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A Short Course in International Folk Dance, Harry Khamis, 1994
Table of Contents Preface .......................................... i Recommended Reading/Music ........................iii Terminology and Abbreviations .................... iv Basic Ethnic Dance Steps ......................... v Dances Page At Va'ani ........................................ 1 Ba'pardess Leyad Hoshoket ........................ 1 Biserka .......................................... 2 Black Earth Circle ............................... 2 Christchurch Bells ............................... 3 Cocek ............................................ 3 For a Birthday ................................... 3 Hora (Romanian) .................................. 4 Hora ca la Caval ................................. 4 Hora de la Botosani .............................. 4 Hora de la Munte ................................. 5 Hora Dreapta ..................................... 6 Hora Fetalor ..................................... 6 Horehronsky Czardas .............................. 6 Horovod .......................................... 7 Ivanica .......................................... 8 Konyali .......................................... 8 Lesnoto Medley ................................... 8 Mari Mariiko ..................................... 9 Miserlou ......................................... 9 Pata Pata ........................................ 9 Pinosavka ........................................ 10 Setnja ........................................... 10 Sev Acherov Aghcheek ............................. 10 Sitno Zensko Horo ............................... -
Fabulous! the Story of Queer Cinema
The Independent Film Channel Presents: An Orchard Films Production Fabulous! The Story of Queer Cinema Directed and Produced by Lisa Ades & Lesli Klainberg PUBLICITY AND ARTWORK, PLEASE CONTACT: Sophie Evans Manager, Consumer PR Kristen Andersen – PR Coordinator T: (917) 542-6336 T: (917) 542-6339 E: [email protected] E: [email protected] Synopsis: Fabulous! The Story of Queer Cinema explores the emergence of gay and lesbian films from the beginning of the gay rights movement in the 1960s to the “New Queer Cinema” of the 90s, the proliferation and influence of gay and lesbian films festivals, the discovery by the film business of the gay market; the explosion of gay images in the mainstream media and the current phenomenon of all things gay. The story of gay and lesbian cinema is closely related to the world surrounding it, and the use of popular culture is a backdrop against which the film examines important cultural, political and social moments- and movements that intersect with gay life. “Sex on the screen means something different for gay and lesbian audiences than for straight audiences because we’ve never been allowed to see it. If bodies that we can’t imagine being together are together, if women are rolling around in bed, if men are doing something more in the locker room than just simply taking a shower…all of these groundbreaking scenes of explicit sexuality have a meaning and a power that go beyond similar scenes for heterosexuals. It has to be there for audiences because for so long we were told ‘Oh no, they aren’t really gay because we have no proof that they ever did that’ there’s a sense that’s like – show me the money!” - B. -
Curating Precarity. Swedish Queer Film Festivals As Micro-Activism
Acta Universitatis Upsaliensis Uppsala Studies in Media and Communication 16 Curating Precarity Swedish Queer Film Festivals as Micro-Activism SIDDHARTH CHADHA Dissertation presented at Uppsala University to be publicly examined in Lecture Hall 2, Ekonomikum, Kyrkogårdsgatan 10, Uppsala, Thursday, 15 April 2021 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Dr. Marijke de Valck (Department of Media and Culture, Utrecht University). Abstract Chadha, S. 2021. Curating Precarity. Swedish Queer Film Festivals as Micro-Activism. Uppsala Studies in Media and Communication 16. 189 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-513-1145-6. This research is based on ethnographic fieldwork conducted at Malmö Queer Film Festival and Cinema Queer Film Festival in Stockholm, between 2017-2019. It explores the relevance of queer film festivals in the lives of LGBTQIA+ persons living in Sweden, and reveals that these festivals are not simply cultural events where films about gender and sexuality are screened, but places through which the political lives of LGBTQIA+ persons become intelligible. The queer film festivals perform highly contextualized and diverse sets of practices to shape the LGBTQIA+ discourse in their particular settings. This thesis focuses on salient features of this engagement: how the queer film festivals define and articulate “queer”, their engagement with space to curate “queerness”, the role of failure and contingency in shaping the queer film festivals as sites of democratic contestations, the performance of inclusivity in the queer film festival organization, and the significance of these events in the lives of the people who work or volunteer at these festivals. -
METODI PER CHITARRA CLASSICA Things You Are, Fly Me to the Moon, Moon River, the Nearness of You, Stardust, When Sunny Gets Blue
1 INDICE CATALOGO CHITARRA COME EFFETTUARE IL PAGAMENTO Indicazioni generali…………………. Pag. 1 - In contrassegno postale o con pagamento diretto al Ukulele …………………………… 2 postino; Chitarra Acustica & Jazz……………. 2 - Tramite Carta di Credito comunicandoci (via fax o Chitarra Elettrica………………….. 2 telefono) il numero della Vostra carta e la data di scadenza Basso Elettrico……………………. 2 - Con Bonifico Bancario, inviando tramite fax la ricevuta Chitarra Classica Metodi…………… 2 del pagamento. Contattateci per le coordinate. Chitarra Studi……………………… 5 - PayPal - Dopo la nostra conferma d’ordine inviare il Chitarra Antologie………………… 8 pagamento a [email protected] Chitarra Sola………………………. 15 Archivio A.Segovia……………….. 48 Due Chitarre………………………. 48 PREZZI Tre Chitarre……………………….. 53 Quattro Chitarre…………………… 55 - Tutti i prezzi sono comprensivi di I.V.A., possono subire Cinque o più Chitarre……………… 58 variazioni anche senza preavviso, e non sono Chitarra e Flauto Traverso………… 59 comprensivi delle spese postali. Chitarra e Flauto Dolce……………. 64 Chitarra e Oboe……………………. 64 Chitarra e Clarinetto………………. 64 SPESE DI SPEDIZIONE Chitarra e Violino………………….. 65 Chitarra e Viola……………………. 66 Chitarra e Violoncello……………… 66 Segnalate sempre nel Vostro ordine il tipo di spedizione: Chitarra e Pianoforte………………. 67 Chitarra e Voce……………………. 68 - € 11,00 - spedizione con Corriere Espresso. Tempo di Chitarra e Mandolino……………… 71 arrivo 2-3gg lavorativi. Pagamento contrassegno Concerti e Musica da camera………… 72 - Chitarra Barocca…………………… 76 - € 6,00 - spedizione con Poste Italiane. Tempo di arrivo 7- Chitarra Romantica Facsimili…… 77 10gg lavorativi. Pagamento contrassegno. Valido per Flamenco………………………….. 77 spedizione di plichi fino a 2 Kg. Libri Chitarra e Libri di Liuteria….. 80 - Riviste……………………………... 83 - € 7,00 con pagamento anticipato (ccpt postale, bonifico Spartiti con CD base……………………. -
Earogenous Zones
234 Index Index Note: Film/DVD titles are in italics; album titles are italic, with ‘album’ in parentheses; song titles are in quotation marks; book titles are italic; musical works are either in italics or quotation marks, with composer’s name in parentheses. A Rebours (Huysmans) 61 Asimov, Isaac 130 Abducted by the Daleks/Daloids 135 Assault on Precinct 13 228 Abe, Sada 91–101 Astaire, Fred 131 Abrams, J. 174 Astley, Edwin 104 Abu Ghraib 225, 233 ‘Astronomy Domine’ 81, 82 acousmêtre 6 Atkins, Michael 222 Acre, Billy White, see White Acre, Billy Augoyard, J.-F. 10 Adamson, Al 116 Aury, Dominique (aka Pauline Reage) 86 affect 2, 67, 76 Austin, Billy 215 African music 58 Austin Powers movies 46 Age of Innocence, The 64 Australian Classification Board 170 Ai no borei (‘Empire of Passion’) 100–1 Avon Science Fiction Reader (magazine) 104 Ai no korida (In the Realm of the Senses) 1, 4, Avon Theater, New York 78 7, 89–101 Aihara, Kyoko 100 ‘Baby Did A Bad Bad Thing’ 181–2 Algar, James 20 Bacchus, John 120, 128, 137 Alice in Wonderland (Lewis Carroll) 5, 70, 71, Bach, Johann Sebastian 62 74, 76, 84, 116 Bachelet, Pierre 68, 71, 72, 74 Alien 102 Bacon, Francis 54 Alien Probe 129 Bailey, Fenton 122, 136 Alien Probe II 129 Baker, Jack 143, 150 Alpha Blue 117–19, 120 Baker, Rick 114 Also sprach Zarathustra (Richard Strauss) 46, 112, Ballard, Hank, and the Midnighters 164 113 Band, Charles 126 Altman, Rick 2, 9, 194, 199 Bangs, Lester 141 Amateur Porn Star Killer 231 banjo 47 Amazing Stories (magazine) 103, 104 Barbano, Nicolas 35, 36 Amelie 86 Barbarella 5, 107–11, 113, 115, 119, 120, American National Parent/Teacher Association 147 122, 127, 134, 135, 136 Ampeauty (album) 233 Barbato, Randy 122, 136 Anal Cunt 219 Barbieri, Gato 54, 55, 57 … And God Created Woman, see Et Dieu créa Bardot, Brigitte 68, 107–8 la femme Barker, Raphael 204 Andersen, Gotha 32 Baron, Red 79 Anderson, Paul Thomas 153, 158 Barr, M. -
Delegates Guide
Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
UPLINK Co. / DISTRIBUTION TITLES Year Title Country Director 〇 〇 〇
UPLINK Co. / DISTRIBUTION TITLES Year Title Country Director Theatrical Release DVD Release BLIND MASSAGE CHINA FRANCE Lou Ye 〇 〇 SACROMONTE: los sabios de la tribu SPAIN Chus Gutiérrez 〇 〇 ALL GOVERNMENTS LIE USA Fred Peabody 〇 AUTHOR: The JT LeRoy Story USA Jeff Feuerzeig 〇 〇 2017 DANCER UK / USA Steven Cantor 〇 〇 DEGRADE PALESTINE / FRANCE Arab Nasser & Tarzan Nasser 〇 〇 ENDLESS POETRY CHILE / FRANCE / JAPAN Alejandro Jodorowsky 〇 〇 SAMI BLOOD SWEDEN / NORWAY / SAPMI Amanda Kernell 〇 〇 MAPPLETHORPE: Look at the pictures USA / GERMANY Fenton Bailey, Randy Barbato ÉVOLUTION FRANCE / BELGIUM / SPAIN Lucile Hadzihalilovic 〇 〇 SEYMOUR: AN INTRODUCTION USA Ethan Hawke 〇 〇 BREATH OF THE GODS GERMANY / INDIA Jan Schmidt-Garre 〇 〇 MR. DYNAMITE: THE RISE OF JAMES BROWN USA Alex Gibney 〇 〇 OMAR PALESTINE Hany Abu-Assad 〇 〇 2016 LISTEN JAPAN MAKIHARA Eri / DAKEI 〇 BANKSY DOES NEW YORK USA Chris Moukarbel 〇 〇 GERMANY / DENMARK / Karim Aïnouz / Michael Glawogger / Michael CATHEDRALS OF CULTURE NORWAY / AUSTRIA / FRANCE / Madsen / Margreth Olin / Robert Redford / 〇 USA / JAPAN Wim Wenders THE ARK IN THE MIRAGE JAPAN CHIKUMA Yasutomo 〇 SAGRADA, THE MYSTERY OF CREATION SWITZERLAND Stefan Haupt 〇 〇 KORENGAL USA/ITALY/AFGHANISTAN Sebastian Junger 〇 〇 RESTREPO USA Tim Hetherington, Sebastian Junger 〇 JE M'APPELLE HMMM… FRANCE Agnès B. 〇 EL BOTON DE NACAR FRANCE/SPAIN/CHILE/SWITZER Patricio Guzmán 〇 〇 NOSTALGIA DE LA LUZ CHILE/SPAIN/FRANCE/GERMANYPatricio Guzmán 〇 〇 TELL THE PRIME MINISTER JAPAN OGUMA Eiji 〇 BALLET BOYS NORWAY Kenneth Elvebakk 〇 〇 2015 -
TRADITIONAL FOLK DANCES of SOUTH-WEST SERBIA in TEACHING MUSICAL CULTURE and PHYSICAL EDUCATION (Professional Paper)
24Activities in Physical Education and Sport 2015, Vol. 5, No. 1, pp. 24-29 TRADITIONAL FOLK DANCES OF SOUTH-WEST SERBIA IN TEACHING MUSICAL CULTURE AND PHYSICAL EDUCATION (Professional paper) Biljana Pavlović1, Branko Popović2 and Nevenka Zrnzević3 1Teacher training faculty in Prizren-Leposavic, University of Pristina -Kosovska Mitrovica, Serbia 2Teacher training faculty in Užice, University of Kragujevac, Serbia 3Teacher training faculty in Prizren-Leposavic, University of Pristina-Kosovska Mitrovica, Serbia Abstract This paper analyzes the traditional folk dances of Southwest Serbia, from the standpoint of teaching music culture and physical education in the elementary grades. Special attention is given to dances accompanied by singing from the regions of Raska, Novi Pazar and Sjenice. The aim is to establish their presence and importance in music and physical education. Analyzed are the curricula of music and physical education, as well as music culture textbooks, to determine which dances of this region have been proposed for inclusion in the classroom teaching. It is concluded that the dances of southwestern Serbia are insufficiently covered by the curriculum of these two subjects and that they were omitted from the textbooks of music culture. For this reason, this work’s tasks were to analyze the musical-pedagogical and ethno musicological literature that deals with the area of Southwest Serbia; to select suitable examples to work with students of junior school age; to determine their educational importance in teaching. Through highlighted examples, the students will be able to learn about the specifics of the traditional folk dances of Southwest Serbia, and to gain insight into the richness and beauty of folk musical creativity of this region. -
Elizabethirvinephdthesis.Pdf (8.438Mb)
CONTINUITY IN INTERMITTENT ORGANISATIONS: THE ORGANISING PRACTICES OF FESTIVAL AND COMMUNITY OF A UK FILM FESTIVAL Elizabeth Jean Irvine A Thesis Submitted for the Degree of PhD at the University of St Andrews 2015 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/6901 This item is protected by original copyright Continuity in Intermittent Organisations: The Organising Practices of Festival and Community of a UK Film Festival Elizabeth Jean Irvine Thesis submitted for the degree of PhD at the University of St Andrews June 2014 ABSTRACT This thesis considers the relationship between practices, communities and continuity in intermittent organisational arrangements. Cultural festivals are argued to offer one such particularly rich and nuanced research context; within this study their potential to transcend intermittent enactment emerged as a significant avenue of enquiry. The engagement of organisation studies with theories of practice has produced a rich practice-based corpus, diverse in both theoretical concerns and empirical approaches to the study of practice. Nevertheless, continuity presents an, as yet, under- theorised aspect of this field. Thus, the central questions of this thesis concern: the practices that underpin the enactment of festivals; the themes emerging from these practices for further consideration; and relationships between festivals and the wider context within which they are enacted. These issues were explored empirically through a qualitative study of the enactment of a community-centred film festival. Following from the adoption of a ‘practice-lens approach’, this study yielded forty-eight practices, through which to explore five themes emerging from analysis: Safeguarding, Legitimising, Gatekeeping, Connecting and Negotiating Boundaries. -
The Watermelon Woman (Cheryl Dunye, 1997; 90 Minutes)
MALS 5800 Contemporary Cinema Studies/Bonner The Watermelon Woman (Cheryl Dunye, 1997; 90 minutes) Writer: Cheryl Dunye Editor: Annie Taylor Producers: Barry Simar, Alexandra Juhasz Original score: Paul Shapiro Cinematography: Michelle Crenshaw Abstract (from box cover): Set in Philadelphia, The Watermelon Woman is the story of Cheryl, a twenty-something black lesbian struggling to make a documentary about Fae Richards, a beautiful and elusive 1930s black film actress, popularly know as "The Watermelon Woman." While uncovering the meaning of the Watermelon Woman's life, Cheryl experiences a total upheaval in her own personal life. Her love affair with Diana, a beautiful white woman, and her interactions with the gay and black communities are subject to the comic yet biting criticism of her best friend Tamara. Meanwhile, each answer Cheryl discovers about the Watermelon Woman evokes a flurry of new questions about herself and her own future. At the film’s conclusion, the Watermelon Woman is clearly a metaphor for Cheryl's search for identity, community, and love. Cast: Cheryl (Cheryl Dunye) Shirley (Cheryl Clarke) Diana (Guinevere Turner) Mrs Dunye (Irene Dunye) Tamara (Valarie Walker) Lee (Brian Freeman) Herself (Camille Paglia) Volunteer (Toshi Reaagon) Fae Richards (Lisa Marie Bronson) Volunteer (Sarah Schulman) Questions for Discussion: 1. How is Dunye using direct address here? Does it differ from its use in other films we’ve studied? And if so, how? 2. How does The Watermelon Woman combine aspects of both documentary and narrative filmmaking? Why does Dunye select these modes for her film, and what are the effects for the spectator? 3. -
University of Florida Thesis Or Dissertation Formatting
TOWARD A QUEER GAZE: CINEMATIC REPRESENTATIONS OF QUEER FEMALE SEXUALITY IN EXPERIMENTAL/AVANT-GARDE AND NARRATIVE FILM By ERIN CHRISTINE TOBIN A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2010 1 © 2010 Erin Christine Tobin 2 TABLE OF CONTENTS page ABSTRACT ..................................................................................................................... 4 CHAPTER 1 INTRODUCTION ...................................................................................................... 5 2 DESTABILIZING THE (MALE) GAZE IN FEMINIST LESBIAN AVANT-GARDE CINEMA .................................................................................................................. 11 Early Feminist Film Theory and the Theoretical Development of the Gaze ............ 11 Lacan’s Influence on Psychoanalytic Feminist Film Theory .................................... 12 Je tu il elle (1974) ................................................................................................... 22 On-Screen Sex Acts and Lesbian Representability ................................................ 27 Hide and Seek (1996) ............................................................................................. 29 3 BLURRING (IN)DIFFERENCE IN THE (BI) SEXUAL MID LIFE CRISIS FILM ....... 34 Lianna (1983) .......................................................................................................... 44 Desert Hearts