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Fabulous! the Story of Queer Cinema
The Independent Film Channel Presents: An Orchard Films Production Fabulous! The Story of Queer Cinema Directed and Produced by Lisa Ades & Lesli Klainberg PUBLICITY AND ARTWORK, PLEASE CONTACT: Sophie Evans Manager, Consumer PR Kristen Andersen – PR Coordinator T: (917) 542-6336 T: (917) 542-6339 E: [email protected] E: [email protected] Synopsis: Fabulous! The Story of Queer Cinema explores the emergence of gay and lesbian films from the beginning of the gay rights movement in the 1960s to the “New Queer Cinema” of the 90s, the proliferation and influence of gay and lesbian films festivals, the discovery by the film business of the gay market; the explosion of gay images in the mainstream media and the current phenomenon of all things gay. The story of gay and lesbian cinema is closely related to the world surrounding it, and the use of popular culture is a backdrop against which the film examines important cultural, political and social moments- and movements that intersect with gay life. “Sex on the screen means something different for gay and lesbian audiences than for straight audiences because we’ve never been allowed to see it. If bodies that we can’t imagine being together are together, if women are rolling around in bed, if men are doing something more in the locker room than just simply taking a shower…all of these groundbreaking scenes of explicit sexuality have a meaning and a power that go beyond similar scenes for heterosexuals. It has to be there for audiences because for so long we were told ‘Oh no, they aren’t really gay because we have no proof that they ever did that’ there’s a sense that’s like – show me the money!” - B. -
Media Approved
Film and Video Labelling Body Media Approved Video Titles Title Rating Source Time Date Format Applicant Point of Sales Approved Director Cuts 12 Dogs of Christmas 2 PG FVLB 98.00 19/10/2012 DVD Revolution Entertainment Kieth Merrill No cut noted Slick Yes 19/10/2012 12 Dogs of Christmas,The G FVLB 103.00 19/10/2012 DVD Revolution Entertainment Kieth Merrill No cut noted Slick Yes 19/10/2012 12 Wishes of Christmas G FVLB 85.00 09/10/2012 DVD Madman Entertainment Peter Sullivan No cut noted Slick Yes 09/10/2012 16 Candles PG Coarse language FVLB 93.00 16/10/2012 Bluray Universal Pictures Video John Hughes No cut noted Awaiting POS No 19/10/2012 2 Broke Girls Season 1 Plus WB TV Sampler Disk M Violence and sexual references FVLB 517.00 02/10/2012 Bluray Warner Bros Video Various No cut noted Awaiting POS No 03/10/2012 2 or 3 Things I Know About Her M FVLB 84.00 09/10/2012 DVD Roadshow Entertainment Jean-Luc Godard No cut noted Slick Yes 09/10/2012 21 Jump Street - Complete Season One M Drug use and violence FVLB 581.00 11/10/2012 DVD Magna Home Entertainment Various No cut noted Slick Yes 11/10/2012 21 Jump Street - Complete Season Two M Drug use and violence FVLB 978.00 11/10/2012 DVD Magna Home Entertainment Various No cut noted Slick Yes 11/10/2012 21st Century War Machines PG Violence FVLB 235.00 16/10/2012 DVD Roadshow Entertainment Roger Owen No cut noted Slick Yes 16/10/2012 30 Rock Season 6 M Sexual references FVLB 453.00 25/10/2012 DVD Universal Pictures Video Tina Fey No cut noted Slick Yes 25/10/2012 2nd Slick Yes 25/10/2012 -
UPLINK Co. / DISTRIBUTION TITLES Year Title Country Director 〇 〇 〇
UPLINK Co. / DISTRIBUTION TITLES Year Title Country Director Theatrical Release DVD Release SATURDAY FICTION CHINA / GERMANY / JAPAN Lou Ye 〇 〇 MAPPLETHORPE: LOOK AT THE PICTURES USA Fenton Bailey & Randy Barbato 〇 〇 2020 HOUSE IN THE FIELDS MOROCCO Tala Hadid 〇 〇 LARGER THAN LIFE: THE KEVIN AUCOIN STORY USA Tiffany Bartok 〇 〇 WITHOUT COMPROMISE: MARTIN MARGIELA GERMANY, BELGIUM Reiner Holzemer 〇 〇 STEAM OF LIFE FINLAND Joonas Berghäll, Mika Hotakainen 〇 DOLPHIN MAN GREECE, FRANCE, JAPAN Lefteris Charitos 〇 2019 OUR BLOOD IS WINE USA Emily Railsback 〇 〇 ICE KING UK James Erskine 〇 〇 NIGHT CRUISING JAPAN Makoto Sasaki 〇 〇 BEUYS GERMANY Andres Veiel 〇 〇 DAVID LYNCH: THE ART LIFE USA / DENMARK Jon Nguyen / Rick Barnes / Olivia Neergaard-Holm 〇 〇 LUCKY USA John Carroll Lynch 〇 〇 RADIO KOBANI NETHERLANDS Reber Dosky 〇 〇 CITY OF GHOSTS USA Matthew Heineman 〇 〇 2018 DEGRADE PALESTINE / FRANCE Arab Nasser / Tarzan Nasser 〇 〇 LA CHANA SPAIN / ICELAND / USA Lucija Stojevic 〇 〇 FACES PLACES FRANCE JR / Agnès Varda 〇 〇 MEMORY IN KHAKI SYRIA Alfoz Tanjour 〇 〇 J'AVANCERAI VERS TOI AVEC LES YEUX D'UN SOURD FRANCE Laetitia Carton 〇 BLIND MASSAGE CHINA FRANCE Lou Ye 〇 〇 SACROMONTE: los sabios de la tribu SPAIN Chus Gutiérrez 〇 〇 ALL GOVERNMENTS LIE USA Fred Peabody 〇 2017 AUTHOR: The JT LeRoy Story USA Jeff Feuerzeig 〇 〇 DANCER UK / USA Steven Cantor 〇 〇 SAMI BLOOD SWEDEN / NORWAY / SAPMI Amanda Kernell 〇 〇 ENDLESS POETRY CHILE / FRANCE / JAPAN Alejandro Jodorowsky 〇 〇 ÉVOLUTION FRANCE / BELGIUM / SPAIN Lucile Hadzihalilovic 〇 〇 SEYMOUR: AN INTRODUCTION -
The Watermelon Woman (Cheryl Dunye, 1997; 90 Minutes)
MALS 5800 Contemporary Cinema Studies/Bonner The Watermelon Woman (Cheryl Dunye, 1997; 90 minutes) Writer: Cheryl Dunye Editor: Annie Taylor Producers: Barry Simar, Alexandra Juhasz Original score: Paul Shapiro Cinematography: Michelle Crenshaw Abstract (from box cover): Set in Philadelphia, The Watermelon Woman is the story of Cheryl, a twenty-something black lesbian struggling to make a documentary about Fae Richards, a beautiful and elusive 1930s black film actress, popularly know as "The Watermelon Woman." While uncovering the meaning of the Watermelon Woman's life, Cheryl experiences a total upheaval in her own personal life. Her love affair with Diana, a beautiful white woman, and her interactions with the gay and black communities are subject to the comic yet biting criticism of her best friend Tamara. Meanwhile, each answer Cheryl discovers about the Watermelon Woman evokes a flurry of new questions about herself and her own future. At the film’s conclusion, the Watermelon Woman is clearly a metaphor for Cheryl's search for identity, community, and love. Cast: Cheryl (Cheryl Dunye) Shirley (Cheryl Clarke) Diana (Guinevere Turner) Mrs Dunye (Irene Dunye) Tamara (Valarie Walker) Lee (Brian Freeman) Herself (Camille Paglia) Volunteer (Toshi Reaagon) Fae Richards (Lisa Marie Bronson) Volunteer (Sarah Schulman) Questions for Discussion: 1. How is Dunye using direct address here? Does it differ from its use in other films we’ve studied? And if so, how? 2. How does The Watermelon Woman combine aspects of both documentary and narrative filmmaking? Why does Dunye select these modes for her film, and what are the effects for the spectator? 3. -
A Vegan Critique of Sausage Party Matthew Cole and Kate
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham Trent Institutional Repository (IRep) This is a pre-publication author draft. The paper will appear in the fall 2017 issue of ISLE: Interdisciplinary Studies in Literature and Environment Speciesism Party: a vegan critique of Sausage Party Matthew Cole and Kate Stewart Scholarly Article—vegan studies cluster 1 This is a pre-publication author draft. The paper will appear in the fall 2017 issue of ISLE: Interdisciplinary Studies in Literature and Environment Speciesism Party: a vegan critique of Sausage Party This paper provides a critical vegan reading of the comedy animation film Sausage Party (2016), directed by Conrad Vernon and Greg Tiernan and starring Seth Rogen and Kristen Wiig. Such a reading is situated within an emerging vegan studies framework (Wright 2015) that is sensitive to the reproduction of unequal power relations between humans and other species, but also how those power inequalities intersect with intra-human power relations along the lines of gender, sexuality, “race,” age, class, different experiences of embodiment and so on. Sociologist Erika Cudworth argues that “[w]e need as full an analysis of social intersectionality as we are capable of,” so that the critical focus remains on “relational systems of power” (Cudworth 2015, 101). Cudworth (2011) also introduced the concept of anthroparchy, to signify the human domination of nature, with “nature” including but not limited to other animals. In that context, Sausage Party perpetuates anthroparchy, in so far as it normalizes the consumption of “animal products” for the audience. -
University of Florida Thesis Or Dissertation Formatting
TOWARD A QUEER GAZE: CINEMATIC REPRESENTATIONS OF QUEER FEMALE SEXUALITY IN EXPERIMENTAL/AVANT-GARDE AND NARRATIVE FILM By ERIN CHRISTINE TOBIN A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2010 1 © 2010 Erin Christine Tobin 2 TABLE OF CONTENTS page ABSTRACT ..................................................................................................................... 4 CHAPTER 1 INTRODUCTION ...................................................................................................... 5 2 DESTABILIZING THE (MALE) GAZE IN FEMINIST LESBIAN AVANT-GARDE CINEMA .................................................................................................................. 11 Early Feminist Film Theory and the Theoretical Development of the Gaze ............ 11 Lacan’s Influence on Psychoanalytic Feminist Film Theory .................................... 12 Je tu il elle (1974) ................................................................................................... 22 On-Screen Sex Acts and Lesbian Representability ................................................ 27 Hide and Seek (1996) ............................................................................................. 29 3 BLURRING (IN)DIFFERENCE IN THE (BI) SEXUAL MID LIFE CRISIS FILM ....... 34 Lianna (1983) .......................................................................................................... 44 Desert Hearts -
Bibliothèque François Villon Liste Des Films Classés Par Réalisateur
Bibliothèque François Villon liste des films classés par réalisateur Sommaire Nom des réalisateurs commençant par la lettre : Cliquez sur la lettre pour atteindre la page correspondante A J S B K T C L U D M V E N W F O X - Y G P Z H Q Elaborée au mois de mars 2013, cette liste a une portée indicative. Elle ne peut I R refléter à l’exact notre fonds au moment où vous la consultez, notre fonds étant rythmé par de nouvelles acquisitions ou de dvd retirés pour cause de vétusté ou de vol. A Territoires Abbou, Olivier TER La vierge, les coptes et moi Abdel, Namir messeh VIE L'iceberg Abel, Dominique ICE Rumba Abel, Dominique RUM Garage Abrahamson, Lenny GAR Mission impossible 3 Abrams, J. J. MIS Star Trek Abrams, J.J. STA SUPER 8 Abrams, Jeffrey Jacob SUP Madame Brouette Absa, Moussa Sene MAD Paradise now Abu-Assad, Hany PAR Le hérisson Achache, Mona HER Dernière séance Achard, Laurent DER Le dernier des fous Achard, Laurent DER Numéro 9 Acker, Shane NUM Le monde de Narnia Adamson, Andrew MON Le monde de Narnia Adamson, Andrew MON Shrek Adamson, Andrew SHR Under the skin Adler, Carine UND Bagdad Café Adlon, Percy BAG New York Masala Advani, Nikhil NEW Gone baby gone Affleck, Ben GON The town Affleck, Ben TOW I'm Still Here Affleck, Casey IMS Pédale douce Aghion, Gabriel PED Rencontres Agostini, Philippe REN Entre deux rives Agresti, Alejandro ENT Une nuit avec Sabrina love Agresti, Alejandro NUI Haute tension Aja, Alexandre HAU Mirrors Aja, Alexandre MIR Piranha Aja, Alexandre PIR Golden eighties Akerman, Chantal GOL Jeanne Dielman 23 quai du commerce, 1080 Bruxelles Akerman, Chantal JEA La captive Akerman, Chantal CAP De l'autre côté Akin, Fatih DEL Head-on Akin, Fatih HEA Soul kitchen Akin, Fatih SOU 8th wonderland Alberny, Nicolas EIG La petite Jérusalem Albou, Karin PET Coup d'éclat Alcala, José COU Les maîtres de l'animation russe Aldashin, M. -
New Queer Cinema, a 25-Film Series Commemorating the 20Th Anniversary of the Watershed Year for New Queer Cinema, Oct 9 & 11—16
BAMcinématek presents Born in Flames: New Queer Cinema, a 25-film series commemorating the 20th anniversary of the watershed year for New Queer Cinema, Oct 9 & 11—16 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Sep 14, 2012—From Tuesday, October 9 through Tuesday, October 16, BAMcinématek presents Born in Flames: New Queer Cinema, a series commemorating the 20th anniversary of the term ―New Queer Cinema‖ and coinciding with LGBT History Month. A loosely defined subset of the independent film zeitgeist of the early 1990s, New Queer Cinema saw a number of openly gay artists break out with films that vented anger over homophobic policies of the Reagan and Thatcher governments and the grim realities of the AIDS epidemic with aesthetically and politically radical images of gay life. This primer of new queer classics includes more than two dozen LGBT-themed features and short films, including important early works by directors Todd Haynes, Gus Van Sant, and Gregg Araki, and experimental filmmakers Peggy Ahwesh, Luther Price, and Isaac Julien. New Queer Cinema was first named and defined 20 years ago in a brief but influential article in Sight & Sound by critic B. Ruby Rich, who noted a confluence of gay-oriented films among the most acclaimed entries in the Sundance, Toronto, and New Directors/New Films festivals of 1991 and 1992. Rich called it ―Homo Pomo,‖ a self-aware style defined by ―appropriation and pastiche, irony, as well as a reworking of history with social constructionism very much in mind . irreverent, energetic, alternately minimalist and excessive.‖ The most prominent of the films Rich catalogued were Tom Kalin’s Leopold and Loeb story Swoon (the subject of a 20th anniversary BAMcinématek tribute on September 13) and Haynes’ Sundance Grand Jury Prize winner Poison (1991—Oct 12), an unpolished but complex triptych of unrelated, stylistically diverse, Jean Genet-inspired stories. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Filmart 2014 №1
DAILY MARCH 24, FILMART 2014 №1 THR.COM/FILMART China_3D_cover_Day1.indd 1 3/21/14 3:18 PM ASIAN PREMIERE INTERNATIONAL MARKET PREMIERE Mon, 24th Mar. Mon,/ 16:00 24th /Mar. AMC / 16:00 Pacific / AMC 4 Pacific/ By Invitation4 / Market (BY INVITATION ONLY) Tue, 25th Mar. / 10:00 / AMC Pacific 1 / By Invitation Tue, 25th Mar. / 10:00 / AMC Pacific 1 / Market (BY INVITATION ONLY) Fortissimo Films HKIFF + HK Filmart Booth: 1E - B09 To set up a meeting with us, please e-mail to [email protected] HK 2014_THR_another me.indd 1 2014/3/19 �� 8:32 Fortissimo FP_Day1.indd 1 3/19/14 11:18 AM MARCH 24, 2014 THR.COM/FILMART FILMART №1 HONG KONG TODAY TOMORROW WEATHER AND HIGH 73° F 71° F TEMPS 23° C 22° C IP MAN 3 Chinese Movie Boom Boosts Filmart KICKS INTO An increased presence from the Mainland sparks optimism among dealmakers hoping to HIGH GEAR grab a larger slice of the world’s fastest-growing film marketBy Clifford Coonan and Karen Chu By Karen Chu ong Kong Filmart is already Asia’s largest wait and see. It’s a curtain raiser for Cannes and egasus Motion Pictures film market in terms of exhibitor numbers, advance showcase for upcoming projects, and it is will begin filming Ip H but coming shortly before Cannes, it is increasingly well attended.” P Man 3 in early 2015. an annual challenge to convince buyers to open But the growing allure of Chinese-language With a budget of $30 mil- their wallets in Asia, rather than wait for the bigger movies makes Filmart ever more important to lion, the finale of the trilogy, European platform. -
Presseheft DIE PINGUINE AUS MADAGASCAR.Pdf
Regie ........................................................................................................................ ERIC DARNELL .................................................................................................................................. SIMON J. SMITH Produktion .................................................................................................... LARA BREAY, p.g.a. .......................................................................................................................... MARK SWIFT, p.g.a. Ausführende Produktion................................................................................ TOM McGRATH ................................................................................................................................ MIREILLE SORIA ................................................................................................................................... ERIC DARNELL Ko-Produktion .................................................................................................... TRIPP HUDSON Drehbuch .................................................................................................... MICHAEL COLTON & ....................................................................................................................................... JOHN ABOUD ................................................................................................................. and BRANDON SAWYER Story ...................................................................................................... -
Martin T. Sherman
Martin T. Sherman The American Agency Ed Cobb Phone: +44 20 7485 8883 Email: [email protected] Website: http://www.americanagency.tv/ © Meredith Mora Information Acting age 31 - 45 years Nationality American Height (cm) 175 Languages English: native-language Weight (in kg) 82 Dialects Brooklyn-English: only when Eye color blue gray required Hair color Black Canadian-English: only when Hair length Medium required Stature very stocky/strong Southern-English: only when Place of residence London, UK required Housing options Any American: always Accents Arabic: only when required Russian: only when required Spanish: only when required French: only when required American: only when required Sport American football, Archery, Billiards, Fencing (stage), Paintball, Swim, Water polo Profession Actor, Dubbing actor, Speaker Singing Musical: basic Pitch Tenor Professional background Southern Methodist University Other Education & Training 1984 Pinellas county centre for the arts High school Arts Magnet Film 2011 Captain America Role: Brandt's Aide (SR) Director: Joe Johnston Producer: Kevin Feige Distribution: Paramount Television Vita Martin T. Sherman by www.castupload.com — As of: 2021-04-21 Page 1 of 2 2009 –… Thomas & Friends Role: Thomas, Percy and Diesel (LR) Director: Greg Tiernan Producer: HIT Ent TV Channel: PBS Theatre 1999 Hauptman Role: Bruno Hauptman (LR) Director: Lee shine Producer: Lee shine Theatre: Man in the Moon Audio 2020 Low Role: Toni Visconti (LR) Director: Dirk Maggs Producer: David Morley Audio: BBC Radio Other 2019 LEGO MARVEL SUPER HEROES 2 Role: Spiderman / Iron Fist (SR) Director: Adam Chapman Producer: Marvel Commercial 2015 Mr. Milk (Italy only) © Meredith Mora Vita Martin T. Sherman by www.castupload.com — As of: 2021-04-21 Page 2 of 2.