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Tentative Lists Submitted by States Parties As of 15 April 2021, in Conformity with the Operational Guidelines
World Heritage 44 COM WHC/21/44.COM/8A Paris, 4 June 2021 Original: English UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE WORLD HERITAGE COMMITTEE Extended forty-fourth session Fuzhou (China) / Online meeting 16 – 31 July 2021 Item 8 of the Provisional Agenda: Establishment of the World Heritage List and of the List of World Heritage in Danger 8A. Tentative Lists submitted by States Parties as of 15 April 2021, in conformity with the Operational Guidelines SUMMARY This document presents the Tentative Lists of all States Parties submitted in conformity with the Operational Guidelines as of 15 April 2021. • Annex 1 presents a full list of States Parties indicating the date of the most recent Tentative List submission. • Annex 2 presents new Tentative Lists (or additions to Tentative Lists) submitted by States Parties since 16 April 2019. • Annex 3 presents a list of all sites included in the Tentative Lists of the States Parties to the Convention, in alphabetical order. Draft Decision: 44 COM 8A, see point II I. EXAMINATION OF TENTATIVE LISTS 1. The World Heritage Convention provides that each State Party to the Convention shall submit to the World Heritage Committee an inventory of the cultural and natural sites situated within its territory, which it considers suitable for inscription on the World Heritage List, and which it intends to nominate during the following five to ten years. Over the years, the Committee has repeatedly confirmed the importance of these Lists, also known as Tentative Lists, for planning purposes, comparative analyses of nominations and for facilitating the undertaking of global and thematic studies. -
Chapter 1 External Features of the Faisal Mosque
6 Chapter 1 External features of the Faisal Mosque Throughout the architectural style has been a mean of expression of thought in constructive form. It has undergone several stages of development in its design and style. Every civilization developed its own architectural style which became its identity. The Faisal Mosque as a modern representation of religious monument became a symbol of national identity and has international preeminence due to its uniqueness of exterior constructive design (plate 1). The mosque represents a modern phase of architectural decoration in constructive form and as surface ornamentation. From the exterior the sanctuary and minarets are the most prominent features of the Faisal Mosque. The huge sanctuary has a plan of 656.66 square feet.1 The peak of the roof is 131.24 feet above ground level.2 The four walls are in the form of isosceles triangles with a base of 215 feet and sides of 128 feet and are constructed of steel and concrete. These outer walls have different decorative designs. The main entrance of the sanctuary is from the east and this wall is divided into nine vertical sections made of concrete filled with crescent motifs (plate 2). Each crescent is one foot one inch in length, five inches thick at its center and eight inches high (plate 3). Clear glass is fitted into the crescent shapes and provides light to the interior (drawing figure 1). The crescent motif is used as a finial above the roof, and also appears on the low walls of the mu’adhdhin pew in the eastern courtyard. -
National Symbols of Pakistan | Pakistan General Knowledge
National Symbols of Pakistan | Pakistan General Knowledge Nation’s Motto of Pakistan The scroll supporting the shield contains Muhammad Ali Jinnah’s motto in Urdu, which reads as “Iman, Ittehad, Nazm” translated as “Faith, Unity, Discipline” and are intended as the guiding principles for Pakistan. Official Map of Pakistan Official Map of Pakistan is that which was prepared by Mahmood Alam Suhrawardy National Symbol of Pakistan Star and crescent is a National symbol. The star and crescent symbol was the emblem of the Ottoman Empire in the 19th century, and gradually became associated with Islam in late 19th-century Orientalism. National Epic of Pakistan The Hamza Nama or Dastan-e-Amir Hamza narrates the legendary exploits of Amir Hamza, an uncle of the Prophet Muhammad, though most of the stories are extremely fanciful, “a continuous series of romantic interludes, threatening events, narrow escapes, and violent acts National Calendar of Pakistan Fasli which means (harvest) is derived from the Arabic term for division, which in India was applied to the groupings of the seasons. Fasli Calendar is a chronological system introduced by the Mughal emperor Akbar basically for land revenue and records purposes in northern India. Fasli year means period of 12 months from July to Downloaded from www.csstimes.pk | 1 National Symbols of Pakistan | Pakistan General Knowledge June. National Reptile of Pakistan The mugger crocodile also called the Indian, Indus, Persian, Sindhu, marsh crocodile or simply mugger, is found throughout the Indian subcontinent and the surrounding countries, like Pakistan where the Indus crocodile is the national reptile of Pakistan National Mammal of Pakistan The Indus river dolphin is a subspecies of freshwater river dolphin found in the Indus river (and its Beas and Sutlej tributaries) of India and Pakistan. -
Dr. Muhammad Hameed
Dr. Muhammad Hameed Chairman Associate Professor Department of Archaeology University of the Punjab (Archaeologist, Historian, Museologist, Field Expert, Heritage Expert) Profile Completed MA in Archaeology from University of the Punjab in 2004. Dr. Hameed joined Department of Archaeology, University of the Punjab as Lecturer in 2006. After serving the university for five years and getting overseas scholarship, he went to Berlin, Germany and completed his PHD in Gandhara Art, in 2015 from Free University Berlin. During his stay in Berlin, got several opportunity to become a part of the international research circle and attended international conferences, symposiums and workshops, about different aspects of South Asian Archaeology, held in Paris, Stockholm, Berlin, and Torun. The main research focuses on Buddhist Art with special interest in the Miniature Portable Shrines from Gandhara and Kashmir. The PHD dissertation provides the first catalogue of these objects. Study of origin of miniature portable shrines, their, types, iconography and religious significance are the main features of my research. Articles related to research areas have been published in HEC recognized journals as well as in international journals. Personal Info S/O: Muhammad Rafique DOB: 16-09-1981 NIC: 35401-9809372-3 Domicile: Sheikhupura (Punjab) Nationality: Pakistani Contact Info Off.: 042-99230322 Mobile: 03344063481 Email: [email protected] [email protected] Address: Department of Archaeology, University of the Punjab, Lahore Pakistan Experience February -
Sadiq Journal of Pakistan Studies (S JPS) Vol.1, No.1, (January-June 2021) Published by Department of Pakistan Studies, IUB, Pakistan (
Sadiq Journal of Pakistan Studies (S JPS) Vol.1, No.1, (January-June 2021) Published by Department of Pakistan Studies, IUB, Pakistan (https://journals.iub.edu.pk) Interfaith Harmony at Shrines in Pakistan: A Case Study of Baba Guru Nanak’s Dev Shrine - Kartarpur By Sara Iftikhar Research Officer Government College University, Lahore Abstract: Pakistan is a place where people belonging to different cultures and religions are residing together. The founder of Pakistan Quaid e Azam Muhmmad Ali Jinnah gifted liberty to the minorities in Pakistan and constitution of Pakistan safeguards the fundamental rights of Non-Muslims. Non-Muslim Minorities in Pakistan (Sikhs, Hindus and Christians etc.) have awarded freedom to go their religious places for practicing their religious obligations. Government of Pakistan has established Evacuee Trust Property Board under Act No. XIII of 1975 (which was promulgated on 1st July 1974) for management, control and disposal of the Evacuee Trust properties all over Pakistan. Undoubtedly, Pakistan is a Muslim majority country with multi-religious and multi-sectarian population. Though, we keep hearing about events of inter and intra religious intolerance every now and then. This research papers gives a comprehensive detail about the interfaith harmony at Shrines in Pakistan in order to prove that all the news we are getting through print media, electronic media or social media about religious intolerance in Pakistan is only one side of picture. Withal throwing light on the interfaith harmonious culture at Shrines, it aims to explore the concept of religious harmony or interfaith harmony. This paper briefly encapsulates the background of different shrines in Pakistan and the communities visiting them. -
UNIVERSITA CA'foscari VENEZIA CHAUKHANDI TOMBS a Peculiar
UNIVERSITA CA’FOSCARI VENEZIA Dottorato di Ricerca in Lingue Culture e Societa` indirizzo Studi Orientali, XXII ciclo (A.A. 2006/2007 – A. A. 2009/2010) CHAUKHANDI TOMBS A Peculiar Funerary Memorial Architecture in Sindh and Baluchistan (Pakistan) TESI DI DOTTORATO DI ABDUL JABBAR KHAN numero di matricola 955338 Coordinatore del Dottorato Tutore del Dottorando Ch.mo Prof. Rosella Mamoli Zorzi Ch.mo Prof. Gian Giuseppe Filippi i Chaukhandi Tombs at Karachi National highway (Seventeenth Century). ii AKNOWLEDEGEMENTS During my research many individuals helped me. First of all I would like to offer my gratitude to my academic supervisor Professor Gian Giuseppe Filippi, Professor Ordinario at Department of Eurasian Studies, Universita` Ca`Foscari Venezia, for this Study. I have profited greatly from his constructive guidance, advice, enormous support and encouragements to complete this dissertation. I also would like to thank and offer my gratitude to Mr. Shaikh Khurshid Hasan, former Director General of Archaeology - Government of Pakistan for his valuable suggestions, providing me his original photographs of Chuakhandi tombs and above all his availability despite of his health issues during my visits to Pakistan. I am also grateful to Prof. Ansar Zahid Khan, editor Journal of Pakistan Historical Society and Dr. Muhammad Reza Kazmi , editorial consultant at OUP Karachi for sharing their expertise with me and giving valuable suggestions during this study. The writing of this dissertation would not be possible without the assistance and courage I have received from my family and friends, but above all, prayers of my mother and the loving memory of my father Late Abdul Aziz Khan who always has been a source of inspiration for me, the patience and cooperation from my wife and the beautiful smile of my two year old daughter which has given me a lot courage. -
Assessment of the History and Cultural Inclusion of Public Art in Pakistan
Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 18 February 2018 doi:10.20944/preprints201802.0117.v1 Article Assessment of the History and Cultural Inclusion of Public Art in Pakistan Syed Asifullah Shah1,*, Ashfaq Ahmad Shah 2 and Li Xianfeng 1, 1 Department of Ornamental Horticulture and Landscape Architecture College of Horticulture, China Agricultural University, Beijing, 100193, P.R. China [email protected] [email protected] 2 College of Humanities and Development studies, China Agricultural University, Beijing, 100193, P.R. China [email protected] * Correspondence: [email protected]; [email protected] Abstract The significance of arts incorporated with culture inclusion makes the arts a matter of pressing interest. The arts are vital elements of a healthy society that benefits the nations even in difficult social and economic times. Based on the previous studies this research was conducted for the first time in Pakistan to explore the historical background of public art correlated with cultural and religious ethics. Though, Pakistan has a rich cultural history yet the role of modern public art is new and often used unintentionally. Our findings of different surveys conducted in Pakistan including oldest cities such as Lahore, Peshawar and newly developed, the capital city, Islamabad concluded that Public art has a rich cultural and historical background and the local community are enthusiastically connected to it. Different community groups prefer different types of public art in their surroundings depends on the city’s profile, cultural background, and religious mindset of the local community. Overall, the sculptures and depiction of animated beings are not considering right and debatable among the Pakistani societies. -
Historical Places of Pakistan Minar-E-Pakistan
Historical places of Pakistan Minar-e-Pakistan: • Minar-e-Pakistan (or Yadgaar-e-Pakistan ) is a tall minaret in Iqbal Park Lahore, built in commemoration of the Lahore Resolution. • The minaret reflects a blend of Mughal and modern architecture, and is constructed on the site where on March 23, 1940, seven years before the formation of Pakistan, the Muslim League passed the Lahore Resolution (Qarardad-e-Lahore ), demanding the creation of Pakistan. • The large public space around the monument is commonly used for political and public meetings, whereas Iqbal Park area is ever so popular among kite- flyers. • The tower rises about 60 meters on the base, thus the total height of minaret is about 62 meters above the ground. • The unfolding petals of the flower-like base are 9 meters high. The diameter of the tower is about 97.5 meters (320 feet). Badshahi Mosque: or the 'Emperor's Mosque', was ,( د ه :The Badshahi Mosque (Urdu • built in 1673 by the Mughal Emperor Aurangzeb in Lahore, Pakistan. • It is one of the city's best known landmarks, and a major tourist attraction epitomising the beauty and grandeur of the Mughal era. • Capable of accommodating over 55,000 worshipers. • It is the second largest mosque in Pakistan, after the Faisal Mosque in Islamabad. • The architecture and design of the Badshahi Masjid is closely related to the Jama Masjid in Delhi, India, which was built in 1648 by Aurangzeb's father and predecessor, Emperor Shah Jahan. • The Imam-e-Kaaba (Sheikh Abdur-Rahman Al-Sudais of Saudi Arabia) has also led prayers in this mosque in 2007. -
Conservation of Historic Monuments in Lahore: Lessons from Successes and Failures
Pak. J. Engg. & Appl. Sci. Vol. 8, Jan., 2011 (p. 61-69) Conservation of Historic Monuments in Lahore: Lessons from Successes and Failures 1 Abdul Rehman 1 Department of Architecture, University of Engineering & Technology, Lahore Abstract A number of conservation projects including World Heritage sites are underway in Lahore Pakistan. The most important concern for conservation of these monuments is to maintain authenticity in all aspects. Although we conserve, preserve and restore monuments we often neglect the aspects of authenticity from different angles. The paper will focus on three case studies built around 1640’s namely Shalamar garden, Shish Mahal and Jahangir’s tomb. The first two sites are included in the World Heritage List while the third one is a national monument and has a potential of being included in the world heritage list. Each one of these monument has a special quality of design and decorative finishes and its own peculiar conservation problems which need innovative solutions. The proposed paper will briefly discuss the history of architecture of these monuments, their conservation problems, and techniques adopted to revive them to the original glory. To what degree the government is successful in undertaking authentic conservation and restoration is examined. The paper draws conclusions with respect to successes and failures in these projects and sees to what degree the objectives of authenticity have been achieved. Key Words: Authenticity, World Heritage sites, Mughal period monuments, conservation in Lahore, role International agencies 1. Introduction 2. Authenticity and Conservation Lahore, cultural capital of Pakistan, is one of the Authentic conservation needs research most important centers of architecture (Figure 1) documentation and commitment for excellence. -
Of Ara Forest Sustainable Forest Management Project
HIGH CONSERVATION VALUE AREAs (HCVAs) OF UNITED NATIONS DEVELOPMENT PROGRAMME ARA FOREST SUSTAINABLE FOREST MANAGEMENT PROJECT HIGH CONSERVATION VALUE AREAs (HCVAs) OF ARA FOREST TABLE OF CONTENTS PART-I ............................................................................................................................................. 1 1. SUSTAINABLE FOREST MANAGEMENT ....................................................................... 2 1.1 Introduction: ............................................................................................................................ 2 1.2 Brief Description of Scrub Forest Area in Salt Range: ........................................................... 2 1.2.1 Sub-Tropical Evergreen Thorn (Scrub) Forests in Punjab ............................................... 2 1.3 Chakwal RM: .......................................................................................................................... 5 PART- II .......................................................................................................................................... 8 1.4 Brief Description of Ara Forest:.............................................................................................. 9 1.4.1 Location: ........................................................................................................................... 9 1.4.2 Climate of Ara Forest: ...................................................................................................... 9 1.4.3 Soil of Ara Forest: ........................................................................................................... -
Guide to Islamabad
GUIDE TO ISLAMABAD Abstract We at the World Bank Group Family Network (WBGFN) Islamabad have put together this short guide to help you with all the basic needs. If you need any more help, feel free to contact the author or any of the other members listed in this guide. WBGFN Islamabad Pakistan Table of Contents WBGFN Islamabad Contacts ................................................................................................................... 2 Introduction ................................................................................................................................................... 3 Climate .................................................................................................................................................................. 4 Language .............................................................................................................................................................. 4 Time Zone ............................................................................................................................................................. 4 Currency ............................................................................................................................................................... 4 Living ............................................................................................................................................................... 5 Childcare and Household Staff ........................................................................................................................ -
April, 2018 Inlay Decoration on the Sarcophagus of Jahangir's Tomb
ISSN: 2321-8819 (Online) 2348-7186 (Print) Impact Factor: 1.498 Vol. 6, Issue 4, April, 2018 Inlay Decoration on the Sarcophagus of Jahangir’s Tomb Farah Khan Assistant Professor of Visual Arts/Visual Practitioner Lahore College for Women University, Lahore Email: [email protected] Abstract Jahangir’s Tomb is located in Shahdara Lahore, Pakistan. This tomb marks the transitional phase of inlay decoration in the sub-continent. Inlay work on the sarcophagus of Jahangir’s tomb is noteworthy in its expression and decorative vocabulary. The rhythmic beauty of designs and technique achieved such a height of appreciation and acknowledgement that it has been considered as one the finest surface decoration among the world’s best architectural surface decorations. It is debatable among the scholars for the origin of pietra Figure 1: Jahangir’s Tomb. Shahdara, Lahore. dura technique. This article aims at tracing out the origin of this technique and to prove it with evidences that it (1627-1637). was not purely the European technique but an Source: Picture by author, (13th November, 2015). amalgamation of Islamic and European influences. “The technique developed quite separately in India and is This study provides evidences that inlay usually characterized by a unique distinct style”. was not an unknown technique for the Mughal (Tillotson, 1990, p. 58) emperors. George C.M. Birdwood mentions that This article provides references to solve the ambiguity of Austine de Bordeaux introduced pietra dura at the the origin of pietra dura technique especially with Taj Mahal but he also remarks, “The origin of the reference to the Indian Sub-continent.