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Mysteries of India
Mysteries of India January 9 - 23, 2020 The Taj Mahal, temples and tigers – experience all the spice of India on this comprehensive tour. Explore Old Delhi’s historic streets by rickshaw. See the Taj Mahal bathed in the light of sunrise. Embark on an evening cruise across Lake Pichola. Enjoy magnificent views of the Jag Mandir Palace. Participate in a cooking demonstration, try your hand at sari tying, even get a henna tattoo! See the City Palace in Jaipur. Experience two game drives in Ranthambore National Park. Visit the site of Buddha’s first sermon. Take an early morning ride on the holy River Ganges. Discover the many ways in which this mysterious land dazzles the senses. Day 1: DEPART USA DAY 2: ARRIVE DELHI DAY 3: DELHI Enjoy a sightseeing tour of Old Delhi. Visit Jama Masjid, India’s largest mosque. Explore Old Delhi’s narrow streets by rickshaw, the traditional mode of transportation. Next you’ll tour New Delhi, visiting Qutub Minar, the tallest brick minaret in the world. Behold the India Gate war memorial, the Parliament and the palatial Rashtrapati Bhawan – the President's residence. (B, L, D) DAY 4: DELHI - UDAIPUR Fly to Udaipur, your gateway to Rajasthan, where chivalrous tales come to life at forts and palaces. Settle into your hotel, a carefully restored palace perched on a hill and overlooking the lake. (B, D) DAY 5: UDAIPUR It’s your choice! Participate in a relaxing yoga class and learn basic exercises and breathing techniques from a local expert. Or, enjoy a morning walking tour of Udaipur just as the city is waking up. -
World Heritage Sites in India
World Heritage Sites in India drishtiias.com/printpdf/world-heritage-sites-in-india A World Heritage Site is a place that is listed by UNESCO for its special cultural or physical significance. The list of World Heritage Sites is maintained by the international 'World Heritage Programme', administered by the UNESCO World Heritage Committee. The United Nations Educational, Scientific and Cultural Organization (UNESCO) seeks to encourage the identification, protection and preservation of cultural and natural heritage around the world considered to be of outstanding value to humanity. This is embodied in an international treaty called the Convention concerning the Protection of the World Cultural and Natural Heritage, adopted by UNESCO in 1972. India has 38 world heritage sites that include 30 Cultural properties, 7 Natural properties and 1 mixed site. Watch Video At: https://youtu.be/lOzxUVCCSug 1/11 United Nations Educational, Scientific and Cultural Organization It was founded in 1945 to develop the “intellectual and moral solidarity of mankind” as a means of building lasting peace. It is located in Paris, France. Cultural Sites in India (30) Agra Fort (1983) 16th-century Mughal monument Fortress of red sandstone It comprises the Jahangir Palace and the Khas Mahal, built by Shah Jahan; audience halls, such as the Diwan-i-Khas Ajanta Caves (1983) Archaeological Site of Nalanda Mahavihara at Nalanda, Bihar (2016) Remains of a monastic and scholastic institution dating from the 3 rd century BCE to the 13th century CE. Includes stupas, shrines, viharas (residential and educational buildings) and important artworks in stucco, stone and metal. Considered to be the most ancient university of the Indian Subcontinent. -
Sacralizing the City: the Begums of Bhopal and Their Mosques
DOI: 10.15415/cs.2014.12007 Sacralizing the City: The Begums of Bhopal and their Mosques Jyoti Pandey Sharma Abstract Princely building ventures in post 1857 colonial India included, among others, construction of religious buildings, even as their patrons enthusiastically pursued the colonial modernist agenda. This paper examines the architectural patronage of the Bhopal Begums, the women rulers of Bhopal State, who raised three grand mosques in their capital, Bhopal, in the 19th and early 20th century. As Bhopal marched on the road to progress under the Begums’ patronage, the mosques heralded the presence of Islam in the city in the post uprising scenario where both Muslims and mosques were subjected to retribution for fomenting the 1857 insurrection. Bhopal’s mosques were not only sacred sites for the devout but also impacted the public realm of the city. Their construction drew significantly on the Mughal architectural archetype, thus affording the Begums an opportunity to assert themselves, via their mosques, as legitimate inheritors of the Mughal legacy, including taking charge of the latter’s legacy of stewardship of Islam. Today, the Bhopal mosques constitute an integral part of the city’s built heritage corpus. It is worth underscoring that they are not only important symbols of the Muslim faith but also markers of their patrons’ endeavour to position themselves at the forefront in the complex political and cultural scenario of post uprising colonial India. Keywords Bhopal Begums; Modernity; Mosques; Mughal legacy; Uprising INTRODUCTION The architecture of British ruled Indian Subcontinent has been a popular subject of scholarship from the colonial perspective with the architectural patronage of princely India also receiving due academic attention1. -
The Taj: an Architectural Marvel Or an Epitome of Love?
Australian Journal of Basic and Applied Sciences, 7(9): 367-374, 2013 ISSN 1991-8178 The Taj: An Architectural Marvel or an Epitome of Love? Arshad Islam Head, Department of History & Civilization, International Islamic University Malaysia Abstract: On Saturday 7th July 2007, the New Seven Wonders Foundation, Switzerland, in its new ranking, again declared the Taj Mahal to be one of the Seven Wonders of the World. The Taj Mahal is not just an architectural feat and an icon of luminous splendour, but an epitome of enormous love as well. The Mughal Emperor Shahjahan (1592-1666) built the Taj Mahal, the fabulous mausoleum (rauza), in memory of his beloved queen Mumtaz Mahal (1593-1631). There is perhaps no better and grander monument built in the history of human civilization dedicated to love. The contemporary Mughal sources refer to this marvel as rauza-i-munavvara (‘the illumined tomb’); the Taj Mahal of Agra was originally called Taj Bibi-ka-Rauza. It is believed that the name ‘Taj Mahal’ has been derived from the name of Mumtaz Mahal (‘Crown Palace’). The pristine purity of the white marble, the exquisite ornamentation, use of precious gemstones and its picturesque location all make Taj Mahal a marvel of art. Standing majestically at the southern bank on the River Yamuna, it is synonymous with love and beauty. This paper highlights the architectural design and beauty of the Taj, and Shahjahan’s dedicated love for his beloved wife that led to its construction. Key words: INTRODUCTION It is universally acknowledged that the Taj Mahal is an architectural marvel; no one disputes it position as one of the Seven Wonders of the World, and it is certainly the most fêted example of the considerable feats of Mughal architecture. -
Download List of Famous Mosques in India
Famous Palaces in India Revised on 16-May-2018 ` Railways RRB Study Material (Download PDF) Mosque Location Jama Masjid (Bhilai) Bhilai, Chhattisgarh Jama Masjid Delhi Quwwatul Islam Masjid Delhi Moti Masjid (Red Fort) Delhi Quwwatul Islam Masjid Delhi Jamali Kamali Mosque and Tomb Delhi Sidi Sayyid Mosque Ahmedabad, Gujarat Sidi Bashir Mosque Ahmedabad, Gujarat Jamia Masjid Srinagar, Jammu & Kashmir Hazratbal Shrine Srinagar, Jammu & Kashmir Download Fathers of various fields in Science and Technology PDF Taj-ul-Masajid Bhopal, Madhya Pradesh Haji Ali Dargah Mumbai, Maharashtra Adhai Din Ka Jhonpra Ajmer, Rajasthan Ajmer Sharif Dargah Ajmer, Rajasthan Makkah Masjid Hyderabad, Telangana Gyanvapi Mosque Varanasi, Uttar Pradesh Moti Masjid (Agra Fort) Agra, Uttar Pradesh Nagina Masjid Agra, Uttar Pradesh (Gem Mosque or the Jewel Mosque) Jama Mosque (Fatehpur Sikri) Agra, Uttar Pradesh IBPS PO Free Mock Test 2 / 6 Railways RRB Study Material (Download PDF) Mosque Location Tomb of Salim Chishti Fatehpur Sikri, Uttar Pradesh Bara Imambara Lucknow, Uttar Pradesh Chota Imambara Lucknow, Uttar Pradesh Beemapally Mosque Thiruvananthapuram, Kerala Cheraman Juma Mosque Thrissur, Kerala Other Places of Interest Tombs/ Mausoleums Location Taj Mahal Agra, Uttar Pradesh Tomb of Mariam-uz-Zamani Sikandra, Agra, Uttar Pradesh Tomb of Adam Khan Qutub Minar, Mehrauli, Delhi Bibi Ka Maqbara (Taj of Deccan) Aurangabad, Maharashtra *Humayun’s Tomb Delhi Download Modern India History Notes PDF Tomb of I'timād-ud-Daulah Agra, Uttar Pradesh (Baby Taj) Tomb of -
ANSWERED ON:23.08.2007 HISTORICAL PLACES in up Verma Shri Bhanu Pratap Singh
GOVERNMENT OF INDIA CULTURE LOK SABHA UNSTARRED QUESTION NO:1586 ANSWERED ON:23.08.2007 HISTORICAL PLACES IN UP Verma Shri Bhanu Pratap Singh Will the Minister of CULTURE be pleased to state: (a) the details of Centrally protected monuments in Uttar Pradesh (UP) at present; (b) the agency responsible for the maintenance of these places; (c) the amount spent on the maintenance of these monuments during the last three years; and (d) the details of revenue earned from these monuments during each of the last three years? Answer MINISTER FOR TOURISM AND CULTURE (SHRIMATI AMBIKA SONI) (a)&(b) There are 742 monuments/sites declared as of national importance in the Uttar Pradesh (U.P.) as per list at Annexure. Archaeological Survey of India looks after their proper upkeep, maintenance, conservation and preservation. (c) The expenditure incurred on conservation, preservation, maintenance and environmental development of these centrally protected monuments during the last three years is as under: Rupees in Lakhs Year Total 2004-05 1392.48 2005-06 331.14 2006-07 1300.36 (d) The details of revenue earned from these monuments during the last three years are as under: Rupees in Lakhs Year Total 2004-05 2526.33 2005-06 2619.92 2006-07 2956.46 ANNEXURE ANNEXURE REFERRED TO IN REPLY TO PART (a)&(b) OF THE LOK SABHA UNSTARRED QUESTIO NO.1586 FOR 23.8.2007 LIST OF CENTRALLY PROTECTED MONUMENTS IN UTTAR PRADESH Agra Circle Name of monument/site Locality District 1. Agra Fort Including Akbari Mahal Agra Agra Anguri Bagh Baoli of the Diwan-i-Am Quadrangle. -
Taj Heritage Corridor: Intersections Between History and Culture on the Yamuna Riverfront
Taj Heritage Corridor: Intersections between History and Culture on the Yamuna Riverfront Terence Harkness and Amita Sinha Present-day Agra’s fame rests entirely upon the presence new shops and an amusement complex. However, this was of the Taj Mahal. However, the city is also home to a rich done without conducting an environmental assessment collection of lesser-known and seldom-visited Mughal or making the plan public, and the media raised a mas- monuments, many of which are situated on the Yamuna sive hue and cry, causing the project to be stalled and an riverfront within a relatively short distance of each other. inquiry ordered.1 This project eventually proved extremely How this riverfront landscape became the locus of such controversial, raising fears of excessive commercialization, an astounding cultural heritage is a story that is rarely blocked views of the Taj from Agra Fort, and fl ooding of presented to those who visit the area to see the mag- Mahtab Bagh. nifi cent Taj. Yet, given the high volume of international Though the extensive media coverage of that debacle and domestic tourism focused on the Taj and the Indian has succeeded in raising public awareness, it has not government’s interest in expanding this to include other included constructive debate on the possible course of nearby heritage sites, close examination of this landscape action that would make the riverfront accessible to both and the dynamics of its contemporary use is essential to citizens of Agra and tourists and create an appropriate future preservation efforts. greenbelt around the Taj. Historically, the sixteenth- and seventeenth-century Yamuna riverfront in Agra was the private landscape The Historic Yamuna Riverfront of royalty and nobility, constituted by pleasure, palace, The Yamuna riverfront in Agra was fi rst described in and tomb gardens lining both banks. -
Babur S Creativity from Central Asia to India
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 5, ISSUE 05, MAY 2016 ISSN 2277-8616 Babur’s Creativity From Central Asia To India Rahimov Laziz Abduazizovich Abstract: this report explores about Babur’s Mughal architecture. Additionally, the new style of architecture has made and brought in by Babur in India. As we found out that during those days, in India, the Islamic architecture was developed, however, despite the fact Babur wanted to bring in to that sector his new idea about Timurid style because Indian style of building did not gave pleasure to Babur. Therefore, after the victory over the Lodi he started to change the Indian style and started to build in Temurid scheme. As there are, three mosques and it doubted which one has built by Babur and after making research we have found it in detail. In addition, it has displayed in more detail in the following. Lastly, we followed how Baburid architecture has begun and its development over the years, as well as, it has given an evidence supporting our points. Index Terms: Timurid style, Baburid architecture, Islamic architecture, Indian local traditions, Kabuli Bog' mosque, Sambhal mosque, Baburid mosque. ———————————————————— 1 INTRODUCTION lower from this house. Even though, the house is located in According to the Persian historians, Zakhritdin Muhammad the highest level of the mountain, overall city and streets were Babur Muharram was born in the year 888 AH (February in the view. In the foot of mountain there was built mosque 1483). His father, Omar Sheikh Mirza (1462 - 1494) was the which is known as Jawzi" [3, 29-30p]. -
The Mughal Audience Hall: a Solomonic Revival of Persepolis in the Form of a Mosque1
THE MUGHAL AUDIENCE HALL: A SOLOMONIC REVIVAL OF PERSEPOLIS IN THE FORM OF A MOSQUE1 Ebba Koch Shah Jahan’s Court After Shah Jahan (rul. 1628–58), the fifth emperor of the Mughal dynasty, was enthroned on 8th Jumada al-Thani of the Hijri year 1037, corresponding to 14 February 1628 CE, he issued an order that halls for his public audiences should be constructed in all the great fortress palaces of the capitals of the Mughal empire. The audience hall was a new building type in the Mughal palace, of central importance for the proceedings of the Mughal court and for the interaction of the emperor with his subjects. Under the rule of Shah Jahan, the Mughal empire entered its classi- cal phase of greatest prosperity and stability.2 The conquests of Babur (1526), enlarged and consolidated under Akbar (rul. 1556–1605) and Jahangir (rul. 1605–1627), had established the Empire of the Great Moghul (or Mughal) as one of the three leading powers of the Islamic world, the other two being the Ottoman Empire and Safavid Persia. The informal set up of Babur asprimus inter pares among his Central Asian followers, had—in particular through the efforts of Akbar— developed into the court of an absolute ruler who, as head of a cen- tralized state, personally and diligently oversaw the administration of 1 This paper is based on an earlier study of the audience halls of Shah Jahan with detailed references, see Ebba Koch, ‘Diwan-i ‘Amm and Chihil Sutun: The Audience Halls of Shah Jahan’, Muqarnas 11 (1994) pp. -
Guards at the Taj by Rajiv Joseph
by Rajiv Joseph Guards at the Taj Registered Charity: 270080 Education Pack 2 Introduction focusing on new writing, ensemble work and theatre productions based on historical and The resources, research and information in real life figures. this study pack are intended to enhance your understanding of Guards at the Taj by Guards at the Taj tackles the challenges of Rajiv Joseph and to provide you with the researching, presenting and understanding materials to assist students in both the social, historical and political issues in an practical study of this text and in gaining a accessible and creative way. The play will GUARDS AT deeper understanding of this exciting new provoke students to ask pertinent questions, play. think critically, and develop perspective and judgement. This includes context (both political and theatrical), production photographs, Please note that this Education Pack includes discussion points and exercises that have key plot details about the play. The Classroom been devised to unpack the play’s themes and Exercises are most suitable for students who stylistic devices. have watched (or read) the play. THE TAJ In line with the national curriculum, Guards If you have any questions please don’t at the Taj would be a suitable live theatre hesitate to get in touch with Amanda production for analysis. It will also provide Castro on 0208 743 3584 or at Cross-Curicular: Drama and Theatre Studies, English an invaluable resource for students who are [email protected]. Literature, History, Politics, PSHE Key Stages -
04 Delhi / Jaipur / Agra / Delhi TOUR SCHEDULE
MAHATMA GANDHI MOHANDAS KARAMCHAND GANDHI 2 October 1869 - 30 January 1948 PROGRAM- 04 Delhi / Jaipur / Agra / Delhi TOUR SCHEDULE Day 01 Arrive Delhi Upon arrival, after clearing immigration and custom, you will be met and transferred to your hotel. (Check-in at 1200hrs) Overnight at hotel / Home Stay Day 02 Delhi Following breakfast, Full day city tour of Old & New Delhi Old Delhi: Visit Raj Ghat, National Gandhi museum (Closed on Mondays), Old Delhi Here you will drive past Red Fort, the most opulent Fort and Palace of the Mughal Empire: Raj Ghat, the memorial site of the Mahatma Gandhi, Jama Masjid, the largest mosque in India and Chandni Chowk, the bustling and colourful market of the old city (Red Fort Closed on Mondays) Afternoon, visit New Delhi. Gandhi Smriti formerly known as Birla House or Birla Bhavan, is a museum dedicated to Mahatma Gandhi, situated on Tees January Road, formerly Albuquerque Road, in New Delhi, India. It is the location where Mahatma Gandhi spent the last 144 days of his life and was assassinated on 30 January 1948. It was originally the house of the Indian business tycoons, the Birla family. It is now also home to the Eternal Gandhi Multimedia Museum, which was established in 2005. The museum is open for all days except Mondays and National Holidays Visits to such sights Humayun’s Tomb (1586): Built in the mid-16th century by Haji Begum, wife of Humayun, the second Moghul emperor, this is an early example of Moghul architecture. The elements in-'tte design — a squat building, lightened by high arched entrances, topped by a bulbous dome and surrounded by formal gardens — were to be refined over the years to the magnificence of the Taj Mahal in Agra. -
Tour Booking Form
. Tour Booking Form Transport No. Excursion / Tour Remarks Toyota Crysta Mercedes E Class Included Guide, Entrance Fee Full Day Sight Seeing tour of Delhi A 9100.00* 10500.00* & Lunch at Indian speciality with Lunch at an Indian Restaurant Restaurant Bollywood Show with Dinner at Includes Diamond Ticket for B Kingdom of Dreams 6500.00* 7500.00* show & Dinner Includes Lunch, Entrances, C 1 Day Trip to Agra – Taj Mahal 12000.00* 18500.00* Tuk- Tuk Ride, Local Guide, Mineral Water Includes Room+ Breakfast, D 1 Night 2 Days Agra – Taj Mahal 13250.00* 19850.00* Entrances, Tuk-Tuk Ride, Local Guide, Mineral Water Includes Room+ Breakfast, E 2 Nights 3 Days Golden Triangle 35500.00* 51500.00* Entrances, Train Ticket, Local Guide, Mineral Water Includes Room+ Breakfast, F 3 Nights 4 Days Golden Triangle 38250.00* 55000.00* Entrances, Local Guide, Mineral Water Car Including Driver: G up to 4 hrs & 40 Kms 1650.00 3650.00 Car Including Driver: H up to 8 hrs & 80 Kms 2750.00 5300.00 *cost Per Person. Minimum 2 Paying person Tour Selected:____________________________________ Language of Tour Guide: English [ ] German [ ] Russian [ ] Guides other than English speaking are subject to availability. Name Hotel Date Time Time Remarks 1 2 3 Tour Cost to be paid: Payment Method: Cash [ ] Credit Card: Master Card [ ] Visa [ ] Total Payment: *add 3% fee for credit card payments For more details & booking contact: Rannu Malhotra @ mob +91 9821285263 or [email protected] Head Office: RZ – A / 96, Road No. 6, Street No. 9,Mahipalpur Extension, New Delhi – 110037, India Tel: 00-91-11- 4712 5200 | Fax: 00-91-11- 4712 5205 Web: www.destinosindia.com CREDIT CARD AUTHORISATION FORM All Information will remain confidential 1.