Phoolwalon Ki Sair.Indd 1 27/07/12 1:21 PM 1

Total Page:16

File Type:pdf, Size:1020Kb

Phoolwalon Ki Sair.Indd 1 27/07/12 1:21 PM 1 CORONATION To the south of the western gateway is the tomb of Qutb Sahib. was meant for the grave of Bahadur Shah Zafar, who was however PARK It is a simple structure enclosed by wooden railings. The marble exiled after the Mutiny and died in Burma. balustrade surrounding the tomb was added in 1882. The rear wall To the north-east of the palace enclosure lies an exquisite mosque, Phoolwalon was added by Fariduddin Ganj-e-Shakar as a place of prayer. The the Moti Masjid, built in white marble by Bahadur Shah I in the early western wall is decorated with coloured fl oral tiles added by the eighteenth century as a private mosque for the royal family and can be Delhi Metro Mughal Emperor Aurangzeb. approached from the palace dalan as well as from the Dargah Complex. Route 6 ki Sair The screens and the corner gateways in the Dargah Complex were Civil Ho Ho Bus Route built by the Mughal emperor Farrukhsiyar. The mosque of Qutb Lines Heritage Route Sahib, built in mid-sixteenth century by Islam Shah Suri, was later QUTBUDDIN BAKHTIYAR KAKI DARGAH AND ZAFAR added on to by Farrukhsiyar. MAHAL COMPLEX The Dargah of Qutbuddin Bakhtiyar Kaki continues to be a sacred place for the pilgrims of different religions. Every week on Thursday 5 SHAHJAHANABAD Red Fort and Friday qawwali is also performed in the dargah. 5. ZAFAR MAHAL COMPLEX 6 Kotla 9 Connaught Firoz Shah Adjacent to the western gate of the Dargah of Place Jantar Qutbuddin Bakhtiyar Kaki, this complex Mantar 2 7 8 NEW DELHI has various structures built in 3 Route 5 1 Rashtrapati the eighteenth and nineteenth 4 Bhavan Purana century. Zafar Mahal was the 10 Back entrance Route 7 Qila last palace built during the fi nal A Dargah to Dargah years of the Mughal era, by NIZAMUDDIN 11 17 Lodi Route 4 Humayun’s D 15 Garden Akbar Shah II (early nineteenth G Tomb 16 Palace Complex 13 Safdarjung’s century). Patterned on the late F Tomb Mughal confi guration of spaces, with 12 14 18 19 SAFDARJUNG B E a sequence of dalans (colonnaded verandahs)and rooms C 20 24 around courts, it is a lofty, three-storeyed, brick and grey stone 23 Route 3 structure, decorated with plaster, red sandstone, and marble. Its Hauz Khas 21 22 Hathi Gate was built by Bahadur Shah Zafar II (mid-nineteenth century) to allow the entry of elephants. Siri A two-storied dalan leads further south to the palace buildings SULTAN GHARI Jahanpanah beyond and the thirteenth-century tomb of Alauddin, nephew of Chirag A. Zafar Mahal 10. Grave of Khwaja Abdul Aziz Bastami Dilli Iltutmish. Facing the Hathi Gate is a two-storied European style B. Remains of an Arcade (19th or 20thC) Khirki 11. Shrine of Qutb Sahib (19th and Route 1 building (nineteenth century), characterized by painted pilasters C. Tomb (13thC) TUGHLAQABAD 20thC) Qutb MEHRAULI D. European Style Building (19thC) Mehrauli Village Minar on the exterior and a 12. Gateways and Screen (1710s) E. Dalan (19thC) 13. Grave of Maulana Fakhruddin Route 2 fi replace within. F. Grave of Bahadur Shah I (19thC) Mehrauli To the north of (1807) Archaeological Park G. Moti Masjid (18thC) 14. Graves of Sheikh Nizamuddin the various dalans, lie Abulmoiyad and his mother (13thC) the graves of Shah 1. Mosque (19thC) 15. Qutb Sahib’s Mosque (16thC) Alam I, Shah Alam 2. Mughal Tomb 16. Grave of Bibi Hambal 3. Grave of Murad Bakht 17. Langar II, Akbar Shah II 4. Western gateway to Dargah (1707) 18. Modern Minar SPONSOR Created by and Mirza Fakhru, 5. Dargah and Mazar of Saika Baba 19. Baoli (1846) enclosed within an (16thC) 20. Mazar of Hazrat Qazi Hameeduddin exquisitely carved 6. Grave enclosure of Nawab of Jhajjar Nagauri (18thC) (19thC) 21. Mosque (1785) marble screen. 7. Grave enclosure of Mu’atmad Khan 22. Grave enclosure of Nawabs of According to (17thC) Loharu (1802) INTACH 8. Mosque (15thC) poular myth, the 23. Graves of Zabtah Khan and his wife This publication has been made possible Delhi Chapter 9. Gateway to Northern Courtyard (18thC) by World Monuments Fund’s Sustainable space left empty (18thC) 24. Majlis Khana (18thC) Tourism Initiative, sponsored by American Express. Phoolwalon ki Sair.indd 1 27/07/12 1:21 PM 1. HAUZ-E-SHAMSI hoolwalon ki Sair, also known as Sair-e-Gul 3. JHARNA Legend has it that Shamsuddin Iltutmish, the second Slave ruler of PFaroshan, has now evolved into an annual The name Jharna literally means the Delhi Sultanate had the hauz (tank) built in AD 1230, at a spot three-day celebration. The tradition was started ‘waterfall’, and was for a long shown to him by Prophet Mohammad in a dream. A domed pavilion by Begum Mumtaz Mahal, the wife of the time, just an overfl ow from supported on twelve carved red sandstone pillars was constructed Mughal emperor Akbar Shah II. The begum the Hauz-e-Shamsi during the in the middle of the hauz, in 1311, to mark what was believed to be pledged that if her son Mirza Jahangir was monsoon. The cascade was the hoofprint of the Prophet’s horse. Today the tank is smaller than integrted into a char bagh (square before and the pavilion sits on the tank’s western bank. released from British custody, she would offer Mughal garden)during the late Hauz-e-Shamsi provided water to the settlement in and around a chaadar (blanket) of fl owers at the Dargah Mughal period. Lal Kot, which was at that time the capital city. Its strategic location of Qutbuddin Bakhtiyar Kaki at Mehrauli. When Located to the south of the enabled the collection of rainwater from surface run off. The water her wish was granted in 1811, the entire Mughal court Jahaz Mahal and the Hauz-e- of the hauz has always been considered sacred and the graves of many went with her from Shahjahanabad to Mehrauli. A delicately woven fl oral Shamsi, the Jharna garden complex has two gateways, one to the Muslim saints and mosques are found around it. To the north-east north and the other to the east. There are several structures in the chaadar was offered at the shrine of Khwaja Qutbuddin Bakhtiyar Kaki. An of Hauz-e-Shamsi is the Auliya Masjid, one of the earliest mosques garden. Around 1700, Nawab Ghaziuddin Khan Feroz Jang built a in Delhi where the Sufi saints Qutbuddin Bakhtiyar Kaki and enthusiastic fl ower seller added a large fl oral pankha (fan), which was hung pavilion or baradari which was rectangular in plan and the façade had Muinuddin Chishti are believed to have prayed. from the ceiling of the dargah (shrine). In order to enable the Hindus in the three cusped arches. The cascade of water was designed to fall behind congregation to be part of the celebrations, it was decided to offer the pankha the baradari and fl ow into the tank, which is linked by a channel of at the nearbyYogmayaTemple as well (see map). The court stayed in Mehrauli water to a second tank, in the centre of which sits a square pavilion for seven days; the men fl ew kites, swam in the baolis (step-wells) and in the that is supported on sixteen pillars, built by the last Mughal Emperor Bahadur Shah Zafar (r. 1837–57). A third pavilion to the north of the ladies enjoyed the Hauz-e-Shamsi, engaged in cock fi ghting and wrestling; the enclosure built by the Mughal emperor Akbar II (r.1806–37), is seasonal showers in the mango orchards, on swings hung from the branches of mango rectangular in plan and is set against the wall of the enclosure. trees, enjoying the seasonal crop of mangoes and singing. Water no longer fl ows through the garden as it has been diverted The event became an annual festival, continuing even after Emperor Akbar II to a stream to the south-east of the complex. and reached its pinnacle during the reign of Emperor Bahadur Shah Zafar. It was stopped by the British in 1942 during the Quit India Movement but was revived in 1961 by the then Prime Minister Jawaharlal Nehru as a symbol of 4. DARGAH OF QUTBUDDIN BAKHTIYAR KAKI 2. JAHAZ MAHAL communal harmony. Qutbuddin Bakhtiyar Kaki Jahaz Mahal, so called because its refl ection in the water suggests the who lived during the reign Phoolwalon ki Sair, has now gained popularity as an inter-faith festival that image of a ship, is located on the north-eastern corner of Hauz-e- of Iltutmish (1210–36), Shamsi. It was built in the fi fteenth century, during the Lodi period, brings together both Hindus and Muslims, in secular celebration. Pankhas and died in Delhi in AD 1235. probably as a sarai (inn) for pilgrims who came to Delhi to visit the chaadars of fl owers are made at the Jharna and carried along the central street Bus Stand He was a scholar and a Muslim shrines. of Mehrauli village by both Muslims Parking disciple of Muinuddin This mahal (palace) has a rectangular courtyard at the centre with and Hindus. As was the tradition,the Chishti. Khwaja Qutbuddin chambers on the sides. Squinches adorn the domed chambers. The chaadars are offered at the Dargah whose original name western wall of the mahal has a mihrab (niche showing direction was Bakhtiyar and later of prayer)used as a private mosque. Bands of blue tiles adorn the of Qutbuddin Bakhtiyar Kaki and Yogmaya Temple – also known as Jogmaya—is given the title Qutbuddin exterior and on the roof are six square chattris (pillared kiosks) the pankhas at the Yogmaya Temple.
Recommended publications
  • In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
    In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being.
    [Show full text]
  • Typesetting Khalfaoui
    Pluralism and Plurality in Islamic Legal Scholarship The Modern Muslim World 11 Series Editorial Board Marcia Hermansen Martin Nguyen Hina Azam Joas Wagemakers Ussama Makdisi Advisory Editorial Board Talal Asad Tijana Krstic Khaled Abou El Fadl Ebrahim Moosa Amira Bennison Adam Sabra Islam Dayeh Armando Salvatore Marwa Elshakry Adam Talib Rana Hisham Issa This series will provide a platform for scholarly research on Islamic and Muslim thought, emerging from any geographical area and dated to any period from the 17th century until the present day. Pluralism and Plurality in Islamic Legal Scholarship The Case of the Fatāwā l-ʿĀlamgīrīya Mouez Khalfaoui gp 2021 Gorgias Press LLC, 954 River Road, Piscataway, NJ, 08854, USA www.gorgiaspress.com 2021 Copyright © by Gorgias Press LLC All rights reserved under International and Pan-American Copyright Conventions. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise without the prior written permission of Gorgias Press LLC. 2021 ܘ 1 ISBN 978-1-4632-4231-2 gp Library of Congress Cataloging-in-Publication Data A Cataloging-in-Publication Record is available at the Library of Congress. Printed in the United States of America TABLE OF CONTENTS Author’s Preface for the English Translation ............................ ix Introduction .............................................................................. 1 1. The Historical Context: South Asia in the Seventeenth Century ...................................................................... 2 2. Interfaith Relations in Seventeenth-Century South Asia ........................................................................... 6 3. Pluralism: More Than Just Tolerance ........................... 12 4. Corpus, Hypothesis and Research Method ................... 14 5. Aims and Methodology ................................................ 20 Chapter One.
    [Show full text]
  • Sacralizing the City: the Begums of Bhopal and Their Mosques
    DOI: 10.15415/cs.2014.12007 Sacralizing the City: The Begums of Bhopal and their Mosques Jyoti Pandey Sharma Abstract Princely building ventures in post 1857 colonial India included, among others, construction of religious buildings, even as their patrons enthusiastically pursued the colonial modernist agenda. This paper examines the architectural patronage of the Bhopal Begums, the women rulers of Bhopal State, who raised three grand mosques in their capital, Bhopal, in the 19th and early 20th century. As Bhopal marched on the road to progress under the Begums’ patronage, the mosques heralded the presence of Islam in the city in the post uprising scenario where both Muslims and mosques were subjected to retribution for fomenting the 1857 insurrection. Bhopal’s mosques were not only sacred sites for the devout but also impacted the public realm of the city. Their construction drew significantly on the Mughal architectural archetype, thus affording the Begums an opportunity to assert themselves, via their mosques, as legitimate inheritors of the Mughal legacy, including taking charge of the latter’s legacy of stewardship of Islam. Today, the Bhopal mosques constitute an integral part of the city’s built heritage corpus. It is worth underscoring that they are not only important symbols of the Muslim faith but also markers of their patrons’ endeavour to position themselves at the forefront in the complex political and cultural scenario of post uprising colonial India. Keywords Bhopal Begums; Modernity; Mosques; Mughal legacy; Uprising INTRODUCTION The architecture of British ruled Indian Subcontinent has been a popular subject of scholarship from the colonial perspective with the architectural patronage of princely India also receiving due academic attention1.
    [Show full text]
  • Reactions of Emperor Bahādur Shāh Zafar and Laureate Mirzā Ghālib to the Celestial Events During 1857-1858
    Indian Journal of History of Science, 53.3 (2018) 325-340 DOI: 10.16943/ijhs/2018/v53i3/49464 Historical Note Reactions of Emperor Bahādur Shāh Zafar and Laureate Mirzā Ghālib to the Celestial Events during 1857-1858 R C Kapoor* (Received 13 December 2017; revised 05 June 2018) Abstract The revolt against the British broke out at Meerut on 10th May 1857 that soon turned into a Great Uprising and shook the foundations of the colonial power in India. A conjunction of Mars and Saturn took place in July 1857. A solar eclipse occurred on 18th September 1857, two days before the capture of Delhi by the British. There followed a lunar eclipse, on 28th February 1858. Then a comet brightened up in the evening skies only days before the British Crown was about to take India in its fold on 1st November 1858. How Mughal Emperor Bahadur Shah Zafar (1775-1862), central to the upheaval, and the laureate Mirzā Ghālib (1797-1859), a remote observer, reacted in such a scenario is central to our theme. Z. afar was a superstitious man and had a spiritual incline. What is unique is that he had never mixed up the outcome of the war with the celestial events and left it to Almighty. That he was unaware of these events is difficult to believe. Ghālib was a skeptic and came to believe the celestial events as signals of divine wrath. In the process we discover an unexplored side of Mirzā Ghālib and his grasp of astronomy. Key words: Annular solar eclipse of 1857, Bahadur Shah Zafar, Donati’s Comet, India’s Great Uprising of 1857, Mirzā Ghālib, Mughal India.
    [Show full text]
  • Our Pasts – III
    Social Science OUR PASTS – III TEXTBOOK IN HISTORY FOR CLASS VIII MIZORAM republished be SCERT © to not Prepared by National Council of Educational Research and Training Published by State Council of Educational Research and Training Mizoram:Aizawl MIZORAM republished be SCERT © to not MIZORAM republished be SCERT © to not MIZORAM republished be SCERT © to not FOREWORD The SCERT Mizoram has always been committed in fulfilling its role as academic think-tank for providing quality education in the State. Our role as Academic Authority for elementary education has entrusted us with the responsibility of formulating the curriculum, textbooks and evaluation procedures. It is with pleasure that I announce the introduction of NCERT textbooks on Social Studies for Classes VI – VIII which have been adapted to be user friendly for learners of Mizoram. On behalf of the SCERT, I express my gratitude to the NCERT, New Delhi for sharing the copyrights of the books and to make necessary adaptations to make the books more meaningful for students of all Elementary Schools in Mizoram. I extend my sincere gratitude to scholars, educationists, experienced teachers and my colleagues who have contributed in formulating these new set of textbooks. Textbooks used from 2020 – 21 are Energized textbooks embedded with QR codes to aid learning. MIZORAM I hand over these books to teachers and students of Mizoram with the hope that the fundamentals of education and the recommendations of the National Curriculum Framework 2005 will be realised.republished We know from experience that learning is optimized when it is fun and the selection of child-friendly materials is assurance that learning becomesbe a pleasurable journey for the child.
    [Show full text]
  • The Last Mughal Transcript
    The Last Mughal Transcript Date: Monday, 7 July 2008 - 12:00AM THE LAST MUGHAL William Dalrymple I have just flown in from Delhi, which today is a city of about 15 million people, if you count the various suburbs on the edge that have sprung up over the last few years. In contrast, if had you visited Delhi 150 years ago this month, in July 1858, you would have found that this city, which was the cultural capital of North India for so many centuries, had been left completely deserted and empty. Not a single soul lived in the walled city of Delhi in July 1858. The reason for this was that in the previous year, 1857, Delhi became the centre of the largest anti-colonial revolt to take place anywhere in the world, against any European power, at any point in the 19th Century. That uprising is known in this country as 'the Indian Mutiny', is known in India as 'the First War of Independence'. Neither the Indian Mutiny nor the First War of Independence are particularly useful titles. What happened in Delhi was much more than a mutiny of soldiers, because it encompassed almost all the discontented classes of the Gangetic Plains, but was not quite a national war of independence either, as it had rather particular aims of restoring the Mughal Dynasty back to power. Whether we call it an 'uprising' or 'rising', by it the two institutions which had formed North Indian history for the previous 300 years came to an abrupt and complete halt. In human affairs, dates rarely regulate the ebb and flow or real lives.
    [Show full text]
  • Indian History - Dynasties #4
    TISS GK Preparation | Indian History - Dynasties #4 TISS GK Preparation Series: GK is a very important section for TISS especially since the verbal and the quant sections are relatively easy. Hence, getting a good score in GK can easily be the difference between getting a TISS call and not getting one. To help you ace this section, we are starting a series of articles devoted to topics commonly asked in the TISS GK section. We hope that this will help you in your preparation. Every article will also be available in PDF format. Here is our #4 article in this series: Indian History – Dynasties. Indian History is a very important topic for TISS with a lot of questions asked on dynasties, ancient India, etc. To help you, we have compiled a list of the important dynasties of India with a little detail on each. Also, this has been presented in a chronological order. Sr. Dynasty/Empire Detail No. 1 Magadha The core of this kingdom was the area of Bihar south of the Ganges; its first capital was Rajagriha (modern Rajgir) then Pataliputra (modern Patna). Magadha played an important role in the development of Jainism and Buddhism, and two of India's greatest empires, the Maurya Empire and Gupta Empire, originated from Magadha. 2 Maurya The Maurya Empire (322–185 BCE) was the first empire to unify India into one state, and was the largest on the Indian subcontinent. The empire was established by Chandragupta Maurya in Magadha (in modern Bihar) when he overthrew the Nanda Dynasty. Chandragupta's son Bindusara succeeded to the throne around 297 BC.
    [Show full text]
  • Golden Triangle with Tiger Safari
    Experience Cultural - Historical -Romantic Fantasy Tour of India - 2020 Day 01: ARRIVE DELHI ( Check in 1200 Hrs) On arrival at Indira Gandhi international airport, meet and greet by our representative. Later, assistance and transfer to hotel. Delhi - the capital of India, is a fascinating city with complexities and contradictions, beauty and dynamism, where the past co-exists with the present. Many dynasties ruled from here and the city s rich in the architecture of its monuments. Delhi is not only the present metropolis of India but also a Necropolis. Because of its location, being on the banks of the River Yamuna, many cities have risen and fallen over the last five millenniums. Overnight in Delhi Day 02: DELHI After breakfast proceed sightseeing tour of Old Delhi, drive past from the historic Red Fort (outside only) – Shah Jehan’s elegant citadel in red sandstone, which was built as an octagon measuring 900m by 550m and surrounded by a 9 –meter deep moat, which was at its inception fed by the waters of the Yamuna River. Very near the Fort is the JAMA MASJID, India’s largest mosque, also built by Shah Jahan. Take an interesting rickshaw ride through the famous bazaars of Chandni Chowk, which is adjacent to both the Fort and the Mosque. Also visit RAJ GHAT – the memorial to Mahatma Gandhi. Visit the Qutub Minar, a Tower of Victory which was built in the 12th century by Qutbuddin Aibak. Within its spacious courtyard stands the Iron Pillar, which dates back to the 4th century AD and bears a Sanskrit inscription in the Gupta style.
    [Show full text]
  • The Mughal Audience Hall: a Solomonic Revival of Persepolis in the Form of a Mosque1
    THE MUGHAL AUDIENCE HALL: A SOLOMONIC REVIVAL OF PERSEPOLIS IN THE FORM OF A MOSQUE1 Ebba Koch Shah Jahan’s Court After Shah Jahan (rul. 1628–58), the fifth emperor of the Mughal dynasty, was enthroned on 8th Jumada al-Thani of the Hijri year 1037, corresponding to 14 February 1628 CE, he issued an order that halls for his public audiences should be constructed in all the great fortress palaces of the capitals of the Mughal empire. The audience hall was a new building type in the Mughal palace, of central importance for the proceedings of the Mughal court and for the interaction of the emperor with his subjects. Under the rule of Shah Jahan, the Mughal empire entered its classi- cal phase of greatest prosperity and stability.2 The conquests of Babur (1526), enlarged and consolidated under Akbar (rul. 1556–1605) and Jahangir (rul. 1605–1627), had established the Empire of the Great Moghul (or Mughal) as one of the three leading powers of the Islamic world, the other two being the Ottoman Empire and Safavid Persia. The informal set up of Babur asprimus inter pares among his Central Asian followers, had—in particular through the efforts of Akbar— developed into the court of an absolute ruler who, as head of a cen- tralized state, personally and diligently oversaw the administration of 1 This paper is based on an earlier study of the audience halls of Shah Jahan with detailed references, see Ebba Koch, ‘Diwan-i ‘Amm and Chihil Sutun: The Audience Halls of Shah Jahan’, Muqarnas 11 (1994) pp.
    [Show full text]
  • Trial of Bahadur Shah Zafar
    H-Announce Performing Law, Staging History: The (Re)Trial of Bahadur Shah Zafar Announcement published by Kanika Sharma on Monday, December 9, 2019 Type: Call for Papers Date: January 6, 2020 Location: India Subject Fields: Art, Art History & Visual Studies, Colonial and Post-Colonial History / Studies, South Asian History / Studies, Law and Legal History, Theatre & Performance History / Studies This one-day interdisciplinary roundtable aims to bring together academics and practitioners from various fields including law, history, military studies, theatre, visual culture, politics and literature to analyse the Uprising of 1857 and the subsequent trial of the last Mughal Emperor of India at the Red Fort in Delhi. At the roundtable we will seek to interrogate how legal and historical knowledge around the Uprising and trial was/is produced, established, legitimised and potentially subverted, with a special emphasis on the role played by images and theatricality in these processes. Papers may speak to (though they need not be limited to) the following themes in relation to the Uprising of 1857 and the subsequent trial of Bahadur Shah Zafar: Law and colonialism; International law and victor’s justice; Performance and the political trial; The use of images and architecture in show trials; Military history in India; Religion, race and nationalism; and Imaginations of the Uprising in popular culture. This roundtable is the first step in developing an interactive theatre performance around Zafar’s trial. The performance will be accompanied by a visual installation focusing on the Uprising based on rare images from The Alkazi Collection of Photography at The Alkazi Foundation for the Arts, New Delhi.
    [Show full text]
  • History Preserved in Names: Delhi Urban Toponyms of Perso-Arabic
    History preserved in names: Delhi urban toponyms of Perso-Ara bic origin Agnieszka Kuczkiewicz-Fraś Toponyms [from the Greek topos (τόπος) ‘place’ and ónoma (δνομα) ‘name’] are often treated merely as words, or simple signs on geographical maps of various parts of the Earth. How­ ever, it should be remembered that toponyms are also invaluable elements of a region’s heritage, preserving and revealing differ­ ent aspects of its history and culture, reflecting patterns of set­ tlement, exploration, migration, etc. They are named points of reference in the physical as well as civilisational landscape of various areas. Place-names are an important source of information regard­ ing the people who have inhabited a given area. Such quality results mainly from the fact that the names attached to localities tend to be extremely durable and usually resist replacement, even when the language spoken in the area is itself replaced. The in­ ternal system of toponyms which is unique for every city, when analysed may give first-rate results in understanding various features, e.g. the original area of the city and its growth, the size and variety of its population, the complicated plan of its markets, 5 8 A g n ie s z k a K u c z k ie w ic z -F r a ś habitations, religious centres, educational and cultural institu­ tions, cemeteries etc. Toponyms are also very important land-marks of cultural and linguistic contacts of different groups of people. In a city such as Delhi, which for centuries had been conquered and in­ habited by populaces ethnically and linguistically different, this phenomenon becomes clear with the first glance at the city map.
    [Show full text]
  • I Mughal Empire
    MPPSCADDA ATMANIRBHAR PT 100 DAYS - HISTORY MPPSC PRELIMS 2020 ATMANIRBHAR PROGRAM PRELIMS QUICK REVISION NOTES HISTORY DAY 40 - EARLY- MEDIEVAL PERIOD (8th-12th Century) THE RAJPUTS Some Important Rajputs Kingdoms IMPORTANT RAJPUTS DYNASTIES o The Pawar/Parmar of Malwa: 790-1036 AD o The Gahadval/Rathor of Kannauj : 1090-1194AD o The Chauhans/Chahaman of Delhi-Ajmer: 7th -12th Century AD o The Karkota, Utpala and Lohara of Kashmir : 800-1200 AD ) o The Chandellas of Jejakabhukti: 831-1202 AD o The Senas : 1095-1230 AD o The Guhilota/Sisodiya of Mewar: 8th - 20th Century AD o Tomars of Delhi : 736 AD Salient features of the Rajput Kingdoms. Causes of the Decline of Rajputas ARAB CONQUEST OF SIND (712-1206 AD) MEDIEVAL INDIA The Medieval period of Indian History: This period lies between 8th and 18th century AD and is classified as : The Early Medieval period (8th to 12th century AD) The Later Medieval period (13th to 18th century AD). EARLY- MEDIEVAL PERIOD (8th to 12th Century) The Ancient Indian history came to an end with the rule of Harsha and Pulakeshin-II. From the death of Harsha to the 12th century, the destiny of India was mostly in the hands of various Rajput dynasties. MPPSCADDA THE RAJPUTS Different theories about the origin of the Rajputs : (i) They are the descendants of Lord Rama (Surya Vansha) or Lord Krishna (Chandra Vansha) or the hero who sprang from the sacrificial fire (Agni Kula theory). (ii) They belong to the Kshatriya families. (iii) The most accepted theory is that Rajputs were of a foreign origin, who came as conquerors and settled in West India.
    [Show full text]