Hest Kon Kod Far Mor Pastor Brå H

Total Page:16

File Type:pdf, Size:1020Kb

Hest Kon Kod Far Mor Pastor Brå H Hest Kon Kod Far Mor Pastor Brå H - Gunn Zuni Bowler Twentyfive Bekken H Amaru Boko (SE)Littlemissunshine (SE) American Coffee HP Andover Hall (US)Lovely Coffee Daiva Hall HP Andover Hall (US)Diva Arvells L.V. One And Only HP Andover Hall (US)Kentucky Kemp (SE) Magnifique Hall HP Andover Hall (US)Magnifique S.E. (SE) Maryland T.J. HP Andover Hall (US)Digital Charcoal (SE) Bob'syouruncle H AperfectyankeeS.K.'s (US) Andromeda S.K.'s Perfect Pride HP AperfectyankeeSandra (US) Pride Endless Love HP Beat The Wiz (US)Lovely Cash Corrida HP Beer Summit (US)Kennie Blue Chip (US) Bold Little Drummer H Bold Eagle (FR)H.M. Monocerus Nelson Bright Eagle HP Bold Eagle (FR)Lindys Holiday (US) Night Hawk H Bold Eagle (FR)Beverly B.R. Il Danse Tres Bien V Briac Dark (FR)A Gifted Dancer Sweet Brillanti H Brillantissime (FR)Sweet Cocktail (SE) Popfinger H Broad Bahn (US)Princess Beat (DK) Winniwerth V Broad Bahn (US)Tiramisu G.T. Lady Ann Salt HP Broadway HallPrincess (US) Salt Thai Brooklyn HP Broadway HallMuscle (US) Shirt (US) Thai Greenwich H Broadway HallRapsodia (US) Bigi (IT) Thai M. Square H Broadway HallThai (US) Gucci Thai Tribeca HP Broadway HallViva (US) La Diva I'll Follow The Sun HP Broadway LegsLuck (US) Follows Me (US) Bellmann H Canepa HanoverLamasi (US) Canepa O.K. HP Canepa HanoverYankee's (US) Star Looklike Superb HP Canepa HanoverOh (US) Superb Mr. Samara H Canepa HanoverMirabell (US) Choice Speedy Canepa H Canepa HanoverLuckpenny (US) Frecel Athos H Cecena Ås (SE)Whizalong (US) Baby Boss HP Cecena Ås (SE)Thai Quest Cenita HP Cecena Ås (SE)Mohita Fantastic News HP Cecena Ås (SE)Newnews Indian River H Cecena Ås (SE)Tina Trøjborg Popthechampagne HP Cecena Ås (SE)Tabu B.R. Tayno Laidback H Cecena Ås (SE)Asaks Fair Lady Winner's Mede HP Cecena Ås (SE)Credit Wine Quadrillion Tile HP Chapter SevenNever (US) Ever Clever (US) Arc Ici H Charly Du NoyerArc (FR) Bayou Hello My Friend H Charly Du NoyerCreanette (FR) Lucky Charly H Charly Du NoyerAir (FR) Lindy (US) Poetry In Motion HP Charly Du NoyerCabjoy (FR) F.C. (SE) Cadillac Sun H Choco Sun (US)Pearl Of Capri (US) Miss Tone HP Choco Sun (US)Vibra Line Charleston Volo H Classic Photo (US)South Carolina U.S. (US) Minuano H Classic Photo (US)Here Chippie Chippie Gjølmes Andova HP Clerk MagistrateJuliana (US) Brazz A Secret Code H Code Bon (US)Fairy Tales (US) Ambitious Lady HP Code Bon (US)Tropical Boshoeve (DE) Bella Flamenca HP Code Bon (US)Worship Limburgia (DE) Big Bonus H Code Bon (US)Pennylane Bon Young H Code Bon (US)Maja Be Young Burn For You O.S. H Code Bon (US)Lady's Bugi Li Cadiz H Code Bon (US)Pamplona (SE) Code Young H Code Bon (US)Taja Be Young Emaldas Enterprice H Code Bon (US)Logical Dream Flying Spirit O.M. V Code Bon (US)Chip Va Bene Lightning Crown H Code Bon (US)Romantic Crown (DK) Muscle Hall O.S. V Code Bon (US)Gerdo Hall O.S. Muscle Love H Code Bon (US)Opossum (DK) N.O. Bon H Code Bon (US)Desirs d'Avenir (SE) Olympic Cayenne H Code Bon (US)Olympic Image Turn Back Time H Code Bon (US)Pinnafarina (US) Victorys Maximus H Code Bon (US)Andovers Victory Avonaco H Coktail Jet (FR)Royale Cher Ami HP Coktail Jet (FR)Toby's Finest Coleman H Coktail Jet (FR)Chip Happens Fransisca Ravina HP Coktail Jet (FR)X. Plosive (US) Grand Cocktail HP Coktail Jet (FR)Photo Fantasy U.S. (US) Harrykane H Coktail Jet (FR)Mary Tilly (SE) Herrington H Coktail Jet (FR)Tamaya He's Got The Power H Coktail Jet (FR)Royal Clout (US) Ignazio W. H Coktail Jet (FR)Pia Palema (SE) Immun E. H Coktail Jet (FR)Speedy Anna E. Imperial Class K.W. H Coktail Jet (FR)Spinning Class (US) Inshallah d'Estino H Coktail Jet (FR)Or d'Estino Jetsun Dream H Coktail Jet (FR)Secret Dream Kimberlee Dotcom HP Coktail Jet (FR)Sunshine Meadows Kiwi Kolada H Coktail Jet (FR)J.T.'s Vacation Microchip H Coktail Jet (FR)Daisy Chip (US) Nocredittoloose H Coktail Jet (FR)Justacredit L. N.Y. Candyinmyveins H Coktail Jet (FR)Tinita Surprise N.Y. Chante Moi H Coktail Jet (FR)Camargue I.T. (IT) Perfect Lady HP Coktail Jet (FR)Lovely Lady Sunrise O. HP Coktail Jet (FR)Bella La Stella (US) Yasmine Ravina HP Coktail Jet (FR)Superatrix G.G. Cremant HP Credit Winner Karamell(US) Broline (SE) Sweet Angeline E.P. HP Credit Winner Snowbird(US) E.P. (DK) Dalina S.S. HP Dacke HålerydEarlina (SE) (DE) Grab The Moment H Django Riff (FR)Global Top Story Marengo H Django Riff (FR)Hard To Face (US) Nan's Cash HP Django Riff (FR)Catch Express (US) The One H Django Riff (FR)Priscilla News Princess Frecel HP Donato HanoverHowbout (US) That Face (US) Thai Harlem KH Donato HanoverLoveable (US) Volo (US) A.S.A.P. H Dream VacationNew (US) Cowboyland (DK) Dream De Champs HP Dream VacationMichelle (US) De Champs Golden Prosekko V Dream VacationGolden (US) Glamour Holden's Dream HP Dream VacationNokien (US) (DK) Kasai B.R. H Dream VacationDesiree (US) B.R. N.Y. Dance With Me HP Dream VacationN.Y. (US) Sweet'n Sassy N.Y. Dignity HP Dream VacationEtincelle (US) (IT) N.Y. Dream Lover H Dream VacationKeyedup (US) (SE) Princess Street HP Dream VacationParalyce (US) Ås (SE) Stay The Night HP Dream VacationPirate (US) Smile (US) Handy Mandy HP E.L. Titan (US) Handy Face (SE) Anna Am HP El Diablo B.R. Anastacia Dust B.R.U.N. HP El Diablo B.R. Sugarina Land Desdemona HP El Diablo B.R. Vincenza (DE) Devilish HP El Diablo B.R. Delicious Rhythm Diablo Khaleesi HP El Diablo B.R. Sandy Nalan (SE) I.D. Exceptional H El Diablo B.R. Glamour Bi (IT) Karuso B.R. V El Diablo B.R. Antibe B.R. K.N. Lindys Diablo H El Diablo B.R. Lindy Tibur K.N. Speedy Star HP El Diablo B.R. K.N. Speedgirl (SE) Lazy Beach HP El Diablo B.R. Lucille L.H. Tharos H El Diablo B.R. L.H. Saphira Love's Lightning HP El Diablo B.R. Power Of Love Mighty Boy H El Diablo B.R. Mighty Lady Ohmylove V.L. HP El Diablo B.R. Prima Victory (US) Over The Rise HP El Diablo B.R. Secret Power Retire Me Royal H El Diablo B.R. Lamitech Monique (GB) Royal Cash H El Diablo B.R. Ninnie Tilly (SE) Victoria Lins HP El Diablo B.R. Photo Lins Zenit June HP El Diablo B.R. Zenit Sun Aqua Energy HP Ens Snapshot (US)Aquarelle Gala Bella HP Ens Snapshot (US)Noomi Garbo (DK) Genova HP Ens Snapshot (US)Ocean Pearl (DK) Got It All HP Ens Snapshot (US)Whitney Hanover (US) Lavonne HP Ens Snapshot (US)Pocahana Manhattan Dream HP Ens Snapshot (US)Beak's Princess Miss Dream HP Ens Snapshot (US)Rakida Shadow (DK) Song Of Rat Cat H Ens Snapshot (US)Our Trophy Gal (US) Trusty Lightning HP Ens Snapshot (US)Halleluja O. Zakira HP Ens Snapshot (US)The Face (SE) Belfort Rags H Evil Enok M.E. Julia Rags Izabell M.E. HP Evil Enok M.E. T.J. Mixy Kobra Kahn H Evil Enok M.E. Diana Jacase Mark The Map H Evil Enok M.E. Touched By An Angel Fairytale E.P. HP Explosive MatterU.S. (US) Francesca Thai Chinatown H Explosive MatterAnn's (US) Chinadoll (SE) Honoloulou Express H Farifant (IT) Loulou (SE) Logical Lindy HP Farifant (IT) Ozone Hanover (US) Send Me An Angel HP Farifant (IT) Christina Rose (US) Fedex V Federer (US) Gary's Madonna Spirit Express HP Federer (US) Arctic Express Formula Photo H Formula One (US)Lonely On Photo Stand By Me HP From Above (SE)Catzy Quailer Peace On Broadway HP Gary Victor Julie On Broadway Cool Comfort HP Gentle Tilly (SE)Great Comfort (SE) Billy Bob D. H Ghost U.S. (US)Lady Vegas Fanfiction D. HP Ghost U.S. (US)Livi Elegance (SE) Dream Case H Global RepublicRestless (SE) Queen Å.M. Aisi Disi HP Global RepublicWriting (SE) Love Accordion K.E.K. V Global Royal Super Young Leonardo Tibur H Global Royal Liza Tibur Ski Hoppa HP Global Royal Molly Crown (SE) Ski M. Askin KH Global Royal Spenda M. Aud Ski Raff H Global Royal Born In Time Ski To Be Free H Global Royal Out Of The Blue Via Vetticello HP Global Royal Balenciaga L.A.'s Circus Queen HP Googoo GaagaaPine (US) Princess L. (SE) Fighter From Start H Great ChallengerC.C. (US) Sugar Lady Great Miss Sally HP Great ChallengerSally (US) Va Bene Justeen Victory H Great ChallengerJusteen (US) Hall (US) Spring Frecel H Great ChallengerK.L.M. (US) Brooklyn The Pirate H Great ChallengerOpen (US) Del Rio (IT) High Light H Infinitif (IT) Adorable I Love Composite H Ivar Sånna (SE)Extreme Composite (SE) I Make Composite H Ivar Sånna (SE)Oktavia Composite (SE) Bad Company HP Ja El Tomcat (US)Golddigger Jael Tiamo HP Ja El Tomcat (US)U.S. Love Me Brid Jaoc V John Paul's LegacyBells (US) Of Paris Palemas Beauty H Juliano Star (FR)Gjølmes Palema Ste My Harley HP Juliano Star (FR)Ste My Pride Become HP Ken WarkentinEmpress (US) Tile Final Look HP Ken WarkentinPejla (US) Håleryd (SE) Hearts HP Ken WarkentinMarta (US) Broline (SE) Hippie Hippie Shake HP Ken WarkentinM.T.
Recommended publications
  • 'Truly the House That God Built'
    Saintly inspiration Mother Seton guides life of former president’s daughter, page 7. Serving the Church in Central and Southern Indiana Since 1960 CriterionOnline.com June 18, 2021 Vol. LXI, No. 36 75¢ National Right to Life decries ‘Truly the new bill aimed house that at codifying Roe v. Wade God built’ WASHINGTON (CNS)—The Women’s Health Protection Act, introduced in the U.S. Senate and the U.S. House on June 8 “would invalidate nearly all existing state limitations on abortion,” said Jennifer Popik, director of federal legislation for National Right to Life. “This legislation would also prohibit states from adopting new protective laws in the future, including various types of laws specifically upheld as constitutionally permissible by the U.S. Supreme Court,” she said in a June 9 statement. The measure was introduced in the Senate by Sens. Richard Blumenthal, D-Conn., and Tammy Baldwin, D-Wis., and in the House by Reps. Judy Chu, D-Calif., Lois Frankel, D-Fla., and Ayanna Pressley, D-Mass. Blumenthal first introduced the measure in 2013 and has reintroduced it off and on through the years. The current measure has 48 Democrats Sitting atop a hill on the grounds of Holy Angels Parish in Indianapolis, its new brick church—nine years in the making—is a testament to God’s as co-sponsors in the Senate; Sens. Joe grace, parish leaders say. (Photos by John Shaughnessy) Manchin, D-W.Va., and Bob Casey Jr., D-Pa., are not co-sponsoring it. In the House, there are 176 co-sponsors, all of whom are Democrats.
    [Show full text]
  • Bailarina De Ballet Con Tubo
    Bailarina de ballet con tubo Por Jacqueline Castillo El dolor de los tacones, plataforma de siete pulgadas, las nubes de laca, el brillo corporal, el dinero que vuela por todas partes, los hombres gritando y el olor del licor. Esto es lo que una aspirante de ballet profesional tiene que tolerar cada noche. Hablé con Destiny, quien pidió que sólo usemos su nombre artístico, sobre cómo se convirtió en una bailarina exótica, y cómo es que la industria del entretenimiento para adultos es realmente la razón por la que la gente no considera su trabajo respetable. Ha estado trabajando en la industria por más de cinco años, pero ha estado bailando durante toda su vida. Es una bailarina exótica por la noche y una estudiante de tiempo completo durante el día. Destiny tiene veinticuatro años y había empezado a bailar exótico cuando sólo tenía diecinueve, durante su primer año de universidad. Destiny siempre ha tenido pasión por el ballet, el hip–hop y el baile contemporáneo desde sus años en la preparatoria, en ese tiempo ella estaba decidida a asistir a la universidad y perseguir su sueño de convertirse en bailarina profesional. Sin el apoyo de su familia se fue sin dinero a Nueva York y asistió a su primera universidad para cumplir sus sueños. Los primeros meses fueron los momentos más difíciles de su vida, se cuestionó a sí misma si había tomado la decisión correcta de dejar su pequeña ciudad y mudarse tan lejos. Estaba batallando para alimentarse, pagar su renta y, lo más importante, para pagar su escuela.
    [Show full text]
  • Aragón and Valencia
    ARAGÓN AND VALÈNCIA Aragón and València “The jota is at its best with the scent of rosemary and fresh-plowed earth,” says the opening song on this CD. An infectious collection of danced and sung jotas, archaic threshing songs, May courting songs, struck zither tunes, raucous shawms and lyrical strings, travelling down from the mountains of Aragón to the fertile coast of València. The Spanish Recordings Alan Lomax made these historic recordings in 1952 while traveling for months through Spanish villages, under formidable physical and political circumstances, during the Franco regime. Covering the breadth of Spain, these songs and dance melodies constitute a portrait of rural Spain’s richly varied musical life, dispelling the common stereotypes of Spanish folk music. The Alan Lomax Collection The Alan Lomax Collection gathers together the American, European, and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax. Recorded in 1952 by Alan Lomax. Introductions and notes by Luis Bajén García and Mario Gros Herrero (Aragón), Archivo de Tradición Oral de Aragón (ATOA); and Josemi Sánchez Velasco (València), Consellería de Cultura, Educació i Ciència, Generalitat de València. Series Editor, Judith R. Cohen, Ph.D. Remastered to 24-bit digital from the original field recordings. Contains previously unreleased recordings. Aragón 1. AL REGRESO DEL CAMPO (Work jota) Teruel (2:19) 2. A LAS ORILLAS DEL RÍO (Danced jota) Teruel (2:30) 3. JOTA HURTADA (“Stolen” jota) Albarracín (1:08) 4. MAYOS DE ALBARRACÍN (May courting verses) Albarracín (2:53) 5. SE ME OLVIDAN LOS RAMALES (Jota for plowing) Monreal del Campo (0:50) 6.
    [Show full text]
  • Carlo Gesualdo O Dolce Mio Tesoro Madrigali a Cinque Voci, Libro Sesto (1611) Collegium Vocale Gent Philippe Herreweghe Carlo Gesualdo (1566-1613)
    Carlo Gesualdo O dolce mio tesoro Madrigali a cinque voci, Libro sesto (1611) Collegium Vocale Gent Philippe Herreweghe Carlo Gesualdo (1566-1613) O dolce mio tesoro Madrigali a cinque voci, Libro sesto (1611) Collegium Vocale Gent Hana Blažíková soprano Barbora Kabátková soprano Marnix De Cat alto Thomas Hobbs tenor David Munderloh* tenor Peter Kooij bass Thomas Dunford lute Philippe Herreweghe * tracks 18 & 19, for SATTB Menu Tracklist ------------------------------ English Biographies Français Biographies Deutsch Biografien Nederlands Biografieën ------------------------------ Sung texts Carlo Gesualdo (1566-1613) Madrigali a cinque voci, Libro sesto (1611) [1] Se la mia morte brami ___________________________________________________________________________________3’37 [2] Beltà, poi che t’assenti __________________________________________________________________________________3’03 [3] Tu piangi, o Filli mia ______________________________________________________________________________________3’10 [4] Resta di darmi noia ______________________________________________________________________________________2’56 [5] Chiaro risplender suole __________________________________________________________________________________3’42 [6] ‘Io parto’ e non più dissi _________________________________________________________________________________2’50 [7] Mille volte il dì moro _____________________________________________________________________________________ 3’11 [8] O dolce mio tesoro _______________________________________________________________________________________2’46
    [Show full text]
  • The Other/Argentina
    The Other/Argentina Item Type Book Authors Kaminsky, Amy K. DOI 10.1353/book.83162 Publisher SUNY Press Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 29/09/2021 01:11:31 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://www.sunypress.edu/p-7058-the-otherargentina.aspx THE OTHER/ARGENTINA SUNY series in Latin American and Iberian Thought and Culture —————— Rosemary G. Feal, editor Jorge J. E. Gracia, founding editor THE OTHER/ARGENTINA Jews, Gender, and Sexuality in the Making of a Modern Nation AMY K. KAMINSKY Cover image: Archeology of a Journey, 2018. © Mirta Kupferminc. Used with permission. Published by State University of New York Press, Albany © 2021 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Library of Congress Cataloging-in-Publication Data Names: Kaminsky, Amy K., author. Title: The other/Argentina : Jews, gender, and sexuality in the making of a modern nation / Amy K. Kaminsky. Other titles: Jews, gender, and sexuality in the making of a modern nation Description: Albany : State University of New York Press, [2021] | Series: SUNY series in Latin American and Iberian thought and culture | Includes bibliographical references and index.
    [Show full text]
  • Ame Ican Cycle No )J{L
    FOR WEEK E~to!G, 4/25/87 AME ICAN CYCLE NO )J{L. PROGRAM L_ OF 13 DISC & HALF HOUR NO. lA(Backed witfi4B) PAGE NO. -~-"--- 3575 Cahuenga Blvd. W .. Suite 555. Los Angeles. CA 90068 ABC eont.mpo • r Rltdlo ~ SCHEDUL.D ACTUAL ELEMENT RUNNING START TIME TIME TIME : ""NlNI "lVl' 'lU "lV YW .LN 1'.1\Kl" tlY .j 00:00 1 09:51 MJSKETEERS, FOR GUYS 'IHAT ARE BIG ON CHCCOIATE. liND, BY THE JEANS THAT SHRINK 'TO FIT YOU, liND YOU AI.Ctffi. LEVI Is BlJTI"CN FLY 501 Is. " THEME liND OPENING OF PART I THEME: "THEME AND JINGLE, JJM ~/AECAP" #40 YOU CI\N CALL ~'IE AL (B) Paul Sinon #39 MEET ~ BALF WAY (A) Kenny Loggins r-o9:51 C·l NElWORK SPOT: CAREFREE GUM/PASTA ~ 30/30 (CXJT CUE) Voice out =ld with ••• " ••• carmed pasta." 10:51 LOCAL INSERT: :60 11:51 J.J..kiJ: "!Vl' 'IU 09:28 #38 DAY-IN DAY -aJT (A) David Bowie #37 GET THAT LOVE (A) Thanpson Twins 21:19 C·Z NElWORK SPOT: GREYHOOND/MJUNDS 30/30 (Our CUE) Jingle ends cold with ••• " ••• rrore =nut." 22:19 LOCAL INSERT: :60 23:19 I.030: AMERICAN 'TOP 40 04:24 #36 Wl\NTID DEAD OR ALIVE (A) Bon Jovi C·3 27:43 NElWORK SPOT: NESTLE CRJNCH/AGREE SHAMPOO 30/30 (Our CUE) Jingle fades after ••. " ••• felt before. " 28:43 29: 4: LOCAL INSERT: :60 STATION I. 0.: OVER FOR SIDE lB :10 FOR WEEK E"ffrf'' 4/25/87 AME ICAN CYCL-E NO PROGRAM ea OF 13 IABC1Nateunark I DISC.
    [Show full text]
  • Goodbye, D South' Homes Leone Cole
    VoI. 25-40. 33 Jacksonville t Alabama ) Tuesday, October 2, 1979 For historical tour.... Students sponsor Goodbye, d South' homes Leone Cole By JANA MOON By JANA MOON Jacksonviile Hmtage Ascciation will sponsor the third Jacksonville State University will implement their new annual tour of historic Jadrs~ville.The tour hours will be pre-registration system for students on Oct. 24. 10 a.m. to 5 p.m., Satday, Oct. 6 and 1 p.m.-5 p.m., According to Bill Meehan kom Academic Advisement, Sunday, Oct. 7. The admision charge will be $5 for full "If each student carefully studies the registration system, tour, $1 for single haw, pre-school children will get in he will not have any problem." free and grades 1 through 12 will be charged half price. Pre-registration will begin Oct. 24 through Nov. 6 for The lacdnlarks shown on the tour'will be the Dr. J. C. student academic advisement. Eachstudent will go to the Francis Museum, the Old Jailhouse, the Snow-Felgar Officed Admissions and Records, first floor, Bibb Graves Home, "Ten Oalks", Forney -Burton - Green Home, "The Hall, to pick up his academic advisement sheets. Magnolias," The Roebuck House, the Lester - Jones - Students must present their identification cards to obtain Nisbet House, "Boxwood," The First Presbyterian the data sheet. They will then go to their advisor in order Church, St. Luke's Epizcpal Church and Aderholdt's to make out their trial schedule. Mill. Regular registration will be kcan Nov. 7 to the 21st and Two of the homes are being sponsored by student tke student's registration will be determined as follows: crganizations.
    [Show full text]
  • Chinati Foundation Newsletter Vol24
    Chinati Foundation newsletter vol24 1 46 SOME OF WHAT IT IS THAT DONALD JUDD 100 Membership Edition: COMES TO FIND OUT WITH RESPECT TO SPACE Edición para los afiliados: ALGUNOS DE LO QUE ES QUE DONALD JUDD Rosa Barba VENDE A CONOCER CON RESPECTO AL ESPACIO Adrian Kohn 102 Chinati publication: Publicación de Chinati: 71 RICHARD MAXWELL’S ADS Robert Irwin: AD: Eliseo Martinez untitled (dawn to dusk) THE HEART OF MARFA EL CORAZÓN DE MARFA 103 Staff News Daphne Beal Noticias sobre nuestro personal Internship Program 78 EDUCATION REPORT Programa de becarios INFORME SOBRE EDUCACIÓN Michael Roch 104 Funding, Membership Financiación, Afiliación 84 ARTISTS IN RESIDENCE 2018–2019 ARTISTAS EN RESIDENCIA 2018–2019 108 Visitor Information Michael Williams Información para visitantes Rochelle Goldberg Daniel Rios Rodriguez 109 Staff/Board; Nicholas Shake Credits/Colophon Pete Schulte Personal/Consejo; Rachel Jones Reconocimiento/Colofón Jamie Dearing, who was assistant to configuración de las 15 obras sin título de Letter from the Director Donald Judd from 1968 to 1983. We hormigón de Judd. Expresamos nuestro have also included a selection of Dear- sincero agradecimiento a Jamie por su Carta de la Directora ing’s personal photographs—now in tiempo y generosidad al compartir sus the collection of the Judd Foundation memorias y reflexiones sobre este pe- JENNY MOORE archive—that document the fabrication riodo extraordinario de la vida de Judd Aunque agosto es uno de los meses más of the first works installed on Chinati’s y de los primeros tiempos cruciales del tranquilos para los visitantes de Marfa, grounds, the first and second configu- desarrollo de Chinati.
    [Show full text]
  • Partner Név Jellemző Művek 100 BANDS PUBLISHING LUCKY YOU /#/ RINGER /#/ SIT DOWN /#/ KILLSHOT /#/ GOOD GUY FEAT JESSIE REYEZ
    Partner név Jellemző Művek 100 BANDS PUBLISHING LUCKY YOU /#/ RINGER /#/ SIT DOWN /#/ KILLSHOT /#/ GOOD GUY FEAT JESSIE REYEZ 13 MOONS MUSIC BLOW /#/ KEEP PLAYING /#/ KEEP ME UP ALL NIGHT /#/ TOGETHER WE RUN /#/ BIGROOM BLITZ (RADIO MIX) 14 PRODUCTIONS SARL TIC TIC TAC /#/ OU SONT LES REVES /#/ PLACE DES GRANDS HOMMES /#/ QUI A LE DROIT /#/ JE SERAI LA POUR LA SUITE 1794 MUSIC AMERICAN BOOK OF SECRETS CUES /#/ AMERICA S BOOK OF SECRETS CUES /#/ BMOC /#/ LIMO HIP HOP VER 4 /#/ JOURNEY THROUGH TIME 1819 BROADWAY MUSIC DAYDREAM /#/ STORY S OVER (THE) /#/ STORY S OVER /#/ DAYDREAM (DJ NEWIK & STARWHORES REMIX) /#/ VADONATÚJ ÉRZÉS 1916 PUBLISHING MIDDLE (THE) /#/ HATE ME /#/ RUIN MY LIFE /#/ SLOW DANCE /#/ IF IT AIN T LOVE 23DB MUSIC RAPTURE /#/ HONEST SLEEP /#/ PALM DREAMS /#/ FLOWERS AND YOU /#/ DNA 24 HOUR SERVICE STATION ON THE LOOKOUT 2L E-SCORE UBI CARITAS /#/ SERENITY /#/ SNOW IN NEW YORK, FOR PIANO /#/ HUDSON /#/ ROXBURY PARK, FOR PIANO 2WAYTRAFFIC UK RIGHTS LTD TODAY S NAME - MAI JÁTÉKOSOK /#/ TODAY S NAMES /#/ WHAT IS THE ORDER - SORREND 3 WEDDINGS MUSIC SOMETHING ABOUT DECEMBER /#/ MAKE ME BELIEVE AGAIN /#/ HERE S TO NEVER GROWING UP /#/ JET BLACK HEART (START AGAIN) /#/ LET ME GO 360 MUSIC PUBLISHING LTD ONLY ONE /#/ IF YOU KNEW /#/ DON T BELONG /#/ HUMANICA /#/ MINIMAL LIFE 386MUSIC DON T LET GO /#/ VIOLET ALONE 3BEAT MUSIC LIMITED QUESTIONS /#/ MAN BEHIND THE SUN /#/ CONNECTION /#/ WHO'S LOVING YOU (PART 1) /#/ LINK UP 4 REAL MUSIC ANGELS LANDING /#/ EUGINA 2000 50 CENT MUSIC BEST FRIEND /#/ HATE IT OR LOVE IT /#/ HUSTLER S AMBITION
    [Show full text]
  • Music of the Chicano Movement: Teacher's Guide
    1 Music of the Chicano Movement: A Smithsonian Folkways Learning Pathway for students in Grades 5–8. Teacher’s Guide Lesson 5: The “Big Four”: Themes and Leaders of the Chicano Movement Lesson Overview Like many other social movements, the Chicano movement was associated with a variety of goals (some were ultimately attained, and others were not). During the 1960s and 1970s, several leaders emerged as the most prominent faces of different geographical regions and issues. César Chávez dedicated his life to improving working conditions and wages for farmworkers. He organized numerous walkouts, marches, and strikes, which drew attention these issues and, in some cases, resulted in positive changes (such as higher wages and safer working conditions). Reies López Tijerina fought to reclaim land grants that were stripped away following the Mexican-American War and the Treaty of Guadalupe Hildalgo in 1848 (Montoya, 2016, p. 67). José Ángel Gutiérrez used the ballot box to initiate change. He co-founded the Raza Unida Party (the People United), an independent political party intended to “challenge the Anglo establishment” (p. 149). Rodolfo “Corky” Gonzales was best known for articulating the notion of “Chicano identity” through his epic poem, Yo Soy Joaquin/I am Joaquin. These leaders gave the movement a collective “voice”: they drew attention to the social issues that many Mexican Americans faced (related to discrimination, oppression, exploitation, and marginalization). They worked with musicians to amplify this voice. This lesson will provide students with an introduction to several important goals of the Chicano movement (e.g., fair wages, safe working conditions, land reclamations, educational equity, voting rights) and the historical figures who emerged as leaders of various facets of this movement.
    [Show full text]
  • Amarcord Song Texts & Translations
    Amarcord Wolfram Lattke tenor Martin Lattke tenor Frank Ozimek baritone Daniel Knauft bass Holger Krause bass Program 1 (Brisbane, Melbourne 7pm, Newcastle, Sydney 7pm) Approximate duration (including interval but not encore): 97 min Tales of Love and Murder Baldisserra DONATO (c 1530-1603) Chi la Gagliarda Il primo libro di canzon villanesche alla napolitana a quarto voci, Venedig 1551 Chi la Gagliarda, chi la Gagliarda, donne, vo’imparare, Venite a noi, che siamo maestri fini, maestri fini, maerstri fini. Che disera e di matina mai manchiamo, mai manchiamo di sonare: Tan tan tan tarira, tan tan tan tarira, tirarira, Tan tan tan tarira, tirarira. Provenceun poco, provenceun poco, cance vuoi chiamare Apassa dieci volte che salimo, che salimo, che salimo, Tan tan, etc. Se la Gagliarda, se la Gagliarda, donne, voimparare soot el maestroel te bisognona, te bisogna, te bisogna stare, Tan tan, etc. Who the galliard, lady wishes to learn, Come to us who are fine teachers, For at night and in the morning We never fail to play: Tan tan tarira, rirarira. Try and see, you will want to callus After we have been up ten times, For at night … Who the galliard, lady, wishes to learn Has to be under the master, For at night … Translation by Christopher Abbey Juan del ENCINA (1468-1529/30) Cucú, cucú, cucucú Cancionero musical de Palacio (c 1505-1520) ¡Cucú, cucú, cucucú! Guarda no lo seas tu. Compadre, debes saber Que la más Buena mugger Rabia siempre por joder. Harta bien la tuya tú. ¡Cucú, cucú … Compadre, has de guarder Para nunca encornundar; Si tu mugger sale a mear, Sal junto con ella tú.
    [Show full text]
  • Our Black América: Transnational Racial Identities in Twentieth-Century Cuba and Brazil Anne Marie Guarnera Arlington, VA Maste
    Our Black América: Transnational Racial Identities in Twentieth-Century Cuba and Brazil Anne Marie Guarnera Arlington, VA Master of Arts, University of Virginia, 2010 Bachelor of Arts, Bryn Mawr College, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Spanish, Italian and Portuguese University of Virginia May, 2017 Professor Gustavo Pellón Professor Eli Carter Professor Anne Garland Mahler Professor Brian Owensby Guarnera 2 Acknowledgements As the saying goes, “it takes a village to raise a child.” To raise two young children while writing a dissertation takes a veritable army. During the three years that I have chipped away at this project, my very own army of advisors, friends, and family members have encouraged and supported me, and I would like to recognize their important contributions to this project. My advisor, Gustavo Pellón, has believed in this project from the very beginning, and has devoted significant amounts of his time and energy to seeing it through. From helping me to secure funding for my archival research, to tutoring me in Cuban literature and history, to patiently entertaining my (many) questions about how to approach a project of this magnitude, he has been a constant source of support and encouragement to me. Professor Eli Carter has also been essential to this project, sharing with me his expertise in Brazilian culture and literature and providing me with feedback on my writing that has sharpened my skills both as a thinker and as a writer. Professor Brian Owensby’s seminar on historical method, which I took during my last semester of coursework at UVa, made me have second thoughts about not having pursued my PhD in History! I was privileged to learn from Professor Owensby about historical empathy, rigorous historical hermeneutics, and the strategic value of a footnote—all things that I have done my best to put to use in this dissertation.
    [Show full text]