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Jordi Savall Ok
Président du Conseil d’administration Jean-Philippe Billarant Directeur général Laurent Bayle Cité de la musique DOMAINE PRIVÉ JORDI SAVALL DU SAMEDI 27 MAI AU DIMANCHE 4 JUIN 2006 Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert : www.cite-musique.fr SOMMAIRE Entretien avec Jordi Savall Votre Domaine privé est programmé quelques 8 SAMEDI 27 MAI - DE 15H À 19H Forum Jordi Savall semaines après le cycle « Métissages » auquel vous auriez pu également contribuer, tant votre démarche musicale y est assimilable… 10 SAMEDI 27 MAI - 20H Sud et Nord dans l’Europe de la Renaissance Les programmes Orient-Occident, l’Ancienne Espagne et le Nouveau Monde sonnent en effet comme une sorte 14 DIMANCHE 28 MAI - 16H30 de prolongation dans le contexte de cette saison de la Cité Battaglie & Lamenti qui s’organise autour des notions de pur et d’impur. J’ai eu beaucoup de plaisir à imaginer un cycle autour de l’idée 18 MARDI 30 MAI - 20H des contrastes et métissages. J’ai réfléchi à partir d’un L’Ancienne Espagne et le Nouveau Monde cadre très simple, un schéma circulaire organisé autour 3 du Sud (Venise…) et du Nord (Brême…), de l’Orient, de 22 MERCREDI 31 MAI - 20H l’Occident, de l’Ancien et du Nouveau Monde, des batailles Marin Marais et Antoine Forqueray (la célébration festive des victoires) et des lamenti L’Ange et le Diable (la réflexion), de l’ange (Marin Marais, selon ses ANT-PROPOS contemporains) et du diable (Antoine Forqueray, son AV 26 SAMEDI 3 JUIN - 20H concurrent à l’époque), du contraste entre l’eau et le feu Orient-Occident : dialogue des musiques chrétiennes, séfarades autour de Haendel. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
'Truly the House That God Built'
Saintly inspiration Mother Seton guides life of former president’s daughter, page 7. Serving the Church in Central and Southern Indiana Since 1960 CriterionOnline.com June 18, 2021 Vol. LXI, No. 36 75¢ National Right to Life decries ‘Truly the new bill aimed house that at codifying Roe v. Wade God built’ WASHINGTON (CNS)—The Women’s Health Protection Act, introduced in the U.S. Senate and the U.S. House on June 8 “would invalidate nearly all existing state limitations on abortion,” said Jennifer Popik, director of federal legislation for National Right to Life. “This legislation would also prohibit states from adopting new protective laws in the future, including various types of laws specifically upheld as constitutionally permissible by the U.S. Supreme Court,” she said in a June 9 statement. The measure was introduced in the Senate by Sens. Richard Blumenthal, D-Conn., and Tammy Baldwin, D-Wis., and in the House by Reps. Judy Chu, D-Calif., Lois Frankel, D-Fla., and Ayanna Pressley, D-Mass. Blumenthal first introduced the measure in 2013 and has reintroduced it off and on through the years. The current measure has 48 Democrats Sitting atop a hill on the grounds of Holy Angels Parish in Indianapolis, its new brick church—nine years in the making—is a testament to God’s as co-sponsors in the Senate; Sens. Joe grace, parish leaders say. (Photos by John Shaughnessy) Manchin, D-W.Va., and Bob Casey Jr., D-Pa., are not co-sponsoring it. In the House, there are 176 co-sponsors, all of whom are Democrats. -
Bailarina De Ballet Con Tubo
Bailarina de ballet con tubo Por Jacqueline Castillo El dolor de los tacones, plataforma de siete pulgadas, las nubes de laca, el brillo corporal, el dinero que vuela por todas partes, los hombres gritando y el olor del licor. Esto es lo que una aspirante de ballet profesional tiene que tolerar cada noche. Hablé con Destiny, quien pidió que sólo usemos su nombre artístico, sobre cómo se convirtió en una bailarina exótica, y cómo es que la industria del entretenimiento para adultos es realmente la razón por la que la gente no considera su trabajo respetable. Ha estado trabajando en la industria por más de cinco años, pero ha estado bailando durante toda su vida. Es una bailarina exótica por la noche y una estudiante de tiempo completo durante el día. Destiny tiene veinticuatro años y había empezado a bailar exótico cuando sólo tenía diecinueve, durante su primer año de universidad. Destiny siempre ha tenido pasión por el ballet, el hip–hop y el baile contemporáneo desde sus años en la preparatoria, en ese tiempo ella estaba decidida a asistir a la universidad y perseguir su sueño de convertirse en bailarina profesional. Sin el apoyo de su familia se fue sin dinero a Nueva York y asistió a su primera universidad para cumplir sus sueños. Los primeros meses fueron los momentos más difíciles de su vida, se cuestionó a sí misma si había tomado la decisión correcta de dejar su pequeña ciudad y mudarse tan lejos. Estaba batallando para alimentarse, pagar su renta y, lo más importante, para pagar su escuela. -
A History of Italian Literature Should Follow and Should Precede Other and Parallel Histories
I. i III 2.3 CORNELL UNIVERSITY LIBRARY C U rar,y Ubrary PQ4038 G°2l"l 8t8a iterature 1lwBiiMiiiiiiiifiiliiii ! 3 1924 oim 030 978 245 Date Due M#£ (£i* The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030978245 Short Histories of the Literatures of the World: IV. Edited by Edmund Gosse Short Histories of the Literatures of the World Edited by EDMUND GOSSE Large Crown 8vOj cloth, 6s. each Volume ANCIENT GREEK LITERATURE By Prof. Gilbert Murray, M.A. FRENCH LITERATURE By Prof. Edward Dowden, D.C.L., LL.D. MODERN ENGLISH LITERATURE By the Editor ITALIAN LITERATURE By Richard Garnett, C.B., LL.D. SPANISH LITERATURE By J. Fitzmaurice-Kelly [Shortly JAPANESE LITERATURE By William George Aston, C.M.G. [Shortly MODERN SCANDINAVIAN LITERATURE By George Brandes SANSKRIT LITERATURE By Prof. A. A. Macdonell. HUNGARIAN LITERATURE By Dr. Zoltan Beothy AMERICAN LITERATURE By Professor Moses Coit Tyler GERMAN LITERATURE By Dr. C. H. Herford LATIN LITERATURE By Dr. A. W. Verrall Other volumes will follow LONDON: WILLIAM HEINEMANN \AU rights reserved] A .History of ITALIAN LITERATURE RICHARD GARNETT, C.B., LL.D. Xon&on WILLIAM HEINEMANN MDCCCXCVIII v y. 1 1- fc V- < V ml' 1 , x.?*a»/? Printed by Ballantyne, Hanson &* Co. At the Ballantyne Press *. # / ' ri PREFACE "I think," says Jowett, writing to John Addington Symonds (August 4, 1890), "that you are happy in having unlocked so much of Italian literature, certainly the greatest in the world after Greek, Latin, English. -
Antonio Panizzi Professor in London, 1828-1831*
JLIS.it 11, 1 (January 2020) ISSN: 2038-1026 online Open access article licensed under CC-BY DOI: 10.4403/jlis.it-12600 “You will be richer, but I very much doubt that you will be happier”. Antonio Panizzi professor in London, 1828-1831* Stefano Gambari(a), Mauro Guerrini(b) a) Biblioteche di Roma, https://orcid.org/0000-0002-2910-9654 b) Università degli Studi di Firenze, http://orcid.org/0000-0002-1941-4575 __________ Contact: Stefano Gambari, [email protected]; Mauro Guerrini, [email protected] Received: 30 September 2019; Accepted: 8 October 2019; First Published: 15 January 2020 __________ ABSTRACT The paper offers an overview of the complex, not easy period in which Antonio Panizzi was teaching at London University (1828-1831), innovatively suggesting that “a uniform program be adopted for the study of all modern languages and literatures” and nevertheless dedicating himself to research with care and passion. In the article, the teaching materials and custom tools he quickly provided to his students for learning italian language and culture are analyzed regarding concept, structure and target: The Elementary Italian Grammar 1828, and two anthologies of prose writings: Extracts from the Italian Prose Writers, 1828, and Stories from Italian Writers with a Literal Interlinear Traduction, 1830. KEYWORDS Italian language; Italian grammar; Italian literature; Teaching materials for italian; University of London; Antonio Panizzi. CITATION Gambari, S., Guerrini., M. “«You will be richer, but I very much doubt that you will be happier». Antonio Panizzi professor in London, 1828-1831.” JLIS.it 11, 1 (January 2020): 73−88. DOI: 10.4403/jlis.it-12600. -
Ambassadors in Golden-Age Madrid the Court of Philip IV Through Foreign Eyes
Ambassadors in Golden-Age Madrid The Court of Philip IV through Foreign Eyes edited by Jorge Fernández-Santos and José Luis Colomer prologue by John H. Elliott epilogue by Miguel-Ángel Ochoa Brun Nationalism and Transnationalism in the Court of Spain | 13 Prologue: Nationalism and Transnationalism in the Court of Spain John H. Elliott In the summer of 1963 Lord Hailsham, at that time the British Minister for Science, came back from Moscow, where he had been sent as the emissary of the Prime Minister, Harold Macmillan, to take part in negotiations being conducted with the Russians for partial nuclear disarmament. He returned to London with presents for Macmillan from his opposite number, Nikita Kruschev, the Premier of the Soviet Union. These consisted of caviar, crab meat and wine. Macmillan reciprocated with a vase and some Stilton cheese.1 It was one further, and rather banal, episode in the long story of diplomatic gift-giving that is a central theme of this book. Madrid, the seat of the Spanish court since 1561, was a great, and perhaps the greatest, European centre for the exchange of diplomatic gifts during the later sixteenth and seventeenth centuries. Effectively the capital of a world- wide monarchy, the Monarquía española, Madrid exercised a gravitational pull over the representatives of the other states of Europe, whether they were en- emies or rivals, allies or satellites of the Spanish crown. At least until the 1640s and 1650s, when Spain’s European hegemony ceased to be taken for granted, the Spanish Habsburg monarchs, Philip II, Philip III and Philip IV, enjoyed a commanding position on the international stage. -
Georg Friedrich Händel (1685-1759)
Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella -
38E Rencontres Culturelles ITINERAIRES CULTURELS EUROPEENS
DU 5 AOÛT AU 8 OCTOBRE 2016 1.6.8.5 festival de fénétrange PROGRAMME DES CONCERTS e 38 Rencontres Culturelles ITINERAIRES CULTURELS EUROPEENS Festival International d’Art Lyrique et de Musique Sous le haut patronage du Conseil de l’Europe et sous l’égide de l’association Le Festival de Fénétrange AVEC LE CONCOURS Du Conseil de l’Europe. De la Région Alsace Champagne-Ardenne Lorraine. Du Conseil Départemental de la Moselle. De la Communauté de Communes de Sarrebourg Moselle Sud. De la Communauté de Communes du Saulnois. De la Municipalité de Fénétrange. De la Municipalité de Sarralbe. De la Municipalité de Dieuze. Du Parc naturel régional de Lorraine. Du Parc naturel régional des Vosges du Nord. COMITE D’HONNEUR M. Le Docteur Hervé Malblanc, Président d’honneur, fondateur du Festival. M. Jacques Warin, Ancien ambassadeur permanent de la France au Conseil de l’Europe. Mme Giusi Pajardi, Secrétaire Générale de la Banque de Développement du Conseil de l’Europe à Strasbourg. M. Emmanuel Berthier, Préfet de Moselle. Mme Béatrice Blondel, Sous-Préfète de Sarrebourg. M. Philippe Richert, Président de la Région Alsace Champagne-Ardenne Lorraine. M. Pascal Mangin, Président de la Commission Culture Région Alsace Champagne-Ardenne Lorraine. M. Patrick Weiten, Président du Conseil Départemental de Moselle. M. Jean François, Président de la Ve commission Politique Culturelle-Sport-Jeunesse du Conseil Départemental de Moselle. M. Roland Klein, Président de la Communauté de Communes Sarrebourg Moselle Sud. M. Roland Geis, Président de la Communauté de Communes du Saulnois. M. Pierre-Jean Didiot, Maire de la ville de Sarralbe. M. -
Bernini and the Theater 15
Visible Spirit The Art of Gianlorenzo Bernini Vol. I Irving Lavin The Pindar Press London 2007 Published by The Pindar Press 40 Narcissus Road London NW6 1TH · UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978-1-899828-39-5 (hb) ISBN 978-1-904597-54-4 (pb) Printed by Estudios Gráficos ZURE 48950 Erandio Spain This book is printed on acid-free paper Contents Foreword i I Review of Rudolf Wittkower, Gian Lorenzo Bernini. The Sculptor of the Roman Baroque 1 II Bernini and the Theater 15 III Bozzetti and Modelli. Notes on sculptural Procedure from the Early Renaissance through Bernini 33 IV Bernini and the Crossing of Saint Peter’s 62 V Five New Youthful Sculptures by Gianlorenzo Bernini and a revised Chronology of his Early Works 186 VI Bernini’s Death 287 VII Afterthoughts on “Bernini’s Death” 354 VIII Letter to the Editor on a review by Howard Hibbard of Bernini and the Crossing of St. Peter’s 371 IX Calculated Spontaneity. Bernini and the Terracotta Sketch 376 X On the Pedestal of Bernini’s Bust of the Savior 393 XI High and Low before their Time: Bernini and the Art of Social Satire 397 XII Bernini’s Memorial Plaque for Carlo Barberini 469 XIII Bernini’s Baldachin: Considering a Reconsideration 480 XIV Bernini’s Bust of Cardinal Montalto 496 XV Bernini’s Cosmic Eagle 509 XVI Bernini’s Image of the Sun King 524 Lavin II:Lavin 2 Chap VII 13/8/07 05:58 Page 1 II Bernini and the Theater HERE was one art form in which the use of a variety of media and the Teffect of unity were, as we tend to assume, inherent — that is, the theater.1 For anyone wishing to understand Bernini’s artistic personality as a whole, his activity in the theater presents one of the most beguiling prob- lems. -
Dynasty and Diplomacy in the Court of Savoy: Political Culture and the Thirty Years’ War Toby Osborne Excerpt More Information
Cambridge University Press 978-0-521-03791-4 - Dynasty and Diplomacy in the Court of Savoy: Political Culture and the Thirty Years’ War Toby Osborne Excerpt More information INTRODUCTION In September 1999 the National Gallery in London proudly announced the acquisition of the magnificent full-length portrait of Abate Alessandro Cesare Scaglia (1592–1641), ‘without question one of Van Dyck’s great- est achievements’.1 Felicitously, the ‘Camrose’ portrait came into the National Gallery’s permanent collection in the same year that marked the four-hundredth anniversary of Anthony van Dyck’s (1599–1641) birth, adding to the gallery’s other portrait of Abate Scaglia by Van Dyck in devotion to the Virgin and Child, and establishing the abate not only as a major patron of Van Dyck but also as a figure of exceptional importance in the history of collecting. Scaglia was indeed positioned at the heart of an international network of courtiers, collectors, artists and writers who gave seventeenth-century Europe a distinctive charac- ter, among them the artists Peter Paul Rubens (1577–1640) and Jacob Jordaens (1593–1678), the collector Cassiano dal Pozzo (1588–1657), the duke of Buckingham (1592–1628), Balthasar Gerbier (1592–1663) and Endymion Porter (1587–1649), and the writers Emanuele Tesauro (1592–1675), Virgilio Malvezzi (1595–1654), Fulvio Testi (1593–1646) and Alessandro Tassoni (1565–1635). This was a remarkably wide-ranging cultural network. However, it would be wrong simply to view the abate in the reflected glory of such un- deniably renowned names as VanDyck or Rubens alone, divorcing artistic patronage from its early modern social and political context. -
Aragón and Valencia
ARAGÓN AND VALÈNCIA Aragón and València “The jota is at its best with the scent of rosemary and fresh-plowed earth,” says the opening song on this CD. An infectious collection of danced and sung jotas, archaic threshing songs, May courting songs, struck zither tunes, raucous shawms and lyrical strings, travelling down from the mountains of Aragón to the fertile coast of València. The Spanish Recordings Alan Lomax made these historic recordings in 1952 while traveling for months through Spanish villages, under formidable physical and political circumstances, during the Franco regime. Covering the breadth of Spain, these songs and dance melodies constitute a portrait of rural Spain’s richly varied musical life, dispelling the common stereotypes of Spanish folk music. The Alan Lomax Collection The Alan Lomax Collection gathers together the American, European, and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax. Recorded in 1952 by Alan Lomax. Introductions and notes by Luis Bajén García and Mario Gros Herrero (Aragón), Archivo de Tradición Oral de Aragón (ATOA); and Josemi Sánchez Velasco (València), Consellería de Cultura, Educació i Ciència, Generalitat de València. Series Editor, Judith R. Cohen, Ph.D. Remastered to 24-bit digital from the original field recordings. Contains previously unreleased recordings. Aragón 1. AL REGRESO DEL CAMPO (Work jota) Teruel (2:19) 2. A LAS ORILLAS DEL RÍO (Danced jota) Teruel (2:30) 3. JOTA HURTADA (“Stolen” jota) Albarracín (1:08) 4. MAYOS DE ALBARRACÍN (May courting verses) Albarracín (2:53) 5. SE ME OLVIDAN LOS RAMALES (Jota for plowing) Monreal del Campo (0:50) 6.