a $1 million donation to es ment and delighted in tablish a university library. Grants shocking friends with it. Por The current library is tem ter, who died in 1980, was porarily housed in classroom and cremated and the coffin not space and it has already be used. come necessary to have compact shelving off-cam The Research Libraries pus to accommodate current Acquisitions Group has been given holdings. The money, $200,000 to help fund its col pledged over two years, was laborative digitization pro given by W. Keith and Jean Tara Weikum ject, “Studies in Scarlet.” The Kellogg, philanthropists and two-year project will create supporters of the university a virtual library collection since its beginning seven years ago. around the central theme of marriage and sexu ality in the U.S. and the United Kingdom from The Hill Monastic Manuscript Library at 1815–1914. Awarded by the National Center Saint John’s University has received a $400,000 for Automated Information Research, the project grant from the Andrew W. will test the theory that an Mellon Foundation to develop electronic collection for schol guidelines and systems for arly research can be created cataloging medieval and re cooperatively, made widely naissance manuscripts in elec available, and be maintained tronic form. The three-year for future use. project called Electronic Ac cess to Medieval Manuscripts New York University’s will develop standards for en Elmer Holmes Bobst Library coding core-level and detailed has been given $500,000 by manuscript descriptions in Barbara Goldsmith to estab MARC and SGML. -
Obsessive Genius: the Inner World of Marie Curie Pdf, Epub, Ebook
OBSESSIVE GENIUS: THE INNER WORLD OF MARIE CURIE PDF, EPUB, EBOOK Barbara Goldsmith | 272 pages | 09 Jun 2006 | WW Norton & Co | 9780393327489 | English | New York, United States Obsessive Genius: The Inner World of Marie Curie PDF Book It was shocking, though not surprising, to read how her contributions were ignored by the Nobel committee. The intensity of her passion for science, unfortunately, cost her time with her children, creating rifts, especially with the youngest one. Mail will not be published required. Great read that is hard to put down. Place Published New York. Sometimes books go on and on and you drown in the details, but not here. About Barbara Goldsmith. There is also some commentary from Goldsmith, towards the end, about what drew her to Marie Curie in the first place. So admired her spunk, because she basically had to fight every step of the way the prejudices of the time. While her work won her two Nobel Prizes and transformed our world, it did not liberate her from the prejudices of either the male-dominated scientific community or society. Eliza Foss does a good job narrating the book. She never received much in the way of formal treatment for her depressive episodes. Massie pdf. I really enjoyed this book and learned so much not only about Madame Curie but also about the scientific world of the 19th and early 20th century. In fact, the Curie clothing and papers are still to this day radioactive! Daniel H. Also thought she did a very good job, mixing their health, their home and their work. -
Carnegie Corporation of New York a N N U a L R E P O R T 2004-2005 Carnegie Corporation of New York
Carnegie Corporation of New York COMBINED ANNU A L R E P O R T 2004-2005 ANNU A L R E P O R T 2004-2005 Carnegie Corporation of New York Carnegie Corporation of New York was created by Andrew Carnegie in 1911 to promote “the advancement and diffusion of knowledge and understanding.” Under Carnegie’s will, grants must benefit the people of the United States, although up to 7.4 percent of the funds may be used for the same purpose in countries that are or have been members of the British Commonwealth, with a current emphasis on sub-Saharan Africa. As a grantmaking foundation, the Corporation seeks to carry out Carnegie’s vision of philanthropy, which he said should aim “to do real and permanent good in this world.” © 2007 Carnegie Corporation of New York Contents REPORT OF THE PrESIDENT I Reflections on Encounters With Three Cultures 2004 REPORT ON PrOGRAM 1 Ongoing Evaluation Enhances the Corporation’s Grantmaking Strategies in 2004 Grants and Dissemination Awards Education International Development International Peace and Security Strengthening U.S. Democracy Special Opportunities Fund Carnegie Scholars Dissemination Anonymous $15 Million in Grants to Cultural and Social Service Institutions in New York City 2004 REPORT ON FINANCES 77 Financial Highlights 2004 REPORT ON ADMINISTRATION 91 Fiscal 2004: The Year in Review 2005 REPORT ON PrOGRAM 97 Key Programs Meet the Challenges of Maturity in 2005 Grants and Dissemination Awards Education International Development International Peace and Security Strengthening U.S. Democracy Special Opportunities -
Reading Guide Other Powers
Reading Guide Other Powers By Barbara Goldsmith ISBN: 9780060953324 Plot Summary Other Powers: The Age of Suffrage, Spiritualism, and the Scandalous Victoria Woodhull is a portrait of the tumultuous last half of the nineteenth century, when the United States experienced the Civil War, Reconstruction, Andrew Johnson's impeachment trial, and the 1869 collapse of the gold market. A stunning combination of history and biography, Other Powers interweaves the stories of the important social, political, and religious players of America's Victorian era with the scandalous life of Victoria Woodhull--Spiritualist, woman's rights crusader, free-love advocate, stockbroker, prostitute, and presidential candidate. This is history at its most vivid, set amid the battle for woman suffrage, the Spiritualist movement that swept across the nation in the age of Radical Reconstruction following the Civil War, and the bitter fight that pitted black men against white women in the struggle for the right to vote. The book's cast: Victoria Woodhull, billed as a clairvoyant and magnetic healer--a devotee and priestess of those "other powers" that were gaining acceptance across America--in her father's traveling medicine show . spiritual and financial advisor to Commodore Vanderbilt . the first woman to address a joint session of Congress, where--backed by Elizabeth Cady Stanton and Susan B. Anthony--she presents an argument that women, as citizens, should have the right to vote . becoming the "high priestess" of free love in America (fiercely believing the then-heretical idea that women should have complete sexual equality with men) . making a run for the presidency of the United States against Horace Greeley and Ulysses S. -
LITERARY JOURNALISM AS a DISCIPLINE: Tom Wolfe and Beyond
Richard Lance Keeble DOSSIER LITERARY JOURNALISM AS A DISCIPLINE: Tom Wolfe and beyond Copyright © 2018 SBPjor / Associação RICHARD LANCE KEEBLE Brasileira de Pesquisa- University of Lincoln, Lincoln – United Kingdom dores em Jornalismo ORCID: 10.25200/BJR.v14n3.2018.1126 DOI: 10.25200/BJR.v14n3.2018.1126 ABSTRACT – The publication of Tom Wolfe’s The New Journalism in 1973 was the seminal moment for the formation of literary journalism as an academic discipline. Wolfe both celebrated the work of more than 20 contemporary journalists whom he dubbed “new journalists” and identified the main elements of their writings. But his concentration on their individual techniques (which has proved so influential in the development of literary journalism in higher education) crucially marginalized consideration of such elements as ideology and political economy, and promoted a problematic form of cultural elitism. In exploring the political economy of literary journalism, this paper will identify similarities between the formation of English as an academic discipline in the UK in the 18th and 19th centuries and the launch of literary journalism in the US in the 1970s and 1980s. And to help literary journalism expand its horizons and draw inspiration from a much wider range of academic disciplines, the paper will argue for its radical democratization. Key words: Literary journalism. Academic discipline. Democratization. Political economy. Tom Wolfe. JORNALISMO LITERÁRIO COMO DISCIPLINA: Além de Tom Wolfe RESUMO – A publicação do livro de Tom Wolfe The New Journalism, em 1973, foi o momento fundamental para a formação do jornalismo literário como disciplina acadêmica. Wolfe celebrou o trabalho de mais de 20 jornalistas contemporâneos, apelidando-os de “novos jornalistas” e identificando seus principais elementos de escrita. -
2018-19 Rome Prize Winners and Italian Fellows
L’American Academy in Rome annuncia i nuovi Vincitori del Rome Prize e gli Italian Fellows Artisti e ricercatori a cui viene dato tempo e spazio per pensare e lavorare a Roma I borsisti italiani sono Ila Bêka (Enel Foundation Italian Fellow in Architecture, Urban Design, and Landscape Architecture), Carmen Belmonte (Italian Fellow in Modern Studies), Invernomuto (Cy Twombly Italian Fellow in Visual Arts), Renato Leotta (Fondazione Sviluppo e Crescita CRT Italian Fellow in Visual Arts), Francesco Lovino (Italian Fellow in Medieval Studies), Virginia Virilli (Italian Fellow in Literature) e Francesco Zorzi (Tiffany & Co. Italian Fellow in Design) New York e Roma (13 aprile 2018) – L’American Academy in Rome (AAR) ha annunciato i vincitori del Rome Prize 2018–19 e le Italian Fellowship dedicate agli artisti e studiosi italiani. Queste borse di studio, altamente selettive, supportano il lavoro e la ricerca indipendente e di qualità nel campo delle arti e degli studi umanistici. I vincitori del Rome Prize e i borsisti italiani sono stati annunciati il 12 aprile 2018 durante la cerimonia di assegnazione dei Rome Prize intitolata ad Arthur and Janet C. Ross nel Frederick P. Rose Auditorium alla Cooper Union di New York. Dopo un’introduzione di Mark Robbins, Presidente e Amministratore Delegato dell’Accademia, borsista nel 1997, i vincitori del Rome Prize 2018–19 e i borsisti italiani sono stati presentati da Mary Margaret Jones, Presidente del Consiglio di Amministrazione, borsista nel 1998. Oltre ai 29 vincitori del Rome Prize, l’Accademia ha annunciato i vincitori delle 7 borse di studio italiane, attraverso cui artisti e ricercatori italiani vivono e lavorano all’interno della comunità dell’Accademia, dedicandosi ai propri progetti in un ambiente collaborativo e interdisciplinare con i loro colleghi americani. -
Download Report
COUNCIL ON FOREIGN RELATIONS AN NUAL RE PORT JULY 1, 2003-JUNE 30, 2004 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, NW 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 434-9800 Tel. (202) 518-3400; Fax (202) 986-2984 Website www.cfr.org E-mail [email protected] OFFICERS and DIRECTORS 2004-2005 OFFICERS DIRECTORS Term Expiring 2009 Peter G. Peterson* Term Expiring 2005 Madeleine K. Albright Chairman of the Board Jessica P Einhorn Richard N. Fostert Carla A. Hills* Louis V Gerstner Jr. Maurice R. Greenbergt Vice Chairman Carla A. Hills*t Robert E. Rubin George J. Mitchell Vice Chairman Robert E. Rubin Joseph S. Nye Jr. Richard N. Haass Warren B. Rudman Fareed Zakaria President Andrew Young Michael R Peters Richard N. Haass ex officio Executive Vice President Term Expiring 2006 Janice L. Murray Jeffrey L. Bewkes Senior Vice President OFFICERS AND and Treasurer Henry S. Bienen DIRECTORS, EMERITUS David Kellogg Lee Cullum AND HONORARY Senior Vice President, Corporate Richard C. Holbrooke Leslie H. Gelb Affairs, and Publisher Joan E. Spero President Emeritus Irina A. Faskianos Vice President, Vin Weber Maurice R. Greenberg Honorary Vice Chairman National Program and Academic Outreach Term Expiring 2007 Charles McC. Mathias Jr. Elise Carlson Lewis Fouad Ajami Director Emeritus Vice President, Membership David Rockefeller Kenneth M. Duberstein and Fellowship Affairs Honorary Chairman Ronald L. Olson James M. Lindsay Robert A. Scalapino Vice President, Director of Peter G. Peterson* t Director Emeritus Studies, Maurice R. Creenberg Chair Lhomas R. -
Society of Fellows News American Academy in Rome
SOCIETY OF FELLOWS NEWS AMERICAN ACADEMY IN ROME GARDENS SPRING 2004 From the Editor Catherine Seavitt FAAR’98 The Latin word hortus translates as and the delicacy of life itself, through Society of Fellows NEWS "kitchen garden", which certainly its very materiality. A field of golden SPRING 2004 implies a very different notion than wheat is certainly a powerful image - Published by the Society of Fellows of FAAR’98 that of a large public park or a private epitomized in Agnes Denes 's The American Academy in Rome pleasure garden. Conceptually, the Wheatfield, the planting and harvesting 7 East 60 Street kitchen garden embodies notions of of two acres of wheat at the Battery New York, NY 10022-1001 USA growth, careful tending, and suste- Park landfill, New York, in 1982. This tel 212 751 7200 www.sof-aarome.org Catherine Seavitt FAAR’98 nance, as well as a deeper notion of is a work that profoundly addresses Editor: Co-Editors: Stefanie Walker FAAR’01 text the stewardship of the land. The capitalism and hunger as well as the Joanne Spurza FAAR’89 news cycling of nature is visible in the sea- sustainability of our own humanity. Brian Curran FAAR’94 obits sonal passage of fruits and vegetables, Agnes' Wheatfield is particularly SOF Liason: Elsa Dessberg as is the quirky character of plants - poignant in light of the aftermath of the eternal return of the tomatoes September 11, 2001. Contents and the certain invasion of the A garden captures the spiritual SOF President’s Message 3 rhubarb. The challenges of a small notion of the eternal return, and per- From the AAR President, New York 4 kitchen garden certainly have some haps no city matches that spirit more From the AAR Director, Rome 6 News From Rome 8 analog with each of our own person- than Rome, the Eternal City. -
Michael Rosenfeld Gallery @ Frieze New York Spotlight Stand D31 May 5-7, 2017 , 1967/1994, Polished Bronze and Silk on on Silk and Bronze Polished 1967/1994,
Michael Rosenfeld Gallery @ Frieze New York Spotlight Stand D31 May 5-7, 2017 , 1967/1994, polished bronze and silk on on silk and bronze polished 1967/1994, , FOR IMMEDIATE RELEASE (April 22, 2017 – New York) Michael Rosenfeld Gallery will present a spotlight position for Barbara Chase-Riboud (American, b.1939) at Frieze New York, concentrating on works from the 1960s and 1970s. The exhibition will in- clude a selection of sculpture and drawings; most works to Twins in Back Matisse’s be featured have never been exhibited in the United States. American-born, European-based au- thor, poet, and sculptor Barbara Chase- Riboud, will be attending Frieze New York on Thursday, May 4 from 2:00-6:00pm; she will be available for interviews. Following her seminal spotlight at (b.1939), Chase-Riboud Barbara cm 45.7 x 99.1 x 191.1 / 18” x 39” x 1/4” 75 base, steel painted Frieze New York, Michael Rosenfeld Gallery will present in September 2017 Barbara Chase-Riboud – Malcolm X: the series, begun in 1969. Additions to the series came in 2003, Complete, her second large-scale solo 2007-08 and 2016-17, totaling twenty sculptures. Known collec- exhibition at 100 Eleventh Avenue. tively as the Malcolm X Steles, the first thirteen sculptures were exhibited in 2014 to acclaim at the Philadelphia Museum of Art Scheduled to be on view from September 8 to November 4, and the Berkeley Art Museum (University of California Berkeley). 2017, the exhibition will focus on her now complete series Malcolm X Steles which she started in 1969. -
Michael Van Valkenburgh Associates
MICHAEL VAN VALKENBURGH ASSOCIATES THE LANDSCAPE ARCHITECTURE FIRM AWARD SUBMITTAL ASLA Board of Trustees c/o Carolyn Mitchell American Society of Landscape Architects 636 Eye St., NW Washington, DC 20001 Re: Nomination of Michael Van Valkenburgh Associates for Firm of the Year Dear Trustees, The list of winners of ASLA’s Landscape Architecture Firm Award is stacked with firms that have produced significant work and made great contributions to our profession. As impressive as it is, however, the list remains glaringly incomplete, as it fails to recognize one of our most accomplished firms: Michael Van Valken- burgh Associates (MVVA). As a collective of talented designers and thinkers, MVVA has produced three decades worth of exceptional, groundbreaking built work, been a leader in promoting innovative responses to environmental challenges, and significantly raised awareness of the important work we do as landscape archi- tects. It is because of this that I enthusiastically nominate MVVA for the Landscape Architecture Firm Award. Michael Van Valkenburgh, FASLA, opened MVVA in 1982. As we all know, he has built a career as one of only a handful of landscape architects with name recognition extending far outside of our profession. His accom- plishments and contributions have been recognized with many awards, including the ASLA Design Medal and induction into the prestigious American Academy of Arts and Sciences. His is the public face for the firm, and the name on the letterhead, but he is far from the only person involved. Van Valkenburgh leads the firm with Laura Solano, ASLA and Matthew Urbanski, ASLA, who have been in- volved in most of the firm’s major projects, along with other principals Paul Seck, ASLA, and Gullivar Shepard, ASLA.