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Mysteries of India
Mysteries of India January 9 - 23, 2020 The Taj Mahal, temples and tigers – experience all the spice of India on this comprehensive tour. Explore Old Delhi’s historic streets by rickshaw. See the Taj Mahal bathed in the light of sunrise. Embark on an evening cruise across Lake Pichola. Enjoy magnificent views of the Jag Mandir Palace. Participate in a cooking demonstration, try your hand at sari tying, even get a henna tattoo! See the City Palace in Jaipur. Experience two game drives in Ranthambore National Park. Visit the site of Buddha’s first sermon. Take an early morning ride on the holy River Ganges. Discover the many ways in which this mysterious land dazzles the senses. Day 1: DEPART USA DAY 2: ARRIVE DELHI DAY 3: DELHI Enjoy a sightseeing tour of Old Delhi. Visit Jama Masjid, India’s largest mosque. Explore Old Delhi’s narrow streets by rickshaw, the traditional mode of transportation. Next you’ll tour New Delhi, visiting Qutub Minar, the tallest brick minaret in the world. Behold the India Gate war memorial, the Parliament and the palatial Rashtrapati Bhawan – the President's residence. (B, L, D) DAY 4: DELHI - UDAIPUR Fly to Udaipur, your gateway to Rajasthan, where chivalrous tales come to life at forts and palaces. Settle into your hotel, a carefully restored palace perched on a hill and overlooking the lake. (B, D) DAY 5: UDAIPUR It’s your choice! Participate in a relaxing yoga class and learn basic exercises and breathing techniques from a local expert. Or, enjoy a morning walking tour of Udaipur just as the city is waking up. -
Sacralizing the City: the Begums of Bhopal and Their Mosques
DOI: 10.15415/cs.2014.12007 Sacralizing the City: The Begums of Bhopal and their Mosques Jyoti Pandey Sharma Abstract Princely building ventures in post 1857 colonial India included, among others, construction of religious buildings, even as their patrons enthusiastically pursued the colonial modernist agenda. This paper examines the architectural patronage of the Bhopal Begums, the women rulers of Bhopal State, who raised three grand mosques in their capital, Bhopal, in the 19th and early 20th century. As Bhopal marched on the road to progress under the Begums’ patronage, the mosques heralded the presence of Islam in the city in the post uprising scenario where both Muslims and mosques were subjected to retribution for fomenting the 1857 insurrection. Bhopal’s mosques were not only sacred sites for the devout but also impacted the public realm of the city. Their construction drew significantly on the Mughal architectural archetype, thus affording the Begums an opportunity to assert themselves, via their mosques, as legitimate inheritors of the Mughal legacy, including taking charge of the latter’s legacy of stewardship of Islam. Today, the Bhopal mosques constitute an integral part of the city’s built heritage corpus. It is worth underscoring that they are not only important symbols of the Muslim faith but also markers of their patrons’ endeavour to position themselves at the forefront in the complex political and cultural scenario of post uprising colonial India. Keywords Bhopal Begums; Modernity; Mosques; Mughal legacy; Uprising INTRODUCTION The architecture of British ruled Indian Subcontinent has been a popular subject of scholarship from the colonial perspective with the architectural patronage of princely India also receiving due academic attention1. -
The Taj: an Architectural Marvel Or an Epitome of Love?
Australian Journal of Basic and Applied Sciences, 7(9): 367-374, 2013 ISSN 1991-8178 The Taj: An Architectural Marvel or an Epitome of Love? Arshad Islam Head, Department of History & Civilization, International Islamic University Malaysia Abstract: On Saturday 7th July 2007, the New Seven Wonders Foundation, Switzerland, in its new ranking, again declared the Taj Mahal to be one of the Seven Wonders of the World. The Taj Mahal is not just an architectural feat and an icon of luminous splendour, but an epitome of enormous love as well. The Mughal Emperor Shahjahan (1592-1666) built the Taj Mahal, the fabulous mausoleum (rauza), in memory of his beloved queen Mumtaz Mahal (1593-1631). There is perhaps no better and grander monument built in the history of human civilization dedicated to love. The contemporary Mughal sources refer to this marvel as rauza-i-munavvara (‘the illumined tomb’); the Taj Mahal of Agra was originally called Taj Bibi-ka-Rauza. It is believed that the name ‘Taj Mahal’ has been derived from the name of Mumtaz Mahal (‘Crown Palace’). The pristine purity of the white marble, the exquisite ornamentation, use of precious gemstones and its picturesque location all make Taj Mahal a marvel of art. Standing majestically at the southern bank on the River Yamuna, it is synonymous with love and beauty. This paper highlights the architectural design and beauty of the Taj, and Shahjahan’s dedicated love for his beloved wife that led to its construction. Key words: INTRODUCTION It is universally acknowledged that the Taj Mahal is an architectural marvel; no one disputes it position as one of the Seven Wonders of the World, and it is certainly the most fêted example of the considerable feats of Mughal architecture. -
Taj Heritage Corridor: Intersections Between History and Culture on the Yamuna Riverfront
Taj Heritage Corridor: Intersections between History and Culture on the Yamuna Riverfront Terence Harkness and Amita Sinha Present-day Agra’s fame rests entirely upon the presence new shops and an amusement complex. However, this was of the Taj Mahal. However, the city is also home to a rich done without conducting an environmental assessment collection of lesser-known and seldom-visited Mughal or making the plan public, and the media raised a mas- monuments, many of which are situated on the Yamuna sive hue and cry, causing the project to be stalled and an riverfront within a relatively short distance of each other. inquiry ordered.1 This project eventually proved extremely How this riverfront landscape became the locus of such controversial, raising fears of excessive commercialization, an astounding cultural heritage is a story that is rarely blocked views of the Taj from Agra Fort, and fl ooding of presented to those who visit the area to see the mag- Mahtab Bagh. nifi cent Taj. Yet, given the high volume of international Though the extensive media coverage of that debacle and domestic tourism focused on the Taj and the Indian has succeeded in raising public awareness, it has not government’s interest in expanding this to include other included constructive debate on the possible course of nearby heritage sites, close examination of this landscape action that would make the riverfront accessible to both and the dynamics of its contemporary use is essential to citizens of Agra and tourists and create an appropriate future preservation efforts. greenbelt around the Taj. Historically, the sixteenth- and seventeenth-century Yamuna riverfront in Agra was the private landscape The Historic Yamuna Riverfront of royalty and nobility, constituted by pleasure, palace, The Yamuna riverfront in Agra was fi rst described in and tomb gardens lining both banks. -
Golden Triangle with Tiger Safari
Experience Cultural - Historical -Romantic Fantasy Tour of India - 2020 Day 01: ARRIVE DELHI ( Check in 1200 Hrs) On arrival at Indira Gandhi international airport, meet and greet by our representative. Later, assistance and transfer to hotel. Delhi - the capital of India, is a fascinating city with complexities and contradictions, beauty and dynamism, where the past co-exists with the present. Many dynasties ruled from here and the city s rich in the architecture of its monuments. Delhi is not only the present metropolis of India but also a Necropolis. Because of its location, being on the banks of the River Yamuna, many cities have risen and fallen over the last five millenniums. Overnight in Delhi Day 02: DELHI After breakfast proceed sightseeing tour of Old Delhi, drive past from the historic Red Fort (outside only) – Shah Jehan’s elegant citadel in red sandstone, which was built as an octagon measuring 900m by 550m and surrounded by a 9 –meter deep moat, which was at its inception fed by the waters of the Yamuna River. Very near the Fort is the JAMA MASJID, India’s largest mosque, also built by Shah Jahan. Take an interesting rickshaw ride through the famous bazaars of Chandni Chowk, which is adjacent to both the Fort and the Mosque. Also visit RAJ GHAT – the memorial to Mahatma Gandhi. Visit the Qutub Minar, a Tower of Victory which was built in the 12th century by Qutbuddin Aibak. Within its spacious courtyard stands the Iron Pillar, which dates back to the 4th century AD and bears a Sanskrit inscription in the Gupta style. -
The Mughal Audience Hall: a Solomonic Revival of Persepolis in the Form of a Mosque1
THE MUGHAL AUDIENCE HALL: A SOLOMONIC REVIVAL OF PERSEPOLIS IN THE FORM OF A MOSQUE1 Ebba Koch Shah Jahan’s Court After Shah Jahan (rul. 1628–58), the fifth emperor of the Mughal dynasty, was enthroned on 8th Jumada al-Thani of the Hijri year 1037, corresponding to 14 February 1628 CE, he issued an order that halls for his public audiences should be constructed in all the great fortress palaces of the capitals of the Mughal empire. The audience hall was a new building type in the Mughal palace, of central importance for the proceedings of the Mughal court and for the interaction of the emperor with his subjects. Under the rule of Shah Jahan, the Mughal empire entered its classi- cal phase of greatest prosperity and stability.2 The conquests of Babur (1526), enlarged and consolidated under Akbar (rul. 1556–1605) and Jahangir (rul. 1605–1627), had established the Empire of the Great Moghul (or Mughal) as one of the three leading powers of the Islamic world, the other two being the Ottoman Empire and Safavid Persia. The informal set up of Babur asprimus inter pares among his Central Asian followers, had—in particular through the efforts of Akbar— developed into the court of an absolute ruler who, as head of a cen- tralized state, personally and diligently oversaw the administration of 1 This paper is based on an earlier study of the audience halls of Shah Jahan with detailed references, see Ebba Koch, ‘Diwan-i ‘Amm and Chihil Sutun: The Audience Halls of Shah Jahan’, Muqarnas 11 (1994) pp. -
Guards at the Taj by Rajiv Joseph
by Rajiv Joseph Guards at the Taj Registered Charity: 270080 Education Pack 2 Introduction focusing on new writing, ensemble work and theatre productions based on historical and The resources, research and information in real life figures. this study pack are intended to enhance your understanding of Guards at the Taj by Guards at the Taj tackles the challenges of Rajiv Joseph and to provide you with the researching, presenting and understanding materials to assist students in both the social, historical and political issues in an practical study of this text and in gaining a accessible and creative way. The play will GUARDS AT deeper understanding of this exciting new provoke students to ask pertinent questions, play. think critically, and develop perspective and judgement. This includes context (both political and theatrical), production photographs, Please note that this Education Pack includes discussion points and exercises that have key plot details about the play. The Classroom been devised to unpack the play’s themes and Exercises are most suitable for students who stylistic devices. have watched (or read) the play. THE TAJ In line with the national curriculum, Guards If you have any questions please don’t at the Taj would be a suitable live theatre hesitate to get in touch with Amanda production for analysis. It will also provide Castro on 0208 743 3584 or at Cross-Curicular: Drama and Theatre Studies, English an invaluable resource for students who are [email protected]. Literature, History, Politics, PSHE Key Stages -
Tour Booking Form
. Tour Booking Form Transport No. Excursion / Tour Remarks Toyota Crysta Mercedes E Class Included Guide, Entrance Fee Full Day Sight Seeing tour of Delhi A 9100.00* 10500.00* & Lunch at Indian speciality with Lunch at an Indian Restaurant Restaurant Bollywood Show with Dinner at Includes Diamond Ticket for B Kingdom of Dreams 6500.00* 7500.00* show & Dinner Includes Lunch, Entrances, C 1 Day Trip to Agra – Taj Mahal 12000.00* 18500.00* Tuk- Tuk Ride, Local Guide, Mineral Water Includes Room+ Breakfast, D 1 Night 2 Days Agra – Taj Mahal 13250.00* 19850.00* Entrances, Tuk-Tuk Ride, Local Guide, Mineral Water Includes Room+ Breakfast, E 2 Nights 3 Days Golden Triangle 35500.00* 51500.00* Entrances, Train Ticket, Local Guide, Mineral Water Includes Room+ Breakfast, F 3 Nights 4 Days Golden Triangle 38250.00* 55000.00* Entrances, Local Guide, Mineral Water Car Including Driver: G up to 4 hrs & 40 Kms 1650.00 3650.00 Car Including Driver: H up to 8 hrs & 80 Kms 2750.00 5300.00 *cost Per Person. Minimum 2 Paying person Tour Selected:____________________________________ Language of Tour Guide: English [ ] German [ ] Russian [ ] Guides other than English speaking are subject to availability. Name Hotel Date Time Time Remarks 1 2 3 Tour Cost to be paid: Payment Method: Cash [ ] Credit Card: Master Card [ ] Visa [ ] Total Payment: *add 3% fee for credit card payments For more details & booking contact: Rannu Malhotra @ mob +91 9821285263 or [email protected] Head Office: RZ – A / 96, Road No. 6, Street No. 9,Mahipalpur Extension, New Delhi – 110037, India Tel: 00-91-11- 4712 5200 | Fax: 00-91-11- 4712 5205 Web: www.destinosindia.com CREDIT CARD AUTHORISATION FORM All Information will remain confidential 1. -
Conservation of Historic Monuments in Lahore: Lessons from Successes and Failures
Pak. J. Engg. & Appl. Sci. Vol. 8, Jan., 2011 (p. 61-69) Conservation of Historic Monuments in Lahore: Lessons from Successes and Failures 1 Abdul Rehman 1 Department of Architecture, University of Engineering & Technology, Lahore Abstract A number of conservation projects including World Heritage sites are underway in Lahore Pakistan. The most important concern for conservation of these monuments is to maintain authenticity in all aspects. Although we conserve, preserve and restore monuments we often neglect the aspects of authenticity from different angles. The paper will focus on three case studies built around 1640’s namely Shalamar garden, Shish Mahal and Jahangir’s tomb. The first two sites are included in the World Heritage List while the third one is a national monument and has a potential of being included in the world heritage list. Each one of these monument has a special quality of design and decorative finishes and its own peculiar conservation problems which need innovative solutions. The proposed paper will briefly discuss the history of architecture of these monuments, their conservation problems, and techniques adopted to revive them to the original glory. To what degree the government is successful in undertaking authentic conservation and restoration is examined. The paper draws conclusions with respect to successes and failures in these projects and sees to what degree the objectives of authenticity have been achieved. Key Words: Authenticity, World Heritage sites, Mughal period monuments, conservation in Lahore, role International agencies 1. Introduction 2. Authenticity and Conservation Lahore, cultural capital of Pakistan, is one of the Authentic conservation needs research most important centers of architecture (Figure 1) documentation and commitment for excellence. -
Mosque Architecture in Delhi : Continuity and Change in Its Morphology
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/267627164 MOSQUE ARCHITECTURE IN DELHI : CONTINUITY AND CHANGE IN ITS MORPHOLOGY Article · December 2012 DOI: 10.13140/2.1.2372.7042 CITATIONS READS 0 1,103 1 author: Asif Ali Aligarh Muslim University 17 PUBLICATIONS 20 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Development of Mosque Architecture in North India and its Influence on Malaysian Mosques View project Virtual Archeology View project All content following this page was uploaded by Asif Ali on 01 November 2014. The user has requested enhancement of the downloaded file. MOSQUE ARCHITECTURE IN DELHI : CONTINUITY AND CHANGE IN ITS MORPHOLOGY Asif Ali* ABSTRACT This paper presents the summary of a recently completed dissertation by the author keeping in view the objectives viz. 1) to study and identify the essential elements of the mosque, their meanings and their functions, 2) to study the evolution of the mosque architecture in Delhi from early Islamic period to present time and 3) to identify and establish the continuity and the change in the morphology of the mosque in Delhi and the factors which influenced its development through time. To answer the research question and to accomplish the objectives mentioned above, following methodologies were adopted. In order to view the continuity and changes in the mosque architecture in Delhi, it seemed essential to study their historical enquiry. It was not only the survey of the historical mosque but the approach was to understand the future of mosque architecture through their past. -
Phoolwalon Ki Sair.Indd 1 27/07/12 1:21 PM 1
CORONATION To the south of the western gateway is the tomb of Qutb Sahib. was meant for the grave of Bahadur Shah Zafar, who was however PARK It is a simple structure enclosed by wooden railings. The marble exiled after the Mutiny and died in Burma. balustrade surrounding the tomb was added in 1882. The rear wall To the north-east of the palace enclosure lies an exquisite mosque, Phoolwalon was added by Fariduddin Ganj-e-Shakar as a place of prayer. The the Moti Masjid, built in white marble by Bahadur Shah I in the early western wall is decorated with coloured fl oral tiles added by the eighteenth century as a private mosque for the royal family and can be Delhi Metro Mughal Emperor Aurangzeb. approached from the palace dalan as well as from the Dargah Complex. Route 6 ki Sair The screens and the corner gateways in the Dargah Complex were Civil Ho Ho Bus Route built by the Mughal emperor Farrukhsiyar. The mosque of Qutb Lines Heritage Route Sahib, built in mid-sixteenth century by Islam Shah Suri, was later QUTBUDDIN BAKHTIYAR KAKI DARGAH AND ZAFAR added on to by Farrukhsiyar. MAHAL COMPLEX The Dargah of Qutbuddin Bakhtiyar Kaki continues to be a sacred place for the pilgrims of different religions. Every week on Thursday 5 SHAHJAHANABAD Red Fort and Friday qawwali is also performed in the dargah. 5. ZAFAR MAHAL COMPLEX 6 Kotla 9 Connaught Firoz Shah Adjacent to the western gate of the Dargah of Place Jantar Qutbuddin Bakhtiyar Kaki, this complex Mantar 2 7 8 NEW DELHI has various structures built in 3 Route 5 1 Rashtrapati the eighteenth and nineteenth 4 Bhavan Purana century. -
History Preserved in Names: Delhi Urban Toponyms of Perso-Arabic
History preserved in names: Delhi urban toponyms of Perso-Ara bic origin Agnieszka Kuczkiewicz-Fraś Toponyms [from the Greek topos (τόπος) ‘place’ and ónoma (δνομα) ‘name’] are often treated merely as words, or simple signs on geographical maps of various parts of the Earth. How ever, it should be remembered that toponyms are also invaluable elements of a region’s heritage, preserving and revealing differ ent aspects of its history and culture, reflecting patterns of set tlement, exploration, migration, etc. They are named points of reference in the physical as well as civilisational landscape of various areas. Place-names are an important source of information regard ing the people who have inhabited a given area. Such quality results mainly from the fact that the names attached to localities tend to be extremely durable and usually resist replacement, even when the language spoken in the area is itself replaced. The in ternal system of toponyms which is unique for every city, when analysed may give first-rate results in understanding various features, e.g. the original area of the city and its growth, the size and variety of its population, the complicated plan of its markets, 5 8 A g n ie s z k a K u c z k ie w ic z -F r a ś habitations, religious centres, educational and cultural institu tions, cemeteries etc. Toponyms are also very important land-marks of cultural and linguistic contacts of different groups of people. In a city such as Delhi, which for centuries had been conquered and in habited by populaces ethnically and linguistically different, this phenomenon becomes clear with the first glance at the city map.