The Mughal Audience Hall: a Solomonic Revival of Persepolis in the Form of a Mosque1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lesson: Two Mughal Paintings Essential
Lesson: Two Mughal Paintings This lesson is accompanied by a handout, Visual Analysis: Four Steps toward Critically Thinking about Art. Essential Question: What role does the visual language of Mughal painting play in the expression of royal power and dynastic legitimacy? Learning Experience: Students will examine two paintings from the Mughal dynasty (1526-1828). One depicts an emperor watching an elephant fight. The second portrays another emperor seated with ten of his ancestors. Students will learn how painters of the Mughal royal workshops used art to express a vision of absolute power. Anticipatory Set: Do we encounter visual symbols or forms of architecture in our daily lives that not only tell us how to behave, but also that we must behave in certain ways? Context: At its height the Mughal Empire controlled most of the Indian subcontinent. Its founder, Babur (1483-1530), was from Central Asia, born in what is today Uzbekistan. He was a Turk, a member of one of the many Central Asian tribes speaking Turkic languages such as Uzbek, Kazakh, Turkish, etc. Babur was the great-great-great grandson of Timur (1336-1405, known as “Tamerlane” in the West). The Timurid dynasty (1370-1405) for a time ruled much of what is today Iran and Central Asia. On his mother’s side Babur claimed descent from Chinggis Khan, the great Mongol conqueror (“Mughal” derives from “Mongol”). The early Mughal rulers emphasized both their descent from Timur and their Chinggisid lineage through Babur’s mother; they were known equally as the Mughals and the Later Timurids. .Just as Timur’s descendants claimed that Timur had outdone Chinggis Khan, so Babur and his descendants recorded those aspects of Babur’s career which had surpassed the achievements of Timur (Manz 2002: 9). -
Sacralizing the City: the Begums of Bhopal and Their Mosques
DOI: 10.15415/cs.2014.12007 Sacralizing the City: The Begums of Bhopal and their Mosques Jyoti Pandey Sharma Abstract Princely building ventures in post 1857 colonial India included, among others, construction of religious buildings, even as their patrons enthusiastically pursued the colonial modernist agenda. This paper examines the architectural patronage of the Bhopal Begums, the women rulers of Bhopal State, who raised three grand mosques in their capital, Bhopal, in the 19th and early 20th century. As Bhopal marched on the road to progress under the Begums’ patronage, the mosques heralded the presence of Islam in the city in the post uprising scenario where both Muslims and mosques were subjected to retribution for fomenting the 1857 insurrection. Bhopal’s mosques were not only sacred sites for the devout but also impacted the public realm of the city. Their construction drew significantly on the Mughal architectural archetype, thus affording the Begums an opportunity to assert themselves, via their mosques, as legitimate inheritors of the Mughal legacy, including taking charge of the latter’s legacy of stewardship of Islam. Today, the Bhopal mosques constitute an integral part of the city’s built heritage corpus. It is worth underscoring that they are not only important symbols of the Muslim faith but also markers of their patrons’ endeavour to position themselves at the forefront in the complex political and cultural scenario of post uprising colonial India. Keywords Bhopal Begums; Modernity; Mosques; Mughal legacy; Uprising INTRODUCTION The architecture of British ruled Indian Subcontinent has been a popular subject of scholarship from the colonial perspective with the architectural patronage of princely India also receiving due academic attention1. -
Download List of Famous Mosques in India
Famous Palaces in India Revised on 16-May-2018 ` Railways RRB Study Material (Download PDF) Mosque Location Jama Masjid (Bhilai) Bhilai, Chhattisgarh Jama Masjid Delhi Quwwatul Islam Masjid Delhi Moti Masjid (Red Fort) Delhi Quwwatul Islam Masjid Delhi Jamali Kamali Mosque and Tomb Delhi Sidi Sayyid Mosque Ahmedabad, Gujarat Sidi Bashir Mosque Ahmedabad, Gujarat Jamia Masjid Srinagar, Jammu & Kashmir Hazratbal Shrine Srinagar, Jammu & Kashmir Download Fathers of various fields in Science and Technology PDF Taj-ul-Masajid Bhopal, Madhya Pradesh Haji Ali Dargah Mumbai, Maharashtra Adhai Din Ka Jhonpra Ajmer, Rajasthan Ajmer Sharif Dargah Ajmer, Rajasthan Makkah Masjid Hyderabad, Telangana Gyanvapi Mosque Varanasi, Uttar Pradesh Moti Masjid (Agra Fort) Agra, Uttar Pradesh Nagina Masjid Agra, Uttar Pradesh (Gem Mosque or the Jewel Mosque) Jama Mosque (Fatehpur Sikri) Agra, Uttar Pradesh IBPS PO Free Mock Test 2 / 6 Railways RRB Study Material (Download PDF) Mosque Location Tomb of Salim Chishti Fatehpur Sikri, Uttar Pradesh Bara Imambara Lucknow, Uttar Pradesh Chota Imambara Lucknow, Uttar Pradesh Beemapally Mosque Thiruvananthapuram, Kerala Cheraman Juma Mosque Thrissur, Kerala Other Places of Interest Tombs/ Mausoleums Location Taj Mahal Agra, Uttar Pradesh Tomb of Mariam-uz-Zamani Sikandra, Agra, Uttar Pradesh Tomb of Adam Khan Qutub Minar, Mehrauli, Delhi Bibi Ka Maqbara (Taj of Deccan) Aurangabad, Maharashtra *Humayun’s Tomb Delhi Download Modern India History Notes PDF Tomb of I'timād-ud-Daulah Agra, Uttar Pradesh (Baby Taj) Tomb of -
ANSWERED ON:23.08.2007 HISTORICAL PLACES in up Verma Shri Bhanu Pratap Singh
GOVERNMENT OF INDIA CULTURE LOK SABHA UNSTARRED QUESTION NO:1586 ANSWERED ON:23.08.2007 HISTORICAL PLACES IN UP Verma Shri Bhanu Pratap Singh Will the Minister of CULTURE be pleased to state: (a) the details of Centrally protected monuments in Uttar Pradesh (UP) at present; (b) the agency responsible for the maintenance of these places; (c) the amount spent on the maintenance of these monuments during the last three years; and (d) the details of revenue earned from these monuments during each of the last three years? Answer MINISTER FOR TOURISM AND CULTURE (SHRIMATI AMBIKA SONI) (a)&(b) There are 742 monuments/sites declared as of national importance in the Uttar Pradesh (U.P.) as per list at Annexure. Archaeological Survey of India looks after their proper upkeep, maintenance, conservation and preservation. (c) The expenditure incurred on conservation, preservation, maintenance and environmental development of these centrally protected monuments during the last three years is as under: Rupees in Lakhs Year Total 2004-05 1392.48 2005-06 331.14 2006-07 1300.36 (d) The details of revenue earned from these monuments during the last three years are as under: Rupees in Lakhs Year Total 2004-05 2526.33 2005-06 2619.92 2006-07 2956.46 ANNEXURE ANNEXURE REFERRED TO IN REPLY TO PART (a)&(b) OF THE LOK SABHA UNSTARRED QUESTIO NO.1586 FOR 23.8.2007 LIST OF CENTRALLY PROTECTED MONUMENTS IN UTTAR PRADESH Agra Circle Name of monument/site Locality District 1. Agra Fort Including Akbari Mahal Agra Agra Anguri Bagh Baoli of the Diwan-i-Am Quadrangle. -
Golden Triangle with Tiger Safari
Experience Cultural - Historical -Romantic Fantasy Tour of India - 2020 Day 01: ARRIVE DELHI ( Check in 1200 Hrs) On arrival at Indira Gandhi international airport, meet and greet by our representative. Later, assistance and transfer to hotel. Delhi - the capital of India, is a fascinating city with complexities and contradictions, beauty and dynamism, where the past co-exists with the present. Many dynasties ruled from here and the city s rich in the architecture of its monuments. Delhi is not only the present metropolis of India but also a Necropolis. Because of its location, being on the banks of the River Yamuna, many cities have risen and fallen over the last five millenniums. Overnight in Delhi Day 02: DELHI After breakfast proceed sightseeing tour of Old Delhi, drive past from the historic Red Fort (outside only) – Shah Jehan’s elegant citadel in red sandstone, which was built as an octagon measuring 900m by 550m and surrounded by a 9 –meter deep moat, which was at its inception fed by the waters of the Yamuna River. Very near the Fort is the JAMA MASJID, India’s largest mosque, also built by Shah Jahan. Take an interesting rickshaw ride through the famous bazaars of Chandni Chowk, which is adjacent to both the Fort and the Mosque. Also visit RAJ GHAT – the memorial to Mahatma Gandhi. Visit the Qutub Minar, a Tower of Victory which was built in the 12th century by Qutbuddin Aibak. Within its spacious courtyard stands the Iron Pillar, which dates back to the 4th century AD and bears a Sanskrit inscription in the Gupta style. -
Mosque Architecture in Delhi : Continuity and Change in Its Morphology
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/267627164 MOSQUE ARCHITECTURE IN DELHI : CONTINUITY AND CHANGE IN ITS MORPHOLOGY Article · December 2012 DOI: 10.13140/2.1.2372.7042 CITATIONS READS 0 1,103 1 author: Asif Ali Aligarh Muslim University 17 PUBLICATIONS 20 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Development of Mosque Architecture in North India and its Influence on Malaysian Mosques View project Virtual Archeology View project All content following this page was uploaded by Asif Ali on 01 November 2014. The user has requested enhancement of the downloaded file. MOSQUE ARCHITECTURE IN DELHI : CONTINUITY AND CHANGE IN ITS MORPHOLOGY Asif Ali* ABSTRACT This paper presents the summary of a recently completed dissertation by the author keeping in view the objectives viz. 1) to study and identify the essential elements of the mosque, their meanings and their functions, 2) to study the evolution of the mosque architecture in Delhi from early Islamic period to present time and 3) to identify and establish the continuity and the change in the morphology of the mosque in Delhi and the factors which influenced its development through time. To answer the research question and to accomplish the objectives mentioned above, following methodologies were adopted. In order to view the continuity and changes in the mosque architecture in Delhi, it seemed essential to study their historical enquiry. It was not only the survey of the historical mosque but the approach was to understand the future of mosque architecture through their past. -
Phoolwalon Ki Sair.Indd 1 27/07/12 1:21 PM 1
CORONATION To the south of the western gateway is the tomb of Qutb Sahib. was meant for the grave of Bahadur Shah Zafar, who was however PARK It is a simple structure enclosed by wooden railings. The marble exiled after the Mutiny and died in Burma. balustrade surrounding the tomb was added in 1882. The rear wall To the north-east of the palace enclosure lies an exquisite mosque, Phoolwalon was added by Fariduddin Ganj-e-Shakar as a place of prayer. The the Moti Masjid, built in white marble by Bahadur Shah I in the early western wall is decorated with coloured fl oral tiles added by the eighteenth century as a private mosque for the royal family and can be Delhi Metro Mughal Emperor Aurangzeb. approached from the palace dalan as well as from the Dargah Complex. Route 6 ki Sair The screens and the corner gateways in the Dargah Complex were Civil Ho Ho Bus Route built by the Mughal emperor Farrukhsiyar. The mosque of Qutb Lines Heritage Route Sahib, built in mid-sixteenth century by Islam Shah Suri, was later QUTBUDDIN BAKHTIYAR KAKI DARGAH AND ZAFAR added on to by Farrukhsiyar. MAHAL COMPLEX The Dargah of Qutbuddin Bakhtiyar Kaki continues to be a sacred place for the pilgrims of different religions. Every week on Thursday 5 SHAHJAHANABAD Red Fort and Friday qawwali is also performed in the dargah. 5. ZAFAR MAHAL COMPLEX 6 Kotla 9 Connaught Firoz Shah Adjacent to the western gate of the Dargah of Place Jantar Qutbuddin Bakhtiyar Kaki, this complex Mantar 2 7 8 NEW DELHI has various structures built in 3 Route 5 1 Rashtrapati the eighteenth and nineteenth 4 Bhavan Purana century. -
History Preserved in Names: Delhi Urban Toponyms of Perso-Arabic
History preserved in names: Delhi urban toponyms of Perso-Ara bic origin Agnieszka Kuczkiewicz-Fraś Toponyms [from the Greek topos (τόπος) ‘place’ and ónoma (δνομα) ‘name’] are often treated merely as words, or simple signs on geographical maps of various parts of the Earth. How ever, it should be remembered that toponyms are also invaluable elements of a region’s heritage, preserving and revealing differ ent aspects of its history and culture, reflecting patterns of set tlement, exploration, migration, etc. They are named points of reference in the physical as well as civilisational landscape of various areas. Place-names are an important source of information regard ing the people who have inhabited a given area. Such quality results mainly from the fact that the names attached to localities tend to be extremely durable and usually resist replacement, even when the language spoken in the area is itself replaced. The in ternal system of toponyms which is unique for every city, when analysed may give first-rate results in understanding various features, e.g. the original area of the city and its growth, the size and variety of its population, the complicated plan of its markets, 5 8 A g n ie s z k a K u c z k ie w ic z -F r a ś habitations, religious centres, educational and cultural institu tions, cemeteries etc. Toponyms are also very important land-marks of cultural and linguistic contacts of different groups of people. In a city such as Delhi, which for centuries had been conquered and in habited by populaces ethnically and linguistically different, this phenomenon becomes clear with the first glance at the city map. -
A Case Study of Agra
TOURISMOS: AN INTERNATIONAL MULTIDISCIPLINARY JOURNAL OF TOURISM Volume 6, Number 2, Autumn 2011, pp. 139-158 UDC: 338.48+640(050) ECONOMIC POTENTIAL OF TOURISM: A CASE STUDY OF AGRA Surabhi Srivastava1 University of Lucknow Tourism in its broadest generic sense can do more to develop understanding among the people, provide jobs, create foreign exchange and raise living standards than any other economic force. India is world famous for the city of Taj -Agra. There are a number of other tourists attractions like Agra Fort, Itmad-ud- daula's tomb, Bharatpur Sanctuary, Sikandara, Fatehpur Sikri etc which have equal historical and architectural significance but tourists are not aware of about all these places and monuments. The focus of this paper is on the economic benefits accruing to the state byway of tourist's arrivals to Agra. Though Agra receives maximum number of tourists but except Taj Mahal they are not aware about other monuments. This study will evaluate the reasons of lacking in economic benefits from tourism and also analyse the tourist’ problems facing at Agra. Key Words: Economic, Potential, Tourism, Agra, Taj Mahal. JEL Classification: L83, M1, O1 INTRODUCTION Tourism is a field of human activity known to mankind from time immemorial. It cuts across barriers of caste, colour, creed and builds universal brotherhood. The world's oldest industry is also one of the largest and fastest growing industries today. In general terms travel is referred to any movement of one or more people from one point to another. There is not much difference between tourism and travel; in general both terms are used as synonyms (Nanthakumar et al, 2008). -
Modernity, Locality and the Performance of Emotion in Sufi Cults
EMBODYING CHARISMA Emerging often suddenly and unpredictably, living Sufi saints practising in India, Pakistan and Bangladesh are today shaping and reshaping a sacred landscape. By extending new Sufi brotherhoods and focused regional cults, they embody a lived sacred reality. This collection of essays from many of the subject’s leading researchers argues that the power of Sufi ritual derives not from beliefs as a set of abstracted ideas but rather from rituals as transformative and embodied aesthetic practices and ritual processes, Sufi cults reconstitute the sacred as a concrete emotional and as a dissenting tradition, they embody politically potent postcolonial counternarrative. The book therefore challenges previous opposites, up until now used as a tool for analysis, such as magic versus religion, ritual versus mystical belief, body versus mind and syncretic practice versus Islamic orthodoxy, by highlighting the connections between Sufi cosmologies, ethical ideas and bodily ritual practices. With its wide-ranging historical analysis as well as its contemporary research, this collection of case studies is an essential addition to courses on ritual and religion in sociology, anthropology and Islamic or South Asian studies. Its ethnographically rich and vividly written narratives reveal the important contributions that the analysis of Sufism can make to a wider theory of religious movements and charismatic ritual in the context of late twentieth-century modernity and postcoloniality. Pnina Werbner is Reader in Social Anthropology at Keele University. She has published on Sufism as a transnational cult and has a growing reputation among Islamic scholars for her work on the political imaginaries of British Islam. Helene Basu teaches Social Anthropology at the Institut für Ethnologie in Berlin. -
Art in Between Empires: Visual Culture & Artistic
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons ART IN BETWEEN EMPIRES: VISUAL CULTURE & ARTISTIC KNOWLEDGE IN LATE MUGHAL DELHI 1748-1857 Yuthika Sharma Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Yuthika Sharma All rights reserved ABSTRACT Art in between Empires: Visual Culture & Artistic Knowledge in Late Mughal Delhi 1748 -1857 Yuthika Sharma This dissertation focuses on the artistic culture of late Mughal Delhi spanning the last century of Mughal rule and the administration of the English East India Company in North India, from the mid-eighteenth to the mid-nineteenth centuries. It brings a hitherto unrecognized period of artistic accomplishment to light and studies the transformations within painting culture in the multicultural Anglo-Mughal society of Delhi. Rather than being fixated on the continuum of Mughal painting over centuries, this dissertation suggests that the art of the late Mughal period should be studied on its own terms as a response to immense socio-political and cultural changes. At its core this study is concerned with dissolving the stylistic barriers between Mughal and Company painting in the late eighteenth and nineteenth centuries. I take up the question of what the term ‘late Mughal painting’ entails and discuss how the term privileges the notion of a court centric culture of painting in an era when the Mughal court was only one of many venues of artistic expression. On the other hand, I highlight the inadequacy of the term ‘Company painting’ to address the variegated nature of works produced under East India Company patronage in this period. -
India Agra Tomb of Itimad-Ud-Daula, 1626 View from Entrance Gate 14
14 - ARCHITECTURE OF THE GREAT on base to Left to tomb entrance MUGHALS II Ground level 1410 Architecture: India 1401 Architecture: India Agra Agra; Tomb of Tomb of Itimad-ud-Daula, 1626 Itimad-ud-Daula A.D. 1626 View from entrance gate Pietra dura inlay-Detail of slide #1409 1402 Architecture: India Agra Tomb of Itimad-ud-Daula, 1626 1411 Architecture: India View of tomb from entrance Agra; Tomb of Itimad-ud-Daula A.D. 1626 1403 Architecture: India Agra Pietra dura inlay-Detail of Tomb of Itimad-ud-Daula, 1626 slide #1408 View from upper storey toward gateway entrance 1412 Architecture: India Agra; Tomb of 1404 Architecture: India Agra Itimad-ud-Daula A.D. 1626 Tomb of Itimad-ud-Daula, 1626 Pietra dura inlay-Abstract flower Second storey: detail of octogonal corner design-Detail of slide #1408 tower showing pietra dura inlay of marble and semi-precious stones 1413 Architecture: India Agra; Tomb of 1405 Architecture: India Itimad-ud-Daula A.D. 1626 Agra; Tomb of Upper storey-Tomb pavillion Itimad-ud-Daula A.D. 1626 showing marble floor with Pietra dura inlay on corner pietra dura scroll inlay and tower (ground level) showing portion of yellow porphery Detail of wine flask with cenotaphs snake necked animal handles 1414 Architecture: India 1406 Architecture: India Agra; Tomb of Agra; Tomb of Itimad-ud-Daula A.D. 1626 Itimad-ud-Daula A.D. 1626 Upper storey-exterior of tomb Pietra dura inlay on corner pavilion back toward tower (ground level), entrance gate showing covered cup 1415 Architecture: India 1407 Architecture: India Agra; Tomb of Agra; Tomb of Itimad-ud-Daula A.D.